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Books on the topic 'Award-winning children's novels'

Author: Grafiati

Published: 4 June 2021

Last updated: 13 February 2022

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1

Estes, Eleanor. The hundred dresses. Orlando, Fla: Harcourt, 2004.

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2

Estes, Eleanor. The Hundred Dresses. Orlando: Harcourt, 2004.

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3

Estes, Eleanor. 一百条裙子: The Hundred Dresses. Tianjin: Xin lei chu ban she, 2016.

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4

Mlawer, Teresa, and Eleanor Estes. Los Cien Vestidos. New York: Lectorum Publications, 1994.

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5

Estes, Eleanor. 一百条裙子. Tianjin: Xin lei chu ban she, 2012.

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6

Estes, Eleanor. 一百条裙子: The Hundred Dresses. Tianjin Shi: Xin lei chu ban she, 2016.

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7

White, E. B. Charlotte's Web. New York, USA: HarperCollins, 1999.

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8

White, E. B. Charlotte's Web. New York, USA: HarperCollins Publishers, 1999.

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9

White, E. B. Tela Charlottae: Fabula. New York, N.Y. USA: Harper & Row, 1985.

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10

White, E. B. Charlotte's Web: 夏洛的网. Shang hai: Shang hai yi wen chu ban she, 2016.

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11

White, E. B. Las telarañas de Carlota. Barcelona, Spain: Editorial Noguer, 1988.

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12

White, E. B. Charlotte's Web. New York, USA: HarperTrophy, 1999.

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13

White, E. B. Las telarañas de Carlota. Barcelona: Rebound by Sagebrush, 1997.

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14

White, E. B. La tela di Carlotta. Milano: Mondadori, 2007.

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15

White, E. B. Charlotte và Wilbur. Hà Nội: NXB Văn học, 2008.

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16

White, E. B. Charlotte's Web. New York, USA: HarperCollins Publishers, 2003.

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17

Neumeyer, Peter F. The Annotated Charlotte's Web. New York, USA: HarperCollins Publishers, 1994.

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18

White, E. B. 샬롯의거미줄. Sŏul-si: Sigong Juniŏ, 2006.

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19

White, E. B. Teias de charlotte. 5th ed. France: HarperCollins Publishers, 1998.

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20

White, E. B. La telarana de Carlota. New York, USA: HarperCollins, 2005.

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21

White, E. B. 夏綠蒂的網: Charlotte's Web. Taibei Shi: Lian jing chu ban shi ye gu fen you xian gong si, 2003.

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22

White, E. B. Örümcek ağı. Istanbul, Turkey: Yapı Kredi Yayınları, 2019.

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23

White, E. B. Charlotte's Web. New York, USA: HarperEntertainment, 2006.

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24

White, E. B. Charlotte's Web. St. Ives: Puffin, 1993.

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25

White, E. B. Charlotte's Web. New York, USA: HarperCollins, 1999.

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26

White, E. B. Charlotte's Web. London: Puffin, 2003.

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27

te, Huai. 夏洛的网: Charlotte's Web. Shang hai: Shao nian er tong chu ban she, 2006.

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28

White, E. B. La tela di Carlotta. Milan, Italy: Mondadori, 1994.

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29

White, E. B. 夏洛的网: Charlotte's Web. Shanghai: Yi wen chu ban she, 2012.

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30

White, E. B. Charlotte's Web. S.l: HARPERCOLLINS, 1974.

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31

White, E. B. Charlotte's Web. New York, USA: HarperCollins Publishers, 1999.

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32

White, E. B. Charlotte's Web. New York, USA: HarperCollins Publishers, 2003.

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33

White, E. B. Charlotte's Web. New York: Scholastic, 1970.

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34

Charlotte's Web. Boston, USA: Houghton Mifflin, 2005.

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35

White, E. B. Las telarañas de Carlota. 2nd ed. Barcelona, Spain: Editorial Noguer, 1989.

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36

White, E. B. Tela Charlottae. New York, NY, USA: HarperCollins, 1991.

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37

White, E. B. Charlotte's Web. New York: HarperCollinsPublishers, 2006.

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38

Abate, Michelle Ann, and Gwen Athene Tarbox, eds. Graphic Novels for Children and Young Adults. University Press of Mississippi, 2017. http://dx.doi.org/10.14325/mississippi/9781496811677.001.0001.

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One of the most significant transformations in literature for children and young adults during the last twenty years has been the resurgence of comics. Educators and librarians extol the benefits of comics reading, and increasingly, children's and young adult comics and comics hybrids have won major prizes, including the Printz Award and the National Book Award. Despite the popularity and influence of children's and young adult graphic novels, the genre has not received adequate scholarly attention. This book offers a critical examination of children's and YA comics. The anthology is divided into five sections: structure and narration; transmedia; pedagogy; gender and sexuality; and identity, that reflect crucial issues and recurring topics in comics scholarship during the twenty-first century. The chapters analyze a variety of contemporary comics, including such highly popular series as Diary of a Wimpy Kid and Lumberjanes; Eisner award-winning graphic novels by Gene Luen Yang, Nate Powell, Mariko Tamaki, and Jillian Tamaki; as well as volumes frequently challenged for use in secondary classrooms, such as Raina Telgemeier's Drama and Sherman Alexie's The Absolutely True Diary of a Part-Time Indian.

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39

Sommers, Joseph Michael, and Kyle Eveleth, eds. The Artistry of Neil Gaiman. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496821645.001.0001.

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Neil Gaiman (1960-present) currently reigns in the literary world as one of the most critically-decorated and popular authors of the last fifty years. Perhaps best known as the writer of the Harvey, Eisner, and World Fantasy-award winning DC/ Vertigo series, The Sandman, Gaiman quickly became equally-renowned in literary circles for works such as Neverwhere, Coraline, the Hugo, Nebula, Locus, etc. award-winning American Gods, as well as the Newbery and Carnegie Medal-winning The Graveyard Book. For adults, for children, for the comic reader to the viewer of the BBC's Doctor Who, Gaiman's writing has crossed the borders of virtually all media and every language making him a celebrity on a world-wide scale. Despite Gaiman's incredible contributions to multiple national comics traditions (from such works as Miracleman to the aforementioned The Sandman), to the maturation of American comics as a serious storytelling medium, and to changing the rights of creators to retain ownership of their works, his work continues to be underrepresented in sustained fashion in comics studies. As American Gods tops ratings charts for Starz, Anansi Boys can be found in radio play from the BBC, and adaptations of some of his work from Trigger Warning and Fragile Things become standalone comics by renowned artists, it seems timely to bring the bulk of Gaiman's comics into the scholarly discussion. The thirteen essays and two interviews with Gaiman and his frequent collaborator, artist P. Craig Russell, a formal introduction, forward, and afterword examine the work (specifically-comics, graphic novels, picture books, visual adaptations of prose works, etc.) of Gaiman and a multitude of his collaborative illustrators. The essays radiate from an examination of Gaiman's work surrounding proclamations challenging his readers to "make good art'; what makes Gaiman's work unique and worthy of study lies in his eschewing of typical categorizations and typologies, his constant efforts to make good art-whatever form that art may take-howsoever the genres and audiences may slip into one another. What emerges is a complicated picture of a man who always seems fully-assembled virtually from the start of his career, but only came to feel comfortable in his own skin and his own voice far later in his life.

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40

The Hundred Dresses. Recorded Books, 2015.

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41

Estes, Eleanor. Cien Vestidos/Hundred Dresses. Tandem Library, 2003.

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42

Estes, Eleanor. The Hundred Dresses (Voyager Books). Rebound by Sagebrush, 1999.

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43

Estes, Eleanor. The Hundred Dresses. Perfection Learning Prebound, 1988.

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44

Estes. The Hundred Dresses. Harcourt, 1998.

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45

Estes, Eleanor, and Louis Slobodkin. Hundred Dresses. Houghton Mifflin Harcourt Publishing Company, 2014.

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46

Estes, Eleanor. The Hundred Dresses. Recorded Books, 1998.

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47

Estes, Eleanor. Cien Vestidos/Hundred Dresses. Sagebrush Education Resources, 1999.

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48

Estes, Eleanor. Le Jeu des cent robes. Casterman, 2003.

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49

Estes, Eleanor. Los Cien Vestidos. Lectorum Publications, 1994.

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50

White, E. B. Charlotte's Web. Tandem Library, 2001.

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