Journal articles on the topic 'Avant-garde (music)'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 50 journal articles for your research on the topic 'Avant-garde (music).'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.
GRAHAM, STEPHEN. "From Microphone to the Wire: Cultural change in 1970s and 1980s music writing." Twentieth-Century Music 16, no. 3 (April 30, 2019): 531–55. http://dx.doi.org/10.1017/s1478572218000336.
Full textCalico. "Music in Avant-Garde Periodicals." Journal of Modern Periodical Studies 8, no. 2 (2018): 157. http://dx.doi.org/10.5325/jmodeperistud.8.2.0157.
Full textRedhead, Lauren. "THE AVANT GARDE AS EXFORM." Tempo 72, no. 286 (September 6, 2018): 7–16. http://dx.doi.org/10.1017/s0040298218000311.
Full textMedić, Ivana. "The Impossible Avant-garde of Vladan Radovanović." Musicological Annual 55, no. 1 (June 20, 2019): 157–76. http://dx.doi.org/10.4312/mz.55.1.157-176.
Full textLipták, Michal. "Body, Music and Electronics: Pierre Schaeffer and the Phenomenology of Music." Studia Universitatis Babeș-Bolyai Philosophia 67, no. 1 (April 5, 2022): 45–74. http://dx.doi.org/10.24193/subbphil.2022.1.03.
Full textAtton, Chris. "Listening to ‘difficult albums’: specialist music fans and the popular avant-garde." Popular Music 31, no. 3 (October 2012): 347–61. http://dx.doi.org/10.1017/s0261143012000281.
Full textMĂNĂILESCU, Sorana. "Versions of Post Avant-Garde Music." Bulletin of the Transilvania University of Braşov. Series VIII:Performing Arts 13(62), no. 1 (June 20, 2020): 117–26. http://dx.doi.org/10.31926/but.pa.2020.13.62.1.13.
Full textPereverzeva, M. V. "The Works of Contemporary Composers in the Teaching Repertoire of the Music Institutions: Mastering Problem." Contemporary problems of social work 6, no. 4 (December 30, 2020): 29–35. http://dx.doi.org/10.17922/2412-5466-2020-6-4-29-35.
Full textFerguson, John R., and Andrew R. Brown. "Fostering a Post-Digital Avant-Garde: Research-led teaching of music technology." Organised Sound 21, no. 2 (June 30, 2016): 127–37. http://dx.doi.org/10.1017/s1355771816000054.
Full textVasic, Aleksandar. "Serbian Literary Magazine and avant-garde music." Muzikologija, no. 5 (2005): 289–306. http://dx.doi.org/10.2298/muz0505289v.
Full textPiekut, Benjamin. "Indeterminacy, Free Improvisation, and the Mixed Avant-Garde:." Journal of the American Musicological Society 67, no. 3 (2014): 769–824. http://dx.doi.org/10.1525/jams.2014.67.3.769.
Full textLena, Jennifer C., and Richard A. Peterson. "Classification as Culture: Types and Trajectories of Music Genres." American Sociological Review 73, no. 5 (October 2008): 697–718. http://dx.doi.org/10.1177/000312240807300501.
Full textBivins, Jason. "Response to Michael Kaler." Bulletin for the Study of Religion 45, no. 1 (April 12, 2016): 43–46. http://dx.doi.org/10.1558/bsor.v45i1.29902.
Full textAnufrieva, N. I., and A. P. Efremenko. "Problem of Forming of Musical-Performing Competency of Pedagogue- Musicians on the Base of Vanguard Works for Folk Instruments." Uchenye Zapiski RGSU 19, no. 3 (September 30, 2020): 68–75. http://dx.doi.org/10.17922/2071-5323-2020-19-3-68-75.
Full textČurda, Martin. "‘From the Monkey Mountains’: The Body, the Grotesque and Carnival in the Music of Pavel Haas." Journal of the Royal Musical Association 141, no. 1 (2016): 61–112. http://dx.doi.org/10.1080/02690403.2016.1151235.
Full textZagorski, Marcus. "Making the postwar avant-garde more German." Studia Musicologica 56, no. 4 (December 2015): 459–66. http://dx.doi.org/10.1556/6.2015.56.4.12.
Full textEgbe, Amanda. "Avant Garde Museology." Leonardo 50, no. 2 (April 2017): 217–18. http://dx.doi.org/10.1162/leon_r_01393.
Full textHakobian, Levon. "The reception of Soviet music in the west: A history of sympathy and misunderstandings." Muzikologija, no. 13 (2012): 125–37. http://dx.doi.org/10.2298/muz120204015h.
Full textLipták, Michal. "Roman Ingarden’s Problems with Avant-garde Music." Estetika: The European Journal of Aesthetics 50, no. 2 (November 25, 2013): 187. http://dx.doi.org/10.33134/eeja.109.
Full textBritton, Eliot. "Genre and Capital in Avant-garde Electronica." Organised Sound 21, no. 1 (March 3, 2016): 61–71. http://dx.doi.org/10.1017/s1355771815000382.
Full textSyuta, B. "New Sheet Editions of Chamber Works by Ukrainian Composers." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 134 (November 17, 2022): 155–59. http://dx.doi.org/10.31318/2522-4190.2022.134.269654.
Full textNowicka, Daria. "Awangarda panoramicznie." Poznańskie Studia Slawistyczne, no. 18 (April 28, 2020): 305–17. http://dx.doi.org/10.14746/pss.2020.18.19.
Full textJakelski, Lisa. "Góórecki's Scontri and Avant-Garde Music in Cold War Poland." Journal of Musicology 26, no. 2 (2009): 205–39. http://dx.doi.org/10.1525/jm.2009.26.2.205.
Full textMUSSGNUG, FLORIAN. "Writing Like Music: Luciano Berio, Umberto Eco and the New Avant-Garde." Comparative Critical Studies 5, no. 1 (February 2008): 81–97. http://dx.doi.org/10.3366/e1744185408000281.
Full textBenthien, Claudia, and Wiebke Vorrath. "German sound poetry from the neo-avant-garde to the digital age." SoundEffects - An Interdisciplinary Journal of Sound and Sound Experience 7, no. 1 (December 21, 2017): 4–26. http://dx.doi.org/10.7146/se.v7i1.97176.
Full textJr., Guthrie P. Ramsey, and David Glen Such. "Avant-Garde Jazz Musicians: Performing "Out There"." American Music 13, no. 3 (1995): 364. http://dx.doi.org/10.2307/3052623.
Full textHolotenko, Pavlo. "Jazz Avant-Garde by Cecil Taylor." Aspects of Historical Musicology 19, no. 19 (February 7, 2020): 466–81. http://dx.doi.org/10.34064/khnum2-19.27.
Full textGraham, Stephen. "(Un)Popular Avant-Gardes: Underground Popular Music and the Avant-Garde." Perspectives of New Music 48, no. 2 (2010): 5–20. http://dx.doi.org/10.1353/pnm.2010.0004.
Full textWright, David, Various Artists, Nellie Lee, and Alexander Lazarev. "Music of the Russian Avant Garde, 1910-1930." Musical Times 134, no. 1804 (June 1993): 353. http://dx.doi.org/10.2307/1003081.
Full textSovtić, Nemanja. "Rudolf Bruči and the criticism of the European avant-garde." Studia Musicologica 56, no. 4 (December 2015): 429–41. http://dx.doi.org/10.1556/6.2015.56.4.10.
Full textAllaerts, Wilfried. "On Music and Soul: Coltrane’s My Favorite Things, LeRoi Jones' Black Music and Adorno's papers on Jazz." International Journal of Arts and Humanities 2, no. 1 (2022): 56–69. http://dx.doi.org/10.25082/ijah.2021.01.003.
Full textMustafayev, Femiy. "Ukrainian vocal music of the 20th – early 21st century in the pedagogical repertoire of the soloist-vocalist." Collection of scientific works “Notes on Art Criticism”, no. 39 (September 1, 2021): 154–59. http://dx.doi.org/10.32461/2226-2180.39.2021.238712.
Full textBARRETT, G. DOUGLAS. "Contemporary Art and the Problem of Music: Towards a Musical Contemporary Art." Twentieth-Century Music 18, no. 2 (February 15, 2021): 223–48. http://dx.doi.org/10.1017/s1478572220000626.
Full textShapovalova, Liudmyla, Іryna Romaniuk, Marianna Chernavska, and Svitlana Shchelkanova. "Early (Avant-garde) Symphonies by Valentin Silvestrov As a Sound Universe." Studia Universitatis Babeş-Bolyai Musica 66, no. 1 (June 30, 2021): 329–43. http://dx.doi.org/10.24193/subbmusica.2021.1.21.
Full textMichael Hicks. "Mass Marketing the American Avant-Garde, 1967–1971." American Music 35, no. 3 (2017): 281. http://dx.doi.org/10.5406/americanmusic.35.3.0281.
Full textKogler, Susanne. "Art as a Critique of Language: On the Continuity of the Tradition of the Avant-Garde Aesthetic in the Modern and the Postmodern." Musicological Annual 43, no. 2 (December 1, 2007): 287–303. http://dx.doi.org/10.4312/mz.43.2.287-303.
Full textMUSSER, JORDAN. "The Avant-Garde is in the Audience: On the Popular Avant-Gardism of Linton Kwesi Johnson's Dub Poetry." Twentieth-Century Music 16, no. 3 (September 12, 2019): 457–99. http://dx.doi.org/10.1017/s147857221900029x.
Full textRovner, Anton А. "The Transformation of a Music Festival in St. Petersburg “The World of Art. Contrasts”." ICONI, no. 2 (2019): 159–71. http://dx.doi.org/10.33779/2658-4824.2019.2.159-171.
Full textKluszczynski, Ryszard W. "Re-Writing the History of Media Art: From Personal Cinema to Artistic Collaboration." Leonardo 40, no. 5 (October 2007): 469–74. http://dx.doi.org/10.1162/leon.2007.40.5.469.
Full textBierman, Benjamin. "Pharoah Sanders, Straight-Ahead and Avant-Garde." Jazz Perspectives 9, no. 1 (January 2, 2015): 65–93. http://dx.doi.org/10.1080/17494060.2015.1132517.
Full textШатрашанова, Мария Викторовна. "Nazib Zhiganov Between the Official Ideology and New Music." Музыкальная академия, no. 1(773) (March 31, 2021): 60–69. http://dx.doi.org/10.34690/128.
Full textGallope, Michael. "Why was this Music Desirable? On A Critical Explanation of the Avant-Garde." Journal of Musicology 31, no. 2 (2014): 199–230. http://dx.doi.org/10.1525/jm.2014.31.2.199.
Full textBall, Philip. "Playing to the quantum beats." Physics World 36, no. 4 (April 1, 2023): 26–30. http://dx.doi.org/10.1088/2058-7058/36/04/27.
Full textMoholy, Lucia. "International Avant-Garde, 1927–1929." October 172 (May 2020): 109–10. http://dx.doi.org/10.1162/octo_a_00394.
Full textKuleszewicz, Anna. "Aleś Puszkin — czołowa postać białoruskiej awangardy?" Kultury Wschodniosłowiańskie - Oblicza i Dialog, no. 7 (July 31, 2018): 87–98. http://dx.doi.org/10.14746/kw.2017.7.7.
Full textBraun, William. "Expanding the Repertoire: Avant-Garde Music for School Choirs." Music Educators Journal 74, no. 8 (April 1988): 46–51. http://dx.doi.org/10.2307/3398011.
Full textMcClary, Susan. "Terminal Prestige: The Case of Avant-Garde Music Composition." Cultural Critique, no. 12 (1989): 57. http://dx.doi.org/10.2307/1354322.
Full textNardone, Michael. "Skirmish at the Oasis: On Sonic Disobedience." Leonardo Music Journal 26 (December 2016): 92–96. http://dx.doi.org/10.1162/lmj_a_00983.
Full textJohnson, Jake. "PERFORMING THE PATRON: BETTY FREEMAN AND THE AVANT-GARDE." Tempo 68, no. 269 (June 16, 2014): 42–49. http://dx.doi.org/10.1017/s0040298214000059.
Full textIverson, Jennifer. "Disabling the avant-garde: Listening to Berberian and Lucier." Journal of Interdisciplinary Voice Studies 4, no. 2 (October 1, 2019): 157–77. http://dx.doi.org/10.1386/jivs_00003_1.
Full text