Relevant bibliographies by topics / Autobiography – Russian authors

Academic literature on the topic 'Autobiography – Russian authors'

Author: Grafiati
Published: 26 July 2024
Last updated: 27 July 2024

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Journal articles on the topic "Autobiography – Russian authors"

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Twaranowicz, Halina. "Диариуш Афанасия Филипповича и Житие протопопа Аввакума: типологические схождения в историческом контексте." Studia Wschodniosłowiańskie 21 (2021): 75–90. http://dx.doi.org/10.15290/sw.2021.21.05.

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A leading position in the 17th century Belarusian literature is occupied by Afanasij Filipovich, a writer and publicist, a political and Orthodox Church activist. His “Diariuš”, an autobiographical work is one of the most distinctive examples of polemic publicity devoted to the fight against the Brest Union in 1596 and its tragic consequences. Meanwhile, a special place in the 17th century Russian literature is occupied by protopop Avvakum’s “Žitie” – a remarkable first apostle and a symbol of the Old Believers movement whose life experience served as the first autobiography in Russian literature. Afanasij Filipovich’s “Diariuš” and protopop Avvakum’s “Žitie” present sufficient grounds for considering various typological similarities and parallels in authors’ fate and the pathos of their works. New principles of the selfawareness of an individual and the ways of expressing them are present in the works of Belarusian and Russian writers.
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Usmanova, Diliara M. "To be a Muslim in the Penitentiary System of the Russian Empire: Evidence from Tatar Ego-documents of the Early 20th Century." RUDN Journal of Russian History 22, no. 2 (June 15, 2023): 188–206. http://dx.doi.org/10.22363/2312-8674-2023-22-2-188-206.

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The article sheds light on the experience of being an inorodets (a non-Russian, non-Christian subjects of the Russian Empire) in the imperial penitentiary system. The Tatar intellectual elite of the early 20th century pondered over the “prison experience” of this period in a number of texts, and the most significant of them are ego-documents written by a new generation of the Tatar elite that reflect new trends in the public discourse of the Muslim community of late imperial Russia. The present publication is based on the texts of private origin (autobiographies, memoirs, diaries) of a number of Muslim prisoners who had a difficult relationship with the authorities as well as with the officially recognized Muslim clergy. The article analyzes three works representing different views of Muslim authors on their prison experience. The prison reality at the turn of the 1870-1880s is depicted in the autobiography of Gabdrashid Ibragimov, who described it from the position of a young Muslim believer. He experienced feelings of shame during in time imprisoned; and at the same he realized that the prison had become for him a “school of life.” The other two writings are the famous work “Prison [Tiur’ma]” by Gaiaz Iskhaqyi and “Prison Reminiscences [Tiuremnye vospominaniia]” by Iusuf Akchura. They were published in 1907 and describe the prison experience of a Muslim in a Tsarist prison from an alternative perspective. We see that the emerging Tatar intellectual circle was quite seriously incorporated into the political context of the late Russian Empire. Therefore, religious aspects of prison reality occupy a rather modest place in the works of the Tatar political activists, and the personal experience of religious feelings is marginal. This corresponds to the circumstance that personal religious experience did not dominate the general worldview of the authors. At the same time the description of prison experience in the form of a more or less developed literary work reflected the level of the various authors’ “personality as well as cognitive and human maturity.”
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Ponomarev, Evgeny. "The history of Russian literature of the 19th and the early 20th centuries according to Ivan Bunin (a page from the unpublished notebook)." Literary Fact, no. 16 (2020): 80–92. http://dx.doi.org/10.22455/2541-8297-2020-16-80-92.

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The article is a detailed commentary to a page from Ivan Bunin’s unpublished notebook (1944). The page lists the names of writers, poets, critics and publishers from the time of Bunin’s youth. According to the author of the article, this listing gives much more objective information about the influences on Bunin’s own early work recognized by himself than all autobiographical notes and memoirs published by the writer. The list of prose writers is dominated by Narodnik authors (he met many of them thanks to his brother, Yuly Bunin) and the writers close to them, who were considered “progressive”. In the list of poets, the authors of “pure art” are connected with the poets of “civil sorrow”, members of the Surikov circle and some senior Symbolists. The list of critics and publishers brings us back to populism. The article concludes that the list presents an attempt of an objective literary autobiography, in contrast to such official autobiographical texts as “Memoirs”.
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Lebedeva, Natalia B., Tatyana G. Rabenko, and Irina A. Krym. "Axiological dominants of the Soviet mentality in an autobiographical text." Sibirskiy filologicheskiy zhurnal, no. 3 (2021): 301–16. http://dx.doi.org/10.17223/18137083/76/22.

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This paper considers the texts of natural written speech as a source of describing the author’s personality axiological dominants determined by the social norms and reflecting them. The authors substantiate the statement about the significant manifestation of the personal principle in certain genres of natural written speech, with texts not subjected to editing and censorship, which is one of the most specific features of this type of speech activity. The research materials are the draft versions of autobiographical texts that embody the personal element quite explicitly despite the cliché nature of the speech genre of autobiography due to its institutional nature. The axiological analysis of autobiographies is based on the concept of “autographeme,” considered as a life event transformed by a person into a text event. The axiological study of autographemes has revealed through the method of keywords the author’s axiological orientations, reflecting, ultimately, the value dominants of the Soviet mentality: “the Soviet person is a screw, a part of the socialist system,” “work as a socially useful creative activity,” “accessibility of education,” “social elevators,” etc. The dominants mentioned are centered by the superdominant “social justice of socialism,” integrating all the axiological meanings of the autobiographical text. In some autographemes (“parents and their social status”, “work path”), the transformation of the author’s social orientations (and to a certain extent the society) can be traced through the correlation of what was written with the sociocultural stage of Russian society when the autobiography was written.
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Poltorak, Sergey N., and Anastasia V. Zotova. "Lyudmila Alekseevna Verbitskaya: The “Ukrainian Start” of the Russian Philologist." Herald of an archivist, no. 1 (2023): 286–300. http://dx.doi.org/10.28995/2073-0101-2023-1-286-300.

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The activities of the prominent Russian organizer of science, scientist, and teacher of higher education, Lyudmila Alekseevna Verbitskaya (Bubnova), are extremely relevant. Studying of her experience allows us to form an effective work algorithm for our contemporary seeking to make a personal contribution to the development of national science and education. To conduct the study, the authors have used such methods as analysis, synthesis, generalization, comparison, as well as a number of purely historical methods: historical-systemic, comparative, retrospective. The publication is to analyze the previously unpublished documents from the archive of the Ivan Franko Lviv State University on Lyudmila Bubnova’s stay in the Lviv Children’s Labour Colony, where criminals and children of repressed Soviet citizens were kept together. Lyudmila Alekseevna Verbitskaya is a famous Russian philologist and organizer of science, the only female rector in the history of the St. Petersburg State University. Lyudmila Alekseevna began her career in Ukraine, being admitted to the Ivan Franko Lviv State University from the Lviv Children's Labor Colony, where she was kept as the daughter of an “enemy of the people.” The article is based on unique archival documents that permit to analyze the initial formation of the future philologist; among them L. A. Bubnova’s handwritten autobiography (1953), petition of the head of the department of children's colonies of the Lviv region, Major Chumakov, to the rector of the Ivan Franko Lviv State University for her admission to the faculty of philology (department of Russian philology), L. Bubnova's texts in Russian and Ukrainian written for entrance examination in the university, documentary data on her grades at entrance examination in Russian language and literature, Ukrainian language, history of the USSR, geography, and foreign language. Of interest is her personal data sheet, her academic certificate for the first year at the university with results of 8 exams and tests in the first semester and 12 tests and exams in the second semester, as well as her coursework. The authors conclude that the “Lviv period” in her life and education gave L. A. Verbitskaya (Bubnova) a launching pad for her future scientific and administrative career.
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Bekhterev, Sergei L., and Lyudmila N. Bekhtereva. "Early Soviet Regional History in the Fates of Compatriots Through the Example of G.K. Ozhigov’s Biography." RUDN Journal of Russian History 22, no. 3 (December 15, 2023): 456–69. http://dx.doi.org/10.22363/2312-8674-2023-22-3-456-469.

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The early Soviet period in the life of Grigory Kondratievich Ozhigov (Ozhegov) (1878-1935) is reconstructed within the author’s paper. A native of a Vyatka peasant family, a worker at the Izhevsk defense factories, a Socialist-Revolutionary militant, as well as a member of the All-Russian Central Executive Committee of the first convocation, who was at party work in the Baltic States and Finland, Orzhigov had a varied career The authors through their work have introduced into scientific use new sources analyzed in the context of the theory of social adaptation, through anthropological approach as well as historical-biographical methodology. Of greatest interest are the materials of the: Revolutionary Civil Council of Izhevsk (1918), Soviet commissions on the affairs of former Red Guards and Red partisans (the 1930s), and the autobiography and memoirs of G.K. Ozhigov himself . The documents of the private origin fund of the Ozhigov family are stored in the Central State Archive of the Udmurt Republic, and are of a complex nature. The study of the biography of Ozhigov, who had turned out to be among the most revolutionary-minded citizens, as shown in other empirical material, does explain why he supported the left-wing radical societal project in Udmurtia. A region by the beginning of modern times which has been the largest agrarian and industrial region of Russia, while largely preserving its traditional way of life.
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Pavlova, Svetlana Yu. "French lectures – 2022." Izvestiya of Saratov University. Philology. Journalism 22, no. 3 (August 24, 2022): 361–64. http://dx.doi.org/10.18500/1817-7115-2022-22-3-361-364.

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The article presents a review of a three-day conference session “French lectures: teachers and students” (“Lectures françaises: maîtres et disciples”) as part of the 50th International scientific philological anniversary conference named after L. A. Verbitskaya, which took place on March 15–23, 2022, at St. Petersburg State University. The work of this session was dedicated to the memory of its founder, Tatyana Solomonovna Taymanova (1954–2020), who made a significant contribution to the development of the Russian and French literary and intellectual ties. This year the format of the “French lectures” has been transformed in order to expand the chronological framework and specify the theme range, which will be annually updated, according to the organizers’ design. The topic of the past breakout session – “Teachers and students” – focused the scientific discussion on the issue of the continuity of the ideas of writers, philosophers, literary scholars, on the impact of the poetics of one author on the oeuvre of others, on the reception of works in different types of art and national cultures. The presentations of the Russian and foreign participants addressed a wide range of works from the Middle Ages to the 21st century, various genres (fairy-tale, essay, novel, epistolary, autobiography, travelogue, comics), classical and modern French authors (J.-B. Moliere, Ch. Montesquieu, G. Sand, M. Proust, P. Claudel, Ch. Peguy, G. Perec, C. Laurens, Shan Sa, etc.), the reception and influence of the Russian writers and thinkers in France (F. M. Dostoyevsky, N. A. Berdyaev, A. S. Lappo-Danilevsky, M. I. Tsvetaeva), traditional and new approaches to the analysis of a literary text. “French lectures – 2022” have confirmed their status of an outstanding platform which promotes strengthening the scientific relationships and Russian and French interaction.
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HUNDOROVA, Tamara. "AUTOBIOGRAPHY AND THE “SPIRIT OF TIME” IN A. KRYMSKYI’S NIGILIST NOVEL “ANDRII LAGOVSKYI”." Culture of the Word, no. 95 (2021): 53–64. http://dx.doi.org/10.37919/0201-419x-2021.95.5.

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The article presents an analysis of Ahatanhel Krymskyi’s novel “Andrew Lagovskyi” in terms of reflecting the “spirit of the times” (decadence, hysteria, plebeianism), the actualization of the philosophy of nihilism, imperial colonialism. Such a critical perspective determined the structure of the article. The focus is on the psychotype of a new character in the literature of the modern era – “hysterical man”. It is noted that the two defining features of modernism – intellectualism and neuroticism – link Krymskyi with modernism. The comparison of this feature of Krymskyi’s work with the works of art of Ivan Franko (collection “Withered Leaves”) and Lesia Ukrainka (“Blue Rose”) was made. It is emphasized that at the end of the XIX century. the notion of a biographical “human document” is transformed into a subjective “psychological document”, and the artistic image into a “vivisection” and introspection – a self-analysis of one’s own soul. It is concluded that the new literature and, in particular, the emerging modern subject clearly tended to decadence, and the new authors unequivocally associated themselves with the decadents, even though they denied it. All this undermined the foundations of populist consciousness, that is, the worship of the “people” that dominated Ukrainian literature in the Shevchenko era. The linguistic diversity of the Krymskyi’s narrative is noted, in particular, the saturation of the text of the novel with quotations, translations, scientific commentaries, transitions to Greek, Turkish, German, French, Latin, and Russian. Socio-cultural value is noted in relation to fragments of vernacular language practice of the mother of the main character. Textual phenomena such as insinuation and orientalism have been noted. Ahatanhel Krymskyi’s unfinished novel is considered as a model of a modernist novel with its intellectual hero, polymorphic structure, philosophical and moral themes, psychological analysis and autobiography.
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Roshchina, Olga S., and Oksana A. Farafonova. "AUTOBIOGRAPHIES BASED ON MODELS OF FICTION LITERATURE PLOTS IN RUSSIAN MEMOIRISTICS OF THE 18TH CENTURY." Lomonosov Journal of Philology, no. 4, 2023 (August 23, 2023): 113–22. http://dx.doi.org/10.55959/msu0130-0075-9-2023-47-04-10.

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The article identifies thе alternative changes to the traditional plot pattern for autobiographical narration. Memoirs of the 18th century are based on the cumulative principle presuming that heterogeneous events (both nation-wide and those of public and private life of the memoirist himself) are described in parallel and in a strict chronological sequence. In contrast to the previous tradition of memoir-making, Shakhovskoy conceptualizes his life as moving from happiness to unhappiness and focuses on the cumulative plot of an adventure novel. He describes only official activity and builds up the plot of the autobiography as a number of series, consisting of structurally homogeneous microplots or plot situations. Happiness alternates with unhappiness both within the series of microplots and in the very sequence of the series (loss of patrons — victories over opponents — victories of opponents — success in the service of Her Majesty). Unlike other autobiographies, The Adventures of Ensign Klimov is based not on the cumulative but on the cyclic pattern of the plot (forced abandonment of the Fatherland and the family — suffering calamities in exile — return). The plot of Klimov’s memoirs is semantically based on the story of cruel fate and God’s will. The memoirs of Shakhovsky and Klimov actually represent two possible options for transferring the plot structure of epic genres into memoir narration: specifically, the cumulative plot of an adventure novel in one case, and the cyclic one of the parable of the prodigal son and ancient Russian stories dating back to it in the other. The use of models of fiction literature plots is predetermined by the authors’ conceptual understanding of their own life history, in contrast to most memoirs of the 18th century, where events are simply recorded as a chronicle and do not line up in a semantically determined plot series.
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Khatyamova, Marina A. "Dialogue with Literary “Forefathers” in the Ego-Texts of Writers of the Younger Generation of the First Wave of Emigration (I. Odoevtseva, G. Kuznetsova, N. Berberova)." Izvestia of the Ural federal university. Series 2. Humanities and Arts 24, no. 3 (2022): 41–51. http://dx.doi.org/10.15826/izv2.2022.24.3.043.

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This article analyses the ego-documentary narratives authored by writers of the younger generation of the literature of the first wave of the Russian emigration. Writers like I. Odoevtseva (On the Banks of the Neva and On the Banks of the Seine), G. Kuznetsova (Grasse Diary), and N. Berberova (Italics Are Mine: Autobiography) turned out to be united by a common personal and literary fate. They established dialogue with literary predecessors, which largely determines the aesthetic position of the authors and their place in the literature of abroad. The memoirs of I. V. Odoevtseva, as memoirs of a participant in the literary life of the Silver Age and the first wave of emigration, make it possible to recreate and preserve the era in the faces of its most prominent representatives, not so much as poets but as unique people. The organisation of the narrative in the form of dialogues meets the task of directly “resurrecting” its characters in the mind of the future reader. G. N. Kuznetsova’s diary/memoir has a two-pronged task: firstly, it helps form an aesthetic idea of émigré life and the circle close to Bunin. Also, in the memory of the descendants, it not only preserves a man but also a unique artist, who was ahead of his time and felt dramatically at odds with his literary era. Finally, it depicts the complex process of formation and self-identification of a creative personality in their dialogue with the literary “forefathers”. N. N. Berberova, who creates a myth about herself and her contemporaries according to the laws of pan-aesthetic art, includes herself in the йmigrй literary canon with a “pantheon” of literary “ancestors” (with Khodasevich and Bunin at the centre): if not a writer of the first row, then an outstanding one, a talented creative personality keeping up with the times.
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Dissertations / Theses on the topic "Autobiography – Russian authors"

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Gebauer, Kerstin. "Mensch sein, Frau sein : autobiographische Selbstentwürfe russischer Frauen aus der Zeit des gesellschaftlichen Umbruchs um 1917 /." Frankfurt am Main [u.a.] : Lang, 2004. http://www.loc.gov/catdir/toc/fy0714/2007435192.html.

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Books on the topic "Autobiography – Russian authors"

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Nabokov, Vladimir Vladimirovich. Speak, memory: An autobiography revisited. New York: Alfred A. Knopf, 1999.

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Pasternak, Boris Leonidovich. Poems 1955-1959 ; An essay in autobiography. London: Collins Harvill, 1990.

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Rubinshteĭn, Lev. Mama myla ramu. Moskva: Novoe izdatelʹstvo, 2022.

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Roman Kim. Moskva: Molodai︠a︡ gvardii︠a︡, 2016.

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Gebauer, Kerstin. Mensch sein, Frau sein: Autobiographische Selbstentwürfe russischer Frauen aus der Zeit des gesellschaftlichen Umbruchs um 1917. Frankfurt am Main: Peter Lang, 2004.

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N, Moiseeva G., ed. Zapiski i vospominanii︠a︡ russkikh zhenshchin XVIII-pervoĭ poloviny XIX veka. Moskva: "Sovremennik", 1990.

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Ėti kadry na lente pami︠a︡ti--: Dnevnik proshlykh rifm. Ierusalim: Filobiblon, 2009.

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Krotov, Viktor. Navstrechu svoemu luchu: Vospominanii͡a i mysli v trëkh knigakh. Moskva: Geo, 2014.

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Lut︠s︡evich, L. F., and Alicja Wołodźko-Butkiewicz. Memuarystyka rosyjska i jej konteksty kulturowe. Warszawa: Studia Rossica, 2010.

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Bronnikova, Elena Vladimirovna. Dnevniki i vospominanii︠a︡ XVIII-XX vv: Annotirovannyĭ ukazatelʹ po fondam RGALI. Moskva: ROSSPĖN, 2011.

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Book chapters on the topic "Autobiography – Russian authors"

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Bellows, Amanda Brickell. "Radical Literature on the Eve of Emancipations." In American Slavery and Russian Serfdom in the Post-Emancipation Imagination, 14–43. University of North Carolina Press, 2020. http://dx.doi.org/10.5149/northcarolina/9781469655543.003.0002.

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This chapter compares antiserfdom and antislavery literature produced on the eve of the abolition of Russian serfdom and American slavery. It studies Nikolai Nekrasov’s poetry, Aleksei Pisemskii’s A Bitter Fate, Martha Griffith Browne’s fictional Autobiography of a Female Slave, and Louisa May Alcott’s short stories. With different degrees of success, these authors used similar strategies to transform public opinion toward Russian serfs and enslaved African Americans.
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Zhuleva, Albina S. "Autobiography in Nenets Literature." In Literature of the Peoples of the Russian Federation and CIS: Spiritual Bases and Challenges of the Time, 291–318. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2023. http://dx.doi.org/10.22455/978-5-9208-0736-6-291-318.

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The article considers autonarrative in the works of various genres of Nenets writers. The role and significance of autobiographical and autofictional material in the formation and development of newly written Nenets literature are revealed. The origins and methods of constructing the biographical “I” are highlighted. The connection between the author and the hero, their ethnic self-identification in the conditions of social and cultural changes are shown.
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Gavryushina, Lidia K. "The Archpriest Habbacum." In Materials for the virtual Museum of Slavic Cultures. Issue II, 43–47. Institute of Slavic Studies, Russian Academy of Sciences, 2020. http://dx.doi.org/10.31168/0440-4.6.

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The article talks about Habbacum (in Rus. — Avvakum) Petrov (1620–82), a prominent figure in the Russian Old Believers who opposed church reforms that were undertaken by Patriarch Nikon in the middle of the 17th century. They particularly opposed the introduction of the three fingers sign of the cross instead of the centuries-old two fingers sign and the editing of ancient liturgical books, using new printed Greek editions. The author traces the tragic fate of the rebellious archpriest, who was brutally persecuted by the authorities and finally burned alive by their order in a wooden log house. Considerable attention in the article is paid to the literary works of the sufferer, including his autobiography, the first in the history of Russian literature.
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Samodelova, Elena A. "The Image of China in the Life and Work of Sergey Esenin." In Sergey Esenin, His Contemporaries and Successors: Сollective Мonograph to the Аnniversary of N.I. Shubnikova-Guseva, 212–25. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2023. http://dx.doi.org/10.22455/978-5-9208-0718-2-212-225.

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Knowledge about China entered the Esenin’s life from school textbooks, stories of friends who visited this state. The image of China and references to it (about the Great Wall of China) and its inhabitants are found in the poems “Pugachev” and “The Country of Scoundrels,” in the autobiography and the statement of the poet. The author of the article puts forward a hypothesis about the Mountainous Country, whose high mountains on the borderlands of Russia and China were considered sacred and leading to a paradise country, and they could become the prototype of the mountains in Esenin’s “Inonia.” The article deals with main “Chinese metaphors” in Esenin’s writings, except for the principal image — Litza-Khun (Chinese) — the “Soviet detective,” to whom a separate work will be devoted.
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Mikhailova, Elena A. "Around the Painting by A.P. Ryabushkin “The Toy Army of Peter I in a Tavern” (Based on the Materials of the I.F. Tyumenev’s Archive)." In Literary Process in Russia of the 18th–19th Centuries. Secular and Spiritual Literature. Issue 3, 812–27. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/lit.pr.2022-3-812-827.

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The article presents plots based on materials from the collections of the Department of Manuscripts of the Russian National Library and related to the painting by A.P. Ryabushkin “Amusing Peter I in a Circle.” They provide additional information on the history of creation and understanding of the author’s intention of the painting, and also reveal some of the features of the artist’s creative process. The first plot is connected with a fragment of a letter from A.P. Ryabushkin to his close friend I.F. Tyumenev. The letter is considered in terms of revealing not only the content of the picture, but also its artistic concept through the parallel of fine and literary texts. The second part of the article publishes an epic created by Tyumenev as a literary illustration of one of the variants of Ryabushkin’s painting and recorded by him in the unpublished “My Autobiography.”
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Turbina, Lubov N. "Modern Autobiographical Prose in Belarusian Literature." In Literature of the Peoples of the Russian Federation and CIS: Spiritual Bases and Challenges of the Time, 319–36. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2023. http://dx.doi.org/10.22455/978-5-9208-0736-6-319-336.

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The article provides an overview of Belarusian autobiographical prose at the turn of the 20th–21st centuries. in terms of genres and forms variety presented in it. The features of the presence of the author’s consciousness in a literary text are shown. Also identified and characterized are such genres as memoirs, diaries, autobiography, epistolary. Attention is drawn to the autobiographical prose of Yanka Bryl (the book “I write as I live”), Ales Adamovich (the story “VIXI”), the diary of Boris Mikulich, “Confession” by Sergei Grakhovsky, “Confession” by Larisa Genyush. The originality of these literary materials, in which the national principle is strongly reflected, is noted. A common feature of writers is the desire to convey the dynamics of the historical process, the course of events that they witnessed.
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