Relevant bibliographies by topics / Autobiography of red

Academic literature on the topic 'Autobiography of red'

Author: Grafiati
Published: 10 December 2022
Last updated: 28 January 2023

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Journal articles on the topic "Autobiography of red"

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Mackerras, Colin. "Red, autobiography of Ou Chaoquan." Asian Ethnicity 21, no. 4 (February 13, 2020): 587–88. http://dx.doi.org/10.1080/14631369.2020.1728518.

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Wahl, Sharon. "Erotic Sufferings: "Autobiography of Red" and Other Anthropologies." Iowa Review 29, no. 1 (April 1999): 180–88. http://dx.doi.org/10.17077/0021-065x.5181.

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Fei, Yan. "Red, Autobiography of Ou Chaoquan, Ou Chaoquan (2019) (trans. D. Norman Geary)." East Asian Journal of Popular Culture 6, no. 2 (August 1, 2020): 313–15. http://dx.doi.org/10.1386/eapc_00034_5.

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Olson, James C., R. Eli Paul, Red Cloud, and Robert W. Larson. "Autobiography of Red Cloud: War Leader of the Oglalas." Western Historical Quarterly 29, no. 2 (1998): 249. http://dx.doi.org/10.2307/971357.

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Tate, Michael L., and R. Eli Paul. "Autobiography of Red Cloud: War Leader of the Oglalas." Journal of Military History 62, no. 1 (January 1998): 210. http://dx.doi.org/10.2307/120414.

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Metel, Olga V. "Autobiography of the Introducer of the ‘Primitive Communism’ Theory, ‘Red’ Professor Mikhail P. Zhakov in the Archive of the Russian Academy of Sciences (1933)." Herald of an archivist, no. 2 (2019): 545–57. http://dx.doi.org/10.28995/2073-0101-2019-2-545-557.

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The author publishes an annotated autobiography of the Soviet historian M. P. Zhakov (1893 – 1936). He belonged to the so-called ‘red’ professors, graduates of the Institute of the Red Professors, who in the first half of 1930s held leading positions in the Soviet science. He studied the history of the primitive society. He worked at the Institute of History of the Communist Academy and in the Moscow branch of the State Academy of the History of Material Culture. M. P. Zhakov's contribution to studying the primitive society was modest. In fact, he adhered to the concept of primitive communism, which was later harshly criticized in the Soviet science. In 1936 he was arrested as a Trotskyist and sentenced to death. The author contends that the scientific biography of M. P. Zhakov exemplifies the character of Marxist historians of 1920s-1930s and the vicissitudes of the emergence of Soviet research tradition. The article introduces M. P. Zhakov’s autobiography, which he wrote in November 1933 for the personnel department of the Moscow branch of the State Academy of the History of Material Culture. By its nature, the autobiography is a record keeping document, a matter of form. Its seems to have been meant as an apology. M. P. Zhakov underscored his revolutionary past and merits during the Civil War, while his scientific work was described almost drily. M. P. Zhakov’s autobiography of is a typewritten text printed on the both sides of a single sheet. On the first page there are two illegible corrections. While preparing the document for publication, the author have brought it into compliance with modern rules of spelling and punctuation, expanded all abbreviations (except conventional ones) in square brackets, and made all necessary annotations in order to explain the circumstances of M. P. Zhakov’s scientific career.
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Steve Gronert Ellerhoff. "Red Dirt Boogie: Autobiography in the Songs of Jesse “Ed” Davis." American Indian Quarterly 40, no. 2 (2016): 109. http://dx.doi.org/10.5250/amerindiquar.40.2.0109.

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PARK, Kyu Hyun. "CROSS-CULTURAL LITERATURE AND CULTURAL REPRODUCTION: THE CASE OF THE KOREAN AUTOBIOGRAPHY HANJUNGNOK." International Journal of Korean Humanities and Social Sciences 4 (January 24, 2019): 57–87. http://dx.doi.org/10.14746/kr.2018.04.02.

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This paper is an investigation how cultural perception could be embedded in language and literature and how this helps different analyses on a same historical event. The article includes the comparison between a work of classical Korean literature, Hanjungnok (한중록), and an English-translated version of it, The Memoirs of Lady Hyekyŏng, translated by Kim-Haboush, and a work of a British novel, The Red Queen, written by Margaret Drabble. The comparison is to explore the language use regarding a perception of family relations and of gender in each version of writing. This paper concludes that authors’ and audience’s language and cultural background would influence on perceiving and analysing literature and its context so that each interpretation could be differentiated, even with the actual historical event.
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Stagg Peterson, Shelley, and Red Bear Robinson. "Rights of Indigenous Children: Reading Children’s Literature through an Indigenous Knowledges Lens." Education Sciences 10, no. 10 (October 14, 2020): 281. http://dx.doi.org/10.3390/educsci10100281.

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Indigenous children’s literature supports Indigenous communities’ rights to revitalization, and to the transmission to future generations, of Indigenous histories, languages, and world views, as put forth in the United Nations Declaration of the Rights of Indigenous Peoples. Drawing on Indigenous teachings that were given to him by Elders, an Indigenous Knowledge Keeper, Red Bear, interprets 10 Indigenous picture books published in Canada between 2015 and 2019 by mainstream and Indigenous publishing companies. These books were selected from the International Best Books for Children Canada’s list of Indigenous books and websites of four Canadian Indigenous publishers. We discuss the Knowledge Keeper’s interpretation of books that are grouped within four categories: intergenerational impact of residential schools, stories using spiritual lessons from nature, autobiography and biography, and stories using teachings about relationships. Recognizing the richness, authenticity, and integrity of Red Bear’s interpretation of the books, we propose that all teachers should strive to learn Indigenous cultural perspectives and knowledge when reading Indigenous children’s literature.
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Bon, Oleksandr. "Kharkiv Humanitarian Inteligence of 1920s in Ego-Documents of the writer Oleksa Varavva (Kobets)." Kyiv Historical Studies 12, no. 1 (2021): 167–73. http://dx.doi.org/10.28925/2524-0757.2021.119.

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Despite long lasting research on the new independent state period, the study on Soviet Ukrainian intellectuals’ activities, the Ukrainian histography has not developed unified methodological approaches. The same thing happened to Ukrainian intellectuals and historical proces in 1920s. The article analyses earlier unpublished sources of a Ukrainian writer, editor Oleksa Petrovych Varavva (Kobets). The Ukrainian intellectual environment of the Soviet Kharkiv is being analysed. The important figures and an atmosphere of Ukrainian renaissance is being described. The main source of the research became “The Materials to Correspondence Autobiography” of a writer and editor, published by his son Oleksandr Voronin. This exceptional source for Ukrainian researchers has not been published yet. We also use published earlier “Autobiography” of the writer dated 1929 and sent to literature specialist Mykola Plevako. Oleksa Varavva, being in the middle of literature and art life of Soviet Ukraine — in Kharkiv (lived in “Slovo” building), left us striking notes about the character of activities of humanitarian intellectuals as well as the atmosphere in which they were working. This includes the information about Mykola Khvyliovyi, Yurko Tiutiunnuk, Oleksandr Korniichuk and others. Well-known figures of Ukrainian culture of “red renaissance” are being easily traceable in his mail correspondence from immigration in the USA in circumstances unburdened by censorship and thus of more value for scientific research.
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Dissertations / Theses on the topic "Autobiography of red"

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Wengström, Sara. "“On My Volcano Grows the Grass” : Towards a Phenomenology of Desire in Autobiography of Red." Thesis, Södertörns högskola, Estetik, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-37397.

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This thesis establishes a phenomenology of desire in Anne Carson’s novel-in-verse Autobiography of Red. It examines how desire constructs the self in the text and how it positions it in relation to its surrounding world. The self’s status in the text is read through Gilles Deleuze and Felix Guattari’s understanding of desire and their concepts becoming and deterritorialisation as explicated in Anti-Oedipus and A Thousand Plateaus. These concepts are used to map the transformative power of desire in Autobiography of Red and provide an approach through which to understand the tenuous nature of self in the text. It reveals desire not as located solely in the relation between the text’s protagonist Geryon and Herakles, but as a movement that animates and constructs the text. It reads the “red” of the title, the presence of the volcano, of lava, as essential to the text, mapping how the force of desire positions the self and undoes the notion of a phenomenal “background”. Deleuzian desire has linguistic implications and the thesis further extends the use of becoming and deterritorialisation to understand Carson’s poetics and the text as the site that gives rise to a phenomenology of desire. The text is deterritorialised and Carson articulates a way of relaying experience beyond the representative mode. The thesis offers a reading of Autobiography of Red with a Deleuzian theory of desire, which is a new approach in Carson scholarship. As such it hopes to open up both the poetic text and theoretic text to new understandings and create points of departure for further research.
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Gingerich, Jennifer Alena. "Establishing an elsewhere in contemporary American women's autobiography." Huntington, WV : [Marshall University Libraries], 2003. http://www.marshall.edu/etd/descript.asp?ref=352.

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Thesis (M.A.)--Marshall University, 2003.
Title from document title page. Document formatted into pages; contains vi, 131 p. including illustrations. Includes vita. Includes bibliographical references.
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Anderson, Karen M. "Billing below title the contested autobiographies of Frances Farmer and Louise Brooks /." Huntington, WV : [Marshall University Libraries], 2003. http://www.marshall.edu/etd/descript.asp?ref=259.

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Munteanu, Adrian D. "Louis Arnaud Reid and his distinctive contribution to education : a study based on the L.A. Reid Archive, his unpublished autobiography, and on a selection of his published work." Thesis, University College London (University of London), 2001. http://discovery.ucl.ac.uk/10020369/.

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Vinskie, Erica L. "Becoming Catholic: Story, Sacrament, Conversion and the Emergence of Faith in Postconciliar Autobiographies." Master's thesis, Temple University Libraries, 2011. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/146389.

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Religion
M.A.
This thesis looks at the spiritual autobiographies of thirty contemporary young adult Catholic men and women in their early twenties through their early forties. It argues that their life writings, when taken together as a whole and read through the dual lens of Story and Sacrament, evidence an emergent process of conversion, of "becoming Catholic" in the modern American milieu.
Temple University--Theses
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Mason, Qrescent Mali. "An Ethical Disposition Toward the Erotic: The Early Autobiographical Writings of Simone de Beauvoir and Black Feminist Philosophy." Diss., Temple University Libraries, 2014. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/291198.

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Philosophy
Ph.D.
While many Simone de Beauvoir scholars have discussed the importance of the category of the erotic in Beauvoir's philosophical works, none explored the importance of Beauvoir's early autobiographical works to our understanding of the development of Beauvoir's ethical philosophy nor have they suggested how Beauvoir's ethical engagement with the erotic might be pertinent to black feminist philosophy. As such, this dissertation is a two-fold project. First, it presents an account of the lived experience of Beauvoir as illustrated through her early autobiographical works. This account focuses primarily on Beauvoir's romantic relationships and traces the development of her conversions leading to her most important philosophical contribution, that of existential ethics, through her accounts of these romantic relationships. Using Beauvoir's Diary of a Philosophy Student, Memoirs of a Dutiful Daughter, Wartime Diary, The Prime of Life, and Letters to Sartre, I maintain that it is only through our close engagement with these early autobiographical writings about her philosophical understanding of her romantic relationships that we are able to understand how Beauvoir comes into the ethical views that will inform the rest of her writing career. Beauvoir's focus on embodiment, facticity, conversion, and lived experience illustrate the extent to which these matters are inextricable from her existential ethics. Beauvoir claims in her philosophical ethical writings that the erotic moment serves a privileged moment when we encounter the other. Both Beauvoir's autobiographical writings and her ethical writings provide us with what is termed a "disposition toward the erotic," which is an attitude that stems from reflection upon and lived experience with the other in love or an erotic encounter, where we choose to encounter non-beloved others in a manner similar to that which we encounter the beloved other. In this way, a disposition toward the erotic is the foundation of Beauvoir's ethical assertions, with regard to what obligations we have toward the freedoms of others and how and why it is our ethical duty to fight against oppressive circumstances. The second part of this project draws a bridge between Beauvoir's ethical writings concerning the topic of the erotic and black feminism. As such, I begin my discussion of black feminism by talking about Black women's lived experience as recounted through black feminism itself. After this, I focus on Audre Lorde's "Uses of the Erotic: The Erotic as Power," bell hooks' series of books on love and Patricia Hill-Collins' Black Sexual Politics, since these serve as sources of direct black feminist engagement with the question of the erotic. I maintain that, in very important ways, black women's lived experience with the erotic has also informed the aims of the project of black feminism. As such, I illustrate how black women's lived experience has been colored by oppressive views of black women's embodiment and sexuality. I argue, as opposed to oppressive understandings of black women and their relationships toward their bodies, that this disposition toward the erotic is a stance that black feminism fundamentally shares with Beauvoir's existential ethics.
Temple University--Theses
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CHIEN, Hsiao-chen, and 簡筱臻. "Coming-of-Im(age): In Quest of the Self in Anne Carson’s Autobiography of Red." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/hx7k78.

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碩士
國立中山大學
外國語文學系研究所
104
This thesis aims to analyze the relationship between the growth of the protagonist, Geryon, in accordance with a similar sequence of photographic film/print processing in Anne Carson’s Autobiography of Red. The thesis examines how Geryon’s inquiries toward photography trigger other philosophical questions and set him to a journey to find out his “redness,” a.k.a. his identity, and later help him “orientate” himself in the world. By comparing Geryon’s coming-of-age process with photographic film/print processing (I rename the process as “coming-of-image”), I come up with a structure to explain the formation of Geryon’s maturity, selecting three most essential steps from both photographic film and print development, breaking down his growth to three main stages: exposure, development and fixation. Geryon’s growth is an epitome of an image turning into an imprint, yet a verbal imprint. Photography enables Geryon to “describe the indescribable.” I argue that Geryon, at the end of his autobiography, accomplishes his quest of the self and shows his maturity by seeing without trying to capture what he sees with his camera. In brief, this thesis attempts to use these three terms which are appropriated from the model of photographic film and print processing steps to describe Geryon’s growth in different stage, and to disclose the subtle connection between the process of one’s “becoming” and the process of an image being developed.
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Hung, Hsu Chia, and 許佳鴻. "The Autobiography Writing Research in Yeh Shih-tiao － the cases of the novels "Red shoes" and "Taiwanese Chien a-tiao"." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/34746790800586455798.

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Eakin, John. "What are we reading when we read autobiography? [audiorecording]." 2003. http://hdl.handle.net/2429/14017.

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Item consists of a digitized copy of an audio recording of a Vancouver Institute lecture given by John Eakin on October 18, 2003. Original audio recording available in the University Archives (UBC AT 2666).
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Koch, Jessica. ""My sense of my own identity is bound up with the past"." Doctoral thesis, 2013. http://hdl.handle.net/11858/00-1735-0000-0022-5E11-9.

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Books on the topic "Autobiography of red"

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David, Meek, ed. Hughesie!: The Red Dragon : an autobiography. Edinburgh: Mainstream, 1994.

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Pratt, Alfred George. Alf red George Pratt: An autobiography. [S.l: s.n., 1990.

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Grange, Red. The Red Grange story: An autobiography. Urbana [Ill.]: University of Illinois Press, 1993.

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Richthofen, Manfred. The red fighter pilot: The autobiography of the Red Baron. St Petersburg, FL: Red and Black Publishers, 2007.

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Richthofen, Manfred. The red fighter pilot: The autobiography of the Red Baron. St Petersburg, Fla: Red and Black Publishers, 2007.

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I Am a Red Dress. New York: Arsenal Pulp Press, 2009.

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Anne, Carson. Autobiography of red: A novel in verse. New York: Alfred A. Knopf, 1998.

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Anne, Carson. Autobiography of red: A novel in verse. New York: Vintage Books, 1999.

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Messer, Sarah. Red House. New York: Penguin USA, Inc., 2009.

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Kornbluth, Josh. Red diaper baby: 3 comic monologues. San Francisco: Mercury House, 1996.

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Book chapters on the topic "Autobiography of red"

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Pardey, Charlotte. "Processing the Revolution: Exploring the Ways Tunisian Novels Reflect Political Upheavals." In Re-Configurations, 247–59. Wiesbaden: Springer Fachmedien Wiesbaden, 2020. http://dx.doi.org/10.1007/978-3-658-31160-5_16.

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Zusammenfassung Several years after the Tunisian uprising of 2010–11, it is now time to explore the literary production of its aftermath. This chapter focuses on novels written in French and Arabic that have found acclaim in the Tunisian literary scene, all of them winners of the Tunisian prize for fiction, the Prix Comar d’Or. At the same time, the works deal in some way with the uprising of 2010/2011. This starting point allows various insights: First, it compares the novels, exploring trends such as autobiographic reflections and the turn to past revolutions. Secondly, the chapter asks more structural questions about the context of the novels’ production (authors, publishers) as well as about their honorary reception through literary awards. Beyond characterizing the post-revolutionary Tunisian literary scene, this approach also makes it possible to address the ways in which the Tunisian literary establishment wants the revolutionary events to be reworked in literature.
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"46. Jeroen Brouwers: Bezonken Rood (1981) [Sunken Red]." In Handbook of Autobiography / Autofiction, 1932–47. De Gruyter, 2019. http://dx.doi.org/10.1515/9783110279818-157.

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"44. Edging to the Right—Black-Red-Gold—Stresemann’s Flag-Damascus." In Political Education of Arnold Brecht: An Autobiography, 1884-1970, 234–37. Princeton: Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400867455-045.

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Nandini, Pradeep J. "A Case for Homosexuality: Reading Anchee Min’s Red Azalea as a Political Autobiography." In Writing Gender Weziting Self, 133–39. Routledge, 2020. http://dx.doi.org/10.4324/9781003081968-5.

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Bennett, Nolan. "Whittaker Chambers and the Confessions of Ex-Communists." In The Claims of Experience, 137–62. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190060695.003.0006.

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Chapter 5 places Whittaker Chambers’s 1952 Witness within the American panic over communism during the second Red Scare. In the late 1940s, Chambers took the stand before the House Un-American Activities Committee to confess that he and Alger Hiss, among others, had conspired against the United States from a Soviet underground cell. Though Hiss’s prison sentence was a legal victory, the autobiography claimed authority back from the trials and the state’s capacity to make meaning of Chambers’s life. Chambers argued for a return to the authority of God and fathers outmoded in a secular modernity exemplified by communism and New Deal liberalism. Although the trial of Hiss had publicized these accusations, Chambers turned to autobiography to achieve where he thought he had failed: to convert Americans to a Christian anticommunism and to compel present and former communists to confess, though he would ultimately fail to convert Hiss himself.
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Hobson, Vic. "“Me and Music Got Married in the Home”." In Creating the Jazz Solo, 47–54. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496819772.003.0007.

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This chapter explores Armstrong’s introduction to playing brass instruments in the Colored Waifs’ Home. As he described in his autobiography, he knowingly applied barbershop lines (baritone and tenor voices) to the Alto Horn he was asked to play. He also continued to sing in a barbershop quartet while in the Waifs’ Home with “Kid Shots” Madison, “Kid” Rena, and Red “Happy” Bolton. With the Waifs’ orchestra, Armstrong played “Maryland My Maryland” which he recorded in later life with “Kid” Ory. The relation between the sheet music and the recording is discussed.
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"“Still on Edge?” Marginality and Centrality in Exile Autobiography: Silvia Rodgers’ Red Saint, Pink Daughter." In German-speaking Exiles in Great Britain, 177–87. BRILL, 2001. http://dx.doi.org/10.1163/9789004475090_014.

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Gillespie, Diane F. "Advise and Reject: Virginia Woolf, The Hogarth Press, and a Forgotten Woman’s Voice." In Virginia Woolf and Her Female Contemporaries. Liverpool University Press, 2016. http://dx.doi.org/10.5949/liverpool/9781942954088.003.0024.

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In 1939, Virginia Woolf was distracted by writing projects, relocation of living and publishing quarters in London, and another impending world war. Yet she typed on behalf of the Hogarth Press a delayed rejection letter, previously unknown and unpublished, to aspiring novelist Anne Northgrave Tibble. The advice in Woolf’s letter reveals her own definition of the novel. Tibble’s forgotten voice, in her one published novel from this period, challenges, as does Woolf, war and class hierarchies, but from a different perspective. Red-brick-educated, Tibble never forgot her rural roots in North Yorkshire and consistently identified with the working classes. If Tibble is mentioned now, it is for her life writing, including scholarly biographies and a candid three-volume autobiography.
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Whitehead, Kevin. "Young Men with Horns: The Jazz Biopic’s Golden Age 1950–1959." In Play the Way You Feel, 97–142. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190847579.003.0004.

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A 1950s fad for biographical films about jazz musicians is sparked by the box-office success of The Glenn Miller Story. Subsequent biopics depict the lives of Benny Goodman, W. C. Handy, Red Nichols, and Gene Krupa. Often, their subjects take on signature attributes of the actors who play them. Two fiction films focus on characters derived from existing sources: Young Man with a Horn, based on Dorothy Baker’s novel, and Pete Kelly’s Blues, based on Jack Webb’s radio series. The relationship between Benny Goodman’s memoir Kingdom of Swing and the script to The Benny Goodman Story is detailed. The life of W. C. Handy, as told in his autobiography, is compared to the movie version, 1958’s St. Louis Blues.
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Johnson, Erica L., and Patricia Moran. "Introduction: The Haunting of Jean Rhys." In Jean Rhys. Edinburgh University Press, 2015. http://dx.doi.org/10.3366/edinburgh/9781474402194.003.0001.

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In her unfinished autobiography, Jean Rhys (1890–1979) describes the birth of her writing career as a quasi-memorial for herself as a person: buying some black exercise books and the red, blue, green and yellow quill pens to ‘cheer up’ her table and banish its bareness, Rhys represents her writing out of her unhappy first love affair as a compulsive purgation of the experience, but one that left her bereft in the recognition that something in her had died. ‘I filled three exercise books and half another, then I wrote: “Oh God, I’m only twenty and I’ll have to go on living and living and living.” I knew then that it was finished and that there was no more to say.’...
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