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1
Kusenko, Olga I. "St. Petersburg Bessarion of fin de siècle. (Review on A.A. Giovanardi “Pensare il confine. Vladimiro Zabughin tra Oriente e Occidente”. Roma: Edizioni di storia e letteratura, 2021. 274 p.)." History of Philosophy 28, no. 1 (2023): 140–45. http://dx.doi.org/10.21146/2074-5869-2023-28-1-140-145.
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The art historian Alessandro Giovanardi has recently published a monograph on one of the important representatives of the Russian religious-philosophical renaissance of the beginning of 20th century – Vladimir Nikolayevich Zabugin. This volume, written in Italian, aims to provide a comprehensive overview of Zabugin's intellectual biography, philosophical and aesthetic ideas and opens up a completely unknown corpus of the author’s works as well as the history of the reception of his heritage. The monograph underlines the contribution of Vladimir Zabugin in Italian and European humanitarian culture and defines his heritage as a rare synthesis of the finest erudition and Christian spirituality.
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Sergeev, Sergey. "At the origins of leningrad school of engineering psychology: Sukhodolsky Gennady Vladimirovich." Ergodesign, no. 1 (March 15, 2022): 72–76. http://dx.doi.org/10.30987/2658-4026-2022-1-72-76.
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The scientific biography and the role of Professor Sukhodolsky Gennady Vladimirovich in forming and developing Leningrad School of Ergonomics and Engineering Psychology in the 80s of the 20th century are considered. The circle of authors who formed the core of Leningrad (St. Petersburg) scientific school of engineering psychology and ergonomics is outlined.
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Pilipetchi, Serghei. "THE BIOGRAPHY OF M. CEBOTARI IN MONOGRAPHIC STUDIES." Studiul artelor şi culturologie: istorie, teorie, practică, no. 1(42) (August 2022): 43–48. http://dx.doi.org/10.55383/amtap.2022.1.08.
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The article contains information about the monographic studies, which investigate the biography of the outstanding singer and film actress of the first half of the 20th century - Maria Cebotari. This subject constituted a field of research both for the authors of monographs contemporary to the prima donna and those of our days - representatives of different countries and specializations. In this context, the most important of their works (books, brochures, articles), which have scientific value are described and analyzed. Although M. Cebotari`s biography is widely presented, it can be supplemented with new investigations, thanks to the immense artistic heritage of the diva.
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Peset, José Luis. "Mad houses, Writing and Madness in the Spanish Silver Age." Culture & History Digital Journal 11, no. 1 (June 21, 2022): e012. http://dx.doi.org/10.3989/chdj.2022.012.
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The authors of naturalism and the avant-garde in Spain attach great importance to illness and especially mental illness and mad houses. The vision of the mental asylum is presented in the literary mirrors of three authors - with very different biography - who wrote in the first decades of the 20th century, in their writings the presentation of the asylum, considered successively as punishment, as experience and as liberation, is changing. Antonio Hoyos y Vinent, Alfonso Vidal y Planas and Andrés Valentín Álvarez y Álvarez are mainly studied.
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Andrei, Paolo, C. Richard Baker, and Massimo Sargiacomo. "Public Sector Accounting in Italy at the Beginning of the 20th Century: The Contributions of Fabio Besta." Accounting Historians Journal 44, no. 1 (June 1, 2017): 35–50. http://dx.doi.org/10.2308/aahj-10521.
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ABSTRACT The 19th century and the first decades of the 20th century were particularly important for the development of accounting theory. Various accounting historians have emphasized the key role of Italian scholars during this period (Amaduzzi 2001; Bariola 1897; Ceccherelli 1915; Luchini 1898; Melis 1950). One of the most important of these scholars was Fabio Besta. This paper presents both a biography of Fabio Besta and a discussion of his contributions to accounting thought. There are two primary motivations for this paper; namely (1) to contribute to the biographical strand of accounting history research, and (2) to develop a better understanding of the history of public sector/state accounting. Besta is acknowledged as one of the most important Italian scholars of the accounting discipline. His work, focusing on public administration, is remarkable for its clarity and depth, and it is of particular interest today for researchers of business and management, especially with regard to those aspects that differentiate private sector from public administration. Over a century after his death, Besta's work continues to be of great interest. In fact, the debate concerning accounting methods in the public sector has not yet been completely resolved, with the process of change from cash-based to accrual-based accounting still taking place in many countries.
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Piskurewicz, Jan. "Roman Pollak (1886–1972) i jego rola w rozwoju stosunków naukowych i kulturalnych polsko-włoskich." Kwartalnik Historii Nauki i Techniki 67, no. 3 (October 3, 2022): 43–90. http://dx.doi.org/10.4467/0023589xkhnt.22.023.16326.
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Roman Pollak (1886–1972) and His Role in the Development of Polish-Italian Scientific and Cultural Relations This article characterizes the biography and endeavors of Roman Pollak (1886–1972) – an outstanding Polish literary scholar who also contributed greatly to the development of Polish-Italian scientific and cultural relations in the 20th century. His interest in Italian culture manifested itself at an early age, and he later expressed it in his scientific work. During the interwar period, he was a professor of Polish Language and Literature at the University of Rome and a delegate of the Ministry of Religious Affairs and Public Education to Italy. During his service, he contributed to the revival of the existing polonophile circles and institutions in Italy, as well as the creation of many new ones, which also operated after World War II. The year 2022 marks the 50th death anniversary of Pollak.
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Alekseev, Оleksii. "Rural memoirs of Southern Ukraine of the 20th century : prosopographic approach." Universum Historiae et Archeologiae 4, no. 1 (December 25, 2021): 147. http://dx.doi.org/10.15421/26210402.
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The aim : to consider the application of prosopographic approaches in the study of biographies of authors of peasant memoirs in order to identify common features that laid the conditions for the emergence of memoir practices among the peasants of the Southern Ukraine in the 20th century; to analyze the potential of prosopography for researching general processes. The article considers the application of the prosopographic method to the study of biographies of authors of peasant memoirs in order to identify common features that created conditions for the emergence of memoir practices among the peasants of southern Ukraine in the twentieth century. Modern historical science suggests that individuals having their own little life stories are present behind all processes and events. New directions and principles of historical research are becoming increasingly important. The prosopographic method is one of them. Under prosopography we understand the scientific method of studying individual biographies of authors of historical sources in order to create a “collective biography” of a certain social group on their basis. Methods: analytical, historical, comparative, system-structural. The article author uses methods of specific scientific activity, empirical research and general logic. Practical meaning: recommended for use by scholars for historical research; provides opportunities for the use of this issue in theoretical and methodological and source studies. Originality: research, in particular on the choice of research source base and methodology of its analysis. Scientific novelty: creation of a collective portrait of a peasant author of a memoir source. Conclusions: on the basis of the analysis with the involvement of prosopographic research methods we have the opportunity to create a conditional collective portrait of a peasant of the Southern Ukraine of the twentieth century, the author of the memoir. When creating a “biography” of a peasant author, the following features are distinguished: common social origin, primary education, teaching and educational skills, psychological characteristics, propensity for creative activity, external influences. The materials collected by the researchers from the Zaporizhzhia branch of the NASU Institute of Ukrainian Archaeography and Source Studies named after M. S. Hrushevsky and the History Faculty of the Zaporizhzhia National University and published as a part of collections titled “Sources on the History of the Southern Ukraine”, “Antiquities of the Southern Ukraine” and “Ascension Antiquities”, are used as sources in the analysis. The purpose of the current investigation is to identify the causes and conditions that prompted particular peasants of the Southern Ukraine to create their own historical narrative – memoirs. Another goal is to create a “collective portrait” of an average author using prosopographic methods. The article investigates through the analysis of biographies the background of peasant authors, which singled them out from the general mass of peasants. It also highlights an “average author” as a “historical figure” and analyzes his attribution to a particular era, place, social group and culture. The use of prosopographic methods in the study of biographies of Southern Ukrainian peasants, who distinguished themselves by creating their own memoirs, allows to determine those aspects of the era and the position of the little man who chose to create their own historical excursions contrary to general trends and understanding the risks of totalitarian system. The creation of prosopographical (collective biographies) portraits of peasant authors is a very important component of the reproduction of general processes that created the conditions for the emergence of peasant narrative sources. The author tries to highlight the modern era in all its aspects through the prism of individual biographies and works of peasant authors. Type of article: scientific and theoretical.
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Ślarzyńska, Małgorzata. "W lustrze przekładu. Translatorska biografia Cristiny Campo." Experimental Translation, no. 47 (2024): 147–64. http://dx.doi.org/10.4467/16891864pc.23.020.18851.
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The subject of this article is the translation work of the Italian writer Cristina Campo (born Vittoria Guerrini), one of the most prominent Italian writers of the 20th century, poet, translator, and essayist, analysed in a biographical key. The aim is to look more closely at Cristina Campo’s biography – described so far in the only biography book (De Stefano 2002), but also recorded in the voluminous correspondence the writer left behind – through the framework of her translation activity. Of interest from this point of view become both her translation choices and reading choices (“the lovely kinsmen of the shelf,” as the writer called her favourite books) – related to a large extent to Campo’s literary temperament, her experiences in her private life, and her friends – as well as her choice of translation activity itself, largely conditioned by the need to spend a large part of her life in seclusion due to the incurable heart disease that Campo suffered from since her birth. An attempt will be made to answer the question of how illness and other life circumstances influenced her choice of translation activity, the selection of texts to be translated and the translator’s actual working conditions.
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Satkauskytė, Dalia. "The Biography of a Writer as an Argument in (De)Canonisation." Colloquia 53 (July 4, 2024): 15–32. http://dx.doi.org/10.51554/coll.24.53.02.
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Despite the conception of the author’s death that was prevalent in the second half of the 20th century, the author’s biography always intervenes indirectly in the canonisation process, either a priori, as an additional argument for canonisation (e.g. participation in the national movement), or a posteriori, when the canonised author acquires, according to Yuri Lotman, the right to a biography. Moreover, biography becomes a significant factor in cases of revising and rewriting the canon, especially when it is related to political changes in society, e.g. in forming a Socialist Realist canon or the case of its radical deconstruction. The focus on biographical texts and authors’ biographies increases significantly in the 21st century, when literature itself tries to erase boundaries between fictional and biographical, and literary scholars discuss whether it is possible to separate the author from his or her work in the contexts of the historical memory and cancel culture. In this theoretical and historical framework, I discuss the role of the biography in the canonisation and decanonisation of a writer, and consider how these processes and the shift in the cultural paradigm influence interpretations of writers’ biographies.
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Nhaueleque, Laura António, and Luca Bussotti. "The Conceptualisation of Africa in the Catholic Church." Social Sciences and Missions 32, no. 1-2 (May 3, 2019): 148–76. http://dx.doi.org/10.1163/18748945-03201004.
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Abstract This article aims to show the evolution of the conceptualisation of Africa according to the Catholic Church, using as its key references Daniele Comboni and Adalberto da Postioma, two Italian missionaries who lived in the 19th century and 20th century respectively. Through them, the article attempts to interpret how the Catholic Church has conceived and implemented its relationships with the African continent in the last two centuries. The article uses history to analyse the thought of the two authors using a qualitative and comparative methodology.
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Yelkey, Nurlybek, Tlegen Sadykov, and Kara Abdulvahap. "Problems of studying historical personalities and socio-political activities of Khairetdin Bolganbaev." Bulletin of the Karaganda university History. Philosophy series 11429, no. 2 (June 30, 2024): 82–87. http://dx.doi.org/10.31489/2024hph2/82-87.
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At the present stage, historians are actively discussing the problems of relationships and mutual influences of history and biography. In our opinion, this is explained by noticeable changes in historical science, which have caused significant reorientations of research interests, the discovery of new subjects and topics of biographical research, as well as new directions and methods. Taking these factors into account, this article attempts to consider some of the most frequently discussed theoretical and methodological problems, including the modern ideas of historians about biography, its goals and objectives, the role and significance of biographical research for historical science. If you look closely at the history of the twentieth century, the Kazakh intelligentsia has given birth to many outstanding, bright personalities, and one of them is Khairetdin Bolganbaev. In this regard, in the article, based on the biographical method, the authors identified the place and role of Kh. Bolganbaev in the reconstruction and development of Kazakh society at the beginning of the 20th century.
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Khan, Muhammad Sajid. "The Sketches of 20th Century biographers in Urdu literature." Pakistan Journal of Applied Social Sciences 10, no. 1 (September 8, 2019): 47–63. http://dx.doi.org/10.46568/pjass.v10i1.110.
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Biographies and Pen-Sketches are two separate branches and lots of these two are available in Urdu Literature as well as writings about these two categories but this article is an effort to find sketches of personalities related to the authors of biographies without whom the author's personality cant be revealed fully. These people may be the author's relatives, friends, peers, observers and other persons who has been with him/her at various stages of author's life. Amongst them may be their parents, children, spouse and other relatives as well as other in the same profession. A good biographer takes are of all the aspects, requirements and dimensions from start to end of an autobiography. A person is central to an autobiography can't be highlighted completely unless different aspects of his/her life are described with reference to other related people. This article focuses on the personalities around the central-to-a-biograpgy person and describes them in the light of various biographies in which he/she is talked about. To support this argument, examples are also taken from the biographies written after the selected biography so that it can be proved that biographers can also tell the importance of presented sketches of other personalities. Although these sketches are not written with any such plan, as compared to formal pen sketches, even then these can be considered important and complete to some extent and are comparable to pen sketches.
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Solarz, Marcin, and Marta Raczyńska-Kruk. "Głuchoniemcy, Taubdeutsche, Walddeutsche – przyczynek do biografii pojęcia." Prace i Studia Geograficzne 68, no. 2 (November 16, 2023): 113–27. http://dx.doi.org/10.48128/pisg/2023-68.2-06.
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he concept of „Deaf/Forest Germans” developed on the basis of cultural processes taking place in the Carpathian Foothills in the period from the 14th to the 19th/20th century. The purpose of the article is to reconstruct the biography of this concept and to conduct its etymological analysis based on its oldest known records, mainly from Old Polish manuscripts and old prints. Above all, the authors focus on the source by the 18th-century encyclopedist Benedykt Chmielowski who formulated four definitions of this term. Based on it and other records, and some analogies from the territory of Poland and Slovakia as well, the authors try to answer the question about the nature of the settlement processes taking place in the Carpathian Foothills. Finally, they look at the concept through the prism of its German substitutes (Taubdeutsche and Walddeutsche).
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Korzun, Valentina P., and Valentina Yu Voloshina. "Soviet and Emigrant Historians in the Eyes of P. N. Milyukov (1920s-1940s): Corporate Memory Features." Herald of Omsk University. Series: Historical Studies 7, no. 1 (25) (July 7, 2020): 81–89. http://dx.doi.org/10.24147/2312-1300.2020.7(1).81-89.
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The article presents the assessment of P. N. Milyukov for Russian historical science of the 20th century through the biographies of its iconic representatives A. A. Kizevetter, S. F. Platonov and M. N. Pokrovsky. The source base was made up of articles and obituaries written by Milyukov and dedicated to the deceased scholars. The specifics of the historiographic Milyukov’ discourse consists of 1) the structural features of the narrative, which includes, the author’s own biography along with the biography of historians; 2) in the criteria for assessing the scientific contribution and prospects for the development of historical scholarship from the point of view of fitting into Moscow or St. Petersburg historical schools. In conclusion of the article the authors named features of the corporate memory of emigrant scientist.
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Mossaki, Nodar Z., and Lana M. Ravandi-Fadai. "Dzhemshid Giunashvili: Georgian from Tehran." Orientalistica 1, no. 3-4 (December 28, 2018): 539–52. http://dx.doi.org/10.31696/2618-7043-2018-1-3-4-539-552.
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The article deals with the biography and scholarly achievements of the outstanding Georgian scholar of Iran Dzhemshid Giunashvili (d. 2017). The authors have placed the life of Dzh. Giunashvili into the broad context of the Oriental Studies as scholarly subject in the former Soviet Union and the post-Soviet Georgia. Being a Georgian by birth Dzh. Giunashvili also belonged to the culture of Iran; Persian was hismother tongue. This fact contributed to the outstanding position, which he took evenamong the Great Soviet specialists and scholars of Iran in the 20th century. Later in life,Dzh. Giunashvili became the first Georgian Ambassador to Iran.
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Zykov, Eugeny, Maria Merkulova, Alexander Slabukha, Olga Uspenskaya, and Sergey Yamaletdinov. "Architect Vladimir Aleksandrovich Sokolovsky." проект байкал, no. 79 (April 6, 2024): 148–57. http://dx.doi.org/10.51461/issn.2309-3072/77.2302.
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The article introduces readers to the life and creative biography of the outstanding Siberian architect Vladimir Aleksandrovich Sokolovsky on the threshold of his 150th anniversary. The authors describe surviving buildings of the architect in Krasnoyarsk and show the influence of his architecture on the formation of Siberian modern and eclecticism. The article features the role of the architect in the formation and development of the architectural environment of Krasnoyarsk in the first half of the 20th century. It describes the history of two buildings of wooden and stone architecture related to Sokolovsky both as an architect and as a restorer.
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Tapodi, Zsuzsa. "Translation and Transtextuality." Acta Universitatis Sapientiae, Philologica 6, no. 1 (December 1, 2014): 45–51. http://dx.doi.org/10.1515/ausp-2015-0005.
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AbstractUmberto Eco’s novel The Name of the Rose as a postmodern literary work is extensively based on transtextuality. There are series of quotations from the Bible, Petrus Abelardus, St. Bernard, Petrarch, Conan Doyle, Agatha Christie, Jorge L. Borges, Nietzsche, and other classic authors interwoven into the novel’s narrative. The text is a result of multiple translations, a truly intercultural adventure: Adso, a 14th-century German monk from the Melk monastery provides a Northern Italian travel experience in Latin language, this memoir is translated by the publishing narrator into the Italian language of the 20th century. The characters of the story come from different areas of Europe, as there are monks from England, Spain, Norway, Germany, and other countries. This paper sheds light on the problems that occurred during the novel’s translation.
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Vysochina, Ekaterina S. "STUDY OF ITALIAN-LIBYAN RELATIONS IN RUSSIAN SCIENCE LITERATURE FROM THE LATE 20TH TO THE EARLY 21ST CENTURY." RSUH/RGGU Bulletin. Series Political Sciences. History. International Relations, no. 1 (2021): 116–25. http://dx.doi.org/10.28995/2073-6339-2021-1-116-125.
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The main purpose of the article is to review the most complete and holistic scientific works of Russian authors which are devoted to the study of Italian-Libyan relations. To carry out the research a broad historiographic base on the topic was involved, the author turned to both the “classic” works of Soviet scientists, and to the most modern scientific figures. One of the main tasks in the study of the topic is to identify the historiographic issues associated with the lack of modern Russian scientific literature on the referred theme. The article analyzes the specific features of the literature published from the end of the 20th to the beginning of the 21st century in Russia, highlighting the issue of interaction between two countries in different spheres of international relations. The methodological basis of the work is the issue-chronological and complex analysis of the used literature, the establishment of the cause-effect relationships and patterns in the Russian authors approaches to their research, as well as their interpretation for the current stage of development of relations between the two countries. During research it was revealed that most of the scientific works of our compatriots are devoted to a certain, rather narrow, range of issues: the Italian–Turkish war of 1911–1912, cooperation between Libya and Italy in the control of illegal migration from Africa to Europe, Italian military intervention in the civil war in Libya 2011. At the same time, not many Russian authors cover and analyze the Italian-Libyan cooperation in the politi- cal, cultural, social, and economic fields during the long-term period of Colonel Gaddafi’s rule in Libya. In this regard, the author of the article notes that there is a great amount of historical data: the diplomatic documents, resolutions, offi- cial letters of top public executives, treaties and agreements between the coun- tries, including documents of international organizations that are not studied at present sufficiently. The article identifies the most perspective areas for further research of Italian-Libyan relations, what emphasizes the importance and relevance of the chosen topic. The author comes to a conclusion that at the moment it seems quite difficult to find a well-founded, comprehensive scientific literature designed to determine the nature and options for the development of relations between Libya and Italy at the modern stage.
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Toroš, Ana. "Slovene-Friulian-Italian Literary Connections at the Beginning of the 20th Century: The Case of Alojz Gradnik and Select Friulian and Italian authors." Interlitteraria 22, no. 2 (January 16, 2018): 386. http://dx.doi.org/10.12697/il.2017.22.2.15.
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Based on the case of Alojz Gradnik (1882–1967), this article deals with previously unresearched Slovene-Friulian-Italian literary connections that occurred during the last years of the Austro-Hungarian Empire and the first years after WWI along the border of today’s Slovenia (Goriška Brda) and Italy (the region of Friuli-Venezia Giulia: the Provinces of Gorizia, Udine and Trieste). The article highlights the parallels in motifs, themes, ideas and form, as well as the connections between Alojz Gradnik and select Friulian and Italian authors from this region. These links are the consequence of living in a joint cultural space and Gradnik’s Friulian family ties, especially with his cousin Maria Samer. The research uncovers certain differences in motifs, themes and ideas stemming from different national identities. Gradnik’s poetry is closest to Friulian lyrical poetry in their descriptions and experiences of a rural setting, predominantly the deep bond felt between the farming people and native land coupled with their terrible social strife. Gradnik and his contemporary Friulian authors also coincide in works with a nationalist theme – on the threshold of WWI both Slovene and Friulian authors infused their work with their personal vision for the future of their own community. They shared a negative literary depiction of the Austro-Hungarian Empire, and the wish to secure a better economic future, to protect and solidify their cultural heritage. Gradnik’s poetry and that of the contemporary Italian (irredentist) authors share a similar literary technique that depicted the national identities of today’s border between Italy and Slovenia; they were ideologically opposed however: while the Italians depicted the Italian view of the region, Gradnik highlights the presence of a Slavic element within the region.
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Arnaudo, Marco. "Against Chapter XXXVI: Sequels and Remakes of Collodi's Pinoccohio in Italian Literature." Forum Italicum: A Journal of Italian Studies 41, no. 2 (September 2007): 382–402. http://dx.doi.org/10.1177/001458580704100205.
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This article discusses the last chapter of Collodi's Pinocchio in its relationship with the rest of the novel, and analyzes how several other authors responded to the very content of that chapter. Many 20th-century authors have in fact noticed a deep discrepancy between the adventures contained in the body of the novel and the brusque, somehow extrinsic and unprepared happy ending. They have consequently created alternative versions of Pinocchio that end before Collodi's original ending, or that depart from the penultimate chapter of the novel to move in new directions. In other cases, authors have created sequels of Collodi's story where Pinocchio, now a boy, attempts to return to being a puppet. The examples discussed include short stories by Arpino and Malerba, plays by Salvini and Benni, a rhyme version by Trinci, a comic book by Bilotta and Mammucari, and a mock official dossier by Placido. The analysis emphasizes the strategies these authors have used to give open endings to their works in response to their dissatisfaction with the solution proposed in the original novel.
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Mazur, Maciej. "Opowieści przepełnione wstydem." Narracje o Zagładzie, no. 6 (November 23, 2020): 441–50. http://dx.doi.org/10.31261/noz.2020.06.25.
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The text is a discussion and comparison of two books by authors representing the postmemory generation who fled Poland after the events of March ’68. Dziecko w śniegu by WłodekGoldkorn and Dom z dwiema wieżami by Maciej Zaremba Bielawski, respectively written for Italian and Swedish audience, are to acquaint their primary readers with important cultural andhistorical events of 20th-century Poland. The present interpretative essay includes issues touched upon by the two authors: anti-Semitisms, the Holocaust witnesses’ silence, childhood in post-war Poland, description of communist realities, the role of memory. Differences between the writers relating to their attitudes, style, and the question of Jewish identity are presented.
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Caroli, Dorena, and Giulia De Florio. "ITALIAN ANTHOLOGIES ABOUT RUSSIAN CHILDREN’S LITERATURE. AN OVERVIEW (1926–1944)." Children's Readings: Studies in Children's Literature 21, no. 1 (2022): 8–17. http://dx.doi.org/10.31860/2304-5817-2022-1-21-8-17.
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The “Archive” section publishes four fragments selected from studies of Italian authors who wrote about children’s literature — the writers and teachers Giuseppe Fanciulli (1881–1951) and Olindo Giacobbe (1880–1950), the children writer, translator and publisher Mary Tibaldi-Chiesa (1896–1968) and teacher Olga Visentini (1893–1961). These works, written between 1926 and 1943, are taken from textbooks and are interesting in that they present the view of Italian experts on Russian children’s literature. The authors build the history of Russian literature for children, give an overview of contemporary émigré children’s literature, and try to determine the national identity of children’s literature in Russia. Giuseppe Fanciulli turns to Russian folklore, to the fairy tale genre and brings the line of his research to the beginning of the 20 th century. The work of Mary Tibaldi-Chiesa gives a detailed review of translations of Russian literature into Italian, made with a focus on children’s and youthful readers, and also presents a detailed biography of Alexander Pushkin. Olga Visentini’s essay is based on the previous experience of Olindo Giacobbe, supplementing and continuing his work up to the first attempts at Soviet children’s literature.
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Cagnolaro, Luigi, Carlo Leonardi, and Paola Livi. "Ricordando Cesare Conci (Rovereto 26 aprile 1920 - Milano 11 maggio 2011)." Natural History Sciences 153, no. 2 (September 1, 2012): 211. http://dx.doi.org/10.4081/17.
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In memory of Cesare Conci (Rovereto, April 26th, 1920 – Milano, May 11th, 2011) The biography and scientific activities of Prof. Cesare Conci are here summarized. Prof. Conci was the curator of invertebrate zoology of our museum from 1957 to 1964; then he became the Director of the same institution until 1981. He was primarily an entomologist, but he also had a very deep knowledge of natural sciences and contributed to the advancement of Italian speleology and biogeography. He was a skilful researcher both in the lab and in the field, and supported information sharing and collaboration as productive working strategies. Prof. Conci also promoted the scientific associationism that strongly contributed to the diffusion and progress of naturalistic knowledge in the second half of the 20th century. A list of taxa described by Prof. Conci, as well as one of taxa dedicated to him, and honouring his scientific work, are provided. Finally, all Conci’s publications are reported.
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Lozinskaya, Evgeniia. "AFTER WEINBERG. BOOK REVIEW: THE RECEPTION OF ARISTOTLE’S POETICS IN THE ITALIAN RENAISSANCE AND BEYOND. NEW DIRECTIONS IN CRITICISM / ED. BY BRAZEAU B." RZ-Literaturovedenie, no. 1 (2021): 23–52. http://dx.doi.org/10.31249/lit/2021.01.02.
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The book written by an international team of scholars and edited by B. Brazeau explores literary criticism and reception of Aristotle's «Poetics» in early modern Italy. Revisiting the «intellectual history» of Renaissance poetic studies written by Bernard Weinberg in 1960-s, the contributors find its own place whithin the 2000-years long tradition of translations, commentaries and polemic treatises. The authors apply new methods from book history, translation studies, history of emotions and classical reception to early modern Italian texts, placing them in dialogue with 20th-century literary theory, and thus map out avenues for future study.
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Schwartz, Cecilia. "Introducing Italy, 1948–1968: the importance of symbolic capital and position of literary mediators in the semiperiphery." Moderna Språk 110, no. 3 (December 5, 2016): 75–107. http://dx.doi.org/10.58221/mosp.v110i3.7825.
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This study examines the impact of two literary mediators – Martha Larsson and Anders Österling – both of whom introduced Italian literature in Sweden during the second half of the 20th century. These mediators are compared to each other with regard to their social background, habitus and position in the literary field, all elements included in their symbolic capital. By mapping out which literary texts and authors they actually introduced in the period 1948–1968, with special attention given to crucial factors such as genre and gender, the results show that their selections had different characters. While Larsson introduced contemporary authors who were highly regarded in Italy at the time, and more closely related to what Bourdieu (1993) described as the autonomous pole, Österling mainly focused on authors closer to the heteronomous pole. Following Broomans’ (2009) six-phase model of cultural transfer, the study analyzes whether their introductions had a direct effect on publication, and what strategies they used in order to introduce new Italian authorships to a Swedish audience. Drawing upon Bourdieu and (1990) and Casanova (2002), it is also argued that both mediators introduced Italian literature in order to gain symbolic capital and strengthen their positions in the Swedish literary field.
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Norbu, Liliya Orlanovna, and Mariya Vladimirovna Kholodova. "The personality and the creative work of A. Pasculli in the context of the West European music art of the 19th century." PHILHARMONICA. International Music Journal, no. 5 (May 2021): 1–10. http://dx.doi.org/10.7256/2453-613x.2021.5.36727.
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The authors of the research focus on Antonio Pasculli, a famous Italian virtuoso oboe player and composer of the late 19th - the early 20th century, whose name had long and undeservingly been in the wilderness. In the last two-three decades, his legacy has been getting a new lease on life. Pasculli’s compositions are on the concert list of oboe players all over the world. Despite the performance popularity, the personality and creative work of the outstanding Italian musician are still on the periphery of the research focus of Russian musicologists. All valuable information is contained in rare foreign researches. Therefore, the purpose of the article is to reconstruct the artistic portrait of Antonio Pasculli in the context of time. This research is the first in Russian musicology to introduce into Russian scientific discourse the data from foreign sources revealing the peculiarities of Pasculli’s creative life. Based on the analysis of the collected data, the authors conclude about the necessity to revise the role of Pasculli’s work and legacy in the context of European music culture of the 19th century. It is believed that familiarization with the information about the Italian musician, unknown to the Russian audience, will help to not only dive deeper into the specificity of Pasculli’s compositions, but also to reinterpret his place and role in the evolution of playing woodwind instruments.
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Матрусова, А. Н., and А. А. Соломонова. "PUSHKIN - AN IMAGE AND A PRECEDENT PHENOMENON IN RUSSIAN SONG TEXTS OF THE 20TH–21ST CENTURIES." Russkii iazyk za rubezhom, no. 2(303) (April 24, 2024): 32–40. http://dx.doi.org/10.37632/pi.2024.303.2.006.
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В статье поднимается вопрос о функционировании имени Пушкина как прецедентного феномена в русской песенной поэзии от второй трети ХХ века до первой четверти XXI века. Отмечается, что прецедентность самого имени органично сочетается с использованием цитат пушкинских текстов, отсылками к биографии поэта и культурному контексту как Пушкинской, так и современной эпохи. В связи с этим авторы приходят к выводу, что потенциал прецедентности таких имен, как Пушкин, не снижается, а, скорее, наоборот, нарастает по мере изменения и раскрепощения текстовой песенной культуры современного русскоязычного пространства. The article raises the question of the functioning of the name Pushkin as a precedent phenomenon in Russian song poetry from the second third of the 20th century to the first quarter of the 21st century. It is noted that the precedent nature of the name itself is organically combined with the use of quotations from Pushkin’s texts, references to the poet’s biography and the cultural context of both Pushkin and the modern era. In this regard, the authors come to the conclusion that the precedent potential of such names as Pushkin does not decrease, but rather, on the contrary, increases as the textual song culture of the modern Russian-speaking space changes and becomes emancipated.
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Bocharov, Taras S., and Petr P. Kozorezenko. "Relevance of the Study of Forgotten and Little-known Artists of the Russian Landscape School on the Example of Mikhail Germashev." Scientific and analytical journal Burganov House. The space of culture 18, no. 3 (June 10, 2022): 64–70. http://dx.doi.org/10.36340/2071-6818-2022-18-3-64-70.
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The article deals with studying the creative work of little-known Russian artists on the example of a brief biography and creative path of Moscow landscape painter Mikhail Germashev (1867–1930). The late 19th - early 20th century period, in which Germashev showed himself most clearly, is covered. The authors analyse why this or that artist came to the periphery of the attention of culture lovers and art historians, highlighting the merits of the artistic manner of one of the forgotten Russian masters. The article describes the distinctive features of Germashev's creative style, his strong artistic connection with the Moscow region and the capital. Separately, it is said about the attempt of regional researchers to introduce unknown names into the scientific context and the forthcoming publication of a book about artist Germashev.
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Persiyanova, Svetlana G., and Evgeniya G. Rostova. "FORMATION OF PROFESSIONAL (LINGVOCULTURAL) COMPETENCE OF ITALIAN STUDENTS0CULTUROLOGISTS." RUDN Journal of Language Studies, Semiotics and Semantics 10, no. 1 (December 15, 2019): 177–86. http://dx.doi.org/10.22363/2313-2299-2019-10-1-177-186.
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The article deals with the problem of the formation of the professional (linguistic and cultural) competence of Italian students-culturologists, specializing in the study of Russian culture in its synchronic and diachronic examination. The authors offer a description and analysis of the program implemented by the Pushkin State Russian Language Institute together with the Milan State University. The program includes courses: “History of Russian Culture”, “Modern Russian Literature”, “Language and Culture”. The article focuses on the original course “Language and Culture”, which is part of the program, based on an analysis of the peculiarities of the connection between the Russian language and culture in different historical periods, which fundamentally distinguishes it from traditional language and culture courses. The article describes the features of the structure and content of the course “Language and Culture” for students-culturologists, its goals, tasks and methodological apparatus. The course includes five thematic sections: “The Language and Culture of Ancient Russia”, “The Russian Language and Culture of the 18th Century”, “The Russian Language and Culture of the 19th Century”, “The Russian Language and Culture of the 20th Century”. The main goal of the course is to deepen students’ knowledge of the relationship between the Russian language and culture (in the interaction of diachronic and synchronous components), the development of their communicative competence, mainly in the socio-cultural sphere of communication associated with the future professional activities of the culturologist. An important component of the training in this course is the Multimedia language and culture Dictionary “Russia”, which is publicly available on the Pushkin State Russian Language Institute portal. The dictionary materials (articles, media library, interactive tasks) form the main content of the course.
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Miszalska, Jadwiga. "Przekład w służbie studiów literackich: Waleria Marrené-Morżkowska." Experimental Translation, no. 47 (2024): 48–65. http://dx.doi.org/10.4467/16891864pc.23.015.18846.
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The paper presents the activity of Waleria Marrené-Morżkowska as that typical of women who aspired to be present in literary circles at the turn of the 19th and 20th centuries. She was a novelist, publicist, literary critic and women’s activist who also devoted herself to translation. She translated from English, French, Italian and German, bringing to the Polish reader’s market some authors who were important but not yet widely known. She published several hundred papers on literary subjects in the most important Polish periodicals. She herself attempted to create a women’s magazine and to build a network of female authors around it. By presenting some facts from her biography and analysing her critical and literary works, we try to show the connection between her translations and her literary studies and the poetics she adhered to. This allows us to define Morżkowska as a a cultural transmitter who promoted foreign literatures through translations and journalism, who was characterised by her knowledge of recent European literature, her progressive mindset, her tolerance and independence of judgement, and who paid a great deal of attention to the social and cultural situation of women.
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Frasca-Rath, Anna. "Imagining women working stone: the ancient sculptor Marcia in Boccaccio’s De mulieribus and responses in fifteenth- and sixteenth-century art literature." Sculpture Journal 33, no. 1 (March 2024): 13–27. http://dx.doi.org/10.3828/sj.2024.33.1.02.
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This article confronts the widespread stereotype of the supposedly natural inability of women to work stone through an analysis of the iconographic tradition of the ancient sculptor Marcia. A small corpus of fifteenth-century manuscript illuminations shows the ancient artist at work. This case study allows us to trace the memory of a woman artist working in stone that was already circulating at that time. The textual basis for the iconography under discussion was introduced by Giovanni Boccaccio in his biography of Marcia, part of his De mulieribus claris. Boccaccio’s text was received by subsequent generations of authors and reprinted in an Italian version four years before Giorgio Vasari published his account of the life of Properzia de Rossi in his Lives. The article introduces a fresh perspective on the relationship between Boccaccio’s Marcia and Vasari’s Properzia and provides new evidence for connections between the querelles des femmes and sixteenth-century art literature.
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Vanlandschoot, Romain. "Dom Arnoldus Smits (1914-2005)." WT. Tijdschrift over de geschiedenis van de Vlaamse beweging 65, no. 2 (January 1, 2006): 86–121. http://dx.doi.org/10.21825/wt.v65i2.12620.
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Dom Arnoldus Smits (1914-2005). Historian of the break up of the Low Countries and biographer of Modest Van AsscheArnold Smits, who had a Dutch Pan-Netherlandic background, became a Flemish nationalist Benedictine monk at the abbey of Saint Peter of Steenbrugge near Bruges. He was also a historian, renowned for his four-part study 1830 and the break up of the Low Countries and for his biography of the Flemish nationalist abbot Dom Modestus Van Assche.Romain Vanlandschoot describes the chequered life and career of Smits and also takes this opportunity to depict the abbey: it was not only scientifically renowned for editing Corpus Christianorum, the study of the authentic texts by early Christian authors, but it was also a location where during a significant part of the 20th century the different tendencies within Flemish nationalism confronted each other.
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Batsak, K. Yu. "Italian opera stars of the Kharkiv stage: the 80s of the 19th – early 20th centuries." Aspects of Historical Musicology 18, no. 18 (December 28, 2019): 89–119. http://dx.doi.org/10.34064/khnum2-18.06.
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Introduction. The Italian opera in Kharkiv has a long history tradition. Its beginnings date back to the 1850s, when the city became a part of the tour routes of Odesa Italian opera troupes under F. Berger’s, V. Sermattei’s direction (1850s – early 1860s), those of Taganrog – under V. Sermattei’s, Corsi’s and Co (second half of 1860s – 1876). These little provincial troupes with unequal by quality the stuff of singers, with a little choir, usually without their own orchestra, within their possibilities, introduced the popular Italian opera repertoire to the Kharkiv audience. Technical and technological achievements – the development of the rail network, the shipping industry, the telegraph and telephone as the newest means of communication, etc., facilitated communication and, among other things, caused cultural achievements rapid exchange. Those times were marked by increasing of diffusive phenomena (in opera repertoire, in the troupe composition, etc.) in musical and theatrical arts, which, in particular, contributed to the scenic creativity activation of Italian artistes and the extension of the geography of their performances. Outstanding and average singers from the Apennines have travelled to different countries of the world with solo concert programs as part of wandering or stationary opera groups. Artistic tours to Eastern direction – to the European territories of the Russian Empire, along with touring trips to the North and South America countries, – became one of the most prevalent. Kharkiv, being one of the largest industrial and cultural centres in the Russian Empire, as a rule, was included by Italian theatre management in vocal-artistic tour programs. Theoretical background. The problem of the famous Italian opera singers’ activity on the Kharkiv stage in the 80s of the 19th – the beginning of the 20th is poorly investigated. Separate pages of M. Battistini’s, J. Bellinchoni’s, A. Mazini’s, T. Ruffo’s, and E. Tamberlik’s biographies related to Kharkiv were studied by M. Varvartsev (2000) in his historical and biographical work “Italians in the cultural space of Ukraine (the end of 18 – 20s years of the 20th century”, written in the form of a dictionary. The main source for the study of this subject were the local musicologists’ (V. Sokalsky, K. Bych-Lubensky, Yu. Babetsky, etc.) theatrical reviews, published in the Kharkiv regional and city press. Objectives. As the Italian opera art had undeniable influence on the Kharkiv musical culture development, the purpose of the article is to study the scenic activity of the famous Italian opera artistes, which acquainted the local theatrical audience with the assets of the world opera arts in the last decades of the 19th – early 20th century. For this purpose, the following tasks have been outlined: to find out the information potential of music-critical publications, dedicated to the Italian singers’ performances, which were printed in the local press; identify and systematize the facts describing the Italian opera performers’ participation in Kharkiv musical life during that period; to reveal the concert and opera repertoire, to study the evaluations of the Italian singers’ performances by professional criticism, the ways of artistes’ interaction with the audience; to determine the Kharkiv performances position in the famous vocalists’ creative biography, to reconstruct the geography of their tour routes, included performances in Kharkiv. The methodology involves the application of the semiotic-hermeneutic method in order to analyze the phenomena of musical-theatrical life (peculiarities of vocal-stylistic style, specificity of musical-critical thought, reactions and preferences of the audience) as a culture text and their hermeneutical understanding; bio-bibliographic method (to find out and combine facts of life and creative activity of Italian singers in Italy and abroad, in particular, in Kharkiv as well-known culture centre); cultural and historical method (allows to study the Italian singers’ scenic activities as a social phenomenon, to identify social factors contributed to the spread of the Italian opera achievements in the local music and theatre environment). Results and discussion. The study of famous Italian singers’ performances on the Kharkiv stage in the definite period allowed highlighting new facts of their biographies, to analyze the concert and opera repertoire, the features of vocal and performing style, acting specifics. The research revealed the place of Kharkiv concert and opera performances in Italian artistes’ touring programs, analyzed the directions and peculiarities of communicative interactions between performers and spectators, determined the Kharkiv performances place in creative biographies of vocalists who have gained European fame. Conclusions. Italian artistes’ performances had a great influence on local opera singers’ professional growth, the formation of musical tastes and preferences of the educated part of the city residents. The investigation of the repertoire of the Italian singers testifies to their desire to acquaint the listener with the best achievements of European opera art, as well as to present contemporary Russian composers’ operas, which, at the time, were getting popularity in the Western European countries, due, primarily, to Italian performers. Kharkiv performances were usually the part of Italian artistes’ tours, being organized in the largest cities of Ukraine and surrounding regions of former Russian Empire – in Odesa, Kyiv, Mykolayiv, Rostov on Don, which testified, in particular, that the city was transformed into one of the European music culture distribution centres then. The high valuation given by the musical critique of the famous singers artistic talents, the active support of their performances by the audience, attest to the utmost importance of the Italians’ touring activity in the Kharkiv musical culture development.
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Nikishina, Nina A., Evgeny R. Boyko, Aleksandr V. Ivanov, Mariya A. Zatolokina, Apollinariya A. Lapshina, and Ekaterina A. Zyukina. "TO THE MEMORY OF PROFESSOR RAFAIL BOYKO - TO 90 YEARS ANNIVERSARY." Morphological newsletter 31, no. 1 (March 6, 2023): 72–80. http://dx.doi.org/10.20340/mv-mn.2023.31(1).752.
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The article is devoted to the biography of professor Rafail Boyko, Doctor of medical sciences, histologist, endocrinologist, Learner of Professor Boris Alyoshin, who made a significant contribution to the teaching of histology, embryology and cytology in soviet medical schools in the second half of the 20th century. He headed the Department of Histology and Embryology of the Izhevsk State Medical Institute (1972-1977), the Department of Histology and Embryology of the Kursk State Medical Institute (1977-1980), the Department of Physiology of the Kherson State University (1981-1995). Professor Rafail Boyko had a significant impact on the development of scientific morphological research and the formation of the scientific community in Russia and Ukraine. The purpose of the study is to restore the history of the formation of Russian science and the scientific morphological school of the outstanding Russian histologists Boris Lavrentiev - Boris Alyoshin, analysis of the scientific works of Professor Rafail Boyko, determination of his contribution to the development of the scientific community of morphologists and endocrinologists in Russia and Ukraine and to the system of higher medical education. The subject of the research in the article was the scientific biography of the scientist, histologist, physiologist and endocrinologist Rafail Boyko, one of the representatives of the famous scientific morphological school of histology. The object of the study was the scientific work of Rafail Boyko in 60th - 70th of 20th century. The research methods are based on comparative-historical, biographical, historical-scientific and documentary-retrospective research methods. The authors of the article prove the contribution of Professor Rafail Boyko in the development of the scientific community of morphologists and endocrinologists in Russia and Ukraine, in the structure and function of the hypothalamic-pituitary system and peripheral endocrine glands, in the development of histochemical and immunochemical research methods. He became one of the first researchers who stained and described the structure of adenohypophysis cells synthesizing adrenocorticotropic hormone. Authors show the contribution of Rafail Boyko in the development of the system of higher medical education in Russia and research centers in Ukraine and that the results of published scientific research by Professor Rafail Boyko are relevant at the present time.
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Kabytov, P. S., and O. B. Leontieva. "Julius Martov and His Times [Review: Litvin A.L., Urilov I.Kh. Julius Martov. A History of Life and Work. 1873–1923. Moscow, Sobranie, 2021. (In Russian)]." Uchenye Zapiski Kazanskogo Universiteta. Seriya Gumanitarnye Nauki 164, no. 6 (2022): 229–37. http://dx.doi.org/10.26907/2541-7738.2022.6.229-237.
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This review focuses on the problematics, structure, and key points of A.L. Litvin and I.Kh. Urilov’s major monograph on the history of the life and work of Julius Osipovich Martov (1873–1923), the prominent Russian revolutionary and the leader of the Mensheviks. It reads as a historical biography in the context of the political events that occurred in Russia during the early 20th century. Of special interest is the specific approach employed by the authors: in order to build a psychological portrait of the main character, they refer to a variety of diverse sources, emphasize the pivotal moments in his life, and hunt for the driving force behind his actions. The analysis of Ju. Martov’s fate lifts the curtain on the history of the social democratic movement in Russia as a choice made between an authoritarian and democratic model of political order. The authors reflect on the importance of adhering to moral principles in politics. The monograph is highly relevant and useful for reconstructing the development of socialist ideas and their influence on the world order.
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Avdeev, Vasilii Aleksandrovich, and Svetlana Vital'evna Lavrova. "The image of a machine in Italian futurism: manifests, music, painting." PHILHARMONICA. International Music Journal, no. 3 (March 2021): 47–68. http://dx.doi.org/10.7256/2453-613x.2021.3.35341.
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The 20th century became a new epoch in the development of the European civilization which projected images begotten by the process of technological transformation of reality into an artistic space. The quick growth of technologies and the industrialization of all spheres of life were reflected in the works of artists in urbanized images of reality. One of these images was a machine as an embodiment of speed and technical progress. Being a central motive of the main idea of the Italian futurism (the most dynamic branch of modernism), the image of a car penetrated into all artistic spheres of the Italian art of the 1910s - the 1930s, most notably: literature, (embodied, first of all, in the futurists’ manifests, devoted to a Machine); music (the noise music by B. Pratella and L. Russolo), and art (machine painting). The interest in the avant-garde visual art of the 1920s - the 1930s, including the Italian futurism, has been growing recently. Many scientific articles and monographs by foreign authors focus on technical aspects of this ambiguous flamboyant direction: the images of electricity, urban architecture, machines and mechanisms. But the Russian scientific literature lacks in-depth studies of these aspects of futurism. This article is supposed to become the first step on the way of studying the “machine” aspect of futurism, i.e. its historical background, development, and the influence of the image which formed the basis for the main idea of the creator of the direction more than a century ago. The authors consider the use of the image of a machine in various artistic fields: literature, music, art, and provide a comprehensive analysis of this phenomenon.
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Valeev, Ramil M., Yazgul R. Rahimova, Roza Z. Valeeva, Ruslan V. Kurochkin, and Valentina N. Tuguzhekova. "The Heritage of N.F. Katanov and the Prospects of its Study: Diaries and materials of his Travel to Siberia and Xinjiang (1889–1892) (Tuva–Khakassia–East Turkestan)." Written Monuments of the Orient 9, no. 1(17) (June 25, 2023): 36–49. http://dx.doi.org/10.55512/wmo465708.
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In 2022, Russia celebrated the 160th anniversary birthday of the famous Khakass scholar, Turkologist, teacher, traveler and educator Nikolaj Fedorovich Katanov (18621922), who played a significant role in the study of the language and culture of the Tuvan people. Katanovs biography and research works allow us to study the origins and the contemporary state of development of the humanities. The biography and legacy of N.F. Katanov are of academic and especially scientific, educational, and humanistic interest. They reflect important trends in Oriental studies both in Russia and abroad, especially in Turkology. N.F. Katanovs doctoral dissertation A Study of the Uriankhai language laid the foundation for the scientific study of the Tuvan language, and his handwritten diaries and materials from the period of travel in Tuva, Khakassia, Xinjiang and Eastern Turkestan, entered the golden fund of Russian and European Turkology. His comprehensive studies of Turkic peoples of Eurasia at the turn of the century remain relevant and valuable at present. The article presents the research work on the heritage of N.F. Katanov scattered in archival centers of Kazan, Moscow, St. Petersburg and several foreign institutions. For the most part, the written materials (diaries, letters, unfinished manuscripts, etc.) of N.F. Katanov, revealed by the authors, bear the stamp of the era of the late 19th first decades of the 20th cc. and its socio-political life. Introduction into scientific circulation of N.F. Katanovs manuscripts allows us to identify the directions and features of his research work and to form an objective basis for the preparation of an academic biography of the classic of Russian Turkology.
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POLONSKIY, VADIM. "GEOPOETICS OF THE ART NOUVEAU ERA: SOUTHERN ITALY THROUGH THE EYES OF RUSSIAN AUTHORS OF THE LATE 19TH - EARLY 20TH CENTURY." Lomonosov Journal of Philology, no. 3, 2023 (June 19, 2023): 89–106. http://dx.doi.org/10.55959/msu0130-0075-9-2023-47-3-8.
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The article dwells on the semantically integral system of Southern Italy Russian reception in the heyday of Belle époque. Its connection with the European context dating back to Goethe and purely national features are shown. Based on Berdyaev’s relevant texts, the imagological constants of the Silver Age ‘Russian Italy’ are reconstructed. Three different models of it are demonstrated, opposing the aesthetic line of Italy reflection in the mirrors of the arts, embodied by P.P. Muratov (Images of Italy, 1912): in the works of D.S. Merezhkovsky, M.A. Osorgin and I.A. Bunin. It is proved that they are united by an unexpected in the depiction of the bright Italian South antirhetoric, expressive asceticism, opposition to decorative redundancy and polemic in relation to the romantic apology of the ‘Mediterranean Arcadia’. In the case of Merezhkovsky, this even laid the foundation for a special potential type of alternative poetics, which could but never managed to reach the center of the writer’s artistic system.
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Kononova, Olga V. "Portrait Gallery of an Era: on the Pages of Bibliotekovedenie Journal (1952—2021)." Bibliotekovedenie [Russian Journal of Library Science] 72, no. 2 (June 19, 2023): 143–54. http://dx.doi.org/10.25281/0869-608x-2023-72-2-143-154.
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The article is devoted to the study of the publications of biographical direction of the “Bibliotekovedenie” — Russian Journal of Library Science in 1952—2021. The most attention is paid to the analysis of the materials published in the 20th century. It reconstructs the history of the development of biographical materials on the pages of the periodical edition, defines the stages and characteristic features of each of them, presents the forms of biographical publications, reveals the circle of persons engaged in studying biographies of outstanding librarians, as well as the persons who became the objects of the authors’ and editors’ attention. The scientific discipline of humanitarian cycle, biography, is discussed. The authors cite the opinions of scholars (Yu.N. Stolyarov, V.S. Kreydenko, A.N. Vaneev, I.L. Belenkiy, G.G. Silnitskii, etc.) which emphasizes the necessity and significance of studying history through biographical studies. In the 21st century the library and book community has entered with a very developed direction of historical research on biography. While before 1970 there were sporadic publications on people of the library profession, by the end of the 20th century the number of biographical materials had increased significantly. Books and monographs dedicated to librarians appeared, name conferences began to be organized, autobiographical genre began to form, memoirs “in the first person” were published. Various factual and biographical materials have been collected in the journal.During the 15-year period of publication of the collection (bulletin) “Libraries of the USSR. Work Experience” (1952—1966) it published four articles of biographical genre: on the bibliographer A.P. Sokolov; on V.I. Lenin’s elder brother A.I. Ulyanov; the writer V.G. Korolenko and his library; the librarian A.A. Pokrovsky. During the six years (1967—1972), when the collection was published under the title “Libraries of the USSR”, nine articles dedicated to individual outstanding people were published in it. In 1973 the collection was transformed into the scientific and practical journal “Soviet Bibliotekovedenie” (Soviet Library Science). During the twenty years between 1973 and 1992, 128 biographical materials were published, and 96 persons were the subject of attention. Since 1993 the journal has been published under the title “Bibliotekovedenie” (Russian Journal of Library Science). From 1993 to 2000, 59 biographical materials were published in it. Articles of autobiographical genre appeared. For the first time, the interview genre was used. Between 2001 and 2021, 298 biographical materials were published in the journal, and more than 200 persons received attention. Of these, material on 165 persons appeared for the first time.Between 1952 and 2021, a total of over 280 authors published articles of biographical genre. The librarians about whom the greatest number of materials has been published: O.S. Chubarian, N.I. Tyulina, Yu.V. Grigoriev, N.S. Kartashov, K.I. Abramov, A.A. Pokrovsky, M.Ya. Dvorkina, N.A. Rubakin, Yu.N. Stolyarov, L.B. Khavkina, etc.The materials presented in the journal may serve as a basis for further research. The article may be useful for library professionals to intensify research activities in the field of library history through the study of biographies of prominent people.
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Sushko, Alexey V., and Dmitriy I. Petin. "Chekist, participant in hostilities, publicist: To the biography of Boris Antonovich Yankovsky." Vestnik Tomskogo gosudarstvennogo universiteta, no. 480 (2023): 142–48. http://dx.doi.org/10.17223/15617793/480/17.
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The article analyzes the possibilities of personal and professional adaptation of a “man of the revolution” to the dynamic and changing conditions of the Soviet society during the first half of the 20th century. The authors reconstruct the biography of a resident of the province - Boris Antonovich Yankovsky (1903-1964), whose life path incorporated the features both typical of the era and unique. The methodological basis of the study was the anthropological approach and the synthesis of macro- and micro-history; historical-biographical and comparative-historical methods were also used in the work. The sources for the research were unpublished ego-documents (questionnaire, autobiographies and memoirs) permanently stored in the Historical Archive of Omsk Oblast and in the Archive of the Federal Security Service of Russia in Omsk Oblast. The presence of such a significant and informative array of sources about a former employee of the Soviet special services is infrequent. This circumstance, as a result, made it possible to reconstruct Yankovsky's biography in as much detail as possible and to characterize his inner world. A feature of Yankovsky's biography is that in the conditions of social cataclysms he showed professional mobility, skillfully found himself and his vocation realizing his creative writer and publicist talents, he also served in the army, in state security agencies, and worked as a journalist. Yankovsky did not hold high positions, apparently burdened by the manager post, and preferred individual activities. Wars had an undoubted influence on Yankovsky. As evidenced by the study, he was an ideological person, devoted to the Soviet system, persistent, fearless, enterprising, emotional, direct and ready for sacrifice. At the same time, even though he was twice oppressed along the party line, he was able to safely avoid repression. In conclusion, the authors emphasize that the fate of Boris Yankovsky can be called a typical example of a “grassroots” person who was able to successfully take advantage of the conditions of the Russian Revolution, which created social elevators for talented people.
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Pudłocki, Tomasz, and Wiktor Węglewicz. "Pochwała jako tekst historyczny – życiorys Bohdana Zahajkewycza." Rocznik Przemyski. Historia 1 (27) (December 29, 2022): 403–49. http://dx.doi.org/10.4467/24497347rph.22.026.16651.
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Commendation as a historical text – the biography of Bohdan Zahaykevych The authors present a source rarely used in historical research: a commendation of a person delivered on the occasion of their jubilee. By courtesy of the family, an unknown historical source has been edited, concerned with Bohdan Zahaykevycz, one of the major figures in interwar Przemyśl: secondary school teacher, museologist, organizer of cultural activities, brother of Volodymyr Zahaykevych (Deputy Speaker of the Sejm of the Second Republic of Poland and lawyer). After emigrating from Przemyśl, Zahaykevycz was one of the key figures in the life of the Ukrainian diaspora in the USA. This text is supposed to honor his services as a sort of liaison between the past world for American Ukrainians and their postwar reality overseas. It says a lot about what and how was remembered and maintained in the collective memory of the generations living in new reality after 1945, focusing above all on Ukrainian life in Przemyśl in the first half of the 20th century.
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Bibikov, Mikhail V. "Kazhdan’s Practices of Working with Manuscript." GRAPHOSPHAERA Writing and Written Practices 3, no. 2 (2023): 24–29. http://dx.doi.org/10.32608/2782-5272-2023-3-2-24-29.
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The article contains the notes pro memoria about A. P. Kazhdan’s studies of manuscripts, his achievements and losses in this field. The first case is the episode of the describing by young A. Kazhdan the collection of Greek manuscripts in the former Lenin State Library, now – Russian State Library. The next point is connected with manuscript copy-book by N. Novosadsky, that contained texts of many literary works of Eustathius of Thessalonice, Michael Rhetor (“of Thessalonice”) and other Byzantine authors, copied in El Escorial. They were used by A. Kazhdan himself and by his students in their studies. The last episode con-cerns the case of prohibit for A. Kazhdan to visit Athos and research some manuscripts, even while he visited Grece with a group of colleagues. Those three cases contribute to our un-derstanding of not only the biography of A. P. Kazhdan, but also of the history of Byzantine studies in the USSR and the Russian historiography of the second half of the 20th century in general.
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Sycheva, Vladislava. "Phenomenon of the Regional Sense of humor in the Tuscan Poetry." Stephanos Peer reviewed multilanguage scientific journal 55, no. 5 (September 30, 2022): 88–93. http://dx.doi.org/10.24249/2309-9917-2022-55-5-88-93.
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The article considers the phenomenon of the national Tuscan sense of humour and the influence of local mentality on the poetry of the region. Quotes from the pieces of Guittone D’Arezzo, Rustico di Filippo, Dante Alighieri, Lorenzo de’ Medici, Francesco Berni and other authors of various periods, from the 13th to the 20th century, demonstrate in chronological order which part the specific Florentine irony takes in the process of formation, development and transformation of the Italian comic verse (or realistic verse). This genre arose not only as a poetical method but also as a reaction to the social and political situation. Comparative analysis of the poems allows us to follow the evolution of the Florentine poetic tradition and draw the conclusion about the cyclical nature of the literature process, confirmed by the regular return to the debunking of excessive tragedy in Italian poetry by the comic verse. In addition, the article reveals the common features of comic verse of different historical periods, which consist in the similarity not only of themes and motives but also of comic techniques based on the characteristic sceptical view of the life of Tuscans.
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Repina, Anastasija S. "Folk Adaptation of the Sentimental Romance by M. V. Zubova “I`m Going to the Desert." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 68 (2023): 181–89. http://dx.doi.org/10.37816/2073-9567-2023-68-181-189.
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The paper presents the collection and analysis of the folklore adaptations of Maria Zubova's sentimental romance “I am going away into the desert” in the 19th and 20th centuries. The transformation of the author's work in folk song and theatre culture demonstrates a complex interaction between folklore and book poetry. The biography of the author, a representative of the artistic milieu and one of the few female poets of the late 18th century, is reflected in some journal sources (“Materials for the History of Russian Female Authors” by M. N. Makarov) and fiction sources (“Russian Women of New Times” by D. L. Mordovtsev) which confirm possible authorship of the poetess. The study highlights stylistic features of love, spiritual and prison lyrics, as well as the work of folk theatre, which uses the text under study. Women's love songs, including choral songs, vary the motif of infidelity, transform the spiritual meaning of the image of the desert into a symbol of conjugal loneliness. In an Old Believer environment, the work was included in spiritual songs developing a motif of renunciation of the secular life in the wilderness. Researcher P. A. Bessonov discusses the devastating impact of “pseudo-folk” song on Russian spiritual culture. Echoes of the sentimental romance may also be found in the prison lyrics of the 20th century collected from the Siberian narrator I. K. Beketov. The final part of the study deals with the folk drama “King Maximilian”, where the cited text appears as a precedent for the Russian culture, which is proved later by its active use in numerous works of fiction.
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Magyar, László András. "Lorenzo de Monacis: A vérszopó Ezerino borzalmas története." Kaleidoscope history 11, no. 22 (2021): 53–72. http://dx.doi.org/10.17107/kh.2021.22.53-72.
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Even in the early twentieth century, northern Italian children were intimidated by the Bloodsucker Ezerino. We find Ezerino or Ezzelino Da Romano (1194-1259) also in the seventh circle of Dante's Hell, but the horror tale of the cruel tyrant has been mentioned in several romantic literary works as well. The reign of the Ghibellin Ezerino could only be terminated by the alliance of the Pope, the Lombard League and the Venetian Republic through a crusade against the tyrant, but its terror and the hatred of his opponents left their mark on later narratives as well. Later analysts pointed out that most of the horrors detailed here may only have been exaggerations or fictions with which the victors tried to defeat the former deadly enemy – as we have already seen by a few examples. But also the history of the 20th century demonstrates clearly that there is no unimaginable horror committed by man over time. Our presented text is the 13th chapter of an early 15th century Venetian chronicle. The first half of the story is a slightly confusing story of petty family quarrels, wealth-seeking tricks, minor skirmishes, but later there are unfolding terrible events before our very eyes that remember the tragedy of Richard the III. We can see how an average nobleman became an almost unearthly evil, paranoid tyrant by the end of his life. The narrative is slowly rising from the middle of the text to literary niveau and deepens into an impressive tyrannical biography framed by the completely meaningless Guelf-Ghibelline wars. Its pages are populated by historical and supra-historical figures: ruthless mercenaries, cruel hangmen keeping the account of their victims, family members whistleblowing each order, self-whipping flagellants, diligent denunciators and humiliated truncated children liberated from their prison as living sceletons.
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Файзуллина, Гузель Чахваровна, Зайтуна Аптрашитовна Тычинских, and Лилия Харисовна Фаизова. "Tobolsk Bukharans of Komarovsky Yurt of Tobolsk Province According to Birth Registers of the 19th – early 20th Century." Tomsk Journal of Linguistics and Anthropology, no. 1(39) (June 30, 2023): 141–55. http://dx.doi.org/10.23951/2307-6119-2023-1-141-155.
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На основе материалов рукописных мечетных книг юрт Комаровских Бухарской волости Тобольской губернии рассматривается социокультурный облик сибирских бухарцев в XIX – начале XX в. Мусульманские метрические (мечетные) книги «на записку родившихся, о браках, разводах и смерти» транслитерированы и переведены авторами на русский язык. Транслитерация и перевод старотатарских текстов позволяют ввести в научный оборот новый источниковедческий материал. Показано, что в метрических книгах содержится уникальная информация, которая в совокупности с другими источниками дает возможность детально и комплексно рассмотреть вопросы социально-исторического и лингвистического характера мусульманского населения Западной Сибири. Выявлено, что структура этих документов унифицирована и соответствует общепринятым стандартам изучаемого исторического периода. Составителями мусульманских метрических записей являлись имамы, которые вели службу в местных мечетях, что просматривается по записям, сделанным в книгах о браках и разводах. В мусульманских метрических книгах Комаровской мечети сохранились сведения за 27 лет, охватывающие с 1835 г. по 1852 г. и с 1854 г. по 1862 г. В течение всего этого периода имамом в мечети юрт Комаровских служил бухарец Суюджбаки б. Габдельгазиз. Авторами представлены некоторые факты биографии указного имама и составлена его родословная. Выявлено, что как книги о рождении, так и о браках позволяют определить этническую и сословную структуру изучаемого населения в XIX в. В мечетных книгах юрт Комаровских обозначены эти категории, к которым относились служилые, ясачные татары, бухарцы и др. В рассматриваемых рукописных документах для обозначения бухарского населения характерно в качестве равнозначных использование лексем бухартин и сарт. Отмечается, что в передаче фонетических особенностей произношения личных имен в графическом оформлении слова (оглушение) и лексике (диалектизмы) прослеживаются некоторые элементы регионального наречия. This article analyzes the socio-cultural peculiarities of the Siberian Bukharans in the 19th and early 20th centuries. The analysis is based on the material of handwritten mosque books of Komarovsky yurts in Bukhara Volost, Tobolsk province. The authors transliterated and translated the Muslim metrical (mosque) books “On a Note to the Born, on Marriages, Divorce, and Deaths” into Russian. The transliteration and translation of the old Tatar texts bring new source material into scholarly circulation. It is shown that the metrical books contain unique information. This information and some other sources allow one to consider in detail and comprehensively the socio-historical and linguistic nature of the Muslim population of Western Siberia. It turns out that the structure of these documents is uniform and corresponds to the generally accepted standards of the historical period under study. The authors of the Muslim metrical records were imams serving in local mosques. This is evident from the records in the books of marriages and divorces. The Muslim metrical books of the Komarovskaya Mosque preserved information for 27 years, from 1835 to 1852 and 1854 to 1862, during which Suyujbaki b. Gabdelgaziz was the imam of the Komarovsky Yurts. The authors present some facts about the biography of the decreed Imam and compile his genealogy. It turned out that the two books on births and marriages allow us to determine the ethnic and class structure of the studied population in the 19th century. These categories are given in the mosque books of the Komarovsky Yurts and include soldiers, Yazak Tatars, Bukharians. It is typical of the designation of the population of Bukhara that in these handwritten documents, the lexemes bukhartin (бухартин) and sart (старт) are used as equivalents. The authors note that some elements of the regional dialect are recognizable in the transfer of phonetic features of pronunciation of personal names in the graphic design of the word (devoicing) and vocabulary (dialectisms).
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Suriano, Alba Rosa. "La modernità nel teatro egiziano: l’esempio di Naǧīb al-Rīḥānī." Oriente Moderno 99, no. 1-2 (June 17, 2019): 203–19. http://dx.doi.org/10.1163/22138617-12340214.
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Abstract Arab modernity, in theatre, is characterized by the foundational discourse that grew out of the encounter with European theatre and culture. Traditional types of dramatic representation, some even going back to the pre-Islamic period, were largely neglected by authors and critics, between the end of the 19th and the beginning of the 20th century. They preferred to overlook the influence of popular Arabic theatre and reconnect to the ‘Italian’ theatre. Egyptian playwrights imported the structure of the plays, but they adapted it to the Arabic social context and used it for their own cultural project. This study deals with the themes, the reference samples and the characters, in their relationships with the Egyptian cultural field. After a presentation of the major models in the modern Arab theatre, I will focus on Naǧīb al-Rīḥānī in order to investigate which were the paradigmatic references and characters for one of the main actor and playwright of Egyptian modernity.
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Cordin, Patrizia. "I verbi sintagmatici nei dizionari dialettali trentini." Linguistik Online 125, no. 1 (March 6, 2024): 77–96. http://dx.doi.org/10.13092/lo.125.10786.
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This article deals with the treatment of phrasal verbs in the dictionaries of the Trentino dialects, where the sequence verb + locative was – and is still – used widely. An introductory paragraph briefly illustrates the spread of phrasal verbs formed with a locative particle in the Romance languages, and particularly in Italian and in the dialects of Northern Italy. In the second paragraph, eight lexicographical Trentino works are examined, five of which have a digital version. The selected dictionaries, written during the last decades of the 20th century and the first decades of the 21st, cover different areas of Trentino. For each work, the analysis focuses on how phrasal verbs are presented in the macro- and the microstructure. The review shows that all authors provide a rich exemplification of phrasal verbs, but only two present these phraseological units systematically and exhaustively. However, the dictionaries that have an online version offer the possibility of an automatic search which makes up for the absence of a coherent registration.
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Kridi, Ass Prof Dr Zamen Hassen, and Ass Lecture Anwar Musen Jumaa. "The Policy of Italy Toward Jewish of Libya 1929-1933." Thi Qar Arts Journal 2, no. 44 (December 31, 2023): 92–109. http://dx.doi.org/10.32792/tqartj.v2i44.491.
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The ethnic diversity of Libya in the first half of the 20th century was accompanied by a corresponding diversity in Italy’s policies toward its population. The Jewish community in Libya constituted a significant proportion, numbering between 6,500 to 7,000 individuals, primarily concentrated in the capital city of Tripoli and the eastern district of Cyrenaica, with its capital Benghazi. However, Italy’s treatment of Libyan Jews was characterized as discriminatory, and some authors even described it as arbitrary. This discrimination intensified during the rule of General Pietro Badoglio, who departed from previous policies and denied Libyan Jews the same rights and privileges granted to Italian Jews.
Upon Italy’s occupation of Libya, a distinct policy toward the Jewish population emerged. Initially, Jews were granted official status and played a crucial role in the Libyan economy. They actively engaged in learning the Italian language and adopting European customs. However, as fascism gained power, the Italian government began to view Libyan Jews as indigenous Muslims rather than Italians. Governor-General Italo Balbo, during his term, accelerated the modernization of Jewish communities while respecting their traditions. Nevertheless, tensions arose, such as when Jews closed their shops on the Sabbath, leading to punitive measures.
The situation deteriorated further after 1933 due to Italy’s adoption of racial laws, which affected Libyan Jews significantly. Ultimately, the Jewish population in Libya dwindled, and today, there are no Jews remaining in the country.
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Brukhanchik, Ekaterina A. "The Russian historiography of the credit and financial system of the Russian Empire (1861–1914): approaches to the study, methodology and research methodology." Journal of the Belarusian State University. History, no. 3 (July 31, 2019): 101–9. http://dx.doi.org/10.33581/2520-6338-2019-3-101-109.
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The article is devoted to the Russian historiography of the credit and financial system of the Russian Empire of the second half of the 19th – beginning of the 20th century. Its purpose is to study the main methodological approaches to research of the credit and financial system of the Russian Empire in the second half of the 19th – beginning of the 20th century in pre-revolutionary, Soviet and modern historiography by identifying the main approaches and characteristic features of research on this topic in different historiographic periods, identifying the most prominent representatives and the most popular problematic issues of Russian historiography, identifying key research methods at different stages. The relevance of the article is determined by the coverage of different points of view on the problems of the development of the credit and financial system of the Russian Empire of the second half of the 19th – early 20th centuries, concerning the financing of large infrastructure projects, modernization, the use of new financial instruments to increase government revenues, stabilize adverse macroeconomic problems context. This information can be used to solve modern strategic tasks of the state and rational use of financial resources. The novelty of the research is determined by the fact that to study the historiography of the credit and financial system of the Russian Empire in the second half of the 19th – early 20th centuries was first applied to institutional evolutionary theory. The publication identifies the main features of pre-revolutionary historiography (empiricism, a reflection of the ideology of its social group, pluralism of opinions, deep erudition of the authors), Soviet (conducting research in the framework of the formation approach, officially approved methodological principles, criticism and repression of dissidents), modern (rejection of the formation approach, the use of information technologies, the use of economic research methods, the study of the object in the context of new directions). The author covers research methods (general scientific, historical, economic), characteristic for different periods of Russian historiography, the most popular problems, and areas of study of the credit and financial system (gender history, biography, everyday history, etc.). The article shows the pluralism of opinions of pre-revolutionary researchers, the results of the application of the formation approach by Soviet researchers, expressed in the harsh criticism of predecessors, one-sided coverage of events, the use of various research methods by modern researchers, and the development of new directions.