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Books on the topic 'Authorial Philology'

Author: Grafiati
Published: 10 March 2023

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1

Maire, Reynolds Joyce, Mackenzie Mary Margaret, and Roueché Charlotte 1946-, eds. Images of authority: Papers presented to Joyce Reynolds on the occasion of her seventieth birthday. Cambridge: Cambridge Philological Society, 1989.

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2

Di Salvo, Maria Giovanna, Giovanna Moracci, and Giovanna Siedina, eds. Nel mondo degli Slavi. Incontri e dialoghi tra culture. Florence: Firenze University Press, 2008. http://dx.doi.org/10.36253/978-88-8453-868-0.

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This book is a tribute to Giovanna Brogi Bercoff, Full Professor of History of Russian at the State University of Milan and a leading authority on Polish studies, mediaeval Russian literature and Ukrainian studies, both in Italy and abroad. Former Chairman of the Associazione Italiana degli Slavisti, she contributed to project Italian Slavic studies into an international dimension. Among the most significant aspects of her intense academic and teaching career we should mention the pioneering studies on historiography and the Baroque culture in the Slavic area, as well as the introduction of Ukrainian studies at the University of Milan. The authors of the essays collected here, which range from linguistics to philology, and from literary theory to history, are Italian and foreign scholars of different generations and different cultural backgrounds.
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3

Italia, Paola, and Giulia Raboni, eds. What is Authorial Philology? Open Book Publishers, 2021. http://dx.doi.org/10.11647/obp.0224.

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4

Italia, Paola, and Giulia Raboni. What is Authorial Philology? Open Book Publishers, 2021.

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5

Writer and Occasion in Twelfth-Century Byzantium: The Authorial Voice of Constantine Manasses. University of Cambridge ESOL Examinations, 2021.

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6

Nilsson, Ingela. Writer and Occasion in Twelfth-Century Byzantium: The Authorial Voice of Constantine Manasses. Cambridge University Press, 2020.

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7

Nilsson, Ingela. Writer and Occasion in Twelfth-Century Byzantium: The Authorial Voice of Constantine Manasses. Cambridge University Press, 2020.

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8

Miert, Dirk van. The Janus Face of Scaliger’s Philological Heritage. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198806837.003.0005.

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Daniel Heinsius and Hugo Grotius worked on the New Testament in the same decade, 1630–1640, and within the same genre of a selective annotation, but they ended up publishing two contrasting types of commentary, with diverging consequences for the authority of God’s Word. Two factors shaped these different outcomes. First, the instrument of philology was subjugated to different philosophical agendas: Heinsius aimed at highlighting the existence of a Hellenistic language, while Grotius was driven by the wish for Christian reunification. Secondly, as an exile Grotius enjoyed greater freedom than Heinsius, who taught at Leiden University. These contexts either stimulated or neutralized the subversive potentiality of biblical philology. A comparison with the agendas and positions of other contemporary critics illustrates the inherently destructive effects of philology upon scriptural authority.
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9

Any, Carol. Soviet Writers' Union and Its Leaders: Identity and Authority under Stalin. Northwestern University Press, 2020.

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10

Any, Carol. Soviet Writers' Union and Its Leaders: Identity and Authority under Stalin. Northwestern University Press, 2020.

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11

van Miert, Dirk. Conclusion. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198803935.003.0010.

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In the conclusion, the intrinsic deconstructive power of philology is contrasted with external pressures moving philology in different political and religious directions. The positions of the main protagonists differed widely, but they show that the less they were institutionalized, the more freedom they had to present unorthodox theories. As in the case of natural science, biblical philology was a handmaiden of theology, but it could also be used against certain theologies. In the end, the accumulation of evidence regarding the history of the Bible and the transmission of its texts, could not fail to impinge on the authority of Scripture. The problems in the transmission of the biblical text were widely discussed in the decade leading up to the publication of the Theological-political Treatise. Readers of Spinoza were already familiar with the type of reasoning which Spinoza employed in the central chapters of his notorious work.
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12

Touber, Jetze. Biblical History and Antiquarianism. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198805007.003.0004.

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In chapter 3 we chart the potential and the pitfalls of Dutch Reformed biblical philology after 1650, a period that is relatively unknown. Focusing on Old Testament scholarship, a number of case studies serves to trace the paradoxical results of biblical philology in this period, as practised by the likes of Johannes Coccejus and Campegius Vitringa: discussions about the ‘oracle stones’ umim and thummim, reconstructions of the temple described by the prophet Ezekiel, and erotic allusions in the Old Testament. When such specialized debates spilled over to the writings of non-professionals, such as Adrianus Beverland, this could lead to unconventional speculations, unwelcome from a clerical perspective. These case studies show how existing philological work on the Bible became tied up with the textual criticism articulated by Spinoza, how Dutch scholarship connected with international discussions, and how philology radiated from academic specialists to outsiders with their own claims to exegetical authority.
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13

Jendza, Craig. Paracomedy. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190090937.001.0001.

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Paracomedy: Appropriations of Comedy in Greek Tragedy is the first book that examines how ancient Greek tragedy engages with the genre of comedy. While scholars frequently study paratragedy (how Greek comedians satirize tragedy), this book investigates the previously overlooked practice of paracomedy: how Greek tragedians regularly appropriate elements from comedy such as costumes, scenes, language, characters, or plots. Drawing upon a wide variety of complete and fragmentary tragedies and comedies (Aeschylus, Sophocles, Euripides, Aristophanes, Rhinthon), this monograph demonstrates that paracomedy was a prominent feature of Greek tragedy. Blending a variety of interdisciplinary approaches, including traditional philology, literary criticism, genre theory, and performance studies, this book offers innovative close readings and incisive interpretations of individual plays. The author presents paracomedy as a multivalent authorial strategy: some instances impart a sense of ugliness or discomfort; others provide a sense of lightheartedness or humor. While the book traces the development of paracomedy over several hundred years, it focuses on a handful of Euripidean tragedies at the end of the fifth century BCE. The author argues that Euripides was participating in a rivalry with the comedian Aristophanes and often used paracomedy to demonstrate the poetic supremacy of tragedy; indeed, some of Euripides’s most complex uses of paracomedy attempt to reappropriate Aristophanes’s mockery of his theatrical techniques. The book theorizes a new, groundbreaking relationship between Greek tragedy and comedy that not only redefines our understanding of the genre of tragedy but also reveals a dynamic theatrical world filled with mutual cross-generic influence.
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14

Making of Modern Hindi: Literary Authority in Colonial North India. Oxford University Press India, 2019.

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15

Nellen, Henk. Scriptural Authority and Biblical Criticism in the Dutch Golden Age. Edited by Dirk van Miert, Piet Steenbakkers, and Jetze Touber. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198806837.001.0001.

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Did innovative textual analysis reshape the relations between Christian believers and their churches in early modern confessional states? This volume explores the hypothesis that in the long seventeenth century humanist-inspired biblical criticism contributed significantly to the decline of ecclesiastical truth claims. Historiography pictures this era as one in which the dominant position of religion and church began to show signs of erosion under the influence of vehement debates on the sacrosanct status of the Bible. Until quite recently, this gradual but decisive shift has been attributed to the rise of the sciences, in particular astronomy and physics. This book looks at biblical criticism as, on the one hand, an innovative force and, on the other, the outcome of developments in philology that had started much earlier than scientific experimentalism or the New Philosophy. Scholars began to situate the Bible in its historical context. The seventeen chapters show that even in the hands of pious, orthodox scholars philological research not only failed to solve all the textual problems that had surfaced, but even brought to light countless new incongruities. This supplied those who sought to play down the authority of the Bible with ammunition. The conviction that God’s Word had been preserved as a pure and sacred source gave way to an awareness of a complicated transmission in a plurality of divergent, ambiguous, historically determined and heavily corrupted texts. This shift took place primarily in the Dutch Protestant world of the seventeenth century.
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16

Van Miert, Dirk, Henk Nellen, Piet Steenbakkers, and Jetze Touber. Editors’ Introduction. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198806837.003.0001.

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The Editors’ Introduction explains that seventeenth-century philology covered a wide range of positions in the realm of biblical scholarship. As an innovative discipline, practised across a large confessional landscape, from orthodox theologians to radical philosophers, it produced a shift in the appreciation of the authority of God’s Word by stimulating awareness of the historical situation of the Bible and a concomitant sensitivity for rational arguments. Furthermore, the Editors’ Introduction gives a short survey of the chapters in the book and finishes with a general conclusion that argues for a nuanced view of the shift in the supernatural status of the Bible. Biblical criticism was also, and even first, embraced within the established confessions by prominent, often impeccably orthodox theologians, historians, and philologists. Many believers continued to study Scripture through a primarily dogmatic lens, while drawing on prior critical exegesis.
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17

Touber, Jetze. Conclusion: The Bible Human and Divine. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198805007.003.0007.

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The conclusion recapitulates the variegated dynamics at play in the interpretation and use of the Bible in the Dutch Public Church when Spinoza articulated his biblical criticism. Spinoza’s Tractatus theologico-politicus did not suddenly open the eyes of his contemporaries to the technical and philosophical problems of identifying a text with the Word of God. Rather it arrived at an extremely delicate moment, when forces from various directions were already contesting one another over the authority to interpret Scripture in their own ways. These forces had their own momentum when refuting Spinoza’s outlandish appeal to biblical philology, and responded in turn to one another inlight of the new reality. In result, by 1700 the space allowed for exegetical variety within the doctrinal enclosure of the Public Church had gradually widened, but it remained a contested terrain where innovations were easily considered, or branded, harmful to ecclesiastical unity.
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18

Scripture Poetry And The Making Of A Community. Oxford University Press, 2013.

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