Academic literature on the topic 'Author and Document'
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Journal articles on the topic "Author and Document":
Arief, Arief Purnama Ajie, and Andin Rusmini Andin. "Analisis Big Data Hukum Pariwisata Internasional Periode 2017-2023." Mutiara : Jurnal Ilmiah Multidisiplin Indonesia 1, no. 2 (October 31, 2023): 245–66. http://dx.doi.org/10.61404/jimi.v1i2.80.
Stolyarov, Yu N. "Library documentology." Scientific and Technical Libraries, no. 5 (July 23, 2021): 61–72. http://dx.doi.org/10.33186/1027-3689-2021-5-61-72.
Han, Peng, Ming Mei Chen, and Ying Nan Zhang. "A Hierarchical Bayesian Model for Text Corpora." Applied Mechanics and Materials 687-691 (November 2014): 1237–40. http://dx.doi.org/10.4028/www.scientific.net/amm.687-691.1237.
Kosova, Marina. "Development of Theoretical Approaches to Modern Document Studies in Linguistic School of Professor Sofiya P. Lopushanskaya." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 2. Jazykoznanije, no. 6 (February 2024): 66–79. http://dx.doi.org/10.15688/jvolsu2.2023.6.5.
Paiva, Sara. "A Fuzzy Algorithm for Optimizing Semantic Documental Searches." International Journal of Web Portals 6, no. 1 (January 2014): 50–63. http://dx.doi.org/10.4018/ijwp.2014010104.
Mykhailovska, Ye V., and A. O. Lymonko. "On the technique of drafting administrative and legal documents." Analytical and Comparative Jurisprudence, no. 6 (December 27, 2023): 478–81. http://dx.doi.org/10.24144/2788-6018.2023.06.82.
Kusmayadi, Iwan, Djoko Suprayetno, Muhammad Mujahid Dakwah, and Muhammad Ahyar. "Analisis Bibliometrik Pada Riset Keuangan Inklusif Dalam Tiga Dekade." JURNAL SOSIAL EKONOMI DAN HUMANIORA 8, no. 1 (March 30, 2022): 154–60. http://dx.doi.org/10.29303/jseh.v8i1.51.
Noel, Steven, Chee-Hung Henry Chu, and Vijay Raghavan. "Co-Citation Count vs Correlation for Influence Network Visualization." Information Visualization 2, no. 3 (September 2003): 160–70. http://dx.doi.org/10.1057/palgrave.ivs.9500049.
Wang, Binglu, Yi Bu, and Win-bin Huang. "Document- and Keyword-based Author Co-citation Analysis." Data and Information Management 2, no. 2 (August 14, 2018): 70–82. http://dx.doi.org/10.2478/dim-2018-0009.
Shvetsova-Vodka, G. N. "Document classification as a theoretical problem of documentology." Scientific and Technical Libraries, no. 9 (October 4, 2022): 147–68. http://dx.doi.org/10.33186/1027-3689-2022-9-147-168.
Dissertations / Theses on the topic "Author and Document":
Curcio, Mariateresa. "Le problème de l'auteur dans la culture artistique romaine : originalité et imitation." Thesis, Paris 1, 2014. http://www.theses.fr/2014PA010502/document.
The topic of my research has been to deconstruct the authorship as expression of a unique subject within the artistic creation. act, in order to understand the different elements composing an art-work in the elaborated Roman visual culture. I tried to investigate how the modern concept of author has influenced the analysis of Roman art and I have offered new paradigms useful for dealing with the investigation of some components of the Roman artistic culture. Now it's widely recognized that the aesthetic paradigms that consider the art-work separated from contexts (whether cultural or physics) can't thoroughly read Rome's artistic production. For that reason, redefining the authorial contents and introducing in the artistic vocabulary words such as emulation and reproduction, allows to analyze the who le artistic culture under a different interpretative point of view. Indeed the preponderance of the author in the creative process has influenced the modem study of the ancient works of art: an author has argued and verified the idea that any art-work has only a style, a period, and a unique culture. If we go beyond this reasoning, we can understand that the production of certain artistic categories, above all in Roman cultural world, is the result of a mix of formals features and cultural models that can't be isolated within a style, a period or geographical borders. As a consequence, my work tried to propose new contents and theories more suitable for the understanding of the Ancient cultural processes. Thus I have analyzed a specific sculptural group (the honorary nude-portraits), which generally isn't particularly appealing as work of art, in order to understand its cultural and social value, turning away from a purely aesthetic assessment
Julien, Dimitri. "Les voix de l'histoire : polyphonie du récit historique français dans la première moitié du XIXe siècle." Thesis, Lille 3, 2019. http://www.theses.fr/2019LIL3H001/document.
The history’s narrative has been deeply shaked during the first half of the nineteenth century. The historical narrative have to meet new challenges and make a new historiography to institute a modern and a scientific discipline : history. Therefore writers of this period form an historical narrative which includes new democratic procedures for the management of politics : historian have not only to talk about history, but have also to get the voices of history heard, past’s voices as well as contemporary’s. History becomes a communication. In other words, voices don’t only have to get heard : they have to interact each others through time. Like a parliament, times communicate each others and lead the narrative to make a polyphonic history, in which the narrative and auctorial instance – which, in the past, led the rhythm and the coherence of the narrative – stretch themselves. Therefore history weaks itself to become more listenable. The history’s narrative of the first half of the nineteenth century becomes thus a wide laboratory for historians to experiment new narrative devices of a democratic history
Guzda-Rivière, Frédéric. "L' au(c)torité de l'artiste et ses paradoxes : tentative de relecture historique, critique et poïétique du statut de l'artiste." Thesis, Paris 1, 2018. http://www.theses.fr/2018PA01H303/document.
The initial task of this thesis consisted in considering the artist mainly as an author. As for the author, this led us to suggest that his death, once announced, required to think of his resurrection from other criteria and conceptual tools than those which made it possible to bury him. Having established, on the one hand, that authorship defines the intrinsic status of the artist, and put forward, on the other hand, a necessary historical reminder in order to encompass the conditions of its emergence, we attempted to clear up (in the sense of displaying interactions and leaving a clearance between) the elements which structure the artistic phenomenon, its doctrines and related discourses. We sought to uncover, in this unadjusted space full of paradoxes and contradictions, the place of a possible redefinition of the artist-author, built on a rationality broader than that of a mere causality
Balcerek, Alexandra. "L'existence d'une expression autobiographique au théâtre : la présence émouvante de l'auteur dramatique dans son oeuvre." Thesis, Lille 3, 2013. http://www.theses.fr/2013LIL30004/document.
The autobiographical genre is a problem when it is considered inside the theatral genre. Because the dramatical author express himself through the mouth of fictional characters, the words of the characters could not be considered as the expression of the author himself. However, it seems that through the dialogues that can be heard, the situations, the characters and the places that are staged, some plays, especially since the 18th century, which represents a major step in self-expression, contains the signs of an autobiographical expression. Although the autobiographical genre as defined by P. Lejeune or G. Gusdorf does not exists in the theatre genre, we will study here how it nevertheless expresses itself, that is to say almost always in a hidden, implicit, ambiguous, diverted, but probable way. We will think of a method allowing the reader, but also the member of the audience, to identify and testify the presence of this autobiographical expression by emphazising some textual and scenic aspects. We will also work on connecting the autobiographical expression with the relationship that live the authors of the new work contained in our corpus with the audience. This relationship being fully opend up in emotion. Some feelings, coming with physical reactions felt by the reader/audience, are created by the recognition of the author's voice in a drama that mixes autobiographical and fiction. We will take an interest in the autobiographical expression of the dramatical author through the perspective of his particular relationship with the audience, relationship that contrasts with Brecht's principles, which have ruled the theatrical creation in the 20th century
Aebi, Delphine. ""Il faut trouver un modus vivendi" : le scandale au théâtre des années 1940 aux années 1960." Thesis, Grenoble, 2011. http://www.theses.fr/2011GRENL025/document.
Our whole approach is based on the observation that scandal, often addressed through moral discourses that condemn or celebrate it, is actually a protean and profoundly ambiguous event. Because drama is closely linked to the concepts of emergence and immediacy, scandal finds on stage the perfect place for its release. However, in the eyes of authors seeking a definition of their identity and their relationship to others, drama and scandal, although commonly associated with notions of the spectacular, exhibition and conflict, should not be reduced to this trope. The years 1940 to 1960 in France are a troubled and unstable period, leading playwrights from different horizons to converge towards the same goal: creating a vibrant community. Scandal represents for them a privileged means of communication between the stage and the audience, offering hope of a theatre capable of reconciling the individual and the city
Beltrame, Alberto. "Una politica autorialista е un giovanе cinеfilo : la crеazionе е lo studio dеll’archivio Yvеs Kovacs alla Cinémathèquе françaisе." Thesis, Paris 10, 2017. http://www.theses.fr/2017PA100041/document.
This document consists of the culmination of research carried out under the co-supervision of the University of Udine and the University Paris Ouest Nanterre La Défense, in accordance with the respective doctoral schools of Audiovisual Studies. The focal point of this research lays in the creation and analysis of the archives of Yves Kovacs. These developed at the Cinémathèque française, paying particular attention to the critique and cinéphilie between the fifties and the sixties and of the individual responsible for this collection. Through theses archives, we have sought to deepen the question of the auteur, which structures the thinking process of a certain part of the French critique of the fifties, this being a cinéphile formation phase for Kovacs. This thesis presents itself as the culmination, on one side, of an archiving effort in the strict sense of the word (physical and intellectual handling of the archive, from the inventory to the disposition of the archive), and on the other side, a study about Yves Kovacs at the time of his cinéphile youth, shared between the specialized critique and the first collaborations on film and TV sets. In this way, the analysis of an archive moves to the level of the context of the origin, of the study of the man that constituted it and ultimately, for the same reasons that lead us to be interested in it. All of this in line with the idea that an archive is not only the place to find documents and information, but also a representation, in its very existence, a manifestation of different practices, ideas and needs of an era
Raizon, Hélène. "La contractualisation du droit moral de l'auteur." Thesis, Avignon, 2014. http://www.theses.fr/2014AVIG2041/document.
The work is the reflection of the personality of the author. From this, nothing may be legitimately dissociated or changed from the spirit of the original. To this end article L. 121-1 of the Code of intellectual property shews in its third paragraph that the moral right of the author of a work of the intellect is inalienable, in that contractualisation would seem to be excluded. All the same, the study of contractual practises shows, in reality, that the right of authorship as well as the rights in respect of the work, both of these constituant prerogatives, are often the subject of contract. Therefore one may deduce that it may be seen as a contractualisation of the moral right. Often this only operates in an indirect manner, as in a surrender of these rights of the author as in, perhaps, the sale of the work ; or by application of the common rights of contract
Bargel, Antoine. "Jorge Semprun, le roman de l’histoire." Thesis, Lyon 2, 2010. http://www.theses.fr/2010LYO20037/document.
Jorge Semprun, survivor of Buchenwald, intends to « make testimony a space of creation ». The formal inventiveness of the novel allows him to express the truth of his experience, by creating a reflexive textual space in which the author is presented in the act of writing, and the reader is called to realize his/her active part in the constitution of narrative meanings. Author and reader thus collaborate on establishing the ethical relationship of testimony. My dissertation examines the formal characteristics of this novel of history, to describe its relationship to political discourse in particular, and to highlight the aesthetic autonomy of the novel, which defines the specificity of literature’s approach of history. Semprun develops this aesthetics through multiple narrative innovations and a conception of narration as performance, where Saying is distinct from the Said (Levinas) : this performative dimension of the narration is described in this work through a phenomenological notion of reading, centered on the interpretative and imaginary activities brought into play by the reading subject. The contrast between narrative aesthetics and ideological discourse does not only define Semprun’s writing strategies, but also the function attributed to the reader in these texts. Becoming aware of the author’s motivations and rhetorical processes, which explicitly multiply interpretative trajectories within the text, the reader realizes that the stakes of testimony reside in the act of reading, a reading that is engaged, participative, and perpetually renewed
Boulanger, Grégoire. "Au seuil de l'Etoile de la Rédemption : être en relation avec la pensée nouvelle de Franz Rosenzweig." Thesis, Strasbourg, 2013. http://www.theses.fr/2013STRAC015/document.
The entire point of our work is to give back the complexity of the relations between Franz Rosenzweig, his work, The "Star of Redemption", and his readership. The "Star of Redemption" is known as a difficult book, whose language is as many conceptual as literary. But the very difficulty of the Rosenzweig's thought in The "Star" is to keep in bound the dialogical dimension,which is participating to a lively existence through the letters he wrote to his friends -, and the textual dimension, which tend to be a world in itself - a book is something that is self-sufficient. Can we be satisfied by the idea that The Star is only a transition between two states: between a philosophical point of view – where is no hope – and a revealed one – where is hope and orientation? The Star is more as simply a transition. Rosenzweig speaks also of a Threshold and a Gate. With these two terms a tension inhabits The "Star" between a revealed life which begins inside the book and a revealed life which begins outside the book. Author, work and readership will have a significant role to play in this problem
Wiener, Hélène. "Le Péri Parrhêsias de Philodème de Gadara et la parrhêsia dans les Actes des Apôtres." Thesis, Strasbourg, 2017. http://www.theses.fr/2017STRAK014/document.
The Peri Parrhêsias treatise (PHerc. 1471) of Philodemus of Gadara represents a major source for the comprehension of Epicurean parrhêsia. In spite of the extremely deteriorated condition of the papyrus, nevertheless compensated by the draft editions transmitted by the current editor, Henry, and by the results of the bibliological research effectuated by White, a thematic interpretation of the manuel Peri Parrhêsias, On frankness, has been made possible, in such a way as to provide henceforth a basis to examine the role of parrhêsia in the Acts of the Apostles. When comparing the manner in which Luke employs parrhêsia with that of Philodemus, it is apparent that the first relies on the latter, all of the Philodemus themes being present in practically all of the Lucan pericopae. However, Luke adapts the parrhêsia to his own narrative project, all while giving it a strategic role in describing the expansion of the Gospel unto the end
Books on the topic "Author and Document":
Inc, SoftQuad, ed. SoftQuad Author/Editor Version 3.0 for Microsoft Windows. Toronto: SoftQuad Inc., 1994.
Linden, Sonja. I have before me a remarkable document given to me by a young lady from Rwanda. [London]: Aurora Metro, 2004.
Linden, Sonja. I have before me a remarkable document given to me by a young lady from Rwanda. London]: Bloomsbury, 2017.
Booth, Pat F. Documents, authors, users, indexers. [London]: Society of Indexers, 1988.
Booth, Pat F. Documents, authors, users, indexers. 2nd ed. [London]: Society of Indexers, 1990.
Schendel, Arthur van. Jeugdherinneringen: Een document. Amsterdam: Meulenhoff, 1989.
Smith, Joan M. The Standard Generalized Markup Language (SGML): Guidelines for authors. Boston Spa, Wetherby, West Yorkshire: Distributed by the British Library Publications Sales Unit, 1987.
M, Smith Joan. The standard generalized markup language (SGML): Guidelines for authors. [London]: British National Bibliography Research Fund, 1987.
Bryan, Martin. SGML: An author's guide to the standard generalized markup language. Wokingham, England: Addison-Wesley Pub. Co., 1988.
Nachbar, Martin. Tracing Sense/Reading Sensation. Edited by Mark Franko. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199314201.013.22.
Book chapters on the topic "Author and Document":
Mamgain, Sunakshi, Rakesh C. Balabantaray, Ajit K. Das, and Srikant Kumar. "Author Profiling: Predicting Gender from Document." In Advances in Data Science and Management, 99–108. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-0978-0_10.
López-Monroy, Adrián Pastor, Manuel Montes-y-Gómez, Luis Villaseñor-Pineda, Jesús Ariel Carrasco-Ochoa, and José Fco Martínez-Trinidad. "A New Document Author Representation for Authorship Attribution." In Lecture Notes in Computer Science, 283–92. Berlin, Heidelberg: Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-31149-9_29.
Markov, Ilia, Helena Gómez-Adorno, Juan-Pablo Posadas-Durán, Grigori Sidorov, and Alexander Gelbukh. "Author Profiling with Doc2vec Neural Network-Based Document Embeddings." In Advances in Soft Computing, 117–31. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-62428-0_9.
Nundy, Samiran, Atul Kakar, and Zulfiqar A. Bhutta. "Who Should Be An Author?" In How to Practice Academic Medicine and Publish from Developing Countries?, 167–77. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-5248-6_14.
Zhang, Haowen, Peng Nie, Yanlong Wen, and Xiaojie Yuan. "Authorship Attribution for Short Texts with Author-Document Topic Model." In Knowledge Science, Engineering and Management, 29–41. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-99365-2_3.
Lindberg, Kasper, and Christian Damsgaard Jensen. "Document and Author Promotion Strategies in the Secure Wiki Model." In IFIP Advances in Information and Communication Technology, 247–52. Berlin, Heidelberg: Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-29852-3_20.
Dwinal, Catherine. "Document Cameras." In Interactive Visual Ideas for Musical Classroom Activities, 119–37. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190929855.003.0005.
U., Athira, and Sabu M. Thampi. "Authorship Analysis." In New Threats and Countermeasures in Digital Crime and Cyber Terrorism, 173–94. IGI Global, 2015. http://dx.doi.org/10.4018/978-1-4666-8345-7.ch010.
Farzindar, Atefeh. "Social Network Integration in Document Summarization." In Advances in Data Mining and Database Management, 139–62. IGI Global, 2014. http://dx.doi.org/10.4018/978-1-4666-5019-0.ch006.
Chiang, Chia-Chu. "Engineering Information Into Open Documents." In Open Information Management, 9–19. IGI Global, 2009. http://dx.doi.org/10.4018/978-1-60566-246-6.ch002.
Conference papers on the topic "Author and Document":
"Author index." In Proceedings Workshop on Document Image Analysis (DIA'97). IEEE, 1997. http://dx.doi.org/10.1109/dia.1997.627100.
"Author index." In Proceedings Seventh International Conference on Document Analysis and Recognition. IEEE, 2003. http://dx.doi.org/10.1109/icdar.2003.1227863.
"Author Index." In 2009 10th International Conference on Document Analysis and Recognition. IEEE, 2009. http://dx.doi.org/10.1109/icdar.2009.285.
"Author Index." In 2011 International Conference on Document Analysis and Recognition (ICDAR). IEEE, 2011. http://dx.doi.org/10.1109/icdar.2011.308.
"Author index." In 2016 12th IAPR Workshop on Document Analysis Systems (DAS). IEEE, 2016. http://dx.doi.org/10.1109/das.2016.84.
"Author index." In 2019 International Conference on Document Analysis and Recognition (ICDAR). IEEE, 2019. http://dx.doi.org/10.1109/icdar.2019.00257.
"Author Index." In Eighth International Conference on Document Analysis and Recognition (ICDAR'05). IEEE, 2005. http://dx.doi.org/10.1109/icdar.2005.55.
"Author index." In Proceedings of 3rd International Conference on Document Analysis and Recognition. IEEE, 1995. http://dx.doi.org/10.1109/icdar.1995.599052.
"Author index." In Proceedings of 3rd International Conference on Document Analysis and Recognition. IEEE, 1995. http://dx.doi.org/10.1109/icdar.1995.602144.
"Author Index." In Proceedings of Sixth International Conference on Document Analysis and Recognition. IEEE, 2001. http://dx.doi.org/10.1109/icdar.2001.953984.
Reports on the topic "Author and Document":
None, None. Test Document--None in author fields with affiliation. Office of Scientific and Technical Information (OSTI), November 2020. http://dx.doi.org/10.2172/1706709.
Nelson, Gena. Special Education Math Interventions. Boise State University, March 2021. http://dx.doi.org/10.18122/sped_facpubs/133/boisestate.
Choquette, Gary. PR-000-23COMP-R04 Aboveground Tank Corrosion Comprehensive Compendium. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), May 2023. http://dx.doi.org/10.55274/r0000019.
Choquette, Gary. PR-000-22COMP-R03 Potential Impact Radius Compendium. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), September 2022. http://dx.doi.org/10.55274/r0012240.
Choquette, Gary. PR-000-22COMP-R04 Cathodic Protection Shielding Compendium. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), September 2022. http://dx.doi.org/10.55274/r0012241.
Martinelli, Luiz Antonio. Ecosystem Services and Agricultural Production in Latin America and Caribbean. Inter-American Development Bank, February 2012. http://dx.doi.org/10.18235/0008988.
Choquette, Gary. PR-000-22COMP-R02 Pipe Hard Spot Management Compendium. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), September 2022. http://dx.doi.org/10.55274/r0012239.
Choquette, Gary. PR-000-23COMP-R05 Pipe Wrinkles Comprehensive Compendia. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), May 2023. http://dx.doi.org/10.55274/r0000020.
Navajas, Fernando. Long Term Strategic Policies for Global Competition: Comments. Inter-American Development Bank, November 2005. http://dx.doi.org/10.18235/0006861.
Dourojeanni, Marc J. IDB Investments in Brazilian Protected Areas during the 1990s. Inter-American Development Bank, January 2000. http://dx.doi.org/10.18235/0011229.