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Journal articles on the topic 'Author's figure'
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1
Zahnitko, Anatolii, Lubomira Hnatiuk, and Mariia Antonova. "Structural Configuration of the Text World Polymentality Representation." Studies about Languages 1, no. 40 (July 13, 2022): 5–16. http://dx.doi.org/10.5755/j01.sal.40.1.29962.
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The article highlights the problem of structural configuration of the representation of polymentality of the textual world. It focuses on the problem of polymentality (ambiguity) of the text. It is proposed to address it in the context of psycholinguistics and cognitive linguistics. On that ground, the study substantiates the figure-background relations as a necessary characteristic of the manifestation of the author's sensorics. Such an approach allows not only revealing cognitive mechanisms that underlie polymentality of the literary text but also systematizing the structural configuration of its representation. The dynamics of figure-background relations (as a way of cognition) is fully manifested in the author's sensorics, often performing certain communicative tasks. The identification of common mechanisms of specificity of the interaction of figure and background in the interpretation of text meaning promotes the use of psychological approaches. The last represent the process of formation and perception of a new meaning as a process of self-organization of a complex system. The results show that the problem of the structural configuration of the representation of the polymentality of the literary text can be solved through the psychological analysis of the author's sensory in terms of figure-background relations in the gestalt-psychological discourse.
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Farihah, Ainiyatul, Nas Haryati Setyaningsih, and Mukh Doyin. "Author's Tendency toward Patriarchal Culture in Novels by Khilma Anis." International Journal of Research and Review 10, no. 2 (February 24, 2023): 784–91. http://dx.doi.org/10.52403/ijrr.20230293.
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Literature as a cultural product reflects the social conditions of the stories it tells. In the pesantren ecosystem, the existence of the kiai as a central figure, social background and culture that is held for generations, has become the trigger for the roots of patriarchal culture to this day. Literature can be used as a means of conveying the author's ideology so that in literary works the author's tendencies can be identified. This study aims to analyze how the author's tendency towards patriarchal culture is reflected in Khilma Anis' novels. The objects studied were 3 novels by Khilma Anis, namely Jadilah Purnamaku, Ning (2016), Wigati: Lintang Manik Woro (2018), and Hati Suhita (2019). This research is a type of qualitative research. The approach used is feminist literary criticism. Data was collected by heuristic reading technique and then analyzed by hermeneutic technique. The results of the research show that in the novel Hati Suhita the author's tendency is the tendency to fight against patriarchal culture. Keywords: author’s tendencies, feminist literary criticism, novels, patriarchy
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Nagina, K. A., and N. V. Korataeva. "BIOGRAPHIES OF L.N. TOLSTOY IN HISTORICAL DYNAMICS." Bulletin of Udmurt University. Series History and Philology 32, no. 4 (August 26, 2022): 854–58. http://dx.doi.org/10.35634/2412-9534-2022-32-4-854-858.
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The subject of the research in the article is the reception of the figure and fate of Leo Tolstoy in biographies written in the period from 1894 to 2020, as well as its historical and cultural dynamics. The authors identify strategies for studying the life of Leo Tolstoy by biographers of different historical periods, which allows us to analyze and evaluate the dynamics of perception of the writer's figure in the XIX-XXI centuries. The reception of the figure of Leo Tolstoy in different historical periods is heterogeneous: the interpretation of the writer's image is influenced not only by the personal preferences of biographers, their goals and objectives, but also by the value orientations set by time. The historical epoch also influences the author's strategies for creating the image of Leo Tolstoy. Biographies of Leo Tolstoy written by different authors are devided into three groups: biographies created by contemporaries of Leo Tolstoy; biographies written by authors of the Soviet period; biographies of the post-Soviet period. Such division is due to a change in the historical context that affects the reception and interpretation of the image of the hero of the biography.
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Muzayana. "TikTok, Digital Da’wa and Religious Authorities." Journal of Islamic Communication and Counseling 2, no. 1 (January 31, 2023): 46–55. http://dx.doi.org/10.18196/jicc.v2i1.24.
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This study explains the presence of da’wa influencers on social media. To narrow the discussion, the author takes a case study on TikTok social media. This study aims to determine whether new figures of da’wa on social media shift the old religious authority or traditional figures. The author describes this discussion using Heidi Campbell's digital religion concept approach. The author's analysis shows that these da’wa influencers do not claim to be scholars or religious scholars. The delivery of their da’wa is relaxed and not patronizing. The existence of this new da’wa figure belongs to the logic of continuity and complementarity, which means that their legitimacy is a form of continuity or as a successor of the old figure's authority.
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Bogdan, Julia. "FEATURES OF THE AUTHOR’S POSITION IN A. ALTMANN'S TRAVEL NOVEL “LAND OF THE RAINBOW SNAKE. TRAVEL IN AUSTRALIA”." Research Bulletin Series Philological Sciences 1, no. 193 (April 2021): 283–89. http://dx.doi.org/10.36550/2522-4077-2021-1-193-283-289.
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This study is devoted to the investigation of the narrator’s typology in the modern German-language travel novel, in particular the first-person narrative. The range of unresolved problems in the typology of the narrator is outlined, namely the expediency of studying the author’s image in a travel novel. On the example of the work of the famous German writer-traveler and reporter A. Altmann, the author's position is analyzed and the author's intentions are established. Peculiarities of the formation of modern wandering novel prose determine a high degree of autobiography in the work. Using the "I" -telling, the author-protagonist forms a combination of the real author, the narrator and the main character, offers the reader a world created by him, in which the focus is on the author's impressions and guidelines. For the reader to rethink, it remains to follow the author's reflection and determine which of the described is real and which is the author's fantasy. An attempt is made to analyze the author's selfpresentation at the compositional-speech and speech-stylistic levels. This novel is 12th of the 23 novels by the famous German reporter and travel writer A. Altmann. It is a combination of historical and geographical information, the stories of ordinary Australians, philosophical considerations and the author's reflection on what is seen. The figure of the author with his spiritual values and critical attitude to society found its imprint in the image of the author, creating the impression of complete identity with the real author. It is a novel with predominant compositional and speech forms - messages with descriptive elements and author's reflections. A typical architectural-speech form of the work is a monologue-reflection. At the speech-stylistic level, it should be noted the author's perfect use of a wide range of stylistically colored lexical layer from poetic to colloquial language. In the future, it is considered appropriate to compare and explore the author's position in the modern Ukrainian and German travel novel.
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O'Brien, Frank. "The Poisson 2-Space Box-Counting Method Revisited." Perceptual and Motor Skills 80, no. 3_suppl (June 1995): 1318. http://dx.doi.org/10.2466/pms.1995.80.3c.1318.
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The author's box-counting method for assessing stochastic randomness in two-dimensional space can be enhanced when the area of residence is a square figure. A large improvement in the detection probability can be realized under the modification proposed even for very small populations.
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Amangaziyeva, Meruyert, Akhmaral Khairzhanova, Gulnara Mustagaliyeva, Kalamkas Kalybekova, and Raigul Bissenbiyeva. "Structural characterization of chiasmatic constructs in Russian and French." XLinguae 15, no. 4 (October 2022): 113–28. http://dx.doi.org/10.18355/xl.2022.15.04.11.
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This article represents the author's experience in the comparative study of one of the figures of expressive syntax - chiasmatic constructions, functioning in fiction texts. The object of study in this study are chiasmas extracted from texts of fiction in Russian and French, the subject – linguopragmatic characteristics of chiasmatic constructions. Chiasmatic construction, or the figure of crossing, is one of the most complex and multifaceted rhetorical figures. Its appearance is the result of the interaction and fusion of several syntactic structures; this includes expressive constructions of syntactic parallelism, repetition, antithesis or contraposition, and inversion. The name itself comes from the peculiarities of the structure of the chiasmus, in which the second part is an inverse repetition of the first, such an intersection of parts generates a figure similar to the letter "x" - hence the ancient Greek name of the structure. Such constructions are individual, occurring mostly in winged sayings, phraseological units, fiction prose and most often in poetry. The conclusions and provisions developed in these studies, due to their theoretical value and significance, allow us to see the specificity of this figure of expressive syntax. At the same time, the analysis of the corresponding literature and the requirements for scientific research put forward by the time itself and the changes taking place in the society, which are naturally reflected in the language and in its functional stratification, testify to the necessity of the research directed to the complex illumination of problems of the syntax of a fiction text in the comparative aspect.
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Tyupa, V. I. "READER'S SKILL." Bulletin of Kemerovo State University, no. 4 (January 10, 2018): 219–24. http://dx.doi.org/10.21603/2078-8975-2017-4-219-224.
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The article deals with the issues of artistic perception culture of fictional texts. The sufficiency of literary reading is derived from the aesthetic specificity of verbal art: from special status of an author's figure, from the special nature of the artistic sense, from the special text organization as a combination of the reader's impression factors. According to M. Bakhtin, literature is interpreted as the art of “indirect speaking”, where the author “puts on silence” because in fictional text we never deal with the writer's speech, it is always mediated by the figure of the talking hero or the narrator. The artistic perception of fictional texts should be studied as a reader's skill. The culture of reading is the complementarity of two differently directed vectors: it is a deep and sincere empathy, as if it were reality; on the other hand – the reader's creativity in relation to the text artfullness, which conceals the meaning of the art work. The artistic sense is actualized by the reader's consciousness as complementary to the author's consciousness manifested in the text.
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Pratiwi, Dwi Siti, Sarwit Sarwono, and Bustanuddin Lubis. "ANALISIS NOVEL PERAHU KERTAS KARYA DEWI LESTARI (KAJIAN STRUKTURALISME GENETIK)." Jurnal Ilmiah KORPUS 1, no. 1 (August 29, 2017): 32–38. http://dx.doi.org/10.33369/jik.v1i1.3125.
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The purpose of this study is to describe the author's world view in Dewi Lestari Perahu Kertas novel. This research is based on qualitative research with genetic structuralism approach. Data analysis techniques, namely the analysis of facts of humanity, collective subject analysis, analysis of the author's novel view of Perahu Kertas, make the conclusion. The results of this study are (1) socio-cultural conditions of society contained in the Perahu Kertas novel that is the social relations of the figure with the community environment; (2) the socio-cultural life of the society contained in the Perahu Kertas novel, namely the views on work, social status, and the difference between the wishes of the parents and the wishes of a child; (3) the author's world view in this research is about young scholars who must face the reality of life between seeking work for the sake of existence and maintaining dreams for idealism. The conclusion of this study refers to the author's world view contained in Perahu Kertas novel by analyzing the facts of humanity and collective subjects on the study of genetic structuralism.
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Khairul Anuar bin Mohamad, Sedek bin Ariffin, and Mohd Zaini Zakaria. "Sumbangan Dato' Salehuddin Bin Omar dalam Pendidikan al-Quran di Malaysia." Maʿālim al-Qurʾān wa al-Sunnah 17, no. 2 (December 1, 2021): 1–19. http://dx.doi.org/10.33102/jmqs.v17i2.314.
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The long-serving principal of Darul Quran (DQ) who has contributed to Quranic Education in Malaysia is Dato Sallehuddin Omar. His service as the principal of DQ began from 1980 to 1993. This al-Quran figure has made a significant contribution to Quranic education since his return from Egypt in 1976 until now. The study was to look at his educational background from the primary level until he successfully obtained a bachelor’s degree. It also looks into his in-depth education in the field of Quran and Qiraat as well as his major contributions in Quranic education. Hence, his involvement in the study of the Quran is studied starting from reciting, memorizing the Quran and gaining deeper understanding in the learning of Qiraat. The study was written according to the author's interview method with this figure in several meeting sessions. In addition, it also refers to the author's interviews with some of his successful students and refers to the writings of some of his students with him during the figure's visit to their place. This study has found that Dato Sallehuddin Omar is a figure who has contributed a lot to the development of al-Quran education in Malaysia. He has proposed to the PSD to upgrade the tahfiz certificate to the Tahfiz Diploma. Apart from that, he has also made a great contribution in publishing the Mushaf Rasm Uthmani in which the address of waqf is referred to the book of Manar al-Huda.
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Afifatul Hikmah, Siti Nur, and Mia Fitria. "STRUKTUR NARATIF DAN PENOKOHAN PADA NOVEL THE PERFECT CHARM KARYA DY LUNALY." Jurnal Tarbiyatuna: Jurnal Kajian Pendidikan, Pemikiran dan Pengembangan Pendidikan Islam 1, no. 01 (June 1, 2020): 58. http://dx.doi.org/10.30739/tarbiyatuna.v1i01.1009.
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Literary work is the result of creative and imaginative human thought. Literary work is a medium that utilizes language to reveal the problems surrounding human life. Creative nature causes a person to be able to give birth to a beautiful creation. Literary work has literary value if it contains equivalence between form and content. Therefore it is worth the hand, heart and imaginative. Literary work is an expression of the author's imagination to tell various human and author issues expressing this problem through literary works such as poetry, drama, short stories and novels. The method used by researchers in the study used a qualitative descriptive method. In this study researchers tried to discuss the narrative structure and characterization of The Perfect Charm novel by Dy Lunaly. Thus this research is designed in accordance with the characteristics of qualitative research and qualitative data sources. including the following: (1) objects, (2) data, (3) data sources, (4) data collection and, (5) data analysis. Qualitative research was carried out to describe the narrative structure and characterization of Dy Lunaly's The Perfeck Charm. This research is a qualitative research. The source of the data in this research is Dy Lunaly's The Perfeck Charm with a focus on research on narrative structure and characterization. The data collection technique used is reading notes by reading and recording research subjects repeatedly until they get consistent data. The results show that: (1) the narrative structure in the novel The Perfeck Charm. The flow found in the novel The Perfeck Charm is divided into five, namely: Exposition, Complication and Conflict, Climax, Revelation, and Denousement. (2) characterizations in the novel The Perfeck Charm. The figure discussed in this study is every character in the novel The Perfeck Charm and his character. Adhela figure (Dhe) Stubborn, Not confident, Afraid, Desperate, Appreciate, Merciful, Anxious, Keep promises and Jealousy. Mama's figure is anxious, angry, and feels guilty. Alena Iri figure, and regret. Figure Julia Not desperate and fond of eating. Figure Ann Attention. Papa's attention. Ahsan Peduli figures, female idols and willing to sacrifice. Career Bri and Cheating Person. Satria Figure Handsome, Not Desperate, and Enthusiastic.
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Halton, Charles. "How Big Was Nineveh? Literal versus Figurative Interpretation of City Size." Bulletin for Biblical Research 18, no. 2 (January 1, 2008): 193–207. http://dx.doi.org/10.2307/26423843.
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Abstract This article examines the incongruity between most modern translations of Jonah 3:3 and ancient textual and archaeological evidence concerning the size of Nineveh. Every modern solution intended to reconcile a literal rendering of the description in Jonah 3:3 with ancient evidence fails. However, reading Jonah 3:3 as a figure of speech perfectly conveys the author's intention of representing Nineveh as a very large city.
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Halton, Charles. "How Big Was Nineveh? Literal versus Figurative Interpretation of City Size." Bulletin for Biblical Research 18, no. 2 (January 1, 2008): 193–207. http://dx.doi.org/10.2307/bullbiblrese.18.2.0193.
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Abstract This article examines the incongruity between most modern translations of Jonah 3:3 and ancient textual and archaeological evidence concerning the size of Nineveh. Every modern solution intended to reconcile a literal rendering of the description in Jonah 3:3 with ancient evidence fails. However, reading Jonah 3:3 as a figure of speech perfectly conveys the author's intention of representing Nineveh as a very large city.
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Falah, Fajrul. "Hegemoni Ideologi dalam Cerpen “Surga untuk Lelaki yang Tertipu” Karya Adam Yudhistira (Kajian Hegemoni Gramsci)." Nusa: Jurnal Ilmu Bahasa dan Sastra 14, no. 1 (February 25, 2019): 1. http://dx.doi.org/10.14710/nusa.14.1.1-10.
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The background of this research is there is an indication that the short story was created not just accentuate the beauty aspects of language and narration. However, the language in the meaningful short stories and the author's ideological message through imaginary characters constructed. The purpose of this study is to reveal hegemony and ideology that contains short stories “Surga untuk Lelaki yang Tertipu” by Adam Yudhistira. The research approach used in the realm of sociology of literature, with the study of Gramsci hegemony. The research method used is descriptive qualitative. Research data in the form of language; words, phrases, sentences in the short story related ones are described and interpreted with the Gramsci hegemony approach. The results of the study show the relationship between the teacher's figure and Santo like a patron-client. The teacher has a higher status (superior) and the power to rule Santo (inferior). The ideological hegemony was carried out by the teacher's figure towards Santo went well. Because it has and is bound by the same beliefs. The orientation of the two figures is the same, namely heaven. The ideology instilled by the teacher has a significant influence on the Santo, so he wants to take action that sacrifices the lives of others and himself. The act which was originally believed to be true by Santo, but regretted in the end.
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Lismalinda, Lismalinda, and Budi Rizka. "STRUCTURE AND LEO TOLSTOY’S WORLDVIEWS IN 'ANNA KARENINA' FILM: A STUDY OF GENETIC STRUCTURALISM." JETLi: Journal of English Teaching and Linguistics 2, no. 1 (June 30, 2021): 16–22. http://dx.doi.org/10.55616/jetli.v2i1.64.
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This study aims to figure out the structure of Anna Karenina’s film and Leo Tolstoy’s worldview that is manifested in the film. This study utilizes the theory of genetic structuralism by Lucien Golman. This qualitative research is focused on the dialog of the movie and the author's social life. In order to complete the research, researchers have to go through a number of steps. The researcher first carefully watched the film and then collected some excerpts from the dialogue of the movie. Furthermore, the researcher reads several references to gain some information about the author's social life. The result of this study showed that the film 'Anna Karenina' expresses a Feminist-Liberal worldview. The social structure was dominated by the lower bourgeoisie, specifically Russian women, which hampered the development of material family life in accordance with modern society standards at the time.
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Kononenko, Vitalii. "The I-Author Image in the Structure of Literary Discourse." Journal of Vasyl Stefanyk Precarpathian National University 9, no. 2 (July 28, 2022): 25–34. http://dx.doi.org/10.15330/jpnu.9.2.25-34.
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The article studies the basis of the functional use of the author's self-image (I-author) as a constituent part of the literary discourse. The literary author’s position is based on them being the subject of study, a generalized carrier of the national culture of a certain period; this image may lose their personification features and become the interpreter of the traditional knowledge. At the same time, the author’s perception as the one conveying artistic relies on the theory of communicative activity, narratology, linguopoetics, stylistics, psycholinguistics, etc.
The image of the I-author is perceived as a “mask” structured in the text, a carrier of a literary meaningful I-position, subjective intentions, and this figure hides an idealized author in various implementations on the one hand, while on the other hand it is a narrator close to a real or fictitious character, kind of a phantasmagorical figure. In any of its artistic incarnations, this image is relative, transformed, combining the features of various actors – an agent, character, witness, lyrical hero, who get changed in the process of becoming various positive, negative, or phantasmagorical figures. The position of the I-author as a part of the text creation process acquires different formal features; however, even when they try to avoid the role of an active figure the functional meaning remains and is felt at the level of deep meaning and subconscious understanding.
Changes in the stylistic function of the I-author are caused by the desire to identify themselves as a character of the story, the one chosen because of the conditions of conveying the I-author position, as well as subjective-evaluative intentions, at least to some extent. The variability of this image embodiment relies on the discursive possibilities of it being included into a certain prose, poetic, or dramatic context, based on the description of contemporary or historical events, the desire to be or not to be relatable to the reader, to become similar to “others” or to rise above the cultural, educational, and social level of the reader. The indirect influence of the target audience is reflected both in direct “communication” with the recipient of the literary text and at the level of striving for mutual understanding, taking into account common semi-known moods and experiences, and ultimately at the level of a common linguistic world picture reproduction.
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Zyubina, Irina Anatolevna, Georgii Igorevich Myasishchev, Elena Yurevna Shapovalova, and Anastasiya Svyatoslavovna Nesterova. "Reconstruction of a Speech Portrait of a Political Leader based on the Letter Exchange of Ivan the Terrible (Experience of Pragmalinguistic Analysis)." Филология: научные исследования, no. 1 (January 2023): 26–36. http://dx.doi.org/10.7256/2454-0749.2023.1.38754.
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The author considers the possibility of studying a specific historical personality by the methods of pragmalinguistics based on the correspondence of I. V. Grozny in the aspect of the author's speech dominance. The research material is the personal letters of the tsar, the methods were the diagnosis of the speaker's speech personality by his speech behavior. This article proposes the use of pragmalinguistics methods that allow describing the speech portrait of Ivan the Terrible based on his use of grammatical and textual categories in correspondence with other monarchs and important historical figures. Thus, the subject of the study is the speech behavior of a historical figure in diachrony by the methods of pragmalinguistics. To date, the reconstruction of the linguistic appearance of the tsar has mainly been carried out on the basis of traditional methods of analyzing lexico-semantic and stylistic components and comparing them with a social portrait. The connection between language and thinking, which is considered by the example of correspondence, allows us to believe that the basic pragmalinguistic principles remain unchanged in the language for a long time and the functional abilities of grammatical categories to be associated with personal preferences remain despite linguistic variability. The conducted experiment of speech diagnostics allows the authors to study the aspect of the speech dominance of the personality of Ivan the Terrible at the level of linguistic pragmatics.
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Sokolskaya, L. V. "N. M. Karamzin as an apologist of women's reading activity in the late XVIII - early XIX centuries: to 250th anniversary." Bibliosphere, no. 2 (June 30, 2017): 72–78. http://dx.doi.org/10.20913/1815-3186-2017-2-72-78.
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The great Russian enlightener Nikolai Karamzin as a cultural figure, writer, publisher, journalist, historian, has an active effect on the activation of Russian reading public. His special merit associated with the involvement of women in reading. In this activity N. M. Karamzin acted as a spokesman of the new social attitude towards women; a supporter of women's education; an ideologist of the new aesthetic view of a woman as the artistic legislator; a creator of literature for women; a stimulus of reader behavior rituals for women; a patron of the author's literary career of women.
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Savic, Mile. "Practical implications of 'postmodern philosophy'." Filozofija i drustvo, no. 19-20 (2002): 21–38. http://dx.doi.org/10.2298/fid0209021s.
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The article examines the implications of the discourse about postmodernity. Postmodernity is analyzed as a complex discursive figure. Within the discourse about postmodernity three levels are distinguished: the postmodern condition, postmodernism, and reflection of the postmodern condition. Special attention is paid to globalization and the problem of the enforcement of modern projects in East-European societies, particularly Serbia. These societies are termed object-societies, while their modification of modernity is called eastmodernity. The author's answer to the complexity of the postmodern condition is a conception of the politics of subsistence.
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Chou, Eva Shan. "“A Story about Hair”: A Curious Mirror of Lu Xun's Pre-Republican Years." Journal of Asian Studies 66, no. 2 (April 26, 2007): 421–59. http://dx.doi.org/10.1017/s0021911807000551.
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This article examines the subject of queues in the life and writings of Lu Xun (1881–1936), the most prominent figure in modern Chinese literature. The long-standing reluctance of readers and critics to associate this backward hairstyle with Lu Xun's iconic figure has restricted our understanding of the topic to two well-known satirical portraits in his short fiction, Ah Q and Sevenpounder. This article, however, proposes that the queue is of more than satiric interest—that the author's own experience raises fundamental questions about how he discloses and transmutes certain experiences in his writings. Starting from some little-studied events featuring queues in his pre-Republican years and a puzzling short story that recounts them, this essay analyzes the queue's autobiographical connections and their varied literary manifestations. It also makes a case for reexamining the uses of autobiography for a writer whose life story is an important part of his influence.
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Law, Jules. "Transparency and Epistemology in George Eliot's Daniel Deronda." Nineteenth-Century Literature 62, no. 2 (September 1, 2007): 250–77. http://dx.doi.org/10.1525/ncl.2007.62.2.250.
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Jules Law, ““Transparency and Epistemology in George Eliot's Daniel Deronda”” (pp. 250––277) The recent turn in George Eliot scholarship toward historicism——and in particular toward intellectual and political history——has tended to occlude the epistemological metaphors in the author's work: those persistent figures that conjoin George Eliot's ethics to her aesthetics but that, according to an earlier generation of critics, also point to the essentially unstable nature of knowledge, whether ethical or aesthetic. This essay examines the figurative schematics and the epistemology by which George Eliot's politics are elaborated in her writing, focusing in particular on the figure of transparency and the thematics of political vocation, and culminating in the figure of the spectral Jew. Every end or purpose, like every origin, in George Eliot's novels is calibrated in relation to the twin horizons of absolute sameness and absolute difference. The tension between these two limits constitutes not only an epistemological, but also a cultural and political, dilemma: one that George Eliot broods constantly upon, most particularly in her ceaseless interrogation of what it would mean for a person to ““merge”” with his or her political or cultural destiny. This essay argues that George Eliot's uneasy reliance on the concept of transparency——of goals, of motives, of minds——bespeaks her yearning not only for self-evidence in the realm of meanings, but also for a sense of belonging in the realm of culture: a sense of belonging that is inextricable from a certain experience, and thus figuration, of language.
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Artemova, Liudmyla. "COMPOSITION AND RHETORICAL STRATEGIES OF THE AUTHOR'S COLUMN: ¿RES NON VERBA?" Bulletin of Taras Shevchenko National University of Kyiv. Literary Studies. Linguistics. Folklore Studies, no. 33 (2023): 5–8. http://dx.doi.org/10.17721/1728-2659.2023.33.01.
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This article examines the Spanish author's newspaper column in the key of the basic concepts of classical rhetoric as an interdisciplinary science, which at the present stage allows to combine the "linguistics of expressiveness" with the consideration of linguistic material in the light of the communicative-discursive paradigm. The author's column is an example of "journalism of opinions", where thematic diversity, stylistic originality, linguistic creativity is due to the figure of the journalist with his thoughts, ideas, positions and the ultimate goal, which determines the nature of the selection of rhetorical strategies, arguments, compositional organization in order to influence the reader's perception and create a discourse of persuasion. This time the illustrative material was short columns by Manuel Vicente, a famous contemporary Spanish writer and long-time journalist of "El País". It is revealed that in the production of an analytical text there is an interpenetration of intention, arguments inventio, the order of presentation of materials dispositio with the help of appropriate discursive-expressive means elocutio. Just as it is impossible to distinguish these three rhetorical operations as purely sequential in a linear creative process, so res and verba are not absolutely separate concepts, they can be variably combined, since discourse is built according to the coordinates of integration into a heterogeneous network of texts, where the planes of res and verba are often woven into one, common linguistic fabric. This is the nature of publications demanded by the modern demanding reader, who is no longer a "passive recipient" of information. The journalist has to appeal to his mind, emotions, feelings, memory in order to "surprise" him, which means that elocutio goes beyond the simple "decoration" of speech, and returns us to the words, the process of their logical, contextual selection, combination, merging in the context to create in its compositional integrity the strength, effectiveness and persuasiveness of the article.
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JANSEN, BERTHE. "The Monastic Guidelines (bCa’ yig) by Sidkeong Tulku: Monasteries, Sex and Reform in Sikkim." Journal of the Royal Asiatic Society 24, no. 4 (April 3, 2014): 597–622. http://dx.doi.org/10.1017/s1356186313000850.
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AbstractSidkeong Namgyal Tulku was a colourful figure in the history of Sikkim. This crown prince was an incarnated lama as well as a student at Oxford, and a member of the Royal Asiatic Society. This article considers the various roles of Sidkeong Tulku in the light of a Tibetan work by his hand, which has been previously not connected to his person. Written in 1909, it consists of ‘monastic guidelines’ (bCa’ yig) which are a clear witness to the time and circumstances they were written in. This traditionally framed work, authored by a supposed Buddhist modernist, addresses the education of monks, monastic economy, sex, and preaching to the laity. These guidelines shed light on the changing status of the monastery in Sikkim, in the midst of reforms and threats to Sikkimese sovereignty. In this article I examine the contents of these guidelines in the context of its author's eventful but short life, against the political, religious and social backdrop of a Buddhist kingdom in turmoil.
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Hemus, Ruth. "Eric Robertson, Arp. Painter, Poet, Sculptor 2006." Nordlit 11, no. 1 (May 1, 2007): 332. http://dx.doi.org/10.7557/13.1793.
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Gertrude Stein's 1909 extended textual portrait of Picasso at once tries to capture the artist anew, as he has never been rendered before, and resists closure and flatness of meaning. It is multi-faceted, cubist, repetitive but never static, trying to arrive at the essence of the artist, but acknowledging the slipperiness of its objective. In writing a portrait, biography or monograph, the author's challenge is to apprehend a subject and to distil the themes and techniques of his/her life and work, but without reducing that person to a one-dimensional outline. This is especially difficult when the figure is well-known, or at least when some aspect or aspects of that figure are well-known. It is a challenge that Eric Robertson not only faces, but relishes, in Arp: Painter, Poet, Sculptor (Yale University Press, 2006). When he writes that Arp, "seems to have fostered his multiple identity with a quite deliberate disregard for the biographer's task" (p. 3), it is in a spirit of admiration rather than complaint.
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Crystal, David. "Two thousand million?" English Today 24, no. 1 (February 22, 2008): 3–6. http://dx.doi.org/10.1017/s0266078408000023.
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ABSTRACTUpdates on the statistics of English. Starting with excerpt from David Crystal, How many millions use English? (ET1, 1985). The author says: Reading this article again, that almost a quarter of a century on, the most noticeable change, it seems to me, has been in the amount and colour of the author's hair! That aside, I am struck by my final comment: ‘I shall stay with this figure for a while’ – a billion. It appears I stayed with it for a decade. In the first edition of my English as a Global Language (1997: 61) I raised my estimate, suggesting a middle-of-the-road figure of 1,350 million. In the second edition (2003: 69), a ‘cautious temperament’, I said, would suggest 1,500 million. And these days, having read the more sophisticated assessments by David Graddol and others, I am prepared to revise upwards again in the direction of 2 billion. In short, we have moved in 25 years from a fifth to a quarter to a third of the world's population being speakers of English.
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Syahda Deviana Salsabila. "KAJIAN PSIKOLOGI SASTRA DAN NILAI KARAKTER PADA PUISI JANTE ARKIDAM KARYA AJIP ROSIDI." Ta'rim: Jurnal Pendidikan dan Anak Usia Dini 3, no. 3 (December 5, 2022): 57–68. http://dx.doi.org/10.59059/tarim.v3i3.46.
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This study aims to describe: (1) the structural aspects of Ajip Rosidi's Jante Arkidam Poem (2) the psychological aspects of Jante Arkidam's Poem (3) The author's psychology (4) The psychology of the reader. This research method is descriptive qualitative using the approach of Literary Psychology. The source of this research data is Ajip Rosidi's Jante Arkidam published by cupumanik publisher in 1967. The data of this study are intrinsic elements, extrinsic elements and psychology. The data collection techniques used are document techniques, listening techniques and note-taking techniques. In this study, researchers used content analysis techniques as data analysis techniques. The results of this study show that: 1) aspects of intrinsic elements in Poetry include; (a) stanzas and arrays, (b) rhymes/rhythms, (c) diction/word choice, (d) imagery/imagery, (e) majas/stylistics. 2) aspects of extrinsic elements include; (a) the license granted by the author. 3) the representation of the figure of Jante Arkidam. These three structures influence the behavior, mindset, and representation of the figure jante Arkidam in the poem Jante Arkidam by Ajip Rosidi.
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Murtazaliev, Ahmed Magomedovich. "TRAVEL NOTES OF DAGESTAN MUHAJIRS: THE IMAGE OF THE HISTORICAL HOMELAND." Herald of the G. Tsadasa Institute of Language, Literature and Art, no. 27 (September 22, 2021): 25–29. http://dx.doi.org/10.31029/vestiyali27/3.
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The subject of the research in this article is the travel notes of representatives of the Dagestan diaspora in Tur-key. A new impetus for the development of this genre of memoir literature came in the second half of the twen-tieth century. It is associated with the name of Ahmed Avaroglu, a well-known figure of the diaspora, poet and publicist, author of the first travel note of the period under study. The central theme of the travel notes is Dage-stan, the historical homeland of the muhajirs. The study focuses on the problems, the poetics of the notes, the author's position as the main driving force of the plot.
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Desmond, Karen. "New light on Jacobus, Author of Speculum musicae." Plainsong and Medieval Music 9, no. 1 (April 2000): 19–40. http://dx.doi.org/10.1017/s0961137100000024.
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Since the realization, at the beginning of this century, that the treatise Speculum musicae had been incorrectly attributed to Jehan des Murs by its first editor, Edmond de Coussemaker, the actual author of this voluminous work of music theory from the early fourteenth century has remained a shadowy figure. The most certain detail of the author's identity is his name, contained within an acrostic spelled out over the initials that begin each of the seven books of the treatise, rendering the given name IACOBUS. The provenances of the three surviving manuscript sources, all dating from approximately a century after the proposed date of Speculum musicae, suggest an Italian bias to the transmission of the work, but, as physical documents, the manuscripts have yet to yield any clues to the author's origins. The treatise itself is a bit more helpful. Besides offering the author's name, clues within the text have allowed for the formulation of the following hypothesis concerning the career of Jacobus: that he was probably born in the diocese of Liège, that he was a student in Paris in the late thirteenth century, and that he returned to Liège to complete the final books of his treatise, Books 6 and 7 of Speculum musicae. In what follows, I will first briefly evaluate the evidence previously marshalled to support this hypothesis, and I will then discuss new information pertinent to the biography of the author.
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Jacobi, Peter Alan. "4-Alkynoic Acids in the Synthesis of Biologically Important Porphyrinoids." ECS Meeting Abstracts MA2022-01, no. 14 (July 7, 2022): 947. http://dx.doi.org/10.1149/ma2022-0114947mtgabs.
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In this talk an account is given of the author's use of 4-alkynoic acid derivatives in the synthesis of members of the chlorin, bacteriochlorin and corrin classes of macrocyclic tetrapyrroles. In the case of chlorins, we employed a novel "2+2" condensation to prepare both C,D-symmetric and non-symmetric chlorins, made possible by the ready availability of highly substituted semicorrins derived from 4-alkynoic acids. Alkyne acids also played a prominent role in a new 16p-electrocyclization route to bacteriochlorins, and in iterative syntheses of semicorrins and secocorrins related to vitamin B12. Finally, we describe enantioselective syntheses of ring-C and ring-D alkyne acids for a proposed synthesis of cobyric acid. Figure 1
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Bolton, Jonathan. "Mendacity, Rule Consequentialist Ethics and The Ploughman's Lunch." Film-Philosophy 26, no. 1 (February 2022): 26–43. http://dx.doi.org/10.3366/film.2022.0188.
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This article examines Ian McEwan's script for director Richard Eyre's film, The Ploughman's Lunch (1983), the title of which alludes to a deceptive, post-World War II advertising campaign that promulgated a false narrative about British tradition. McEwan's script, and Eyre's film adaptation of it, offer a prescient exposé of Britain's culture of mendacity in the 1980s in ways that draw on rule-consequentialist ethics to maintain that lying on the personal, professional, and political level has a pernicious effect on society. McEwan's work on the film also marks a crucial turning point in the author's career, one in which he first begins to explore complex ethical and moral conundrums that would figure prominently in his major fiction.
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Pelttari, Aaron. "The Reader and the Resurrection in Prudentius." Journal of Roman Studies 109 (September 11, 2019): 205–39. http://dx.doi.org/10.1017/s0075435819000893.
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AbstractIn Prudentius, the bodily resurrection becomes a figure for poetic immortality. Just as the author believes that his God will one day raise him from the dead, he expects and invokes a Christian reader to authenticate and authorise the fragile verbal records of a poetry that is insistently human and fallen. In other words, Prudentius’ metapoetics are perfectly in sync with his theology. After (I) presenting Prudentius’ transformation at the end of his Praefatio and setting out the terms and scope of the argument, this article (II) shows how the author puts himself at the mercy of his readers and patrons in the Peristefanon poems and then (III) considers the body and the resurrection in the Liber Cathemerinon. A short section (IV) on fictionality and belief opens up the argument, and a conclusion (V) advances it through a reading of the end of De opusculis suis. This metapoetic reading of Prudentius reveals that the author's hopes for an afterlife are expressed in and through the creative imagining of poetic and fictional scenes.
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Purnomo, Pungki, and Dila Wahyuni. "Mapping Publication of Gus Dur Thought: a Bibliometric Study." Insaniyat : Journal of Islam and Humanities 7, no. 1 (November 30, 2022): 43–56. http://dx.doi.org/10.15408/insaniyat.v7i1.28192.
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Gus Dur is a well-known multidisciplinary Muslim intellectual figure. This study focuses on exploring the immortality of Gus Dur's thoughts which are available in different formats of publications written by himself or written by other authors. A bibliometric approach is used to analyze data in terms of the subject matter of the study, type of work, language, author's profession, and publisher. The population of this research is 635 works obtained from Google Scholar and Wahid Institute Library. Based on the Slovin formula, 86 sample works are taken. The study's results revealed that out of 86 works, there are 17 works written by Gus Dur and 69 by other authors. This study found 18 subjects of discussion. Nearly half of publications are in the format of books (25 works) almost all publications are written in Indonesian (76 works). Most of the writings about Gus Dur were written by lecturers (32 works). The works written by other people were almost entirely published after Gus Dur's death. Various formats of publications are identified; there are 13 books, 29 journals, 1 magazine, 23 theses (undergraduate) and 2 theses (S2). The study on the publication of Gus Dur can be used as a reference for people who want to investigate his life and thoughts.
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Purwahida, Rahmah, and Zulfa Sabila. "Literary Literacy in High School Through the Study of Intrinsic and Extrinsic Elements in the Novel Si Anak Pemberani by Tere Liye." MEDIASI 2, no. 3 (September 30, 2021): 267–88. http://dx.doi.org/10.46961/mediasi.v2i3.412.
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The analysis of this novel aims to describe the intrinsic and extrinsic elements of Si Anak Pemberani (SAP) novel by Tere Liye and the implications in learning literature in junior high school. This research used descriptive qualitative with content analysis. The results show that the theme in the SAP novel is child courage to defend her village; using a progressive plot by offering the setting of the place, time, and atmosphere; the character's personality is displayed based on dramatic technique; using the main character's viewpoint; a comparative figure of speech as language style, contradiction, satire, and affirmation; there are mandates to protect the environment and love parents, as well as extrinsic elements in the form of the author's cultural, economic, religious, and political background and values displayed.
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Purwahidah, Rahmah, and Zulfa Sabila. "Literary Literacy in High School Through the Study of Intrinsic and Extrinsic Elements in the Novel Si Anak Pemberani by Tere Liye." MEDIASI 2, no. 3 (October 25, 2021): 266–87. http://dx.doi.org/10.46961/mediasi.v2i3.393.
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The analysis of this novel aims to describe the intrinsic and extrinsic elements of Si Anak Pemberani (SAP) novel by Tere Liye and the implications in learning literature in junior high school. This research used descriptive qualitative with content analysis. The results show that the theme in the SAP novel is child courage to defend her village; using a progressive plot by offering the setting of the place, time, and atmosphere; the character's personality is displayed based on dramatic technique; using the main character's viewpoint; a comparative figure of speech as language style, contradiction, satire, and affirmation; there are mandates to protect the environment and love parents, as well as extrinsic elements in the form of the author's cultural, economic, religious, and political background and values displayed.
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Purwahidah, Rahmah, and Zulfa Sabila. "Literary Literacy in High School Through the Study of Intrinsic and Extrinsic Elements in the Novel Si Anak Pemberani by Tere Liye." MEDIASI 2, no. 3 (September 30, 2021): 267–88. http://dx.doi.org/10.46961/mediasi.v2i3.410.
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The analysis of this novel aims to describe the intrinsic and extrinsic elements of Si Anak Pemberani (SAP) novel by Tere Liye and the implications in learning literature in junior high school. This research used descriptive qualitative with content analysis. The results show that the theme in the SAP novel is child courage to defend her village; using a progressive plot by offering the setting of the place, time, and atmosphere; the character's personality is displayed based on dramatic technique; using the main character's viewpoint; a comparative figure of speech as language style, contradiction, satire, and affirmation; there are mandates to protect the environment and love parents, as well as extrinsic elements in the form of the author's cultural, economic, religious, and political background and values displayed.
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Yarotskiy, Petro. "Arsen Rychinsky as a scholar and polemicist." Ukrainian Religious Studies, no. 41 (December 26, 2006): 10–13. http://dx.doi.org/10.32420/2007.41.1842.
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In a number of the author's scientific religious studies, A. Richinsky appears as a deep researcher of the history of Christianity and, in particular, of the history of Ukrainian Christianity. In controversy with his opponents, he attests to a thorough knowledge of the process of forming Christian dogmas of church canons, biblical texts, which he convincingly and skillfully operates as a professional exegete. At the same time, A. Richinsky appears to us as a tolerant, ecumenical personality, not inclined to religious confession, bias towards "non-believers", free from religious fanaticism and clerical extremism. If such a figure were today among our Ukrainian intelligentsia or, better yet, among the Orthodox hierarchy, the cause of unification of all Ukrainian Orthodox churches would inevitably have come to a standstill.
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Kaup, Matthias, and Robert E. Lerner. "Gentile of Foligno Interprets the Prophecy “Woe to the World,” with an Edition and English Translation." Traditio 56 (2001): 149–211. http://dx.doi.org/10.1017/s0362152900002440.
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If a diary of a prominent late-medieval religious figure were to be discovered that revealed his thoughts about the present and the future, such a discovery would seem to be too good to be true. But if labeled differently, such a document does exist: not a diary, but a prophetic commentary. The commentary by the fourteenth-century Augustinian friar Gentile of Foligno on the prophecy “Ve mundo in centum annis,” has never been the subject of sustained attention. Consequently the following presentation aims to examine it carefully within the context of the author's career and to show how it reveals some intriguing working habits as well as Gentile's firm hopes for the advent of angelic popes and ecclesiastical renewal.
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Bryant Davies, Rachel. "The Figure of Mary Mother of God in Christus Patiens: Fragmenting Tragic Myth and Passion Narrative in a Byzantine Appropriation of Euripidean Tragedy." Journal of Hellenic Studies 137 (2017): 188–212. http://dx.doi.org/10.1017/s0075426917000155.
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AbstractThe Byzantine passion play Christus Patiens (Christ Suffering) is a cento: composed of quotations and borrowings from other sources, it takes Euripides’ tragedies as its main source for reworking the passion narrative. The genre, popular with Christian authors who usually transformed classical epics, enacts cultural exchange between canonical pagan literature and biblical narrative. Traditionally transmitted as the work of Gregory of Nazianzus, this drama showcases the tensions inherent in this reuse of Greek tragedy which threaten to collapse the original texts under the weight of their new meaning – or vice versa. While the afterlives of Classical texts, especially Greek tragedy, have been increasingly well explored, the scant attention afforded Christus Patiens has largely consisted of debating the disputed date and authorship. At the same time, scrutiny lavished on Virgilian centonic technique provides a helpful spring-board. This article focuses on the four tragedies most plundered in Christus Patiens: Rhesus, Medea, Hippolytus and Bacchae. It concentrates on interpreting the protagonist, Mary the Mother of God, through key passages which borrow most heavily from these plays. These stretch centonic conventions by almost exclusively reworking contiguous lines featuring the tragic mothers Medea, Agave and Musa; yet Mary is otherwise created from multiple conflicting voices. Analysis of these passages as frames for the cento author's own compositions and in the context of the prologue's invitation to identify specific Euripidean reworkings suggests that the author playfully flirts with creating a narrative of fragmentation through clashes between centonic form, tragic sources and Christian subject.
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Winanti and Francisca Sestri Goestjahjanti. "Component Learning Community for Informal Education to Support Culinary Community at Era New Normal Covid-19: A Systematic Literature Review." International Journal of Information Technology and Computer Science 14, no. 1 (February 8, 2022): 20–31. http://dx.doi.org/10.5815/ijitcs.2022.01.03.
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Informal education will be successful as an alternative for the community because not all people are able to receive formal education. This study uses a qualitative method with a systematic literature review (SLR) technique to look for learning community components in informal education to support learning in the culinary community in the new normal era of Covid-19. The author collects, studies, and analyzes reference sources according to the specified keywords. Found 53 papers from 2002 to 2021 with background authors from academia, industry, and the public sector with reference sources from journals, conferences, white papers, and research reports. Systematic literature review results obtained 6 components of learning community in informal education, namely content, forum, method, technology, figure/layout, and human/social resources. The six components as a reference and the author's first step in the next research through searching for the characteristics of the learning community in the culinary field, then making a learning model of the culinary community. Because of the importance of the learning community component in informal education to help community members share knowledge, solve problems, share common goals and interests among community members.
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Loomis, John, and Lynne Caughlan. "The Importance of Adjusting for Trip Purpose in Regional Economic Analyses of Tourist Destinations." Tourism Economics 12, no. 1 (March 2006): 33–43. http://dx.doi.org/10.5367/000000006776387105.
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This paper investigates the empirical importance of distinguishing visitors and their expenditures by trip purpose when estimating the tourism effects of a national park on a local economy. Accounting for trip purpose is quite important when there are two or more nearby major attractions in the same geographical area. This applies to the author's case study of Grand Teton and Yellowstone National Parks in the State of Wyoming, and also to other areas, such as the State of Utah's Bryce and Zion National Parks or amusement parks in the Orlando area in Florida. The authors illustrate the various types of survey questions and methods for correcting for trip purpose. In the case study, it would be quite misleading to attribute all spending by visitors to Grand Teton National Park (GTNP) in the town of Jackson, Wyoming, solely to GTNP because this would overstate employment actually attributable to the park by 3,455 jobs, or 22%. In turn, this overestimates the dependence of jobs in the Jackson economy on GTNP by 15%, incorrectly estimating it at 75% rather than the sounder figure of 60% of total jobs.
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НЕКРАСОВА, Ю. С. "The figure of P. P. Bazhov as the editor of the almanac "The ural contemporary" in the last years of the author's life." Vestnik of North-Eastern Federal University, no. 4(84) (August 28, 2021): 67–77. http://dx.doi.org/10.25587/svfu.2021.84.4.007.
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Аннотация. В статье рассмотрено значение фигуры П. П. Бажова как редактора альманаха «Уральский современник» в последние годы жизни автора. Длительная по времени работа известного писателя в альманахе остается практически не изучена. Для воссоздания точной исторической картины проведены исследования архивных документов, а также опубликованных воспоминаний современников Бажова. В частности, проанализировано высказывание Бажова на собрании Свердловского отделения Союза советских писателей от 20 декабря 1949 г., в котором автор отказывается как от должности редактора альманаха, так и от поста управленияписательским коллективом на Урале. Изучена разносторонняя деятельность П. П. Бажова, затруднявшая ему возможность уделять большое количество времени организаторской идепутатской деятельности, редакторской работе в альманахе и издательстве и, главное, собственно литературной работе. На основании критических статей и протоколов партийных собранийвыделены характерные недостатки альманаха, вынуждавшие Бажова находить причину недовольств издателей и писателей в собственной недоработке. Выясняется, что Бажов как редактор старался исправить положение, продвигая идеи изменений в организаторской работе, предлагая переформировать альманах в журнал, пересмотреть структуру издания, создавать тематические выпуски. В каждом номере альманаха он публиковал собственные тексты для достижения нужного объема издания, формирования литературы Урала. На основании изучения документов показано,что самокритичное заявление писателя на собрании, с одной стороны, было оправдано большой нагрузкой автора, состоянием его здоровья, а с другой – желанием предоставить дорогу молодым кадрам. Сделан вывод, что нежелание партийной верхушки отпускать Бажова с высоких постов определялось «нехваткой» литераторов, подходящих на место редактора и председателя Свердловского отделения ССП (Союза советских писателей), а также стремлением сохранить авторитетного автора в качестве лица писательской организации города и ее печатного органа.
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Bikbulatova, Albina Ahatovna. "Maintaining a Normal Level of Plasma Bioregulators on the Background of Daily Wearing Corrective Underwear in Women with Developing Gynoid Obesity." Biomedical and Pharmacology Journal 12, no. 2 (June 19, 2019): 689–95. http://dx.doi.org/10.13005/bpj/1690.
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In modern society, obesity in women in developed countries retains its widespread prevalence. Much attention to this problem is caused by the current increase in the number of cases of obesity among middle-aged women who are not able to regularly experience muscular loads in the form of exercises and comply with various dietary restrictions. In this regard, there is a need for cosmetic correction of their figure in the presence of minimal effort on the part of women with signs of obesity. The solution to this problem may be the wearing of corrective clothing, which is able to effectively reduce the volume dimensions of the body through a soft mechanical impact on it in problem areas. In the work carried out, the safety assessment of the long wearing of the author's version of the trousers was carried out taking into account the dynamics of the plasma level of functionally significant hemostasis biregulators for half a year. It was found that women with obesity 1 degree, wearing corrective clothing, there was a persistent preservation of the indicators taken into account within the normal range. The great advantage of using the author's version of corrective clothing for women with obesity was the upcoming visual reduction of their body sizes in the area of application of the product. At the same time, all women under observation maintained a consistently normal plasma level of hemostasis regulators corresponding to the control values. The results obtained allow us to consider the author's corrective clothing as a complete and safe component of the visual correction of the manifestations of developing obesity in women.
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SHAPPLE, D. L. "ARTFUL TALES OF ORIGINATION IN OLIVE SCHREINER'S THE STORY OF AN AFRICAN FARM." Nineteenth-Century Literature 59, no. 1 (June 1, 2004): 53–77. http://dx.doi.org/10.1525/ncl.2004.59.1.78.
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Olive Schreiner's The Story of an African Farm (1883) has long been considered an anticolonial novel that nevertheless, because of its author's affiliation with a European colonial culture, neglects to investigate the problem of disenfranchised African labor in significant detail. In this essay I reassess Schreiner's anticolonialism by placing it in the context of her growing postcolonial aspirations. This rather paradoxical position of the colonist becoming a postcolonial manifests itself in the novel's central artist figure, Waldo, who, while descended from European colonists, manages to make himself at home in his South African environment. Employing nineteenth-century ethnological and aesthetic discourses in the construction of this curious figure (which I refer to as the colonial indigene), Schreiner establishes a connection among the novel, colonial art, and an indigenous South African culture. The novel's narrative present is set during a period of intense border struggle, and while indigenous artists like the San known to the colonists as the Bushmen) have disappeared from the novel's narrative present, Schreiner's colonial indigene takes their place. This imaginative displacement thus corresponds with a demographic one, while also manifesting itself in The Story of an African Farm through a fetishistic aesthetic and the uncanny return of a frequently overlooked African laborer.
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Sukainah, Sukainah, Afryansyah Afryansyah, and Marlisah Marlisah. "Diksi dan Majas dalam Antologi Puisi Sajak Sang Cendekia Karya Guru-Guru MAN Insan Cendekia." DIDAKTIS: Jurnal Pendidikan Bahasa dan Sastra Indonesia 1, no. 1 (March 15, 2023): 15–22. http://dx.doi.org/10.33096/didaktis.v1i1.294.
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The form of the author's imagination and ideas that are present due to personal experiences that occur around the author's environment is called poetry. The selection of the poetry anthology of Sajak Sang Cendekia by MAN Insan Cendekia teachers was based on brief findings that were seen in terms of diction and figure of speech which were interesting to be studied further using stylistic studies. This study uses stylistics which is focused on the theory of diction and figure of speech. The stylistic approach is carried out by analyzing diction, figure of speech and its function in an anthology of poetry Sang Cendekia by the teachers of MAN Insan Cendekia. The source of the data is in the form of an anthology of Poetry Sajak Sang Cendekia written by MAN Insan Cendekia teachers throughout Indonesia. The poetry anthology consists of 121 poems which were first printed in April 2021 and published by CV Kanaka Media with 188 pages thick. The anthology of Poetry Sajak Sang Cendekia was created as a form of appreciation for Indonesian MGMP teachers at MAN IC in Indonesia. This anthology of The Scholar's Poems is a manifestation of the work of the first Indonesian language teacher MAN Insan Cendekia, during the Covid-19 outbreak in order to open the door of imagination to become a well-packaged and attractive theme choice. The data analysis technique used was descriptive qualitative analysis technique.
ABSTRAK
Bentuk dari hasil imajinasi dan ide pikiran pengarang yang hadir karena pengalaman pribadi yang terjadi di sekitar lingkungan pengarang disebut dengan puisi. Pemilihan antologi puisi Sajak Sang Cendekia karya guru-guru MAN Insan Cendekia didasarkan pada temuan sekilas yang dilihat dari segi diksi dan majas yang menarik untuk dikaji lebih jauh dengan menggunakan kajian stilistika. Penelitian ini menggunakan stilistika yang difokuskan pada teori diksi dan majas. Pendekatan stilistika dilakukan dengan cara menganalisis diksi, majas dan fungsinya dala sebuah antologi puisi Sajak Sang Cendekia karya Guru-guru MAN Insan Cendekia. Adapun sumber datanya berupa antologi puisi Sajak Sang Cendekia yang ditulis oleh Guru-guru MAN Insan Cendekia se-Indonesia. Antologi puisi tersebut terdiri atas 121 puisi yang dicetak pertama kalinya pada bulan April tahun 2021 dan diterbitkan oleh CV Kanaka Media dengan tebal 188 halaman. Antologi puisi Sajak Sang Cendekia dibuat sebagai bentuk apresiasi guru MGMP Bahasa Indonesia MAN IC se-Indonesia. Antologi Sajak Sang Cendekia ini sebagai wujud karya guru Bahasa Indonesia MAN Insan Cendekia yang perdana, pada masa wabah Covid-19 agar dapat membuka pintu imajinasi untuk menjadi pilihan tema yang dikemas baik dan menarik. Adapun, teknik analisis data yang digunakan adalah teknik analisis deskriptif kualitatif.
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BITTIROVA, T. Sh, and T. S. IZMAILOVA. "CONSTRUCTION OF MOUNTAIN REALITIES IN THE RUSSIAN-LANGUAGE PUBLICIST WRITINGS OF THE KARACHAY-BALKAR ENLIGHTENERS OF THE EARLY TWENTIETH CENTURY: ESSAYS BY MISOST ABAEV." Kavkazologiya, no. 3 (2021): 206–18. http://dx.doi.org/10.31143/2542-212x-2021-3-206-218.
Full textAbstract:
The proposed article is an analysis of the Russian-language creative heritage of the Karachay-Balkar public figure Misost Abaev, whose publicism introduced the Russian reader to the life of the mountain society during its integration into the Russian Empire, and also contained a historical excursion into the past of the people, told about their life, culture, and worldview. The author focuses on the study of a number of topical topics revealed by the publicist in the Caucasian periodicals, on the solutions he offers to acute social issues. The main topics of M.'s publications Abaev's articles and essays were in tune with the ideas of the North Caucasian progressive figures of the turn of the century, the author's articles and essays covered socio-economic problems and society's requests for the renewal of culture through education. The article presents the results of the analysis of the experiments of M. Abaev's creation of literary texts (stories "Mountain Legend", "At the grave of Islam", obituary-essay), where the publicist revealed another aspect of his work – the bright personality of the narrator. The work of M. Abaev is first considered in the context of popular ideas that spread in the Caucasus in the last quarter of the XIX century, the influence of these ideas on the state of mountain society.
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Krupka, Myroslava. "FEMALE CHARACTER AS AUTHOR'S ALTER EGO IN IRENA KARPA'S NOVEL "GOOD NEWS FROM THE ARAL SEA"." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 11(79) (September 29, 2021): 163–65. http://dx.doi.org/10.25264/2519-2558-2021-11(79)-163-165.
Full textAbstract:
The study investigates the problem of representation of the female image in the autobiographical paradigm of Irena Karpa's novel “Good News from the Aral Sea” because the tendencies of subjectivism describe the writer's work as a manifestation of generational and gender identities. Thus, the modern cultural process is marked by the active presence of writers not only through their texts, but also through various public activities and social networks, which allows the reader to have an idea of the author's private history and accordingly correlate it with artistic narrative. Therewith, the form of the autobiographical narrative is considered as a way for the writer to articulate her experience as gender-marked and is a form of constructing the identity of the character – the author's alter ego. Irena Karpa's book simulates four types of modern heroines, united by common topos of birth and residence, but it is Rita's plot line that is considered as the embodiment of an autobiographical narrative. The figure of this heroine is shown at the junction of two cultures: Ukrainian and European. However, the drama of her life story is provoked by the self-identification of the mistress, who is always in a relationship with two men at the same time, which determines her identity. In the novel, it is love stories that unfold the dynamism of the heroine' s character: she mimics each subsequent man, changing role models from victim to muse. Other life roles: mother, wife, daughter are secondary, and are outside the priority zone. The correlation of the artistic world of the novel with the actual biography of the writer gives grounds to interpret the novel as an autofiction.
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Romano, Patrizia. "Espressione artistica, bioenergetica e counselling a mediazione corporea: un'esperienza con i musicisti." GROUNDING, no. 2 (July 2009): 75–84. http://dx.doi.org/10.3280/gro2008-002009.
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- The aim of our article is to outline the "professional figure" of a musician as an interpreter of classical music, and the main problems that this profession can create at a psychophysical level. We would also like to illustrate some ways of intervention through bioenergetics in order to avoid the so called "professional illnesses" and to favour and strengthen a full, rewarding and efficient artistic expression. The author's experience is to demonstrate how body awareness can fully help to transform the relationship between a musician and his music, which is often exclusively aimed at a successful performance, thus provoking an enormous amount of tension and stress. In conclusion, the above mentioned work of conquering body awareness could help to build a way of playing which could harmoniously integrate body, thoughts and emotions.Key words Musician, bioenergetics, counseling, awarenessParole chiave Musicista, bioenergetica, counselling, consapevolezza
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Mills, Adelais. "Authorial Enchantments in the Fictions of Henry James, Philip Roth, and Joshua Cohen." CounterText 4, no. 3 (December 2018): 382–405. http://dx.doi.org/10.3366/count.2018.0140.
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Print literature has always existed in an ecosystem of media forms, among which the attention of audiences have been shared. Periodically, however, novelists have expressed concerns for the charms of literature in relation to its competitors. This article explores three interrelated experiments that harness the effects of authorial presence to revive the capacity of literary fiction to detain readers. Henry James's ‘The Death of the Lion’ (1894), Philip Roth's The Ghost Writer (1979) and Joshua Cohen's Book of Numbers (2015) speak to each other by mobilising the trope of the author in ways that probe the fault lines in under-nuanced accounts of the author's coercive role in delimiting the meaning of a literary work. These texts, I offer, reimagine the author not as a disciplining force but as a compelling figure, working in distinctive ways to summon readerly attention.
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den Dulk, Matthijs. "No More Itch (2 Tim 4.3)." New Testament Studies 64, no. 1 (December 8, 2017): 81–93. http://dx.doi.org/10.1017/s0028688517000236.
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The majority of translations and commentaries render the phrase κνηθόμενοι τὴν ἀκοήν in 2 Tim 4.3 as ‘having itching ears’ (or something to the same effect). Many commentaries and lexica claim, furthermore, that this figure of speech expresses curiosity. The present study demonstrates that the phrase found in 2 Tim 4.3 is an idiom that occurs quite frequently in first- and second-centuryceliterature. Contemporary usage of this expression suggests, first, that the translation at 2 Tim 4.3 should be ‘having their ears tickled’, rather than ‘having itching ears’, and, second, that the idiom refers primarily to the experience of pleasure rather than curiosity. This translation and interpretation of κνηθόμενοι τὴν ἀκοήν fits the context of 2 Timothy better than other commonly proposed readings and is significant for how we understand the author's portrayal of his opponents and their appeal to the believers.
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A’ini, Qurratul. "GAYA BAHASA DALAM PENGGALAN NOVEL PUDARNYA PESONA CLEOPATRA KARYA HABIBURRAHMAN EL-ZHIRAZY." LINGUA: Journal of Language, Literature and Teaching 14, no. 2 (May 2, 2017): 285. http://dx.doi.org/10.30957/lingua.v14i2.322.
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This literary work analyzes the novel by Habiburrahman El-zhirazy entitled "Clearing the Fade of Cleopatra" that tells a figure who was obsessed with the beauty of Egyptian women. The desire was vanished because the character was mated by her parents. Using a stylistic approach, this study examined how dictions and the existing majesties in the novel fragments were applied. The source of data was a fragment of the novel "Clearing the Fade of Cleopatra", and the data were the lingual units in terms of words, phrases, clauses and sentences that contained thf figurative languages. The study revealed that in selecting the dictions the writer used Arabic, English and Javanese. The selection of diction is certainly not separated from the author's background. The figurative language included hyperbole, metaphor, paradox, allegory and personification. The hyperbolic was used more frequently than other figurative languages.