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Books on the topic 'Author's figure'

Author: Grafiati

Published: 22 June 2023

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1

Os'muhina, Ol'ga, Marina Urtminceva, and russkoy kafedra. The tradition of the author's mask in Russian prose of the XVIII-XIX centuries. ru: INFRA-M Academic Publishing LLC., 2022. http://dx.doi.org/10.12737/1911018.

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The author's mask is one of the most important signs of literary consciousness from antiquity to the present, it becomes a synthesis of the author's self-expression and his transformation from a "real" figure into an artistic image functioning within the text space. The monograph examines the author's mask as one of the most important elements of the author's strategy. Russian Russian authors comprehend the place of the author's mask in the structure of the author's consciousness in the process of the formation of the institution of authorship, and also study the tradition of using the author's mask in the general context of the history of Russian literature of the XX century. based on the material of Russian prose of the XVIII-XIX centuries: M. Chulkov, V. Senkovsky, I. Krylov, A. Pushkin, N. Gogol, V. Odoevsky, V. Dahl. For the first time, the study of the process of author's self-identification and the category of the mask as a false author's identification, the nature and forms of its functioning expands ideas about the operation of the identification mechanism and about identity problems in general. For a wide range of readers interested in Russian fiction. It can be useful for students, postgraduates and teachers of philological universities and faculties.

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2

School Figures. Pittsburgh, USA: University of Pittsburgh Press, 1994.

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3

Albiach, Anne-Marie. Vocative figure. 2nd ed. Lewes: A-B, 1992.

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4

Figures intérieures. Montréal, Qc: Leméac, 1997.

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5

Fuster, Joan. Figures de temps. València: Edicions Alfons el Magnànim, Institució Valenciana d'Estudis i Investigació, 1993.

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6

Public figures. Middletown, CT: Wesleyan University Press, 2012.

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7

Gorohov, Pavel. Evil: the experience of philosophical research. ru: INFRA-M Academic Publishing LLC., 2022. http://dx.doi.org/10.12737/1819044.

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The monograph is devoted to a holistic consideration of the phenomenon of evil. It examines and analyzes philosophical ideas about the nature of evil, which can be found among outstanding thinkers. The figure of the Devil as the main antagonist of God, the "fallen angel" and the progenitor of evil is studied. The main and, in the author's opinion, the most important types and modes of evil, such as hatred, meanness, betrayal, crime, etc., are analyzed. Designed for everyone interested in the problems of modern philosophy, cultural studies and ethics.

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8

Emerson, Claudia. Figure studies: Poems. Baton Rouge: Louisiana State University Press, 2009.

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9

Assia Djebar une figure de l'aube. Alger: Casbah Editions, 2016.

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10

Your body figured. Cold Spring, N.Y: Nightboat Books, 2008.

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11

Oracle figures. Keene, NY: Ausable Press, 2003.

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12

Grado, Antonio Di. Angelo Fiore, la figura e l'opera. Marina di Patti: Pungitopo, 1988.

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13

Pereda, Raquel. Pedro Figari. Montevideo, Uruguay: Edición Fundación Banco de Boston, 1995.

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14

Arthur, Symons. Figures of several centuries. [Place of publication not identified]: ValdeBooks, 2009.

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15

Landscape with Human Figure. Durham, USA: Duke University Press, 2002.

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16

Matamoro, Blas. Genio y figura de Victoria Ocampo. [Buenos Aires]: Editorial Universitaria de Buenos Aires, 1986.

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17

Serra, Antoni. Diari d'ombres, paisatges i figures. Palma de Mallorca: Lleonard Muntaner, 2002.

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18

Figures catholiques du XXe siècle. Paris: P. Téqui, 1999.

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19

Cruz, Jorge. Genio y figura de Manuel Mujica Lainez. 2nd ed. [Buenos Aires, Argentina]: Editorial Universitaria de Buenos Aires, 1996.

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20

Doderer, Heimito von. Von Figur zu Figur: Briefe an Ivar Ivask über Literatur und Kritik. München: Beck, 1996.

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21

Andrew, Maunder, Baker William 1944-, Gasson Andrew, and Fisher Judith Law 1952-, eds. Lives of Victorian literary figures. London: Pickering & Chatto, 2007.

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22

Ralph, Pite, and Mullan John, eds. Lives of Victorian literary figures. London: Pickering & Chatto, 2003.

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23

Menéndez Pelayo: Genio y figura. Madrid: Encuentro, 2012.

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24

Reclaiming the author: Figures and fictions from Spanish America. Durham: Duke University Press, 1992.

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25

Caraffi, Patrizia. Figure femminili del sapere: 12.-15. secolo. Roma: Carocci, 2003.

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26

Jill, Hunt La, ed. Full figured. Deer Park, N.Y: Urban Renaissance/Urban Books, 2010.

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27

Burke, Monique. Figuras de estilo =: Figures de style. [Lisbon?]: Impr. Nacional, Casa de Moeda, 1988.

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28

T, Lysaker John, and Rossi William John, eds. Emerson and Thoreau: Figures of friendship. Bloomington, IN: Indiana University Press, 2009.

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29

Figures in a landscape. Chicago: The University of Chicago Press, 2011.

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30

Simon, Avery, Kambani Marianna, Jones Hester, and Pite Ralph, eds. Lives of Victorian literary figures. London: Pickering & Chatto, 2004.

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31

Ralph, Pite, Beer Janet 1956-, Brown Sarah Annes, Spirit Jane, and Nolan Elizabeth 1966-, eds. Lives of Victorian literary figures. London: Pickering & Chatto, 2006.

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32

Figari el masón. Montevideo, Uruguay: Arca, 2008.

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33

Sozzi, Giorgio P. Figure e libri nella Svizzera romanda del XX secolo. Napoli: Federico & Ardia, 1994.

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34

Femmes et exils: Formes et figures. Québec: Presses de l'Université Laval, 2010.

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35

Genio y figura de Blasco Ibáñez: Agitador, aventurero y novelista. [Alcira, Spain]: Murta, 1996.

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36

Lazare, Bernard. Figures contemporaines: Ceux d'aujourd'hui, ceux de demain. Grenoble: Ellug, Université Stendhal, 2002.

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37

Pedro Figari: Vida y pasión. Montevideo, Uruguay: Ediciones Cruz del Sur, 2016.

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38

Absalyamova, Elina. Figures du critique-écrivain: XIXe-XXIe siècles. Rennes: Presses universitaires de Rennes, 2019.

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39

G, Daviau Donald, ed. Major figures of contemporary Austrian literature. New York: P. Lang, 1987.

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40

Osborne, Harona. Six Figure Author. Gordon House Press, 2019.

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41

Revision, Swanson-Swift. C.A. Cutter's 2-Figure Author Table. Libraries Unlimited Inc, 1995.

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42

Soloveitchik, Haym. Collected Essays: v. 1. Liverpool University Press, 2013. http://dx.doi.org/10.3828/liverpool/9781904113973.001.0001.

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This book reflects the author's lifelong interest in the history of halakhah. What stimulated change, and why? What happened when strong forces impinged on halakhic observance and communities had to adapt to new circumstances? The book opens with a brief description of the dramatis personae who figure throughout the essays: Rashi and the Tosafists. Further chapters discuss halakhic commentaries and their authors; usury, moneylending, and pawnbroking; Gentile wine; and the self-image of the Ashkenazic community. Throughout, the book shows that the line between adaptation and deviance is a fine one, and that where a society draws that line is revelatory of its values and its self-perception. Many of the chapters presented here are already well known in the field; two are completely new. Most of those previously published have been updated, and the major chapter on pawnbroking has been significantly expanded.

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43

Barnett, Anthony, Joseph Simas, and Anne-Marie Albiach. Vocative Figure. 2nd ed. AB Publishing, 1988.

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44

ARCHAIC FIGURE. FABER AND FABER, 1988.

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45

McDermott, Beth. Figure 1. Pine Row Press, 2022.

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46

Sirovica, Vedada. Sociology of Authorship: Deconstructing the Author Figure. Independently Published, 2016.

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47

Revision, Swanson-Swift. C. A. Cutter's Three-Figure Author Table. Libraries Unlimited Inc, 1995.

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48

Dean, Andrew. Metafiction and the Postwar Novel. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198871408.001.0001.

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This book examines the origins, poetics, and capacities of self-reflexive fiction across the globe after World War II. Focusing on three authors’ careers—J. M. Coetzee, Janet Frame, and Philip Roth—it seeks to circumvent the large-scale theoretical paradigms (such as ‘postmodernism’) that have long been deployed to describe this writing. The book does so by developing new terms for discussing the intimacies of metafictional writing, derived from the writing of Miguel de Cervantes and J. L. Borges. The ‘self of writing’ refers to the figure of the author that a writer may imagine exists independently from discourse. The ‘public author as signature’ represents the public understandings of an author that emerge from biography and the author’s corpus itself. The book shows how these figures of authorship are handled by authors, as they draw on the materials offered by their own corpora and communities of readers. Sometimes, this book shows, authors invent distinctively literary ways of adjudicating enduring political debates: the responsibility of a novelist to the political aspirations of a community, the ability of the novel to pursue justice on behalf of others, and the public good that literature serves. Yet this is not a story of unmitigated success: the book also demonstrates how metafiction can be used as a way to close down interpretive schemes and to avoid contributing to public value. Through a close focus on literary environments, the book ultimately gives a finer-grained account of the history of postwar metafiction, and offers new ways of theorizing the relationship between fiction, life-writing, and literary institutions.

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49

Osman, Jena. Public Figures. Wesleyan University Press, 2014.

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50

Fox, Chris. Six Figure Author: Using Data to Sell Books. CreateSpace Independent Publishing Platform, 2017.

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