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Books on the topic 'Auteur theory'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 April 2022

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1

L' auteur au cinéma. Paris: Harmattan, 2002.

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2

1939-, Meusy Jean Jacques, Pinel Vincent, Société des auteurs et compositeurs dramatiques (France), and Association française de recherche sur l'histoire du cinéma., eds. L' auteur du film: Description d'un combat. Arles: Actes sud, 1996.

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3

Moninger, Markus. Filmkritik in der Krise: Die "politique des auteurs" : Überlegungen zur filmischen Rezeptions- und Wirkungsästhetik. Tübingen: G. Narr, 1992.

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4

Bernardet, Jean Claude. O autor no cinema: A política dos autores : França, Brasil anos 50 e 60. São Paulo, SP: Editora Brasiliense, 1994.

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5

1964-, Duncan Paul, ed. François Truffaut: Auteur de films, 1932-1984. 2nd ed. Köln: Taschen, 2013.

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6

Egyed, Emese. A látható jelentés: Színház- és filmtudományi írások. Kolozsvár: Erdélyi Múzeum-Egyesület, 2012.

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7

Cinema d'autore degli anni Sessanta. Milano: Il castoro, 2011.

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8

Un'idea di cinema: Itinerari d'autore fra eccesso e stupore. Alessandria: Falsopiano, 2010.

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9

L'incanto della visione: Cinema d'autore tra Jane Campion e Clint Eastwood. [Rome, Italy]: Prospettive, 2010.

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10

Morreale, Emiliano. Cinema d'autore degli anni Sessanta. Milano: Il castoro, 2011.

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11

Olinto, Domenichini, ed. Cinema italiano d'autore. Verona: Centro mazziano di studi e ricerche Sommacampagna (Verona), 2006.

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12

Freybourg, Anne Marie. Bilder lesen: Visionen von Liebe und Politik bei Godard und Fassbinder. Wien: Passagen-Verlag, 1996.

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13

Nitsche, Lutz. Hitchcock, Greenaway, Tarantino: Paratextuelle Attraktionen des Autorenkinos. Stuttgart: Metzler, 2002.

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14

The global auteur: The politics of authorship in 21st century cinema. New York: Bloomsbury Academic, 2016.

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15

Il secolo della regia: La figura e il ruolo del regista nel cinema. Venezia: Marsilio, 1999.

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16

Barg, Werner. Erzählkino und Autorenfilm: Zur Theorie und Praxis filmischen Erzählens bei Alexander Kluge und Edgar Reitz. München: W. Fink, 1996.

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17

La nouvelle vague et le cinéma d'auteur: Socio-analyse d'une révolution artistique. [Paris]: Seuil, 2006.

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18

Body double: The author incarnate in the cinema. New Brunswick, N.J: Rutgers University Press, 2012.

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19

Silvia, Cantarini, ed. Free cinema, British renaissance: Due momenti del cinema d'autore in Inghilterra. Roma: Aracne, 2003.

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20

Brombach, Ilka. Eine offene Geschichte des Kinos: Alexander Kluge, Rainer Werner Fassbinder, Wim Wenders, Christian Petzold, Thomas Arslan, Michael Haneke : Filmlektüren mit Jacques Ranciere. Berlin: Vorwerk 8, 2014.

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21

Figures traced in light: On cinematic staging. Berkeley: University of California Press, 2005.

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22

Global auteurs : politics in the films of Almodóvar, Von Trier and Winterbottom. New York: Peter Lang, 2009.

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23

Beyond auteurism: New directions in authorial film practices in France, Italy and Spain since the 1980s. Bristol, UK: Intellect, 2008.

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24

Autorkonzepte und Filminterpretation. Frankfurt am Main: P. Lang, 1996.

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25

Choquet, Gustave. Autour du centenaire Lebesgue. Paris: Societé m athématique de France, 2004.

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26

(1990), Colloque de Cerisy. Arguments pour une méthode (autour d'Edgar Morin). Paris: Éditions du Seuil, 1990.

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27

Autour de l'approximation semi-classique. Boston: Birkhäuser, 1987.

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28

France, Société mathématique de, ed. L'ensemble de rotation autour d'un point fixe. Paris, France: Société Mathématique de France, 2013.

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29

Beller, Thomas. Seduction theory. New York: Warner Books, 1996.

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30

La lecture insistante: Autour de Jean Bollack : colloque de Cerisy. Paris: A. Michel, 2011.

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31

Gallop, Jane. The deaths of the author: Reading and writing in time. Durham, NC: Duke University Press, 2011.

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32

Beller, Thomas. Seduction theory: Stories. New York: Norton, 1995.

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33

Beller, Thomas. Seduction theory: Stories. London: Abacus, 1995.

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34

Texts: Ontological status, identity, author, audience. Albany: State University of New York Press, 1996.

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35

Soos, Frank. Unified field theory: Stories. Athens: University of Georgia Press, 1998.

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36

Theory of devolution: Poems. Urbana: University of Illinois Press, 2002.

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37

Theory of prepositions. Iowa City: La Presse ; distributed by University Presses of New England, 2006.

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38

Pensées rebelles: Autour de Rosa Luxembourg, Hannah Arendt et Françoise Collin. Montréal: Éditions du Remue-ménage, 2010.

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39

Torres, Anita. La science-fiction française: Auteurs et amateurs d'un genre littéraire. Paris: L'Harmattan, 1997.

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40

Sound and semblance: Reflections on musical representation : with a new afterword by the author. Ithaca: Cornell University Press, 1991.

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41

Netto, Eugen. Theory of substitution and its applications to algebra. rev. by the author. [Place of publication not identified]: Nabu Press, 2010.

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42

Auteur theory and My son John. 2018.

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43

Morrison, James. Auteur Theory and My Son John. Bloomsbury Publishing Inc, 2018. http://dx.doi.org/10.5040/9781501311734.

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44

Cryer, Tony. From auteur theory to analytical psychology: Meaning in Vertigo. University of North London, 1994.

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45

Auteurs and Authorship: A Film Reader. Wiley-Blackwell, 2008.

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46

Grant, Barry Keith. Auteurs and Authorship: A Film Reader. Wiley-Blackwell, 2008.

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47

Auteurs and authorship: A film reader. Malden, MA: Blackwell Pub., 2008.

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48

Politique des auteurs et theories du cinema. L'Harmattan, 2003.

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49

Authoring Hal Ashby: The myth of the new Hollywood auteur. 2016.

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50

Wright, Wexman Virginia, ed. Film and authorship. New Brunswick, N.J: Rutgers University Press, 2003.

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