Academic literature on the topic 'Auteur theory'
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Journal articles on the topic "Auteur theory"
Karatay, Ali. "CINEMA OF MIYAZAKI AND AUTEUR THEORY." Idil Journal of Art and Language 4, no. 18 (October 20, 2015): 111–22. http://dx.doi.org/10.7816/idil-04-18-06.
Full textConley, Robert. "The Auteur Theory: Tarantino’s Blood." Film Matters 5, no. 1 (March 1, 2014): 77–79. http://dx.doi.org/10.1386/fm.5.1.77_1.
Full textSilverman, Jason M. "Pseudepigraphy, Anonymity, and Auteur Theory." Religion and the Arts 15, no. 4 (2011): 520–55. http://dx.doi.org/10.1163/156852911x580810.
Full textFerrand, Nathalie. "L'abbé Prévost, auteur galant ?" Revue d'histoire littéraire de la France 113, no. 2 (2013): 279. http://dx.doi.org/10.3917/rhlf.132.0279.
Full textAndrews, David. "No Start, No End:Auteurism and the auteur theory." Film International 10, no. 6 (January 1, 2013): 37–55. http://dx.doi.org/10.1386/fiin.10.6.37_1.
Full textBorge, J. "Olympio Guilherme: Hollywood Actor, Auteur and Author." Luso-Brazilian Review 44, no. 1 (June 1, 2007): 158–76. http://dx.doi.org/10.1353/lbr.2007.0023.
Full textvon Moltke, Johannes. "KlugeTube, or Auteur Television." Germanic Review: Literature, Culture, Theory 85, no. 4 (September 30, 2010): 368–72. http://dx.doi.org/10.1080/00168890.2010.516223.
Full textSéailles, André. "Mauriac, «l'inquiétant auteur de Destins»." Cahiers de l'Association internationale des études francaises 45, no. 1 (1993): 149–62. http://dx.doi.org/10.3406/caief.1993.1813.
Full textMenne, Jeff. "The Cinema of Defection: Auteur Theory and Institutional Life." Representations 114, no. 1 (2011): 36–64. http://dx.doi.org/10.1525/rep.2011.114.1.36.
Full textHammond, Nicholas. "Pascal, auteur spirituel." French Studies 61, no. 2 (January 1, 2007): 223–24. http://dx.doi.org/10.1093/fs/knm004.
Full textDissertations / Theses on the topic "Auteur theory"
Flynn, James. "Making 10 Months: An Application of the Auteur Theory of Filmmaking." Miami University Honors Theses / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=muhonors1110914891.
Full textBlose, Chris. "Ideas in action : film theory in film criticism /." free to MU campus, to others for purchase, 2004. http://wwwlib.umi.com/cr/mo/fullcit?p1421115.
Full textRomao, Tico. "From auteur to filmmaking institution : a theory of meaning production in the Hollywood cinema." Thesis, University of East Anglia, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.327509.
Full textOliver, Stephanie. "Creating Discussion: An Auteur Analysis of Films Directed by Adrian Lyne." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc984139/.
Full textPeters, L. H. "Media practice and new approaches to mise-en-scène and 'auteur' theory in broadcast radio." Thesis, University of Salford, 2014. http://usir.salford.ac.uk/31963/.
Full textStarrs, D. Bruno. "Aural auteur : sound in the films of Rolf de Heer." Queensland University of Technology, 2009. http://eprints.qut.edu.au/29302/.
Full textTomani, Ebba. ""Jag är ju allt, egentligen." : En kritisk studie av könstillhörighetens relevans för framställningen av Mai Zetterling som auteur." Thesis, Stockholms universitet, Filmvetenskap, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-157154.
Full textSjöqvist, Karin. "Kortfilmen i filmen : En studie i Saul Bass anpassning av förtexter till det individuella verket." Thesis, Karlstad University, Faculty of Arts and Education, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-600.
Full textIn this paper, I have examined if and how Saul Bass adapts his title sequences to the respective film in the matter of genre, plot, milieu, feeling and appearance. Saul Bass was really a graphic artist who has made himself a long career in film production, foremost as a creator of title sequences. Of all the films Bass has created title sequences to, I’ve chosen six films, whose title sequences I analyse more thoroughly. I do this to point out the differences between them and thus also show how Bass adapt them to the individual work. To do this I’ve used an auteuristic perspective. The analysis I’ve made of the six films points to that Bass adapts his title sequences to the respective films. I have for instance found that certain title sequences is an integrated part of the film itself, others work as a prologue to the plot of the movie, and others present the genre, the plot or a specific theme. Most of the title sequences also introduce a fundamental feeling, that follows the viewer throughout the whole film. However, it has also come forth certain likenesses in his work, certain images and themes. Despite this, I believe that Saul Bass designs his title sequences according to the specific work and not according to his personal style.
I denna uppsats har jag undersökt om och hur Saul Bass anpassar sina förtexter till respektive film ifråga om genre, handling, miljö, känsla eller utseende. Saul Bass var i grunden en grafisk designer som har gjort sig en lång karriär inom filmproduktionen, och då främst som skapare av förtexter. Av alla filmer som Bass har gjort förtexter till har jag valt ut sex filmer, vars förtexter jag analyserar mer ingående. Detta gör jag för att belysa olikheterna dem emellan och därmed också hur Bass anpassar dem efter det individuella verket. Till detta använder jag mig av ett auteuristiskt perspektiv. De analyser jag har gjort av de sex filmerna pekar på att Bass verkligen anpassar sina förtexter till respektive film. Jag har till exempel funnit att vissa förtexter är en integrerad del av själva filmen, vissa fungerar som prologer till filmens handling och vissa presenterar genren, handlingen eller ett specifikt tema. De allra flesta av förtexterna introducerar även en grundläggande känsla, som sedan följer med åskådaren genom hela filmen. Dock har det även dykt upp vissa likheter i hans arbeten, vissa bilder och teman. Detta till trots anser jag att Saul Bass utformar sina förtexter med tanke på det specifika verket och inte med tanke på hans personliga stil.
Pourvali, Bamchade. "L'"Essai filmé" comme forme de la modernité cinématographique, 1953-1997." Thesis, Paris Est, 2014. http://www.theses.fr/2014PEST0034.
Full textIn the field of cinematic studies, modernity refers to the attempts to challenge classical modes of representations at the time of the Second World War, which take the form of a return to the documentary. This process takes two expressions: one runs through Hollywood productions, for instance the opening scene of Chaplin’s Great Dictator and the conclusion of Orson Welles’ Citizen Kane; the other is apparent in post-war Europe with Italian neorealism. In this context, film criticism defines the essay as one of the objects of modern cinema, joining ontology to language, as described in the works of Alexandre Astruc, André Bazin or Jacques Rivette. In the middle of the 1950s, modern cinema offers striking examples of these cinematographic forms with, on the one hand Alain Resnais’ Night and Fog, a film which is typical of “the French school of short films”, and on the other hand Roberto Rossellini’s Journey to Italy, which its author has described as the expression of “a refine form of neorealism”. In 1963, two French films are at once heirs to the tradition of classic American cinema and the start of a deeper reflection on the cinematographic essay, Chris Marker’s The Jetty and Jean-Luc Godard’s Contempt. By comparing the evolution of both these directors we will attempt to define the cinematographic essay as form closely linked to a certain moment in the history of cinema. Thus the essay, after producing its first major works in the 1960s will develop during the 1990s around the time of the hundredth anniversary of cinema. New stakes arise at that time to define cinematographic modernity between North and South, East and West, as cinema enters a new century
Gifford, Ben. "Reviewing the critics: Examining popular video game reviews through a comparative content analysis." Cleveland State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=csu1377089044.
Full textBooks on the topic "Auteur theory"
L' auteur au cinéma. Paris: Harmattan, 2002.
Find full text1939-, Meusy Jean Jacques, Pinel Vincent, Société des auteurs et compositeurs dramatiques (France), and Association française de recherche sur l'histoire du cinéma., eds. L' auteur du film: Description d'un combat. Arles: Actes sud, 1996.
Find full textMoninger, Markus. Filmkritik in der Krise: Die "politique des auteurs" : Überlegungen zur filmischen Rezeptions- und Wirkungsästhetik. Tübingen: G. Narr, 1992.
Find full textBernardet, Jean Claude. O autor no cinema: A política dos autores : França, Brasil anos 50 e 60. São Paulo, SP: Editora Brasiliense, 1994.
Find full text1964-, Duncan Paul, ed. François Truffaut: Auteur de films, 1932-1984. 2nd ed. Köln: Taschen, 2013.
Find full textEgyed, Emese. A látható jelentés: Színház- és filmtudományi írások. Kolozsvár: Erdélyi Múzeum-Egyesület, 2012.
Find full textCinema d'autore degli anni Sessanta. Milano: Il castoro, 2011.
Find full textUn'idea di cinema: Itinerari d'autore fra eccesso e stupore. Alessandria: Falsopiano, 2010.
Find full textL'incanto della visione: Cinema d'autore tra Jane Campion e Clint Eastwood. [Rome, Italy]: Prospettive, 2010.
Find full textMorreale, Emiliano. Cinema d'autore degli anni Sessanta. Milano: Il castoro, 2011.
Find full textBook chapters on the topic "Auteur theory"
Etherington-Wright, Christine, and Ruth Doughty. "Auteur Theory." In Understanding Film Theory, 3–20. London: Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-0-230-34392-4_2.
Full textDoughty, Ruth, and Christine Etherington-Wright. "Auteur Theory." In Understanding Film Theory, 1–22. London: Macmillan Education UK, 2017. http://dx.doi.org/10.1057/978-1-137-58796-1_1.
Full textMcIntyre, Phillip. "Film: Auteur Theory, Collaboration, Systems." In Creativity and Cultural Production, 133–47. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230358614_10.
Full textNitsche, Lutz. "Aufstieg, Fall und Rückkehr des Regisseurs. Verwandlungen der ‘auteur theory’." In Hitchcock — Greenaway — Tarantino, 13–54. Stuttgart: J.B. Metzler, 2002. http://dx.doi.org/10.1007/978-3-476-02876-1_2.
Full textLackey, Douglas. "The Auteur Theory in the Age of the Mini-Series." In The Palgrave Handbook of the Philosophy of Film and Motion Pictures, 543–49. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-19601-1_23.
Full textKluge, Alexander, and Richard Langston. "“Happy Is the Last Man Standing!” From Independent Cinema to Auteur Television and Back Again." In The Poetic Power of Theory, 231–44. Göttingen: V&R unipress, 2019. http://dx.doi.org/10.14220/9783737010399.231.
Full textPartridge, Stephen. "Introduction: Author, Reader, Book, and Medieval Authorship in Theory and Practice." In Author, Reader, Book, edited by Stephen Partridge and Erik Kwakkel, 3–19. Toronto: University of Toronto Press, 2012. http://dx.doi.org/10.3138/9781442665743-003.
Full text"Auteur Theory." In The Totality for Kids, 17. University of California Press, 2019. http://dx.doi.org/10.1525/9780520939097-010.
Full textwollen, peter. "the auteur theory." In authorship and film, 61–76. Routledge, 2013. http://dx.doi.org/10.4324/9780203698976-3.
Full text"Authorship and the auteur theory." In Film and Television Analysis, 77–96. Routledge, 2015. http://dx.doi.org/10.4324/9780203129968-9.
Full textConference papers on the topic "Auteur theory"
"Author Index." In 2010 IEEE Information Theory Workshop on Information Theory (ITW). IEEE, 2010. http://dx.doi.org/10.1109/itwksps.2010.5546211.
Full text"Author index." In 1998 Information Theory Workshop. IEEE, 1998. http://dx.doi.org/10.1109/itw.1998.706497.
Full text"Author index." In 2007 IEEE Information Theory Workshop on Information Theory for Wireless Networks. IEEE, 2007. http://dx.doi.org/10.1109/itwitwn.2007.4318073.
Full text"Author Index." In 2004 IEEE Information Theory Workshop. IEEE, 2004. http://dx.doi.org/10.1109/itw.2004.1405350.
Full text"Author List." In IEEE Information Theory Workshop, 2005. IEEE, 2005. http://dx.doi.org/10.1109/itw.2005.1531977.
Full text"Author Index." In 2007 IEEE Information Theory Workshop. IEEE, 2007. http://dx.doi.org/10.1109/itw.2007.4313154.
Full text"Author Index." In 2006 Australian Communications Theory Workshop. IEEE, 2006. http://dx.doi.org/10.1109/ausctw.2006.1625279.
Full text"Author index." In IEEE Information Theory Workshop on Theory and Practice in Information-Theoretic Security, 2005. IEEE, 2005. http://dx.doi.org/10.1109/itwtpi.2005.1543964.
Full text"Author Index." In Proceedings 2001 IEEE Information Theory Workshop. IEEE, 2001. http://dx.doi.org/10.1109/itw.2001.955171.
Full text"Author index." In Proceedings 2003 IEEE Information Theory Workshop. IEEE, 2003. http://dx.doi.org/10.1109/itw.2003.1216768.
Full textReports on the topic "Auteur theory"
Escobar Hernández, José Carlos. Working paper PUEAA No. 15. Teaching Spanish to Japanese students: The students’ profile, their needs and their learning style. Universidad Nacional Autónoma de México, Programa Universitario de Estudios sobre Asia y África, 2022. http://dx.doi.org/10.22201/pueaa.013r.2022.
Full textKost’, Stepan. THE CONCEPT OF CREATIVITY IN JOURNALISM. Ivan Franko National University of Lviv, March 2021. http://dx.doi.org/10.30970/vjo.2021.50.11092.
Full textХалік, Олена Олександрівна. Особливості образів батьківської та майбутньої сімейної системи у сучасних студентів жіночої статі та їх взаємозв’язок з рівнем перфекціонізму. Гнозис, 2015. http://dx.doi.org/10.31812/123456789/3791.
Full textBolton, Laura. Attitudes to Water Usage in Jordan. Institute of Development Studies (IDS), July 2021. http://dx.doi.org/10.19088/k4d.2021.105.
Full textOchiai, Kazuyasu. Working paper PUEAA No. 14. Evaluating long-term cultural diplomacy between Mexico and Japan: examining former participants in a governmental bilateral student exchange program. Universidad Nacional Autónoma de México, Programa Universitario de Estudios sobre Asia y África, 2022. http://dx.doi.org/10.22201/pueaa.012r.2022.
Full textZinenko, Olena. THE SPECIFICITY OF INTERACTION OF JOURNALISTS WITH THE PUBLIC IN COVERAGE OF PUBLIC EVENTS ON SOCIAL TOPICS. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11056.
Full textGaponenko, Artiom, and Vitaly Gaponenko. Site «Gaponenko Artiom Vasilievich – autobiography and results of scientific and pedagogical activity». Science and Innovation Center Publishing House, April 2021. http://dx.doi.org/10.12731/www.gaponenko.info.
Full textEser Davolio, Miryam. Research on Islamist Extremism in the Swiss Context: Assessing and Analyzing a Sensitive Phenomenon. RESOLVE Network, March 2022. http://dx.doi.org/10.37805/rve2022.1.
Full textLyzanchuk, Vasyl. COMMUNICATIVE SYNERGY OF UKRAINIAN NATIONAL VALUES IN THE CONTEXT OF THE RUSSIAN HYBRID WAR. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11077.
Full textRipey, Mariya. NUMBERS IN THE NEWS TEXT (BASED ON MATERIAL OF ONE ISSUE OF NATIONWIDE NEWSPAPER “DAY”). Ivan Franko National University of Lviv, March 2021. http://dx.doi.org/10.30970/vjo.2021.50.11106.
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