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Books on the topic 'Australian screen'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Ryan, Mark David, and Ben Goldsmith, eds. Australian Screen in the 2000s. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-48299-6.

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2

Klepac, Lou. James Gleeson: Beyond the screen of sight. Roseville, N.S.W: Beagle Press, 2004.

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3

Searle, Samantha. Queer-ing the screen: Sexuality and Australian film and television. South Melbourne, Vic: ATOM, 1997.

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4

National Library of Australia. Film and Video Lending Collection. Screen studies catalogue. Canberra, ACT: The Collection, 1992.

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5

Jones, Jill. Screens jets heaven: New and selected poems. Applecross, W.A: Salt, 2002.

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6

Eric, Myers, ed. Screen deco. New York: St. Martin's Press, 1985.

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7

Mandelbaum, Howard. Screen deco. Bromley: Columbus, 1985.

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8

Screen deco. New York: St. Martin's Press, 1987.

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9

Mandelbaum, Howard. Screen deco. Santa Monica, CA: Hennessey+Ingalls, 2000.

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10

Big screen, small screen: A practical guide to writing for film and television in Australia. St. Leonards, NSW, Australia: Allen & Unwin, 1994.

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11

McLaren, Philip. Scream black murder. Sydney, NSW: Harper Collins, 1995.

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12

Scream black murder: A WorldKrime mystery. Philadelphia: Intrigue Press, 2002.

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13

Murray, Scott. Australia on the small screen, 1970-1995: The complete guide to tele-features and mini-series. Melbourne: Oxford University Press, 1996.

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14

From Big Brother to Big Brother: Nihilism and literature in Britain, America, France and Australia in the age of screens. Bethesda: Academica Press, 2013.

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15

O'Grady, Celia. Child witnesses and jury trials: An evaluation of the use of closed circuit television and removable screens in Western Australia. [Perth, W.A.]: Ministry of Justice, 1996.

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16

Albert, Moran, and O'Regan Tom, eds. The Australian screen. Ringwood, Vic., Australia: Penguin Books, 1989.

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17

(Editor), Albert Moran, and Tom O'Regan (Editor), eds. An Australian Film Reader (Australian Screen). Currency Press, 1985.

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18

Goldsmith, Ben, and Mark David Ryan. Australian Screen in the 2000s. Palgrave Macmillan, 2019.

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19

Behrendt, Larissa. Rabbit Proof Fence (Australian Screen Classics). Currency Press Pty Ltd, 2011.

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20

Television & Radio School Australian Film (Corporate Author) and Rebecca Coyle (Editor), eds. Screen Scores: Studies in Contemporary Australian Film Music. Allen & Unwin, 1999.

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21

Rebecca, Coyle, and Australian Film, Television & Radio School., eds. Screen scores: Studies in contemporary Australian film music. Sydney: AFTRS, 1998.

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22

Parfitt-Brown, Clare. An Australian in Paris. Edited by Melissa Blanco Borelli. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199897827.013.005.

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Reviewers of Baz Luhrmann’sMoulin Rouge!(2001) often claimed to be bombarded, overloaded, or pathologically infected by the film’s rapid-fire imagery and eclectic cultural references. This chapter explores these visceral experiences of spectatorship, focusing on the film’s dance sequences. It argues that in these sequences, choreography and digital technology (including computer-generated imagery and editing) combine to allow spectators to physically experience on-screen bodies that are historically and culturally complex, distant, and “other.” Alison Landsberg’s notion of “prosthetic memory” (2004) suggests that films can physically connect spectators with pasts and memories they have not directly experienced. This chapter argues thatMoulin Rouge!achieves this physical connection by tapping into, and updating, a bohemian tradition of cross-cultural and transhistorical self-performance.

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23

Searle, Samantha. Queer-Ing the Screen: Sexuality and Australian Film and Television (The Moving Images). Samuel French, 1998.

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24

Maher, Sean. The Internationalisation of Australian Film and Television Through the 1990s (Screen Industry, Culture and Policy Research). Australian Film Commission, 2004.

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25

Conterio, Martyn. Mad Max. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781911325864.001.0001.

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Mad Max (1979) is a freak picture. Too classy and well-crafted to be lumped in with low-budget Ozploitation titles, yet completely unlike other films made during the 1970s Australian New Wave, George Miller's directorial debut is a singular piece of action cinema, one that had a major cultural impact and spawned a movie icon in Max Rockatansky (played by Mel Gibson). This monograph examines the film's considerable formal qualities in detail, including Miller's theory of cinema as “visual rock 'n' roll” and his marriage of classical Hollywood editing and Soviet-style montage. George Miller is arguably the single most important filmmaker in Australia's history, bringing a commercial and artistic vision to the screen few of his compatriots have ever managed before or since. Taking in everything from the film's extremely controversial critical reception to its legacy today via a string of sequels and the creation of an entire subgenre—postapocalyptic action—this book is for film students and fans alike.

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26

Shimmering Screens: Making Media in an Aboriginal Community (Visible Evidence). Univ Of Minnesota Press, 2006.

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27

Shimmering Screens: Making Media in an Aboriginal Community (Visible Evidence). Univ Of Minnesota Press, 2006.

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28

Drouyn, Coral. Big Screen, Small Screen: A Practical Guide to Writing for Flim and Television in Australia. Taylor & Francis Group, 2020.

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29

Drouyn, Coral. Big Screen, Small Screen: A Practical Guide to Writing for Flim and Television in Australia. Taylor & Francis Group, 2020.

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30

Drouyn, Coral. Big Screen, Small Screen: A Practical Guide to Writing for Flim and Television in Australia. Taylor & Francis Group, 2020.

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31

Drouyn, Coral. Big Screen, Small Screen: A Practical Guide to Writing for Flim and Television in Australia. Taylor & Francis Group, 2020.

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32

Aboriginal Screen Printed Textiles from Australia?s Top End. University of California Los Angeles, Fowler Museum of Cultural History, 2020.

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33

Lure of the Big Screen: Cinema in Rural Australia and the United Kingdom. Intellect, Limited, 2015.

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34

Murray, Scott. Australia on the Small Screen, 1970-1995: The Complete Guide to Tele-Features and Mini-Series. Oxford University Press, USA, 1997.

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35

Kaplan, Gisela. Tawny Frogmouth. CSIRO Publishing, 2007. http://dx.doi.org/10.1071/9780643095090.

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The tawny frogmouth is both intriguing and endearing. In this new book, well-known author Gisela Kaplan presents us with an easy-to-read account of these unique nocturnal birds of the Australian bush. This detailed account of life, behaviour and biology of tawny frogmouths is based on the most comprehensive single study ever conducted on tawny frogmouths, including wild and hand-raised birds. It combines ten years of systematic observation with published research to take us across a surprising range of characteristics and special features of this unusual bird. This book also notes insights derived from specific regional bird fauna surveys across Australia. We are shown this captivating Australian species in completely new and even unexpected ways. We learn that tawny frogmouths are very affectionate, have close bonds with lifelong partners, scream like prowling tomcats when distressed, fight with lightning speed and defend nest sites from reptilian predators by mobbing and spraying pungent faeces at these dangerous opponents. Uncompromising male fights are contrasted with a touching gentleness of males as fathers. We also learn how resilient and unusual tawny frogmouths are in the way they cope with heat and cold, sit out danger, do without drinking for most of their lives, and can use a large variety of food items. The developmental stages of nestlings and juveniles are illustrated with a number of stunning visual images accompanying the text, most of which have never before been described or seen.

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36

Grant, Noble, and Australia. Office of Road Safety., eds. Portrayals of driving and alcohol in popular television programmes screened in Australia. Canberra: Federal Office of Road Safety, 1990.

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37

Aveyard, Karina. “Our Place”. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039683.003.0018.

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This chapter examines the role of film and cinema as a force in women's lives by focusing on women as cinema audiences. More specifically, it considers the experiences of a modern-day group of women who patronize and actively support the First Avenue Cinema, a 1950s single-screen film theater located in the coastal town of Sawtell in New South Wales, Australia. The chapter first provides a brief background on the geographic and economic contours of Sawtell before turning to First Avenue Cinema and its women audiences, paying attention to how it positions itself as a social space that local women want to inhabit. It also discusses the practices of a “social audience” and describes cinema-going as an act of sociocultural participation. The chapter concludes with a look at the efforts and activism of a particular group of local residents (almost all women) who rallied together in 2009 in an effort to help save the cinema from permanent closure—a response that offers important insights into into the everyday significance of filmgoing for rural women.

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38

Inc, ICON Group International. The 2000 Import and Export Market for Iron, Steel and Copper Nails, Screws, Nuts, and Bolts in Australia. Icon Group International, 2001.

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39

Short History of Stupid: The Decline of Reason and Why Public Debate Makes Us Want to Scream. Allen & Unwin, 2016.

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40

Kaplan, Gisela. Tawny Frogmouth. CSIRO Publishing, 2018. http://dx.doi.org/10.1071/9781486308170.

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The tawny frogmouth is one of Australia’s most intriguing and endearing birds. Written by award-winning author Gisela Kaplan, one of Australia’s leading authorities on animal behaviour and native birds, this second edition of Tawny Frogmouth presents an easy-to-read account of these unique nocturnal birds, which can be found across almost the entire continent. Fully revised and updated throughout, this book combines 20 years of systematic observation with published research and information from regional surveys, and represents the most comprehensive single study ever conducted on tawny frogmouths. We learn that tawny frogmouths are very affectionate, have close bonds with lifelong partners, scream like prowling tomcats when distressed, fight with lightning speed and defend nest sites from reptilian predators by mobbing and spraying pungent faeces at them. Uncompromising male fights are contrasted with the touching gentleness of males as fathers. We also learn how resilient and unusual tawny frogmouths are in the way they cope with heat and cold and scarcity of water, sit out danger, and use a large variety of food items. This fascinating book has a wide appeal to bird lovers, amateur ornithologists and naturalists, as well as those with a scientific or professional interest in native birds, their communication, emotions and skills.

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