Relevant bibliographies by topics / Australian screen

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Australian screen'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Australian screen"

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Bahfen, Nasya. "1950s vibe, 21st century audience: Australia’s dearth of on-screen diversity." Pacific Journalism Review : Te Koakoa 25, no. 1&2 (July 31, 2019): 29–38. http://dx.doi.org/10.24135/pjr.v25i1and2.479.

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The difference between how multicultural Australia is ‘in real life’ and ‘in broadcasting’ can be seen through data from the Census, and from Screen Australia’s most recent research into on screen diversity. In 2016, these sources of data coincided with the Census, which takes place every five years. Conducted by the Australian Bureau of Statistics, this presents a ‘snapshot’ of Australian life. From the newest Census figures in 2016, it appears that nearly half of the population in Australia (49 percent) had either been born overseas (identifying as first generation Australian) or had one or both parents born overseas (identifying as second generation Australian). Nearly a third, or 32 percent, of Australians identified as having come from non-Anglo Celtic backgrounds, and 2.8 percent of Australians identify as Indigenous (Aboriginal or Torres Strait Islander). Nearly a fifth, or 18 percent, of Australians identify as having a disability. Screen Australia is the government agency that oversees film and TV funding and research. Conducted in 2016, Screen Australia’s study looked at 199 television dramas (fiction, excluding animation) that aired between 2011 and 2015. The comparison between these two sources of data reveals that with one exception, there is a marked disparity between diversity as depicted in the lived experiences of Australians and recorded by the Census, and diversity as depicted on screen and recorded by the Screen Australia survey.
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Ryan, Mark David, and Ben Goldsmith. "Reviewing Australian screen history." Studies in Australasian Cinema 10, no. 2 (May 3, 2016): 179–83. http://dx.doi.org/10.1080/17503175.2016.1175048.

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Laughren, Pat. "Debating Australian Documentary Production Policy: Some Practitioner Perspectives." Media International Australia 129, no. 1 (November 2008): 116–28. http://dx.doi.org/10.1177/1329878x0812900112.

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On 1 July 2008, Screen Australia commenced operation as the main Australian government agency supporting the screen production industry. This article considers some of the policy issues and challenges identified by the ‘community of practitioners’ as facing Australian documentary production at the time of the formation of that ‘super-agency’ from the merger of its three predecessor organisations — the Australian Film Commission, the Film Finance Corporation and Film Australia. The article proceeds by sketching the history of documentary production in Australia and identifying the bases of its financial and regulatory supports. It also surveys recent debate in the documentary sector and attempts to contextualise the themes of those discussions within the history of the Australian documentary.
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McKie, David, R. J. Thompson, and Sue Turnbull. "Australian screen comedy: An overview." Continuum 10, no. 2 (January 1996): 7–10. http://dx.doi.org/10.1080/10304319609365736.

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Dezuanni, Michael, Stuart Cunningham, Ben Goldsmith, and Prue Miles. "Teachers’ curation of Australian screen content for school-based education." Media International Australia 163, no. 1 (March 8, 2017): 87–96. http://dx.doi.org/10.1177/1329878x17693701.

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This article outlines how teachers curate Australian screen content for use in classrooms from pre-school to senior secondary school. It suggests teachers use their professional knowledge of curriculum and pedagogy to arrange screen resources, curriculum concepts and student experiences to promote learning. This complex curatorial process adds value to broadcaster and producer curation processes that aim to position cut-down clips and educational resources for classroom use. The article draws on a national research project that undertook interviews with 150 teachers in schools across Australia. The authors suggest the ongoing digital disruption of the school sector presents both opportunities and challenges for the Australian Broadcasting Corporation, The Special Broadcasting Service and the Australian Children’s Television Foundation.
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Auld, Glenn. "What Can We Say about 112,000 Taps on a Ndjebbana Touch Screen?" Australian Journal of Indigenous Education 30, no. 1 (2002): 1–7. http://dx.doi.org/10.1017/s1326011100001678.

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AbstractThis paper reports on the use of touch screens to display simple talking books in a minority Indigenous Australian language. Three touch screens are located in an informal context in a remote Indigenous Australian community. The popularity of the computers can be explained by the form of the touch screen and by the intertextual and hybrid nature of the talking books. The results suggest the Kunibídji choose to transform their own culture by including new digital technologies which represent their social practice.
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Lipton, Martina. "Jessie Matthews’ Construction of a Star Persona on her Post-war Australian Tours." New Theatre Quarterly 31, no. 2 (April 28, 2015): 116–28. http://dx.doi.org/10.1017/s0266464x15000238.

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Jessie Matthews’ post-war tours to Australia were part of a sequence of commercially successful imported productions then heralded as a great boom era in Australian theatre. However, Matthews’ waning popularity in Britain since the 1940s meant that she was no longer recognizable as the screen darling of the 1930s. Indeed, the Australian press had to remind its readers of ‘evergreen Jessie’s’ succession of British film hits such as The Good Companions (1933) and Evergreen (1934). This article examines the critical and public reception of Matthews’ tours with a focus on the strategic management of her star persona, both on and off stage, including her public criticism of Australian theatre management and employment opportunities for Australian theatre performers. Martina Lipton is an Honorary Associate Lecturer at the University of Queensland and was recently the Research Fellow (Australia) on the Leverhulme Research Project ‘British-Australian Cultural Exchange: Live Performance 1880–1960’. Her publications include the chapter ‘Localism and British Modern Pantomime’ in A World of Popular Entertainments (Cambridge Scholars Publishing, 2012) and articles for Australasian Drama Studies, Contemporary Theatre Review, New Theatre Quarterly, and Popular Entertainment Studies.
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Ryan, Mark David. "Australian screen studies: pedagogical uses of Australian content in tertiary education." Studies in Australasian Cinema 12, no. 1 (January 2, 2018): 70–84. http://dx.doi.org/10.1080/17503175.2018.1427829.

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Gottschall, Kristina. "Australian Screen Classics: Jedda, Jane Mills (2012)." Studies in Australasian Cinema 7, no. 1 (January 2013): 87–90. http://dx.doi.org/10.1386/sac.7.1.87_5.

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Kooyman, Ben. "Book Review: Wolf Creek (Australian Screen Classics)." Media International Australia 152, no. 1 (August 2014): 192–93. http://dx.doi.org/10.1177/1329878x1415200128.

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Dissertations / Theses on the topic "Australian screen"

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Siracusa, Ettore, and ettore siracusa@deakin edu au. "The Cliched gaze of the migrant on the Australian screen." Deakin University. School of Visual, Performing, and Media Arts, 1993. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20070329.140940.

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The thesis takes up the question of the representation of the migrant on the Australian screen in terms of a specific set of concerns around the notions of stereotype and self-reflexivity. The stereotype is read as a self-referential image: hence, as a question of film spectatorship and identity; in short as an unconscious reflex or self image. The text of the thesis is in two parts: part one, comprises the production of the film ‘Italians at home’. It is the major component of research and text which, for this purpose, has been copied and submitted hereto on VHS video cassette. Part two, includes an analysis and discussion of the television documentary ‘The migrant experience’, and an exegesis, of the production, narrative and reception of the film ‘Italians at home’. The migrant experience is read and discussed as an exemplary text of dominant, stereotyped discourse of cultural difference; while ‘Italians at home’ is proposed as a parallel text and a self-reflexive reading and criticism of such a text. Both the television documentary and the film, deal with the representation and problematic of homogenised representations of ethnicity. In the case of ‘The migrant experience’, it is argued, that the figure of the migrant as other and self-image, functions as an object of Australian culture and discourse of national identity within a logic of representation of binary structures; while the film ‘Italians at home’, the question of self-referentiality is seen in terms of the viewing subject and a problematic of film representation; thus, the film attempts to make such signifying structures, visual codes and agreed assumptions of otherness visible, while, at the same time, attempting to displace them or pose them as a problem of representation or reading for the viewer.
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Taylor, Cory Jane. "What happens next? " Telling " the Japanese in contemporary Australian screen stories." Queensland University of Technology, 2006. http://eprints.qut.edu.au/16253/.

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This study investigates the challenges facing screenwriters in Australia who set out to represent the Japanese on screen. The study is presented in two parts; an exegesis and a creative practice component consisting of two full length feature film screenplays. The exegesis explores how certain screenwriting conventions have constrained recent screen images of the Japanese within the bounds of the cliched and stereotypical, and argues for a greater resistance to these conventions in the future. The two screenplays experiment with new ways of representing the Japanese in mainstream Australian film and aim to expand the repertoire of Asian images in the national film culture.
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Henderson, Brent. "A multivariate exploration of the South Australian prenatal Down's syndrome screen /." Title page, contents and abstract only, 1998. http://web4.library.adelaide.edu.au/theses/09PH/09phh4958.pdf.

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Smith, Lesley A. "Aboriginal textile art : Ernabella batiks and the screen printed fabrics of Tiwi design /." Title page, table of contents and abstract only, 2003. http://web4.library.adelaide.edu.au/theses/09ARAH.M/09arah.ms6421.pdf.

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Catling, Aaron. "The Ending Needs Work AKA the Good, the Bad and the Ugly of being an independent filmmaker in Australia." Queensland University of Technology, 2005. http://eprints.qut.edu.au/16091/.

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Over the period of candidature, write and direct a feature film to completion. Furthermore, undertake a thorough reflective phase which involves the analysis of each aspect relating to those key components, writing and directing. Through this form of creative practice and utilising state of the art digital filmmaking techniques it is hoped that an addition to knowledge will be achieved.
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Books on the topic "Australian screen"

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Ryan, Mark David, and Ben Goldsmith, eds. Australian Screen in the 2000s. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-48299-6.

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Klepac, Lou. James Gleeson: Beyond the screen of sight. Roseville, N.S.W: Beagle Press, 2004.

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Searle, Samantha. Queer-ing the screen: Sexuality and Australian film and television. South Melbourne, Vic: ATOM, 1997.

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National Library of Australia. Film and Video Lending Collection. Screen studies catalogue. Canberra, ACT: The Collection, 1992.

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Jones, Jill. Screens jets heaven: New and selected poems. Applecross, W.A: Salt, 2002.

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Eric, Myers, ed. Screen deco. New York: St. Martin's Press, 1985.

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Mandelbaum, Howard. Screen deco. Bromley: Columbus, 1985.

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Screen deco. New York: St. Martin's Press, 1987.

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Mandelbaum, Howard. Screen deco. Santa Monica, CA: Hennessey+Ingalls, 2000.

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Big screen, small screen: A practical guide to writing for film and television in Australia. St. Leonards, NSW, Australia: Allen & Unwin, 1994.

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Book chapters on the topic "Australian screen"

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Goldsmith, Ben. "UnAustralians: Australian Characters in Non-Australian Films." In Australian Screen in the 2000s, 77–98. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-48299-6_4.

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Ryan, Mark David. "Australian Blockbuster Movies." In Australian Screen in the 2000s, 51–76. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-48299-6_3.

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Attfield, Sarah. "Race and Class in Australian Indigenous Film." In Class on Screen, 167–93. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-45901-7_6.

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Wilcox, Felicity. "Composing Women of Australian Television." In Women's Music for the Screen, 192–211. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429264924-16.

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Danks, Adrian. "Picking Up the Pieces: Contemporary Australian Cinema and the Representation of Australian Film History." In Australian Screen in the 2000s, 23–47. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-48299-6_2.

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Ryan, Mark David, and Ben Goldsmith. "Australian Screen in the 2000s: An Introduction." In Australian Screen in the 2000s, 1–21. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-48299-6_1.

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Barnes, Anne. "Administering Sonic Shock in Samson and Delilah." In Australian Screen in the 2000s, 207–28. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-48299-6_10.

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Davis, Therese. "Australian Indigenous Screen in the 2000s: Crossing into the Mainstream." In Australian Screen in the 2000s, 231–59. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-48299-6_11.

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Henry, Claire. "Carving Out an Australian Sensory Cinema." In Australian Screen in the 2000s, 261–83. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-48299-6_12.

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Gaunson, Stephen. "White Male History: The Genre and Gender of The Proposition." In Australian Screen in the 2000s, 285–99. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-48299-6_13.

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Conference papers on the topic "Australian screen"

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Favilla, Stu, and Sonja Pedell. "Touch screen ensemble music." In the 25th Australian Computer-Human Interaction Conference. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2541016.2541088.

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Hinze, Annika, Doris Jung, and Lakshmi Muthaiah. "Realistic books for small-screen devices." In the 25th Australian Computer-Human Interaction Conference. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2541016.2541028.

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Wang, You, Zhihao Zhao, Danni Wang, Guihuan Feng, and Bin Luo. "How screen size influences Chinese readability." In the 25th Australian Computer-Human Interaction Conference. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2541016.2541087.

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Ishii, Akira, and Buntarou Shizuki. "Exploring callout design in selection task for ultra-small touch screen devices." In the 28th Australian Conference. New York, New York, USA: ACM Press, 2016. http://dx.doi.org/10.1145/3010915.3010922.

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Sunnari, Meiju, Leena Arhippainen, Minna Pakanen, and Seamus Hickey. "Studying user experiences of autostereoscopic 3D menu on touch screen mobile device." In the 24th Australian Computer-Human Interaction Conference. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2414536.2414622.

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Wilksch, Philip, and Farhad Forouzandeh. "Hartmann screen test for measurement of stress during thin film deposition." In 2006 Australian Conference on Optical Fibre Technology (ACOFT). IEEE, 2006. http://dx.doi.org/10.1109/acoft.2006.4519323.

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Maity, Ranjan, Avinash Uttav, Gourav Verma, and Samit Bhattacharya. "A Non-Linear Regression Model to Predict Aesthetic Ratings of On-Screen Images." In OzCHI '15: The Annual Meeting of the Australian Special Interest Group for Computer Human Interaction. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2838739.2838743.

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Sriram, Vinay, and David Kearney. "A Parallel Area Efficient Kolmogorov Phase Screen Generator Suitable for FPGA Implementation." In 9th Biennial Conference of the Australian Pattern Recognition Society on Digital Image Computing Techniques and Applications (DICTA 2007). IEEE, 2007. http://dx.doi.org/10.1109/dicta.2007.4426842.

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"Delivering Drama for Extreme Screen." In SMPTE Australia Conference. IEEE, 2015. http://dx.doi.org/10.5594/m001745.

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Scott, Brian. "The Market Place for HDTV and Wide Screen Product." In SMPTE Australia Conference. IEEE, 1994. http://dx.doi.org/10.5594/m001158.

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Reports on the topic "Australian screen"

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The Australian National University Dept Of Immunology Pathogen Box Compounds Screened. EMBL-EBI, May 2018. http://dx.doi.org/10.6019/chembl3987221.

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