Journal articles on the topic 'Australian painting'
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Geissler, Marie. "Indigenous Agency in Australian Bark Painting." Arts 11, no. 5 (September 7, 2022): 84. http://dx.doi.org/10.3390/arts11050084.
Full textZhang, Chunyan. "Primeval Wilderness as Consolation in Hans Heysen’s Painting." Advances in Social Sciences Research Journal 10, no. 11 (November 5, 2023): 76–85. http://dx.doi.org/10.14738/assrj.1011.15802.
Full textDiprose, Rosalyn. "The Art of Dreaming: Merleau-Ponty and Petyarre on Flesh Expressing a World." Cultural Studies Review 12, no. 1 (August 5, 2013): 32–43. http://dx.doi.org/10.5130/csr.v12i1.3411.
Full textMason, Matthew J. "Out of the Outback, into the Art World: Dotting in Australian Aboriginal Art and the Navigation of Globalization." ARTMargins 11, no. 3 (October 1, 2022): 67–88. http://dx.doi.org/10.1162/artm_a_00326.
Full textZhang, Chunyan. "“Civilizing Nature” in Australian Painting." Advances in Social Sciences Research Journal 9, no. 12 (December 23, 2022): 328–38. http://dx.doi.org/10.14738/assrj.912.13639.
Full textGillam, Barbara J. "Figure-Ground and Occlusion Depiction in Early Australian Aboriginal Bark Paintings." Leonardo 50, no. 3 (June 2017): 255–67. http://dx.doi.org/10.1162/leon_a_01423.
Full textTran, Ngoc Cao Boi. "RESEARCH ON THE ORIGINAL IDENTITIES OF SOME TRADITIONAL PAINTINGS AND ROCK ENGRAVINGS OF AUSTRALIAN ABORIGINAL COMMUNITIES." Science and Technology Development Journal 13, no. 3 (September 30, 2010): 43–57. http://dx.doi.org/10.32508/stdj.v13i3.2160.
Full textHackforth-Jones, Jocelyn. "The colonial image: Australian painting 1800–1880." Journal of Historical Geography 16, no. 2 (April 1990): 272–73. http://dx.doi.org/10.1016/0305-7488(90)90122-r.
Full textAckland, Michael. "Australian Fiction and the Lure of Painting." Le Simplegadi 21, no. 23 (2023): 37–50. http://dx.doi.org/10.17456/simple-210.
Full textWILLIS, R. J. "The earliest known Australian bird painting: a Rainbow Lorikeet, Trichoglossus haematodus moluccanus (Gmelin) by Moses Griffith, painted in 1772." Archives of Natural History 15, no. 3 (October 1988): 323–29. http://dx.doi.org/10.3366/anh.1988.15.3.323.
Full textAllen, Louis A. "The Artists and Their Work." Aboriginal Child at School 14, no. 4 (September 1986): 54–59. http://dx.doi.org/10.1017/s0310582200014553.
Full textTaylor, Ken. "A Symbolic Australian Landscape: Images in Writing and Painting." Landscape Journal 11, no. 2 (1992): 127–43. http://dx.doi.org/10.3368/lj.11.2.127.
Full textGeorge, Alison. "Australian rock painting is at least 17,000 years old." New Scientist 249, no. 3323 (February 2021): 14. http://dx.doi.org/10.1016/s0262-4079(21)00309-2.
Full textKaplan, Robert M. "The first Australian painting of schizophrenia by Ivor Francis." Australasian Psychiatry 22, no. 3 (June 2014): 300–303. http://dx.doi.org/10.1177/1039856214531631.
Full textGeissler, Marie. "Contemporary Indigenous Australian Art and Native Title Land Claim." Arts 10, no. 2 (May 11, 2021): 32. http://dx.doi.org/10.3390/arts10020032.
Full textMcKay, Judith. "Ellis Rowan: Flower-hunting in the Tropics." Queensland Review 10, no. 2 (November 2003): 89–97. http://dx.doi.org/10.1017/s1321816600003354.
Full textZhang, Chunyan. "The Theme of “Progress” in Australian and Chinese Cultures." Asian Culture and History 12, no. 1 (April 8, 2020): 35. http://dx.doi.org/10.5539/ach.v12n1p35.
Full textGeissler, Marie. "Cultural Tourism: Imagery of Arnhem Land Bark Paintings Informs Australian Messaging to the Post-War USA." Arts 8, no. 2 (May 20, 2019): 66. http://dx.doi.org/10.3390/arts8020066.
Full textMyers, Fred. "Emplacement and Displacement: Perceiving the Landscape Through Aboriginal Australian Acrylic Painting." Ethnos 78, no. 4 (December 2013): 435–63. http://dx.doi.org/10.1080/00141844.2012.726635.
Full textDeans, Jan, and Robert Brown. "Coming Closer: Sharing Australian Aboriginal Stories through Drawing, Painting and Words." International Journal of Diversity in Organizations, Communities, and Nations: Annual Review 4, no. 1 (2006): 0. http://dx.doi.org/10.18848/1447-9532/cgp/v04/39524.
Full textRice, J. C. "Garnett Passe and the tonsillectomy gag." Journal of Laryngology & Otology 130, no. 4 (January 19, 2016): 329–31. http://dx.doi.org/10.1017/s0022215116000074.
Full textQuijano Martínez, Jenny Beatriz. "Hugh Ramsay’s Self-Portrait: Re ections on a Spanish Master Painter." Boletín de Arte, no. 36 (October 30, 2017): 155–63. http://dx.doi.org/10.24310/bolarte.2015.v0i36.3328.
Full textHutchison, Margaret. "Dominion Imaginings: Commemorating WWI in Australian, Canadian and New Zealand Official Painting." Journal of Australian Studies 44, no. 4 (October 1, 2020): 515–34. http://dx.doi.org/10.1080/14443058.2020.1837916.
Full textTavendale, Olwyn. "Painting Country: Spatial, Somatic and Linguistic Experience in Central Australian Aboriginal Art." Oceania 89, no. 1 (March 2019): 104–23. http://dx.doi.org/10.1002/ocea.5212.
Full textArya, Rina. "The Influence of Roy de Maistre on Francis Bacon." Religion and the Arts 21, no. 5 (2017): 607–22. http://dx.doi.org/10.1163/15685292-02105001.
Full textAlcock, Sharon. "Painting Country: Australian Aboriginal artists’ approach to traditional materials in a modern context." AICCM Bulletin 34, no. 1 (December 2013): 66–74. http://dx.doi.org/10.1179/bac.2013.34.1.008.
Full textAlcock, Sharon. "Painting Country: Australian Aboriginal artists’ approach to traditional materials in a modern context." AICCM Bulletin 34, no. 1 (December 2014): 66–74. http://dx.doi.org/10.1179/bac.2014.34.1.008.
Full textThomas, P. S., B. H. Stuart, N. McGowan, J. P. Guerbois, M. Berkahn, and V. Daniel. "A study of ochres from an Australian aboriginal bark painting using thermal methods." Journal of Thermal Analysis and Calorimetry 104, no. 2 (February 15, 2011): 507–13. http://dx.doi.org/10.1007/s10973-011-1336-9.
Full textRoyo-Grasa, Pilar. "Painting the Australian Landscape with a South-Asian Brush: An Interview with Roanna Gonsalves." Le Simplegadi, no. 18 (November 2018): 283–93. http://dx.doi.org/10.17456/simple-119.
Full textHassan, Ihab. "Painting a Continent – or Nothing: A Personal Essay on a Theme In Contemporary Australian Art." Religion and the Arts 8, no. 2 (2004): 159–73. http://dx.doi.org/10.1163/1568529042791263.
Full textGreenwell, C., D. Sullivan, N. Goddard, Bedford Bedford, and T. Douglas. "Application of a novel banding technique and photographic recapture to describe plumage development and behaviour of juvenile Fairy Terns." Australian Field Ornithology 38 (2021): 49–55. http://dx.doi.org/10.20938/afo38049055.
Full textMa, Junqian. "Cooperative Activity as Mediation in the Social Adjustment of Chinese International Students." Journal of International Students 7, no. 3 (July 1, 2018): 856–75. http://dx.doi.org/10.32674/jis.v7i3.305.
Full textde Bruyn, Dirk. "Paul Winkler: Migrating from analogue to digital practice." Animation Practice, Process & Production 8, no. 1 (December 1, 2019): 107–22. http://dx.doi.org/10.1386/ap3_00007_1.
Full textMclean, Ian. "Global Indigeneity and Australian Desert Painting: Eric Michaels, Marshall McLuhan, Paul Ricoeur and the End of Incommensurability." Australian and New Zealand Journal of Art 3, no. 2 (January 2002): 33–53. http://dx.doi.org/10.1080/14434318.2002.11432716.
Full textDunlop, Richard. "Images 2: Contemporary Australian Painting, N. Drury, ed., Craftsman House, 1994, $120.00. - Fairweather, Murray Bail, Craftsman House, 1994, $60.00." Queensland Review 2, no. 2 (September 1995): 86–87. http://dx.doi.org/10.1017/s1321816600000945.
Full textImran, Saqib, Rizwan Ali Naqvi, Muhammad Sajid, Tauqeer Safdar Malik, Saif Ullah, Syed Atif Moqurrab, and Dong Keon Yon. "Artistic Style Recognition: Combining Deep and Shallow Neural Networks for Painting Classification." Mathematics 11, no. 22 (November 7, 2023): 4564. http://dx.doi.org/10.3390/math11224564.
Full textLovell, Sue. "‘The trees and grass and river and myself’: Vida Lahey and Madge Roe as cultural subjects." Queensland Review 23, no. 1 (May 31, 2016): 49–61. http://dx.doi.org/10.1017/qre.2016.6.
Full textTrinh, Huong Thu. "Ned Kelly’s legend through the series of paintings of Sidney Nolan." Science & Technology Development Journal - Social Sciences & Humanities 1, no. X1 (June 30, 2017): 29–42. http://dx.doi.org/10.32508/stdjssh.v1ix1.429.
Full textRajkowski, Raymonda, Nicole Andrea Tse, and Beckett Rozentals. "Interviewing artists exhibited in The Field (1968): The use of acrylic paints in a seminal exhibition of Australian colour field painting." Studies in Conservation 61, sup2 (June 2016): 321–23. http://dx.doi.org/10.1080/00393630.2016.1190907.
Full textSHEA, GLENN M., and JODI J. L. ROWLEY. "Resolution of the types and type localities of some early nominal species of the Australian myobatrachid frog genus Pseudophryne Fitzinger, 1843." Zootaxa 4407, no. 1 (April 9, 2018): 51. http://dx.doi.org/10.11646/zootaxa.4407.1.3.
Full textBabaev, Kirill V. "From the Stone Age to Post-Vanguard: On the Transformation of Aboriginal Australian Painting in the Late 20th and Early 21st Century." Actual Problems of Theory and History of Art 12 (2022): 554–62. http://dx.doi.org/10.18688/aa2212-05-43.
Full textWolny, Ryszard W. "Andrew Taylor: Australia’s Poet of the (Extra)Ordinary." European Journal of Language and Literature 5, no. 3 (September 25, 2019): 7. http://dx.doi.org/10.26417/ejls.v5i3.p7-10.
Full textPerry, Barbara. "The Pictorial Collection of the National Library of Australia." Art Libraries Journal 13, no. 1 (1988): 23–25. http://dx.doi.org/10.1017/s0307472200005526.
Full textAires Franceschini, Marcele. "Idyllic Self in Africa (2000), by Ken Taylor and in Boy (2010), by Taika Waititi: a literary-cinematographic dialogue." Acta Scientiarum. Language and Culture 41, no. 2 (October 1, 2019): e45306. http://dx.doi.org/10.4025/actascilangcult.v41i2.45306.
Full textFlood, Josephine. "Culture in Early Aboriginal Australia." Cambridge Archaeological Journal 6, no. 1 (April 1996): 3–36. http://dx.doi.org/10.1017/s095977430000158x.
Full textRosenfeld, A., and M. A. Smith. "Rock-Art and the History of Puritjarra Rock Shelter, Cleland Hills, Central Australia." Proceedings of the Prehistoric Society 68 (2002): 103–24. http://dx.doi.org/10.1017/s0079497x00001468.
Full textGreenop, Kathryn R., Susan Peters, Lin Fritschi, Deborah C. Glass, Lesley J. Ashton, Helen D. Bailey, Rodney J. Scott, et al. "Exposure to household painting and floor treatments, and parental occupational paint exposure and risk of childhood brain tumors: results from an Australian case–control study." Cancer Causes & Control 25, no. 3 (December 12, 2013): 283–91. http://dx.doi.org/10.1007/s10552-013-0330-x.
Full textLandsberg, Hannelore, and Marie Landsberg. "Wilhelm von Blandowski's inheritance in Berlin." Proceedings of the Royal Society of Victoria 121, no. 1 (2009): 172. http://dx.doi.org/10.1071/rs09172.
Full textCastillo, Greg. "Spinifex People as Cold War Moderns." Contemporaneity: Historical Presence in Visual Culture 4 (August 3, 2015): 71–94. http://dx.doi.org/10.5195/contemp.2015.144.
Full textGreenop, Kathryn R., Susan Peters, Lin Fritschi, Deborah C. Glass, Lesley J. Ashton, Helen D. Bailey, Rodney J. Scott, et al. "Erratum to: Exposure to household painting and floor treatments, and parental occupational paint exposure and risk of childhood brain tumors: results from an Australian case–control study." Cancer Causes & Control 25, no. 9 (June 20, 2014): 1241–42. http://dx.doi.org/10.1007/s10552-014-0419-x.
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