Academic literature on the topic 'Australian painting'
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Journal articles on the topic "Australian painting"
Geissler, Marie. "Indigenous Agency in Australian Bark Painting." Arts 11, no. 5 (September 7, 2022): 84. http://dx.doi.org/10.3390/arts11050084.
Full textZhang, Chunyan. "Primeval Wilderness as Consolation in Hans Heysen’s Painting." Advances in Social Sciences Research Journal 10, no. 11 (November 5, 2023): 76–85. http://dx.doi.org/10.14738/assrj.1011.15802.
Full textDiprose, Rosalyn. "The Art of Dreaming: Merleau-Ponty and Petyarre on Flesh Expressing a World." Cultural Studies Review 12, no. 1 (August 5, 2013): 32–43. http://dx.doi.org/10.5130/csr.v12i1.3411.
Full textMason, Matthew J. "Out of the Outback, into the Art World: Dotting in Australian Aboriginal Art and the Navigation of Globalization." ARTMargins 11, no. 3 (October 1, 2022): 67–88. http://dx.doi.org/10.1162/artm_a_00326.
Full textZhang, Chunyan. "“Civilizing Nature” in Australian Painting." Advances in Social Sciences Research Journal 9, no. 12 (December 23, 2022): 328–38. http://dx.doi.org/10.14738/assrj.912.13639.
Full textGillam, Barbara J. "Figure-Ground and Occlusion Depiction in Early Australian Aboriginal Bark Paintings." Leonardo 50, no. 3 (June 2017): 255–67. http://dx.doi.org/10.1162/leon_a_01423.
Full textTran, Ngoc Cao Boi. "RESEARCH ON THE ORIGINAL IDENTITIES OF SOME TRADITIONAL PAINTINGS AND ROCK ENGRAVINGS OF AUSTRALIAN ABORIGINAL COMMUNITIES." Science and Technology Development Journal 13, no. 3 (September 30, 2010): 43–57. http://dx.doi.org/10.32508/stdj.v13i3.2160.
Full textHackforth-Jones, Jocelyn. "The colonial image: Australian painting 1800–1880." Journal of Historical Geography 16, no. 2 (April 1990): 272–73. http://dx.doi.org/10.1016/0305-7488(90)90122-r.
Full textAckland, Michael. "Australian Fiction and the Lure of Painting." Le Simplegadi 21, no. 23 (2023): 37–50. http://dx.doi.org/10.17456/simple-210.
Full textWILLIS, R. J. "The earliest known Australian bird painting: a Rainbow Lorikeet, Trichoglossus haematodus moluccanus (Gmelin) by Moses Griffith, painted in 1772." Archives of Natural History 15, no. 3 (October 1988): 323–29. http://dx.doi.org/10.3366/anh.1988.15.3.323.
Full textDissertations / Theses on the topic "Australian painting"
Gruner, Billy. "Painting the object : recent formal Australian painting." Phd thesis, Sydney College of the Arts, 2003. http://hdl.handle.net/2123/4992.
Full textWenholz, Mary Peta. "Painting about painting: the contemporary expansion of medium specificity." Thesis, The University of Sydney, 2007. https://hdl.handle.net/2123/28934.
Full textWaldmann, Anna. "Desiderius Orban: an Australian romantic." Thesis, The University of Sydney, 1987. https://hdl.handle.net/2123/26267.
Full textParker, Margaret Ina. "Landscape painting : connection, perception and attention /." Access full text, 2006. http://www.lib.latrobe.edu.au/thesis/public/adt-LTU20080225.113947/index.html.
Full textResearch. "An exegesis submitted in partial fulfilment of the requirements for the degree of Master of Visual Arts by Research, School of Visual Arts and Design, Faculty of Humanities and Social Sciences, La Trobe University, Bundoora". Includes bibliographical references (leaves 87-92). Also available via the World Wide Web.
Sherwin, Fiona Gill Harry P. "Harry Pelling Gill, a practising artist /." Title page, table of contents and abstract only, 2003. http://web4.library.adelaide.edu.au/theses/09ARAHM/09arahms5541.pdf.
Full textWheeler, Elizabeth. "Colour, immateriality & uncertainty in painting." Thesis, The University of Sydney, 2004. https://hdl.handle.net/2123/28007.
Full textUrquhart, Ian McLeod, and n/a. "An internship in painting conservation at the Australian National Gallery." University of Canberra. Applied Science, 1985. http://erl.canberra.edu.au./public/adt-AUC20061109.162330.
Full textParker, Margaret Ina, and margaret_p@optusnet com au. "Landscape Painting: Connection, Perception and Attention." La Trobe University. Visual arts and design, 2006. http://www.lib.latrobe.edu.au./thesis/public/adt-LTU20080225.113947.
Full textPiper, Jennifer Ann. "White, Carey and Nolan : national myth in Australian literature and painting." Thesis, Open University, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.446272.
Full textHattam, Katherine, and katherine hattam@deakin edu au. "Art and Oedipus." Deakin University. School of Communication and Creative Arts, 2003. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20070816.121927.
Full textBooks on the topic "Australian painting"
Murray, Cree Laura, and Drury Nevill 1947-, eds. Australian painting now. London: Thames & Hudson, 2000.
Find full textMurray, Cree Laura, and Drury Nevill 1947-, eds. Australian painting now. North Ryde, Sydney, NSW: Craftsman House, 2000.
Find full textSplatt, William. Australian landscape painting. Ringwood, Vic., Australia: Viking O'Neil, 1989.
Find full textEileen, Chanin, ed. Contemporary Australian painting. Roseville, NSW, Australia: Craftsmans House, 1990.
Find full text(Australia), National Portrait Gallery, ed. Impressions: Painting light & life. Canberra: National Portrait Gallery, 2011.
Find full textSmith, Bernard. Australian painting 1788-1990. 3rd ed. Melbourne: Oxford University Press, 1991.
Find full textTerry, Smith, and Heathcote C. R, eds. Australian painting, 1788-2000. 4th ed. South Melbourne, Vic: Oxford University Press, 2001.
Find full textSplatt, William. Masterpieces of Australian painting. Ringwood, Victoria, Australia: Viking O'Neil, 1990.
Find full textTerry, Smith, ed. Australian painting, 1788-1990. 3rd ed. Melbourne: Oxford University Press, 1991.
Find full textEagle, Mary. A story of Australian painting. Chippendale, Sydney: Macmillian Australia, 1994.
Find full textBook chapters on the topic "Australian painting"
Fitzpatrick, Lesley. "Secular, Savage and Solitary: Death in Australian Painting." In The Unknown Country: Death in Australia, Britain and the USA, 15–30. London: Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1007/978-1-349-25593-1_2.
Full textBrumm, Adam, Adhi Agus Oktaviana, and Maxime Aubert. "Some Implications of Pleistocene Figurative Rock Art in Indonesia and Australia." In Deep-Time Images in the Age of Globalization, 31–44. Cham: Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-54638-9_3.
Full textGlikson, Michal. "Australia and India: The Second Scroll: Australind." In Peripatetic Painting: Pathways in Social, Immersive, and Empathic Art Practice, 65–187. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-16-4005-6_3.
Full textBurns, Emily C. "Frontier Impressionisms in the United States and Australia." In Mapping Impressionist Painting in Transnational Contexts, 49–64. New York: Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9781003044239-4.
Full textGlikson, Michal. "India, Pakistan and Australia: The Third Scroll: IndoPak." In Peripatetic Painting: Pathways in Social, Immersive, and Empathic Art Practice, 189–252. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-16-4005-6_4.
Full textGlikson, Michal. "Pakistan and Australia: The First Scroll: Canberra and Other Ideas." In Peripatetic Painting: Pathways in Social, Immersive, and Empathic Art Practice, 15–63. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-16-4005-6_2.
Full textBlundell, Valda, and Donny Woolagoodja. "Rock Art, Aboriginal Culture, and Identity: The Wanjina Paintings of Northwest Australia." In A Companion to Rock Art, 472–87. Chichester, UK: John Wiley & Sons, Ltd, 2012. http://dx.doi.org/10.1002/9781118253892.ch27.
Full textKubota, Sachiko. "Innovation of Paintings and Its Transmission: Case Studies from Aboriginal Art in Australia." In Social Learning and Innovation in Contemporary Hunter-Gatherers, 229–34. Tokyo: Springer Japan, 2016. http://dx.doi.org/10.1007/978-4-431-55997-9_19.
Full textHampson, Jamie, and Sam Challis. "Cultures of Appropriation: Rock Art Ownership, Indigenous Intellectual Property, and Decolonisation." In Deep-Time Images in the Age of Globalization, 275–88. Cham: Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-54638-9_19.
Full text"Encountering Australian Painting." In Imagining the Antipodes, 27–62. Cambridge University Press, 1997. http://dx.doi.org/10.1017/cbo9780511470202.004.
Full textConference papers on the topic "Australian painting"
Jin, Xin. "Crossing Landscape and Architecture: Embodiment of A-Perspectival Space in Wang Shu’s Oblique Drawings." In The 39th Annual Conference of the Society of Architectural Historians Australia and New Zealand. PLACE NAME: SAHANZ, 2023. http://dx.doi.org/10.55939/a5027psugw.
Full textTobin, Genevieve Mary. "The silver lining: preliminary research into gold-coloured varnishes for loss compensation in two 19th C silver gilded frames." In RECH6 - 6th International Meeting on Retouching of Cultural Heritage. València: Editorial Universitat Politècnica de València, 2021. http://dx.doi.org/10.4995/rech6.2021.13498.
Full textLu, Duanfang. "A Conceptual Framework for Architectural Historiography." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a4005p6e3c.
Full textKulkarni, Mugdha. "Unfolding the Secrets of Vijaydurg Fort." In The 39th Annual Conference of the Society of Architectural Historians Australia and New Zealand. PLACE NAME: SAHANZ, 2023. http://dx.doi.org/10.55939/a5028p2dab.
Full textReports on the topic "Australian painting"
Coombs, HC opening exhibition of contemporary Australian paintings at Art Gallery - September 1955. Reserve Bank of Australia, September 2022. http://dx.doi.org/10.47688/rba_archives_pn-002886.
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