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Books on the topic 'Australian gothic fiction'

Author: Grafiati

Published: 5 December 2024

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1

1965-, Doig James, ed. Australian gothic: An anthology of Australian supernatural fiction, 1867-1939. Mandurah, W.A: Equilibrium Books, 2007.

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2

Michael, Pollak. Gothic Matilda: The amazing visions of Australian crime fiction. Woollahra, NSW: Unity Press, 2002.

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3

Peter, O'Donnell. Golden urchin. London: Souvenir, 1986.

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4

Peter, O'Donnell. Golden urchin. London: Arrow Books, 1988.

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5

Peter, O'Donnell. Golden urchin. Boston, Mass: G.K. Hall, 1988.

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6

Peter, O'Donnell. Golden urchin. Garden City, N.Y: Doubleday, 1987.

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7

Peter, O'Donnell. Golden urchin. Leicester: Thorpe, 1987.

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8

Doig, James. Australian Gothic: An Anthology of Australian Supernatural Fiction. Wildside Press, LLC, 2013.

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9

Doig, James. Australian Gothic: An Anthology of Australian Supernatural Fiction. Borgo Press, 2013.

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10

The Anthology Of Colonial Australian Gothic Fiction. Melbourne University, 2007.

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11

Turcotte, Gerry. Postcolonial Gothic. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199679775.003.0016.

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This chapter examines postcolonial Gothic in Australia, Canada, New Zealand, and the South Pacific and how its conventions as an imported British genre have been transformed in specific local contexts. Since the 1950s, Gothic in Australia has changed in a variety of ways: Christina Stead and Patrick White chart the suburban terror of the everyday, Joan Lindsay's Picnic at Hanging Rock (1967) and Kenneth Cook's Wake in Fright (1961) expand the possibilities for a modern uncanny that invokes an historic past and a frightening outback present, while women writers since the 1970s have employed Gothic to investigate the repressions of patriarchy. In the case of Canadian fiction, the Gothic voice has been present since the early nineteenth century, but realized its potential only from the 1970s onwards. The chapter discusses Gothic elements in Australian, Canadian, New Zealand, and Indigenous and South Pacific novels.

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12

Darkness Subverted Aboriginal Gothic In Black Australian Literature And Film. V&r; Unipress, 2010.

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13

Trigg, Stephanie. Medievalism and the Gothic in Australian Culture. Melbourne University Publishing, 2006.

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14

Postcolonial Gothic Fictions from the Caribbean, Canada, Australia and New Zealand. Gwasg Prifysgol Cymru / University of Wales Press, 2010.

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15

Howells, Coral Ann, Paul Sharrad, and Gerry Turcotte, eds. The Oxford History of the Novel in English. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199679775.001.0001.

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This book explores the history of English-language prose fiction in Australia, Canada, New Zealand, and the South Pacific since 1950, focusing not only on the ‘literary’ novel, but also on the processes of production, distribution and reception, and on popular fiction and the fictional sub-genres, as well as the work of major novelists, movements, and tendencies. After World War II, the rise of cultural nationalism in Australia, Canada, and New Zealand and movements towards independence in the Pacific islands, together with the turn toward multiculturalism and transnationalism in the postcolonial world, called into question the standard national frames for literary history. This resulted in an increasing recognition of formerly marginalised peoples and a repositioning of these national literatures in a world literary context. The book explores the implications of such radical change through its focus on the English-language novel and the short story, which model the crises in evolving narratives of nationhood and the reinvention of postcolonial identities. Shifting socio-political and cultural contexts and their effects on novels and novelists, together with shifts in fictional modes (realism, modernism, the Gothic, postmodernism) are traced across these different regions. Attention is given not only to major authors but also to Indigenous and multicultural fiction, children's and young adult novels, and popular fiction. Chapters on book publishing, critical reception, and literary histories for all four areas are included in this innovative presentation of a Trans-Pacific postcolonial history of the novel.

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16

Upfield, Arthur William. THE DEVIL'S STEPS. Bolinda Press, 2000.

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17

The Dressmaker. Duffy and Snellgrove, 2000.

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18

Peter, O'Donnell. Golden Urchin. Ulverscroft Large Print, 1987.

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19

Ham, Rosalie. The dressmaker. 2015.

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20

Shearston, Trevor. Something in the Blood. University of Queensland Pr (Australia), 1985.

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