Academic literature on the topic 'Australian feminism'
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Journal articles on the topic "Australian feminism"
1
Genovese, Ann. "Unravelling Identities: Performance and Criticism in Australian Feminisms." Feminist Review 52, no. 1 (March 1996): 135–53. http://dx.doi.org/10.1057/fr.1996.12.
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The following article is an exploration of the non-linear and non-unified identities that make up Australian feminism. The main premise is that the divergent strands of rational and romantic thought, central to the project of liberalism, are inherent in the characterization of Australian feminisms. As a result, there have always been tensions between feminists, centred around politics of self-identification. These tensions continue to exist, but to be articulated in different ways in different decades as a result of the ever changing relationships between feminist, state and media/public discourses. These ideas are explored through comparing two key moments in our recent past in which differences between feminisms were declared. These two events – the Mary Daly visit to Australia to promote Gyn/Ecology in 1981, and the debate engendered by Helen Garner's The First Stone in 1995 – are taken to be performative metaphors through which the continuities and discontinuities of the nature of Australian feminisms can be subjectively explored.
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Le Masurier, Megan. "Desiring the (Popular Feminist) Reader: Letters to CLEO during the Second Wave." Media International Australia 131, no. 1 (May 2009): 106–16. http://dx.doi.org/10.1177/1329878x0913100112.
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The second wave of feminism in Australia became a popular reality for ordinary women through many forms of media, and especially through the new women's magazine Cleo. The reader letters published in Cleo throughout the 1970s provide rich, if productively problematic, evidence for the media historian's desire to interpret the meanings readers can make from magazines. In this case, the desire is to understand how younger, ordinary (non-activist) Australian women made sense of the immense challenge of feminism. Through letters written in response to Cleo's feminist journalism (and journalism about feminism), it is clear that a popular feminism was being experienced in the period of the second wave.
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VARNEY, DENISE. "Identity Politics in Australian Context." Theatre Research International 37, no. 1 (January 26, 2012): 71–73. http://dx.doi.org/10.1017/s0307883311000794.
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Identity mobilises feminist politics in Australia and shapes discursive and theatrical practices. Energised by the affirmative politics of hope, celebration and unity, Australian feminism is also motivated by injustice, prejudice and loss, particularly among Indigenous women and minorities. During the 1970s, when feminist theatre opened up creative spaces on the margins of Australian theatre, women identified with each other on the basis of an unproblematized gender identity, a commitment to socialist collectivism and theatre as a mode of self-representation. The emphasis on shared experience, collectivism and gender unity gave way in the 1980s to a more nuanced critical awareness of inequalities and divisions among women based on sexuality, class, race and ethnicity. My discussion spans broadly the period from the 1970s to the present and concludes with some commentary on recent twists and turns in identity politics.
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Fensham, Rachel. "Farce or Failure? Feminist Tendencies in Mainstream Australian Theatre." Theatre Research International 26, no. 1 (March 2001): 82–93. http://dx.doi.org/10.1017/s0307883301000086.
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A feminist analysis of the repertoire written and directed by women within mainstream Australian theatre at the end of the millennium reveals that, in spite of thirty years of active feminism in Australia, as well as feminist theatre criticism and practice, the mainstream has only partially absorbed the influence of feminist ideas. A survey of all the mainland state theatre companies reveals the number of women making work for the mainstream and discusses the production politics that frames their representation as repertoire. Although theatre has become increasingly feminized, closer analysis reveals that women's theatre is either contained or diminished by its presence within the mainstream or utilizes conventional theatrical genres and dramatic narratives. Feminist theatre criticism, thus, needs to become more concerned with the material politics of mainstream culture, in which gender relations are being reconstructed under the power of a new economic and social order.
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Jan Wilson, Tikka. "Feminism and Institutionalized Racism: Inclusion and Exclusion at an Australian Feminist Refuge." Feminist Review 52, no. 1 (March 1996): 1–26. http://dx.doi.org/10.1057/fr.1996.3.
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This article is a microlevel discussion of indigenous/white relations at an Australian feminist refuge. It argues that the organization and practices of the refuge, including those which were specifically ‘feminist’ and those purporting to be anti-racist, reproduced a pattern of institutional racism which privileged and naturalized ‘whiteness’, white feminism and white women, and perpetuated the racial disadvantage of Aboriginal women, including continuing accountability to white colonizing women, loss of employment and economic security and contingent rather than guaranteed access to appropriate domestic violence crisis services. The article focuses on three interrelated concepts which were fundamental to the white women's construction and legitimation of their positions in the events: ‘sisterhood’, ‘multiculturalism’ and ‘the good feminist worker’.
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Gilbert, Helen, Peta Tait, Venetia Gillot, Julie Holledge, Anna Messariti, Lydia Miller, and Mary Moore. "Converging Realities: Feminism in Australian Theatre." Theatre Journal 47, no. 3 (October 1995): 430. http://dx.doi.org/10.2307/3208908.
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Murdolo, Adele. "Warmth and Unity with all Women?" Feminist Review 52, no. 1 (March 1996): 69–86. http://dx.doi.org/10.1057/fr.1996.8.
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In this paper I discuss the four Women and Labour conferences which were held in Australian capital cities over the seven years between 1978 and 1984. I explore the ways in which the history of Australian feminist activism during this period could be written, questioning in particular the claim that the Women and Labour conferences have been central to the history of Australian feminism. I discuss the ways in which a historical sense could be established, using writings about the conferences as historical ‘evidence’, that race and ethnic divisions between women had not been important to the ‘women's movement’ until 1984. In other words, I challenge the construction of this conference as a turning point – not only in the feminist politicization of immigrant and Aboriginal women, but also in the politicization of all feminists about race and ethnic divisions. More broadly, I am interested in how a history would be written if it aimed to get to the ‘truth’ about racism and about the feminist activism of immigrant women. How would the apparent lack of written ‘evidence’ – at least until 1984 – of immigrant women's feminist activism, and of the awareness of Australian feminists about issues of racism, be written into this history? In addition, I suggest that it is important to the writing of feminist history in Australia that published documentation has been mostly produced by anglo women, and is thus partial and mediated by the lived, embodied experiences of anglo women. Finally, my intention is to interrogate commonly understood narratives about Australian feminist history, to challenge their seamlessness, and to suggest the importance of recognizing the tension within feminist discourses between difference as benign diversity and difference as disruption.
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Colley, Linda, and Catherine White. "Neoliberal feminism: The neoliberal rhetoric on feminism by Australian political actors." Gender, Work & Organization 26, no. 8 (September 21, 2018): 1083–99. http://dx.doi.org/10.1111/gwao.12303.
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Wilson, Tikka Jan. "Feminism and Institutionalized Racism: Inclusion and Exclusion at an Australian Feminist Refuge." Feminist Review, no. 52 (1996): 1. http://dx.doi.org/10.2307/1395769.
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Stavropoulos, Pam. "Conservative intellectuals and feminism: The Australian case." Australian Journal of Political Science 25, no. 2 (November 1990): 218–27. http://dx.doi.org/10.1080/00323269008402119.
Full textDissertations / Theses on the topic "Australian feminism"
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Casey, Sarah Jane. "Australian Feminist Approaches to Mass Awareness Campaigns: Celanthropy, Celebrity Feminism and Online Activism." Thesis, Griffith University, 2015. http://hdl.handle.net/10072/366513.
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This research asks which methods can successfully promote mainstream recognition for an issue, and if the success of such methods translates to a stronger feminist movement in Australia in the twenty-first century Western zeitgeist. These questions are important because broader-scale feminist consciousness-raising is critical at a time when the dominant discourses of neoliberalism and postfeminism often mean a reduced focus on collective campaigning for issues such as the awareness of gender-based violence, and there has arguably been an evacuation of substantive feminist politics in some areas.
My original contribution lies in the testing and analysis of campaign methods and pathways for the information of Australian feminists who want to take women’s rights issues to more central mainstream spaces in feminist mass awareness campaigning. This research explores the deployment of what I call the twenty-first century’s ‘Tools of the Zeitgeist’. This thesis focuses on three current mainstream Tools of the Zeitgeist: celebrity philanthropy and activism; celebrity feminists; and mainstream, online and social media activism. This research is unique because the discussion revolves around these three areas for feminist activism, which I argue would be most beneficial when used in tandem because they are often utilised in other social movements’ mass awareness campaigns (e.g., poverty or environment) and are rarely deployed in unison in organised feminist mass awareness campaigning. This thesis argues that there is an increased velocity in the Australian mediasphere of feminist discourse and engagement, and as such, it recognises that this is a critical nexus for the potential for a larger scale feminist-led mass awareness campaigning in Australia.Thesis (PhD Doctorate)
Doctor of Philosophy (PhD)
School of Humanities
Arts, Education and Law
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Goh, Talisha. "Re-Composing Feminism: Australian women composers in the new millennium." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2019. https://ro.ecu.edu.au/theses/2194.
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In the age of postfeminism and fourth-wave feminism online, Australian women composers are theoretically able to “have it all,” however, the proportion of women in the occupation appears to have plateaued in recent years. In this thesis, I explore the multiple ways in which gender and feminism interact with practising Australian women composers. Feminist musicology has had a large impact on the Australian musicological scene, with theorists such as McClary and Macarthur bringing the subject of women in music to the fore in the 1990s, aiding efforts to advocate for reform on behalf of women composers. Additionally, third-wave feminist scholars such as Hartsock have argued for the study of women’s experiences within maledominated disciplines such as musicology. Using feminist standpoint theory as a foundation, this thesis examines the experiences of practising Australian women composers, finding multi-faceted and contradictory views of feminism and gender. A principal case study of composer Kate Moore examines how gender has shaped her career trajectory. Finally, a neo-Riemannian analysis of Moore’s work, Violins and Skeletons (2010), illustrates how gender may shape compositional strategies, speculating upon the fraught relationship women composers have with the conventions of Western art music because their work implicitly functions outside of, or against, the canon. This research highlights the importance of studying minority experiences in musicology, and how they relate to the dominant aesthetic and intellectual traditions.
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Skyes, Gillian E. "The new woman in the new world : fin-de-siècle writing and feminism in Australia." Phd thesis, Faculty of Arts, 2002. http://hdl.handle.net/2123/16473.
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Rups-Eyland, Annette Maie, University of Western Sydney, of Arts Education and Social Sciences College, and School of Social Ecology and Lifelong Learning. "Centre of the storm : in search of an Australian feminist spirituality through performance-ritual." THESIS_CAESS_SELL_Rups-Eyland_A.xml, 2002. http://handle.uws.edu.au:8081/1959.7/771.
Full textAbstract:
The outward form of the text in which the spiritual search is housed is 'performance-ritual', that is, performed 'ritual'. This genre has its 'performance' roots in the dance pioneers and its 'ritual' roots in the Christian church. The contents of this performed text is influenced by an emerging ecofeminist consciousness. In this way, the thesis has a grassroots inspiration as well as crossing academic areas of performance studies, ritual studies, and feminist spirituality. The project begins by an examination of 20th Century feminist and ecofeminist writing on spirituality, which evokes the subjective, embodied and historically contextualised, with particular focus on body and nature. Additional concepts of place, holding and letting go are introduced. Particular performance-rituals are introduced under the overall heading 'the spiralling journey of exorcism and ecstacy'. They include earlier work, as well as work performed specifically for this thesis, Centre of the Storm. The study re-situates 'ritual' as a subjective, embodied and contextualised performed event. It challenges ritual discourse to incorporate 'spirit', and feminist spirituality to incorporate the material world, through 'place', 'family', and the ritual actions of 'holding' and 'letting go'.Doctor of Philosophy (PhD)
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Donovan, Jennifer. "The intellectual traditions of Australian feminism : women's clubs and societies, 1890-1920." Thesis, Faculty of Arts, 2004. http://hdl.handle.net/2123/16478.
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Thompson, Jay. "Sex and power in Australian writing during the Culture Wars, 1993-1997 /." Connect to thesis, 2009. http://repository.unimelb.edu.au/10187/6714.
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I address a selection of texts published in Australia between 1993 and 1997 which engage with feminist debates about sex and power. These texts are important, I argue, because they signpost the historical moment in which the culture wars and globalisation gained force in Australia. A key word in this thesis is ‘framing’. The debates which my texts engage with have (much like the culture wars in general) commonly been framed as conflicts between polarised political factions. These political factions have, in turn, been framed in terms of generations; that is, an ‘older’ feminism is pitted against a ‘newer’ feminism. Each generation of feminists supposedly holds quite different views about sex. I argue that my texts actually provide an insight into how various feminist perspectives on sex diverge and intersect with each other, as well as with certain New Right discourses about sex. My selected texts also suggest how the printed text has helped transport feminism within and outside AustraliaMy texts fit into two broad genres, fiction and scholarly non-fiction. The texts are: Helen Garner’s The First Stone (1995), Sheila Jeffreys’ The Lesbian Heresy (1993), Catharine Lumby’s Bad Girls (1997), Linda Jaivin’s Eat Me (1995) and Justine Ettler’s The River Ophelia (1995). I engage with various critical responses to these texts, including reviews, essays and interviews with the authors. I draw also from a range of theoretical sources. These include analyses of the culture wars by the American theorist Lillian S. Robinson and the Australian scholars McKenzie Wark, David McKnight and Mark Davis. Davis has provided a useful overview of how the metaphor of ‘generational conflict’ circulated in Australian culture during the 1990s. I draw on Arjun Appadurai’s model of “global cultural flows” and Ann Curthoys’ history of feminism in Australia. I engage with research into the increasingly ‘globalised’ nature of Australian writing, as well as a number of feminist works on the relationship between sex and power
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Wilson, Erica Christine, and n/a. "A 'Journey Of Her Own'?: The Impact Of Constraints On Women's Solo Travel." Griffith University. Department of Tourism, Leisure, Hotel and Sport Management, 2004. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20050209.110742.
Full textAbstract:
Women are increasingly active in the participation and consumption of travel, and are now recognised as a growing force within the tourism industry. This trend is linked to changing social and political circumstances for Western women around the world. Within Australia specifically, women's opportunities for education and for earning equitable incomes through employment have improved. Furthermore, traditional ideologies of the family have shifted, so that social expectations of marriage and the production of children do not yield as much power as they once did. As a result of these shifts, women living in contemporary Australia have a wider range of resources and opportunities with which to access an ever-increasing array of leisure/travel choices. It appears that one of the many ways in which women have been exercising their relatively recent financial and social autonomy is through independent travel. The solo woman traveller represents a growing market segment, with research showing that increasing numbers of females are choosing to travel alone, without the assistance or company of partners, husbands or packaged tour groups. However, little empirical research has explored the touristic experiences of solo women travellers, or examined the constraints and challenges they may face when journeying alone. 'Constraints' have been described variously as factors which hinder one's ability to participate in desired leisure activities, to spend more time in those activities, or to attain anticipated levels of satisfaction and benefit. While the investigation of constraints has contributed to the leisure studies discipline for a number of decades, the exploration of their influence on tourist behaviour and the tourist experience has been virtually overlooked. Research has shown that despite the choices and opportunities women have today, the freedom they have to consume those choices, and to access satisfying leisure and travel experiences, may be constrained by their social and gendered location as females. Although theorisations of constraint have remained largely in the field of leisure studies, it is argued and demonstrated in this thesis that there is potential in extending constraints theory to the inquiry of the tourist experience. Grounded in theoretical frameworks offered by gender studies, feminist geography, sociology and leisure, this qualitative study set out to explore the impact of constraints on women's solo travel experiences. Forty in-depth interviews were held with Australian women who had travelled solo at some stage of their adult lives. Adopting an interpretive and feminist-influenced research paradigm, it was important to allow the women to speak of their lives, constraints and experiences in their own voices and on their own terms. In line with qualitative methodologies, it is these women's words which form the data for this study. Based on a 'grounded' approach to data analysis, the results reveal that constraints do exist and exert influence on these women's lives and travel experiences in a myriad of ways. Four inter-linking categories of constraint were identified, namely socio-cultural, personal, practical and spatial. Further definition of these categories evolved, depending on where the women were situated in their stage of the solo travel experience (that is, pre-travel or during-travel). The results of this study show that there are identifiable and very real constraints facing solo women travellers. These constraints could stem from the contexts of their home environments, or from the socio-cultural structures of the destinations through which they travelled. However, these constraints were not immutable, insurmountable or even necessarily consciously recognised by many of the women interviewed. In fact, it became increasingly evident that women were findings ways and means to 'negotiate' their constraints, challenges and limitations. Three dominant negotiation responses to constraint could be identified; the women could choose to seek access to solo travel when faced with pre-travel constraints: they could withdraw from solo travel because of those same constraints, or they could decide to continue their journeys as a result of their in-situ constraints. Evidence of women negotiating suggests that constraints are not insurmountable barriers, and confirms that constraints do not necessarily foreclose access to travel. Furthermore, a focus on negotiation re-positions women as active agents in determining the course of their lives and the enjoyment of their solo travel experiences, rather than as passive acceptors of circumstance and constraint. Linking with the concept of negotiation, solo travel was also shown to be a site of resistance, freedom and empowerment for these forty women. Through solo travel, it was apparent that the women could transgress the structures and roles which influenced and governed their lives. This thesis shows that, through solo travel, the women interviewed found an autonomous and self-determining 'journey of their own'. At the same time, the extent to which this really was a journey of their own was questioned and revealed to be problematic under a feminist/gendered lens. Thus a more appropriate concept of women's solo travel is that it is a 'relative escape'. That is, their journeys, escapes and experiences were always situated relative to the societal expectations and perceptions of home; relative to the gendered perceptions and ideologies of the destination, and relative to the limited spatial freedoms as a result of a socially constructed geography of fear.
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Wilson, Erica Christine. "A 'Journey Of Her Own'?: The Impact Of Constraints On Women's Solo Travel." Thesis, Griffith University, 2004. http://hdl.handle.net/10072/365683.
Full textAbstract:
Women are increasingly active in the participation and consumption of travel, and are now recognised as a growing force within the tourism industry. This trend is linked to changing social and political circumstances for Western women around the world. Within Australia specifically, women's opportunities for education and for earning equitable incomes through employment have improved. Furthermore, traditional ideologies of the family have shifted, so that social expectations of marriage and the production of children do not yield as much power as they once did. As a result of these shifts, women living in contemporary Australia have a wider range of resources and opportunities with which to access an ever-increasing array of leisure/travel choices. It appears that one of the many ways in which women have been exercising their relatively recent financial and social autonomy is through independent travel. The solo woman traveller represents a growing market segment, with research showing that increasing numbers of females are choosing to travel alone, without the assistance or company of partners, husbands or packaged tour groups. However, little empirical research has explored the touristic experiences of solo women travellers, or examined the constraints and challenges they may face when journeying alone. 'Constraints' have been described variously as factors which hinder one's ability to participate in desired leisure activities, to spend more time in those activities, or to attain anticipated levels of satisfaction and benefit. While the investigation of constraints has contributed to the leisure studies discipline for a number of decades, the exploration of their influence on tourist behaviour and the tourist experience has been virtually overlooked. Research has shown that despite the choices and opportunities women have today, the freedom they have to consume those choices, and to access satisfying leisure and travel experiences, may be constrained by their social and gendered location as females. Although theorisations of constraint have remained largely in the field of leisure studies, it is argued and demonstrated in this thesis that there is potential in extending constraints theory to the inquiry of the tourist experience. Grounded in theoretical frameworks offered by gender studies, feminist geography, sociology and leisure, this qualitative study set out to explore the impact of constraints on women's solo travel experiences. Forty in-depth interviews were held with Australian women who had travelled solo at some stage of their adult lives. Adopting an interpretive and feminist-influenced research paradigm, it was important to allow the women to speak of their lives, constraints and experiences in their own voices and on their own terms. In line with qualitative methodologies, it is these women's words which form the data for this study. Based on a 'grounded' approach to data analysis, the results reveal that constraints do exist and exert influence on these women's lives and travel experiences in a myriad of ways. Four inter-linking categories of constraint were identified, namely socio-cultural, personal, practical and spatial. Further definition of these categories evolved, depending on where the women were situated in their stage of the solo travel experience (that is, pre-travel or during-travel). The results of this study show that there are identifiable and very real constraints facing solo women travellers. These constraints could stem from the contexts of their home environments, or from the socio-cultural structures of the destinations through which they travelled. However, these constraints were not immutable, insurmountable or even necessarily consciously recognised by many of the women interviewed. In fact, it became increasingly evident that women were findings ways and means to 'negotiate' their constraints, challenges and limitations. Three dominant negotiation responses to constraint could be identified; the women could choose to seek access to solo travel when faced with pre-travel constraints: they could withdraw from solo travel because of those same constraints, or they could decide to continue their journeys as a result of their in-situ constraints. Evidence of women negotiating suggests that constraints are not insurmountable barriers, and confirms that constraints do not necessarily foreclose access to travel. Furthermore, a focus on negotiation re-positions women as active agents in determining the course of their lives and the enjoyment of their solo travel experiences, rather than as passive acceptors of circumstance and constraint. Linking with the concept of negotiation, solo travel was also shown to be a site of resistance, freedom and empowerment for these forty women. Through solo travel, it was apparent that the women could transgress the structures and roles which influenced and governed their lives. This thesis shows that, through solo travel, the women interviewed found an autonomous and self-determining 'journey of their own'. At the same time, the extent to which this really was a journey of their own was questioned and revealed to be problematic under a feminist/gendered lens. Thus a more appropriate concept of women's solo travel is that it is a 'relative escape'. That is, their journeys, escapes and experiences were always situated relative to the societal expectations and perceptions of home; relative to the gendered perceptions and ideologies of the destination, and relative to the limited spatial freedoms as a result of a socially constructed geography of fear.Thesis (PhD Doctorate)
Doctor of Philosophy (PhD)
Department of Tourism, Leisure, Hotel and Sport Management
Griffith Business School
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Rups-Eyland, Annette Maie. "Centre of the storm : in search of an Australian feminist spirituality through performance-ritual." Thesis, View thesis View thesis, 2002. http://handle.uws.edu.au:8081/1959.7/771.
Full textAbstract:
The outward form of the text in which the spiritual search is housed is 'performance-ritual', that is, performed 'ritual'. This genre has its 'performance' roots in the dance pioneers and its 'ritual' roots in the Christian church. The contents of this performed text is influenced by an emerging ecofeminist consciousness. In this way, the thesis has a grassroots inspiration as well as crossing academic areas of performance studies, ritual studies, and feminist spirituality. The project begins by an examination of 20th Century feminist and ecofeminist writing on spirituality, which evokes the subjective, embodied and historically contextualised, with particular focus on body and nature. Additional concepts of place, holding and letting go are introduced. Particular performance-rituals are introduced under the overall heading 'the spiralling journey of exorcism and ecstacy'. They include earlier work, as well as work performed specifically for this thesis, Centre of the Storm. The study re-situates 'ritual' as a subjective, embodied and contextualised performed event. It challenges ritual discourse to incorporate 'spirit', and feminist spirituality to incorporate the material world, through 'place', 'family', and the ritual actions of 'holding' and 'letting go'.
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Cameron, Hannah. "Inspiring Womanhood: A re-interpretation of The Dawn." Thesis, Department of History, 2011. http://hdl.handle.net/2123/7973.
Full textAbstract:
This thesis explores the diversity of content and ideas found in Louisa Lawson’s The Dawn, Australia’s first successful magazine ‘by women and for women’, showing that every element of the journal promoted a womanhood ideal for Australian women. Though remembered for the challenging arguments it made for women’s rights, most of the journal was taken up by beauty tips, household hints, recipes, women’s stories, health ideas, fashion articles and the like. This thesis examines such elements, noting how they served to help readers progress towards its womanhood ideal. It highlights the way that The Dawn’s discourse on women’s right was integrated into this ideal. It also analyses some of the key themes and ideas central to the ideal constructed in The Dawn, such as motherhood, beauty, and success in work and study.
Books on the topic "Australian feminism"
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Barbara, Caine, and Gatens Moira, eds. Australian feminism: A companion. Melbourne: Oxford University Press, 1998.
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Feminists fatale: [the changing face of Australian feminism]. Pymble, N.S.W: HarperCollins, 1998.
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Susanna, De Vries, and De Vries Susanna, eds. Great Australian women. Pymble, N.S.W: HarperCollins, 2001.
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Converging realities: Feminism in Australian theatre. Sydney: Currency Press, 1994.
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Catriona, Moore, ed. Dissonance: Feminism and the arts 1970-1990. St. Leonards, NSW, Australia: Allen & Unwin, 1994.
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Loving protection?: Australian feminism and Aboriginal women's rights, 1919-1939. Carlton: Melbourne University Press, 2000.
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Getting equal: The history of Australian feminism. St Leonards, N.S.W: Allen & Unwin, 1999.
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Topliss, Helen. Modernism and feminism: Australian women artists, 1900-1940. Roseville East, NSW: Craftsman House, 1996.
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Mediating Australian feminism: Re-reading the first stone media event. Oxford: Peter Lang, 2008.
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McGuire, M. E. All things opposite: Essays on Australian art. Prahran, Australia: Champion, 1995.
Find full textBook chapters on the topic "Australian feminism"
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Simpson-Dal Santo, Rebecca. "Gender Identities in the Australian Early Years Learning Framework." In Feminism(s) in Early Childhood, 165–77. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-3057-4_13.
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Brady, Anita. "Clementine Ford, online misogyny, and the labour of celebrity feminism." In Gender and Australian Celebrity Culture, 91–108. Abingdon, Oxon; New York, NY: Routledge, 2021. |: Routledge, 2020. http://dx.doi.org/10.4324/9780429430442-5.
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Bartlett, Alison. "Thinking–Feminism–Place: Situating the 1980s Australian Women’s Peace Camps." In Feminist Ecologies, 155–73. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-64385-4_9.
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D’Urso, Sandra. "Performing Sovereignty Against Jurisprudential Death in an Australian State of Exception." In Performance, Feminism and Affect in Neoliberal Times, 39–50. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-59810-3_4.
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Colley, Sarah. "Sisters are Doing it for Themselves? Gender, Feminism and Australian (Aboriginal) Archaeology." In Gender and Material Culture in Archaeological Perspective, 20–32. London: Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1007/978-1-349-62334-1_2.
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McLean, Jessica. "Australian Feminist Digital Activism." In Changing Digital Geographies, 203–28. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-28307-0_10.
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Elvey, Anne. "Feminist Ecologies in Religious Interpretation: Australian Influences." In Feminist Ecologies, 209–29. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-64385-4_12.
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Sawer, Marian. "Australia: the Fall of the Femocrat." In Changing State Feminism, 20–40. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230591424_2.
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Helbert, Maryse. "Australian Women in Mining: Still a Harsh Reality." In Feminist Ecologies, 231–46. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-64385-4_13.
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Jamarani, Maryam. "Encountering Differences: Iranian Immigrant Women in Australia." In Feminism and Migration, 149–64. Dordrecht: Springer Netherlands, 2012. http://dx.doi.org/10.1007/978-94-007-2831-8_8.
Full textConference papers on the topic "Australian feminism"
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Penman, Joy, and Kerre A Willsher. "New Horizons for Immigrant Nurses Through a Mental Health Self-Management Program: A Pre- and Post-Test Mixed-Method Approach." In InSITE 2021: Informing Science + IT Education Conferences. Informing Science Institute, 2021. http://dx.doi.org/10.28945/4759.
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Aim/Purpose: This research paper reports on the evaluation of a mental health self-management program provided to immigrant nurses working at various rural South Australian aged care services. Background: The residential aged care staffing crisis is severe in rural areas. To improve immigrant nurses’ employment experiences, a mental health self-management program was developed and conducted in rural and regional health care services in South Australia. Methodology: A mixed approach of pre- and post-surveys and post workshop focus groups was utilized with the objectives of exploring the experiences of 25 immigrant nurses and the impact of the mental health program. Feminist standpoint theory was used to interpret the qualitative data. Contribution: A new learning environment was created for immigrant nurses to learn about the theory and practice of maintaining and promoting mental health. Findings: Statistical tests showed a marked difference in responses before and after the intervention, especially regarding knowledge of mental health. The results of this study indicated that a change in thinking was triggered, followed by a change in behaviour enabling participants to undertake self-management strategies. Recommendations for Practitioners: Include expanding the workshops to cover more health care practitioners. Recommendations for Researchers: Feminist researchers must actively listen and examine their own beliefs and those of others to create knowledge. Extending the program to metropolitan areas and examining differences in data. E technology such as zoom, skype or virtual classrooms could be used. Impact on Society: The new awareness and knowledge would be beneficial in the family and community because issues at work can impact on the ability to care for the family, and there are often problems around family separation. Future Research: Extending the research to include men and staff of metropolitan aged care facilities.
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Burns, Karen, and Harriet Edquist. "Women, Media, Design, and Material Culture in Australia, 1870-1920." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a4017pbe75.
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Over the last forty years feminist historians have commented on the under-representation or marginalisation of women thinkers and makers in design, craft, and material culture. (Kirkham and Attfield, 1989; Attfield, 2000; Howard, 2000: Buckley, 1986; Buckley, 2020:). In response particular strategies have been developed to write women back into history. These methods expand the sites, objects and voices engaged in thinking about making and the space of the everyday world. The problem, however, is even more acute in Australia where we lack secondary histories of many design disciplines. With the notable exception of Julie Willis and Bronwyn Hanna (2001) or Burns and Edquist (1988) we have very few overview histories. This paper will examine women’s contribution to design thinking and making in Australia as a form of cultural history. It will explore the methods and challenges in developing a chronological and thematic history of women’s design making practice and design thinking in Australia from 1870 – 1920 where the subjects are not only designers but also journalists, novelists, exhibiters, and correspondents. We are interested in using media (exhibitions and print culture) as a prism: to examine how and where women spoke to design and making, what topics they addressed, and the ideas they formed to articulate the nexus between women, making and place.
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Gardiner, Fiona. "Yes, You Can Be an Architect and a Woman!’ Women in Architecture: Queensland 1982-1989." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a4001phps8.
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From the 1970s social and political changes in Australia and the burgeoning feminist movement were challenging established power relationships and hierarchies. This paper explores how in the 1980s groups of women architects actively took positions that were outside the established professional mainstream. A 1982 seminar at the University of Queensland galvanised women in Brisbane to form the Association of Women Architects, Town Planners and Landscape Architects. Formally founded the association was multi-disciplinary and not affiliated with the established bodies. Its aims included promoting women and working to reform the practice of these professions. While predominately made up of architects, the group never became part of the Royal Australian Institutes of Architects, it did inject itself into its activities, spectacularly sponsoring the Indian architect Revathi Kamath to speak at the 1984 RAIA. For five years the group was active organising talks, speakers, a newsletter and participating in Architecture Week. In 1984 an exhibition ‘Profile: Women in Architecture’ featured the work of 40 past and present women architects and students, including a profile of Queensland’s then oldest practitioner Beatrice Hutton. Sydney architect Eve Laron, the convenor of Constructive Women in Sydney opened the exhibition. There was an active interchange between Women in Architecture in Melbourne, Constructive Women, and the Queensland group, with architects such as Ann Keddie, Suzanne Dance and Barbara van den Broek speaking in Brisbane. While the focus of the group centred around women’s issues such as traditional prejudice, conflicting commitments and retraining, its architectural interests were not those of conventional practice. It explored and promoted the design of cities and buildings that were sensitive to users including women and children, design using natural materials and sustainability. While the group only existed for a short period, it advanced positions and perspectives that were outside the mainstream of architectural discourse and practice. Nearly 40 years on a new generation of women is leading the debate into the structural inequities in the architectural profession which are very similar to those tackled by women architects in the 1980s.
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Uzra, Mehbuba Tune, and Peter Scrivener. "Designing Post-colonial Domesticity: Positions and Polarities in the Feminine Reception of New Residential Patterns in Modernising East Pakistan and Bangladesh." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a4027pcwf6.
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When Paul Rudolph was commissioned to design a new university campus for East Pakistan in the mid-1960s, the project was among the first to introduce the expressionist brutalist lexicon of late-modernism into the changing architectural language of postcolonial South and Southeast Asia. Beyond the formal and tectonic ruptures with established colonial-modern norms that these designs represented, they also introduced equally radical challenges to established patterns of domestic space-use. Principles of open-planning and functional zoning employed by Rudolf in the design of academic staff accommodation, for example, evidently reflected a socially progressive approach – in light of the contemporary civil rights movement back in America – to the accommodation of domestic servants within the household of the modern nuclear family. As subsequent residents would recount, however, these same planning principles could have very different and even opposite implications for the privacy and sense of security of Bangladeshi academics and their families. The paper explores and interprets the post-occupancy experience of living in such novel ‘ultra-modern’ patterns of a new domesticity in postcolonial Bangladesh, and their reception and adaptation into the evolving norms of everyday residential development over the decades since. Specifically, it examines the reception of and responses to these radically new residential patterns by female members of the evolving modern Bengali Muslim middle class who were becoming progressively more liberal in their outlook and lifestyles, whilst retaining consciousness and respect for the abiding significance in their personal and family lives of traditional cultural practices and religious affinities. Drawing from the case material and methods of an on-going PhD study, the paper will offer a contrapuntal analysis of architectural and ethnological evidence of how the modern Bengali woman negotiates, adapts to and calibrates these received architectural patterns of domesticity whilst simultaneously crafting a reembraced cultural concept of femininity, in a fluid dialogical process of refashioning both space and self.
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Ourives, Eliete Auxiliadora, Attilio Bolivar Ourives de Figueiredo, Luiz Fernando Gonçalves de Figueiredo, Milton Luiz Horn Vieira, Isabel Cristina Victoria Moreira, and Francisco Gómez Castro. "A IMPORTÂNCIA DA ABORDAGEM SISTÊMICA NA ERGONOMIA PARA UM DESIGN FUNCIONAL." In Systems & Design 2017. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/sd2017.2017.6648.
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RESUMO A abordagem sistêmica é um processo interdisciplinar, cujo princípio primordial é compreender a interdependência recíproca e relações de todas as áreas e da necessidade de sua integração, permitindo maior aproximação entre os seus limites de estudo. Nesse contexto o olhar sistêmico, da ergonomia, sobretudo no que se refere à segurança, ao conforto e à eficácia de uso, de funcionalidade e de operacionalidade dos objetos, considerando todos os produtos ou sistemas de produtos, como sistema de uso, desde os mais simples aos mais complexos ou sistêmicos, tem como objetivo adequá-los aos seres humanos, tendo em vista as atividades e tarefas exercidas por eles. No que se refere ao design funcional, os conhecimentos da ergonomia, nessa visão sistêmica, relativos à sua metodologia de projeto, são absolutamente necessários, e a sua aplicação aponta a melhor adequação dos produtos aos seus usuários. Como é o caso do vestuário feminino funcional, sobretudo no que se refere a proteção das mamas, que são peças convencionais que necessitam de um correto dimensionamento e especificação dos tecidos e de outros materiais. É um tipo de vestuário que apresenta funcionalidade diversa, como para a proteção física, o aumento do volume da mama, enchimento no bojo de pano, de água, de óleo, estruturado com arame, etc.; para amamentação (sutiã que se abre na frente, em parte ou totalmente); para o design inclusivo (pessoas com deficiência e mobilidade reduzida, no caso de mamas com prótese ou órtese) facilitando com fechamentos e aberturas colocadas em peças de roupas difíceis de manusear, roupas confortáveis e fáceis de vestir. São peças usadas por pessoas com biótipos e percentis antropométricos variáveis e com características corporais que mudam significativamente nas passagens para a adolescência, idade adulta e idosa. As mudanças corporais apresentam diferenças significativas em termos de volume das mamas, nas quais as soluções ergonômicas por uma abordagem sistêmicas que se evidencia mais para a complexidade de uso, são as mais necessárias em termos de atributos como, segurança, conforto, comodidade corporal, facilidade do vestir, funcionalidade, além da estética. Esta pesquisa, embora exploratória e descritiva, não isenta de desafios, tem por objetivo, por meio de dados e informações ergonômicas sistêmicas contribuir com o design funcional, de modo a oferecer subsídios para a confecção de roupas funcionais ou tecnologia vestível, com os atributos citados, respeitando a diversidade e inclusão das pessoas em todas as fases de sua vida, atendendo assim os princípios formais do design. Palavra-chave: Abordagem sistêmica, Ergonomia, Design funcional. REFERENCIAS AROS, Kammiri Corinaldesi. 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