Academic literature on the topic 'Australian contemporary painting'
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Journal articles on the topic "Australian contemporary painting"
Geissler, Marie. "Contemporary Indigenous Australian Art and Native Title Land Claim." Arts 10, no. 2 (May 11, 2021): 32. http://dx.doi.org/10.3390/arts10020032.
Full textHassan, Ihab. "Painting a Continent – or Nothing: A Personal Essay on a Theme In Contemporary Australian Art." Religion and the Arts 8, no. 2 (2004): 159–73. http://dx.doi.org/10.1163/1568529042791263.
Full textDunlop, Richard. "Images 2: Contemporary Australian Painting, N. Drury, ed., Craftsman House, 1994, $120.00. - Fairweather, Murray Bail, Craftsman House, 1994, $60.00." Queensland Review 2, no. 2 (September 1995): 86–87. http://dx.doi.org/10.1017/s1321816600000945.
Full textCastillo, Greg. "Spinifex People as Cold War Moderns." Contemporaneity: Historical Presence in Visual Culture 4 (August 3, 2015): 71–94. http://dx.doi.org/10.5195/contemp.2015.144.
Full textHeckenberg, Kerry. "Out of the Frying Pan: Voyaging to Queensland in 1863 on Board the Fiery Star." Queensland Review 17, no. 2 (July 2010): 37–52. http://dx.doi.org/10.1017/s1321816600005407.
Full textMotta, Ana Paula. "From Top Down Under: New Insights into the Social Significance of Superimpositions in the Rock Art of Northern Kimberley, Australia." Cambridge Archaeological Journal 29, no. 3 (February 18, 2019): 479–95. http://dx.doi.org/10.1017/s0959774319000052.
Full textDuncan, Adam. "The Colour of Country." Journal of Childhood Studies 40, no. 2 (December 5, 2015): 32. http://dx.doi.org/10.18357/jcs.v40i2.15177.
Full textLovell, Judith. "Customary Assets and Contemporary Artistry: Multimodal Learning and Remote Economic Participation." Australian Journal of Indigenous Education 44, no. 2 (September 16, 2015): 184–93. http://dx.doi.org/10.1017/jie.2015.24.
Full textMcAuliffe, Chris. "Trying to Live Now: Chronotopic Figures in Jenny Watson’s A Painted Page Series." Contemporaneity: Historical Presence in Visual Culture 3 (June 5, 2014): 1–20. http://dx.doi.org/10.5195/contemp.2014.98.
Full textSunarto, Bambang. "Adangiyah." Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni 16, no. 1 (May 5, 2021): iii—iv. http://dx.doi.org/10.33153/dewaruci.v16i1.3601.
Full textDissertations / Theses on the topic "Australian contemporary painting"
Fries, Katherine. "Ariadne's thread - memory, interconnection and the poetic in contemporary art." Connect to full text, 2008. http://hdl.handle.net/2123/5709.
Full textTitle from title screen (viewed November 26, 2009) Submitted in fulfilment of the requirements for the degree of Master of Visual Arts to the Sydney College of the Arts, University of Sydney. Degree awarded 2009; thesis submitted 2008. Includes bibliographical references.
Glikson, Michal. "Towards a Peripatetic Practice: negotiating journey through painting." Phd thesis, https://datacommons.anu.edu.au/DataCommons/item/anudc:5523, 2017. http://hdl.handle.net/1885/128513.
Full textWatson, Christine. "Kuruwarri, the generative force : Balgo women's contemporary paintings and their relationship to traditional media." Master's thesis, 1996. http://hdl.handle.net/1885/144360.
Full textGreenhill, Fiona. "The stutter of recognition: re-visioning the baroque in contemporary painting." Thesis, 2013. http://hdl.handle.net/1959.13/1039658.
Full textThe major theme that runs throughout my work has always been the question of representation; where to draw the line between ‘real life’ and ‘art’, illusion and abstraction, transcription and composition. The line between illusion and truth, or to put it another way, “between the ontological and the epistemological – between ‘things as they are’ and ‘things as they seem”, was also a concern that preoccupied the seventeenth century. This research challenges the assumption that the ancients are fixed firmly and stably in a past in which the moderns are the victors and the ancients the losers. This research reconsiders the contribution the Baroque has made to Western thought, but in particular, to explain its ongoing appeal and its continuing relevance to painting in the late twentieth / early twenty-first centuries. And more importantly for the purposes of my own research as a painter in the digital age, is to pose the question: how to formulate a Neo-Baroque aesthetic adequate to addressing the problems and uncertainties specific to painting in the twenty-first century?
Allan, Michele Margaret. "‘LIQUID SPACE’: a visual investigation of the sea as an empirical, experiential and metaphoric space." Phd thesis, 2013. http://hdl.handle.net/1885/13491.
Full textBooks on the topic "Australian contemporary painting"
Images in contemporary Australian painting. Roseville East, NSW, Australia: Craftsman House, 1992.
Find full textArt Gallery of New South Wales and Balnaves Foundation, eds. Wilderness: Balnaves contemporary painting. Sydney: Art Gallery of New South Wales, 2010.
Find full textStanton, John E. Painting the country: Contemporary Aboriginal art from the Kimberley region, Western Australia. Nedlands, W.A: University of Western Australia Press, 1989.
Find full textContemporary aboriginal art: A guide to the rebirth of an ancient culture. Crows Nest, NSW, Australia: Allen & Unwin, 2001.
Find full textMcCulloch, Susan. McCulloch's contemporary aboriginal art: The complete guide. Fitzroy, Vic: McCulloch & McCulloch Australian Art Books, 2008.
Find full textGallery, Auckland City Art, ed. The Painted dream: Contemporary, aboriginal, paintings : from the Tim and Vivien Johnson collection. Auckland, N.Z: The Gallery, 1990.
Find full textNigel, Corbally Stourton, ed. Songlines and dreamings: Contemporary Australian Aboriginal painting : the first quarter-century of Papunya Tula. London: Lund Humphries, 1996.
Find full textAboriginality: Contemporary Aboriginal paintings & prints. St Lucia, Qld., Australia: University of Queensland Press, 1989.
Find full textIsaacs, Jennifer. Aboriginality: Contemporary Aboriginal paintings & prints. St Lucia, Qld., Australia: University of Queensland Press, 1992.
Find full textAnna, Eglitis, Meeks Arone, and Thaiday Ken, eds. Contemporary aboriginal & torres strait islander art: Now days - early days : Art works and legends. Rockhampton: Central Queensland University Press, 2000.
Find full textBook chapters on the topic "Australian contemporary painting"
Kubota, Sachiko. "Innovation of Paintings and Its Transmission: Case Studies from Aboriginal Art in Australia." In Social Learning and Innovation in Contemporary Hunter-Gatherers, 229–34. Tokyo: Springer Japan, 2016. http://dx.doi.org/10.1007/978-4-431-55997-9_19.
Full text"Aboriginality and Contemporary Australian Painting." In White Aborigines, 120–33. Cambridge University Press, 1998. http://dx.doi.org/10.1017/cbo9780511586088.008.
Full textBrady, Liam M., and John J. Bradley. "“That Painting Now Is Telling Us Something”: Negotiating and Apprehending Contemporary Meaning in Yanyuwa Rock Art, Northern Australia." In Relating to Rock Art in the Contemporary World: Navigating Symbolism, Meaning, and Significance, 83–106. University Press of Colorado, 2016. http://dx.doi.org/10.5876/9781607324980.c005.
Full textReports on the topic "Australian contemporary painting"
Coombs, HC opening exhibition of contemporary Australian paintings at Art Gallery - September 1955. Reserve Bank of Australia, September 2022. http://dx.doi.org/10.47688/rba_archives_pn-002886.
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