Dissertations / Theses on the topic 'Australian cinema'
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Reid, Mary Anne. "Success factors in Australian cinema in the 1990s." Thesis, Queensland University of Technology, 2000.
Find full textau, davidthomas@arach net, and David Glyndwr Thomas. "Extraordinary Undercurrents: Australian Cinema, Genre and the Everyday." Murdoch University, 2006. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20070307.130804.
Full textThomas, David Glyndwr. "Extraordinary undercurrents: Australian cinema, genre and the everyday." Thesis, Thomas, David Glyndwr (2006) Extraordinary undercurrents: Australian cinema, genre and the everyday. PhD thesis, Murdoch University, 2006. https://researchrepository.murdoch.edu.au/id/eprint/344/.
Full textThomas, David Glyndwr. "Extraordinary undercurrents : Australian cinema, genre and the everyday /." Thomas, David Glyndwr (2006) Extraordinary undercurrents: Australian cinema, genre and the everyday. PhD thesis, Murdoch University, 2006. http://researchrepository.murdoch.edu.au/344/.
Full textRekhari, Suneeti School of Sociology & Anthropology UNSW. "Camera obscura: representations of indigenous identity within Australian cinema." Awarded by:University of New South Wales. School of Sociology and Anthropology, 2006. http://handle.unsw.edu.au/1959.4/25765.
Full textZuvela, Danielle Samantha. "'Yes, But How Do We Place You?': Expanded Cinema in Australia." Thesis, Griffith University, 2007. http://hdl.handle.net/10072/365201.
Full textThesis (PhD Doctorate)
Doctor of Philosophy (PhD)
School of Arts, Media and Culture
Arts, Education and Law
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Slavin, John. "Lost causes : the ideology of national identity in Australian cinema /." [Melbourne : University of Melbourne, 2002. http://eprints.unimelb.edu.au/archive/00000297.
Full textBowles, Katherine. "Representing suburbia : strategies of looking at Australian suburbanisation." Thesis, University of Exeter, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.390128.
Full textau, Katie Ellis@westnet com, and Kathleen Ellis. "You Look Normal To Me:The Social Construction of Disability in Australian National Cinema in the 1990s." Murdoch University, 2004. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20061123.144826.
Full textau, Catherine Simpson@scmp mq edu, and Catherine Simpson. "Imagined geographies: women's negotiation of space in contemporary Australian cinema, 1988-98." Murdoch University, 2000. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20051214.95411.
Full textSimpson, Catherine. "Imagined geographies: women's negotiation of space in contemporary Australian cinema, 1988-98." Thesis, Simpson, Catherine (2000) Imagined geographies: women's negotiation of space in contemporary Australian cinema, 1988-98. PhD thesis, Murdoch University, 2000. https://researchrepository.murdoch.edu.au/id/eprint/312/.
Full textSimpson, Catherine. "Imagined geographies : women's negotiation of space in contemporary Australian cinema, 1988-98 /." Simpson, Catherine (2000) Imagined geographies: women's negotiation of space in contemporary Australian cinema, 1988-98. PhD thesis, Murdoch University, 2000. http://researchrepository.murdoch.edu.au/312/.
Full textBarnett, Vanessa. "Tasha: A practice-based problematisation of Australian comedy cinema’s representation of gender, family and nationhood." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2014. https://ro.ecu.edu.au/theses/1411.
Full textAshton, Romana, and darkroom@optus com au. "Antipodean Gothic Cinema: A Study of the (postmodern) Gothic in Australian and New Zealand Film since the 1970s." Central Queensland University. Humanities, 2006. http://library-resources.cqu.edu.au./thesis/adt-QCQU/public/adt-QCQU20060921.111449.
Full textMcKenzie, Jordi. "An economic analysis of motion pictures in the Australian cinema industry, 1997-2000." Connect to full text, 2005. http://hdl.handle.net/2123/1794.
Full textTitle from title screen (viewed 27th June, 2007). Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Discipline of Economics, University of Sydney. Degree awarded 2006?; thesis submitted 2005. Includes bibliographical references. Also issued in print.
Steains, Timothy Kazuo. "Becoming Mixed: Intercultural Engagement with Japan in Contemporary Australian Literature, Cinema, and Theatre." Thesis, The University of Sydney, 2016. http://hdl.handle.net/2123/16552.
Full textMageros, Peter. "Anzac Cinema: The Heroic Depiction of Australia’s Film Industry, 1906-1988." Thesis, The University of Sydney, 2016. http://hdl.handle.net/2123/14307.
Full textPascoe, Caroline Myra. "Screening Mothers: Representations of motherhood in Australian films from 1900 to 1988." Thesis, The University of Sydney, 1998. http://hdl.handle.net/2123/385.
Full textPascoe, Caroline Myra. "Screening Mothers: Representations of motherhood in Australian films from 1900 to 1988." University of Sydney, History, 1998. http://hdl.handle.net/2123/385.
Full textEmerson, John. "The representation of the colonial past in French and Australian cinema, from 1970 to 2000 /." Title page, contents and abstract only, 2002. http://web4.library.adelaide.edu.au/theses/09PH/09phe536.pdf.
Full textLee, Gerard. "Swell : a feature-length screenplay set in the world of Australian surfing, and an accompanying exegesis on three-act structure." Thesis, Queensland University of Technology, 2003. https://eprints.qut.edu.au/42417/1/Gerard_Lee_Thesis.pdf.
Full textEllis, Kathleen. "You look normal to me: the social construction of disability in Australian national cinema in the 1990s." Thesis, Ellis, Kathleen (2004) You look normal to me: the social construction of disability in Australian national cinema in the 1990s. PhD thesis, Murdoch University, 2004. https://researchrepository.murdoch.edu.au/id/eprint/63/.
Full textEllis, Kathleen. "You look normal to me: the social construction of disability in Australian national cinema in the 1990s." Ellis, Kathleen (2004) You look normal to me: the social construction of disability in Australian national cinema in the 1990s. PhD thesis, Murdoch University, 2004. http://researchrepository.murdoch.edu.au/63/.
Full textProudley, Craig William. "The way of the warrior: Realising the mythic warrior-hero in the action genre and in Australian cinema." Thesis, Queensland University of Technology, 2018. https://eprints.qut.edu.au/116768/9/Craig%20Proudley%20Exegesis.pdf.
Full textCrilly, Shane. ""Gods in our own world" representations of troubled and troubling masculinities in some Australian films, 1991-2001 /." Connect to this title online, 2004. http://hdl.handle.net/2440/37939.
Full textThesis (Ph.D.)--School of Humanities, 2004.
McKenzie, Susan M., and n/a. "Canadian and Australian Feature Film Policy in Perspective: A Comparative Study from 1968 to 1998." Griffith University. School of Arts, Media and Culture, 2004. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20040804.142852.
Full textMcKenzie, Susan M. "Canadian and Australian Feature Film Policy in Perspective: A Comparative Study from 1968 to 1998." Thesis, Griffith University, 2004. http://hdl.handle.net/10072/366616.
Full textThesis (PhD Doctorate)
Doctor of Philosophy (PhD)
School of Arts, Media and Culture
Full Text
au, larissa sextonfinck@uwa edu, and Larissa Claire Sexton-Finck. "Be(com)ing Reel Independent Woman: An Autoethnographic Journey Through Female Subjectivity and Agency in Contemporary Cinema with Particular Reference to Independent Scriptwriting Practice." Murdoch University, 2009. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20100512.122302.
Full textTaylor, Cory Jane. "What happens next? " Telling " the Japanese in contemporary Australian screen stories." Queensland University of Technology, 2006. http://eprints.qut.edu.au/16253/.
Full textTaylor, Cory Jane. "What happens next? " Telling " the Japanese in contemporary Australian screen stories." Thesis, Queensland University of Technology, 2006. https://eprints.qut.edu.au/16253/1/Cory_Taylor_Thesis.pdf.
Full textMikhail, Samia, and fasisami@netspace net au. "The experimental art of Arthur and Corinne Cantrill." RMIT University. Applied Communication, 2006. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20061222.094324.
Full textPeach, Ricardo. "Queer cinema as a fifth cinema in South Africa and Australia." University of Technology, Sydney. Faculty of Humanities and Social Sciences, 2005. http://hdl.handle.net/2100/425.
Full textDeLassus, Leslie Marie. "Salvage historiography: viewing, special effects, and Norman O. Dawn's unpreserved archive." Diss., University of Iowa, 2016. https://ir.uiowa.edu/etd/2203.
Full textThompson, Lisa. "Cinéma Vérité? Australian Film, Young Lebanese-Australian Men, and the Performance of Identity." Thesis, Department of Sociology and Social Policy, 2009. http://hdl.handle.net/2123/7254.
Full textAveyard, Karina. "Rural Cinema: Film Exhibition and Consumption in Australia and the United Kingdom." Thesis, Griffith University, 2012. http://hdl.handle.net/10072/367864.
Full textThesis (PhD Doctorate)
Doctor of Philosophy (PhD)
School of Humanities
Arts, Education and Law
Full Text
Davies, Llewellyn Willis. "‘LOOK’ AND LOOK BACK: Using an auto/biographical lens to study the Australian documentary film industry, 1970 - 2010." Phd thesis, Canberra, ACT : The Australian National University, 2018. http://hdl.handle.net/1885/154339.
Full textBauer-Lenoir, Virginie. "Le cinéma australien contemporain 1975-1988 : reflet d'une société." Paris 3, 1992. http://www.theses.fr/1993PA030046.
Full textThe only way to account for the evolution of the australian film production from 1975 to 1988 is to study the policy of the australian federal governement and of the seven states as regard to the organization of the film industry, the dedication of the men and women who contributed to enrich the australian film heritage and the film themselves. The study of all these aspects comes as an answer to my desire to understand better the political, social and cultural beckground in which such a profound renewal of film production could take place in this country. It also makes possible to define the specificity of australian cinema
au, jporsini@bigpond net, and Jean-Paul Orsini. "Human impacts on Australian sea lions, Neophoca cinerea, hauled out on Carnac Island (Perth, Western Australia): implications for wildlife and tourism management." Murdoch University, 2004. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20040520.154341.
Full textOrsini, Jean-Paul. "Human impacts on Australian sea lions, Neophoca cinerea, hauled out on Carnac Island (Perth, Western Australia): implications for wildlife and tourism management." Thesis, Orsini, Jean-Paul (2004) Human impacts on Australian sea lions, Neophoca cinerea, hauled out on Carnac Island (Perth, Western Australia): implications for wildlife and tourism management. Masters by Research thesis, Murdoch University, 2004. https://researchrepository.murdoch.edu.au/id/eprint/238/.
Full textOrsini, Jean-Paul. "Human impacts on Australian sea lions, Neophoca cinerea, hauled out on Carnac Island (Perth, Western Australia) : implications for wildlife and tourism management /." Orsini, Jean-Paul (2004) Human impacts on Australian sea lions, Neophoca cinerea, hauled out on Carnac Island (Perth, Western Australia): implications for wildlife and tourism management. Masters by Research thesis, Murdoch University, 2004. http://researchrepository.murdoch.edu.au/238/.
Full textGales, Nicholas John. "Breeding biology of the Australian sea lion Neophoca cinerea." Thesis, Gales, Nicholas John (1995) Breeding biology of the Australian sea lion Neophoca cinerea. PhD thesis, Murdoch University, 1995. https://researchrepository.murdoch.edu.au/id/eprint/53087/.
Full textMarcus, Alan David. "Hookworm infection in the Australian sea lion (Neophoca cinerea)." Thesis, The University of Sydney, 2015. http://hdl.handle.net/2123/13606.
Full textO'Reilly, Sean D. "Re-Viewing the Past: The Uses of History in the Cinema of Japan, 1925-1945." Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:17467187.
Full textEast Asian Languages and Civilizations
Wierucka, Kaja. "Multimodal mother-offspring recognition in the Australian sea lion, Neophoca cinerea." Thesis, Université Paris-Saclay (ComUE), 2018. http://www.theses.fr/2018SACLS432.
Full textRecognition plays an important role in animal communication systems and individuals often employ different sensory modalities to enact this activity. Although recognition has been widely investigated, especially for mother-offspring interactions, there is a dearth of information about multimodal recognition and the relative importance and interactions of various sensory cues. In this thesis, I explored multimodal communication in a colonial mammal – the Australian sea lion (Neophoca cinerea). Communication during mother-pup reunions is known to be multimodal in this species, yet the underlying processes of olfactory and visual recognition, as well as the interactions between acoustic, visual and olfactory cues remain unclear. Through chemical analyses, I determined whether chemical profiles differ among sex and age classes, colonies, and body regions of animals. Chemical similarities between mothers and pups indicate that phenotype matching may be used by Australian sea lions for olfactory recognition. I examined the role of visual cues in mother-pup recognition and found that age-specific visual cues assist mothers to refine their search for their offspring in the colony. Pups are capable of distinguishing various visual cues that can be used in the assessment of conspecifics. Having provided baseline information about the role of sensory cues in isolation, I determined how acoustic, olfactory, and visual cues are used in a synergistic way to ensure accurate mutual recognition and then interpreted the results using a cost-benefit perspective to disentangle the evolutionary pressures on each component of this communication system. I showed that although cues have the ability to convey given information in isolation, their role may be different when other sensory cues are present. Furthermore, there is a mutual dependency in the communication system, where the limitations imposed on one participant of the dyad affect cue use by the other. These findings contribute to a better understanding of mammal mother-offspring recognition and communication mechanisms in vertebrates
Robespierre, Claire de. "La renaissance du mythe d'Anzac dans l'Australie contemporaine : la représentation de la Grande Guerre dans les films de cinéma et de télévision des années quatre-vingt et son emprise sur l'imagination nationale." Paris 4, 1996. http://www.theses.fr/1996PA040069.
Full textBorn in the trenches of World War I, Anzac is white Australia’s greatest myth. The involvement of troops from the Anzac (Australian and New Zealand army corps) in the conflict is considered as the turning point in the nation's history and has made a lasting impression on the Australian consciousness. The fascination which Anzac exerts on the national imagination was particularly obvious in the 1980's, when the great war was the subject of a few films and television series. These portrayals show a common will to reillustrate the myth in its traditional form and to resist demythification, thus revealing Australia’s state of mind during this period
Findlay, James Daniel. "Caught on Screen: The Convict Experience in Film and Television." Thesis, The University of Sydney, 2017. http://hdl.handle.net/2123/17582.
Full textCampbell, Richard. "Demography and population genetic structure of the Australian sea lion, neophoca cinerea." University of Western Australia. School of Animal Biology, 2003. http://theses.library.uwa.edu.au/adt-WU2005.0058.
Full textAhonen, Heidi. "Population structure and mating system of the Australian sea lion (Neophoca cinerea)." Thesis, Paris 11, 2013. http://www.theses.fr/2013PA11T059/document.
Full textThe Australian sea lion has a non-annual and asynchronous breeding cycle across geographically closecolonies. In contrast to other pinnipeds, this unique reproductive system provides the opportunity formales to breed in different colonies during one breeding cycle. Male mating success across differentcolonies could counteract the high degree of structure driven by extreme site fidelity in females. I usedtwo, independent but complementary methods, molecular and acoustic to investigate their populationstructure and mating system. For molecular analysis I developed a species-specific microsatellitelibrary. These markers were used to examine the extent and rate of male mediated gene-flow acrossbreeding colonies but also to determine the breeding success and paternity both within and acrossspatially close colonies. Also, I investigated the geographical variation in male barking call. Thisrepresents an alternative approach to measure boundaries and relationships between colonies. Malesexhibit dispersal; however, this is limited to remarkably small scale in regards to the high potential fordispersal and opportunity to breed in different colonies. Acoustic analyses of the male barking callsrevealed significant geographical variation across sites; however this observed acoustic variation didnot reflect the genetic structure. Paternity analyses revealed that males display relatively modest ratesof polygyny with the majority of successful males siring only one or two pups per breeding cycle. Thepresence of alternative mating strategies (roaming vs staying) is apparent in this species with somemales actively moving and breeding between close colonies. It appears that the unique breedingbiology of Australian sea lion influences dispersal patterns, population structure and mating system
Athique, Adrian Mabbott. "Non-resident cinema transnational audiences for Indian films /." Access electronically, 2005. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20060511.140513/index.html.
Full textPitcher, Benjamin James. "Individual recognition systems and multimodal signalling in the Australian sea lion, Neophoca cinerea." Paris 11, 2010. http://www.theses.fr/2010PA11T056.
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