Journal articles on the topic 'Australian Centre for Contemporary Art'
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Stevenson, Ian. "Sonic Residues 02 Australian Centre for Contemporary Art, Melbourne, Australia, 17 November 2 December 2000." Computer Music Journal 25, no. 3 (September 2001): 82–85. http://dx.doi.org/10.1162/comj.2001.25.3.82.
Full textVett. "Australian Indigenous Art Centres Online: A Multi-Purpose Cultural Tourism Framework." Arts 8, no. 4 (October 26, 2019): 145. http://dx.doi.org/10.3390/arts8040145.
Full textFosdike, Tahney. "Kader Attia, Australian Centre for Contemporary Art (Melbourne, Australia), 30 September–19 November 2017. Curated by Rachel Kent." Journal of Visual Art Practice 17, no. 2-3 (May 29, 2018): 230–32. http://dx.doi.org/10.1080/14702029.2018.1426760.
Full textAnderson, Margot. "Dance Overview of the Australian Performing Arts Collection." Dance Research 38, no. 2 (November 2020): 149–67. http://dx.doi.org/10.3366/drs.2020.0305.
Full textTuohy, Ian R. "A Proposal for an Australian Space Astronomy Data Centre." Publications of the Astronomical Society of Australia 7, no. 1 (1987): 80–87. http://dx.doi.org/10.1017/s1323358000021901.
Full textMcQuilten, Grace. "Who is afraid of public space? Public art in a contested, secured and surveilled city." Art & the Public Sphere 8, no. 2 (December 1, 2019): 235–54. http://dx.doi.org/10.1386/aps_00023_1.
Full textLoaney, Denis. "Australian Indigenous Art Innovation and Culturepreneurship in Practice: Insights for Cultural Tourism." Arts 8, no. 2 (April 9, 2019): 50. http://dx.doi.org/10.3390/arts8020050.
Full textFisher, Laura, and Gay McDonald. "From fluent to Culture Warriors: Curatorial trajectories for Indigenous Australian art overseas." Media International Australia 158, no. 1 (January 11, 2016): 69–79. http://dx.doi.org/10.1177/1329878x15622080.
Full textPorr, Martin. "Art und rock-art of the Kimberley, Northwest Australia: Narratives, interpretations and imaginations." EAZ – Ethnographisch-Archaeologische Zeitschrift 51, no. 1/2 (March 24, 2010): 173–90. http://dx.doi.org/10.54799/bwdk8871.
Full textByrne, Paula Jane. "Tracing a Female Mind in Late Nineteenth Century Australia: Rose Selwyn." Genealogy 7, no. 2 (April 27, 2023): 30. http://dx.doi.org/10.3390/genealogy7020030.
Full textBraginsky, Vladimir I. "Rediscovering the ‘Oriental’ in the Orient and Europe: new books on the East-West cultural interface: a review article." Bulletin of the School of Oriental and African Studies 60, no. 3 (October 1997): 511–32. http://dx.doi.org/10.1017/s0041977x00032523.
Full textLey, Graham. "Diaspora Space, the Regions, and British Asian Theatre." New Theatre Quarterly 27, no. 3 (August 2011): 215–28. http://dx.doi.org/10.1017/s0266464x11000431.
Full textRosen, Alan. "Return from the vanishing point: a clinician's perspective on art and mental illness, and particularly schizophrenia." Epidemiologia e Psichiatria Sociale 16, no. 2 (June 2007): 126–32. http://dx.doi.org/10.1017/s1121189x00004747.
Full textLindsey, Kiera. "'Remember Aesi':." Public History Review 28 (June 22, 2021): 46–71. http://dx.doi.org/10.5130/phrj.v28i0.7760.
Full textBrueggemeier, Jan. "Nature in the Dark - Public Space for More-than-Human Encounters." Animal Studies Journal 10, no. 2 (2021): 19–45. http://dx.doi.org/10.14453/asj.v10i2.2.
Full textKuppers, Petra. "Moving Bodily Fantasies: Medical Performances and Modes of Communication." Dance Research Journal 37, no. 2 (2005): 73–88. http://dx.doi.org/10.1017/s0149767700008573.
Full textMcCann, Andrew. "ROSA PRAED AND THE VAMPIRE-AESTHETE." Victorian Literature and Culture 35, no. 1 (January 22, 2007): 175–87. http://dx.doi.org/10.1017/s1060150307051479.
Full textAllatson, Paul, and Andrea Connor. "Ibis and the city: bogan kitsch and the avian revisualization of Sydney." Visual Communication 19, no. 3 (May 24, 2020): 369–90. http://dx.doi.org/10.1177/1470357220912788.
Full textKITLV, Redactie. "Book Reviews." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 157, no. 4 (2001): 903–59. http://dx.doi.org/10.1163/22134379-90003797.
Full textShaw, Margaret. "AARTI: Australian Art Index." Art Libraries Journal 11, no. 1 (1986): 17–20. http://dx.doi.org/10.1017/s0307472200004454.
Full textLéger, Danielle. "Le Centre d’information Artexte: Medi(t)ations autour du catalogue d’exposition et de la francophonie." Art Libraries Journal 21, no. 3 (1996): 34–39. http://dx.doi.org/10.1017/s0307472200009962.
Full textNakajima, Makiko. "Contemporary Art and Censorship: The Australian Museum Context." International Journal of the Inclusive Museum 3, no. 4 (2011): 129–46. http://dx.doi.org/10.18848/1835-2014/cgp/v03i04/44346.
Full textGralton, Beatrice, Suhanya Raffel, Aaron Seeto, and Stephen H. Whiteman. "Curating Chinese Contemporary Art in an Australian Context." Australian and New Zealand Journal of Art 16, no. 2 (July 2, 2016): 247–63. http://dx.doi.org/10.1080/14434318.2016.1240653.
Full textPierce, Imogen Van. "Contemporary Debates: The Hundertwasser Art Centre with Wairau Maori Art Gallery." Back Story Journal of New Zealand Art, Media & Design History, no. 2 (December 1, 2017): 5–25. http://dx.doi.org/10.24135/backstory.vi2.16.
Full textBest, Susan. "Repair in Australian Indigenous art." Journal of Visual Culture 21, no. 1 (April 2022): 190–205. http://dx.doi.org/10.1177/14704129221088289.
Full textGayduk, Vladislava L. "THE HISTORY OF THE CENTER FOR CONTEMPORARY ART ON YAKIMANKA. ARCHIVE OPTICS." Articult, no. 3 (2021): 81–95. http://dx.doi.org/10.28995/2227-6165-2021-3-81-95.
Full textPane, J. B., J. Rilatupa, and S. Simatupang. "The development of an arts centre with the application of futuristic architecture." IOP Conference Series: Earth and Environmental Science 878, no. 1 (October 1, 2021): 012029. http://dx.doi.org/10.1088/1755-1315/878/1/012029.
Full textGeissler, Marie. "Contemporary Indigenous Australian Art and Native Title Land Claim." Arts 10, no. 2 (May 11, 2021): 32. http://dx.doi.org/10.3390/arts10020032.
Full textSzulakowska, Urszula. "Electronic Space in Contemporary Australian Art: Practice and Theory." Leonardo 24, no. 2 (1991): 167. http://dx.doi.org/10.2307/1575289.
Full textStone, Paul. "Gateshead: Susan Hiller at BALTIC Centre for Contemporary Art." Circa, no. 109 (2004): 74. http://dx.doi.org/10.2307/25564193.
Full textCarruthers, Victoria, and Jaime Tsai. "Surrealism, Counter-Mapping and COVID: Confluences in Contemporary Asian Australian Art." International Journal of Surrealism 1, no. 2 (March 2024): 65–86. http://dx.doi.org/10.1353/ijs.2024.a922368.
Full textThomson, John, and Joye Volker. "Australian visual arts: libraries and the new technologies." Art Libraries Journal 21, no. 1 (1996): 4–7. http://dx.doi.org/10.1017/s0307472200009676.
Full textMačianskaitė, Vilma. "Contemporary Lithuanian Artists: Career Opportunities." Art History & Criticism 13, no. 1 (December 1, 2017): 88–110. http://dx.doi.org/10.1515/mik-2017-0007.
Full textSkilbeck, Ruth. "Art journalism and the impact of ‘globalisation’: New fugal modalities of storytelling in Austral-Asian writing." Pacific Journalism Review : Te Koakoa 14, no. 2 (September 1, 2008): 141–61. http://dx.doi.org/10.24135/pjr.v14i2.949.
Full textFreire, Mela Dávila, and Pamela Sepúlveda Arancibia. "Artwork or document? Latin American materials at the Study Centre of the Museum of Contemporary Art of Barcelona (MACBA)." Art Libraries Journal 37, no. 4 (2012): 15–20. http://dx.doi.org/10.1017/s0307472200017685.
Full textNguyen, Anh. "Photo Essay: “Vietnamese Here Contemporary Art and Refections” Art Exhibition, Melbourne, Australia, May 2017." Migration, Mobility, & Displacement 4, no. 1 (June 7, 2019): 133–39. http://dx.doi.org/10.18357/mmd41201918976.
Full textSzafrański, Wojciech. "‘NATIONAL COLLECTIONS OF CONTEMPORARY ART’: PROGRAMME OF THE MINISTER OF CULTURE AND NATIONAL HERITAGE TO FINANCE PURCHASES OF CONTEMPORARY ART WORKS IN 2011–2019 PART 1. HISTORY: FINANCING." Muzealnictwo 62 (September 13, 2021): 227–35. http://dx.doi.org/10.5604/01.3001.0015.2686.
Full textLam, K., M. Savage, D. Murdoch, C. Raffel, D. Walters, E. Shaw, and S. Paitry. "Contemporary Fractional Flow Reserve (FFR) Utilisation in a Large Australian Tertiary Centre." Heart, Lung and Circulation 25 (August 2016): S260. http://dx.doi.org/10.1016/j.hlc.2016.06.605.
Full textGriffin, Lynn, Steven Griffin, and Michelle Trudgett. "At the Movies: Contemporary Australian Indigenous Cultural Expressions – Transforming the Australian Story." Australian Journal of Indigenous Education 47, no. 2 (June 21, 2017): 131–38. http://dx.doi.org/10.1017/jie.2017.15.
Full textMarsh, Angela. "Pragmatist Aesthetics and New Visions of the Contemporary Art Museum: The Tate Modern and the Baltic Centre for Contemporary Art." Journal of Aesthetic Education 38, no. 3 (2004): 91. http://dx.doi.org/10.2307/3527445.
Full textMarsh, Angela. "Pragmatist Aesthetics and New Visions of the Contemporary Art Museum: The Tate Modern and the Baltic Centre for Contemporary Art." Journal of Aesthetic Education 38, no. 3 (2004): 91–106. http://dx.doi.org/10.1353/jae.2004.0027.
Full textKiss, Gabriella. "Get involved! Krétakör: Crisis, Part III – The Priestess, 2011." Theatron 17, no. 4 (2023): 94–109. http://dx.doi.org/10.55502/the.2023.4.94.
Full textLloyd, Kirsten. "Art, Life and Capitalist Social Reproduction: Curating Social Practice." Journal of Curatorial Studies 10, no. 2 (October 1, 2021): 150–76. http://dx.doi.org/10.1386/jcs_00041_1.
Full textShevtsova, Maria. "The Art of Stillness: Brook's ‘Impressions de Pelléas’." New Theatre Quarterly 10, no. 40 (November 1994): 358–65. http://dx.doi.org/10.1017/s0266464x00000907.
Full textRobertson, Carmen. "Utilising PEARL to Teach Indigenous Art History: A Canadian Example." Australian Journal of Indigenous Education 41, no. 1 (August 2012): 60–66. http://dx.doi.org/10.1017/jie.2012.9.
Full textTrotter, Robin. "The Australian Stockman's Hall of Fame and the Australian Legend." Queensland Review 5, no. 1 (May 1998): 17–29. http://dx.doi.org/10.1017/s1321816600001677.
Full textBaltaziuk, Iryna. "DEVELOPMENT OF CREATIVITY WITHIN THE CONDITIONS OF CONTEMPORARY ARTMARKET." Research and methodological works of the National Academy of Visual Arts and Architecture, no. 28 (December 15, 2019): 83–89. http://dx.doi.org/10.33838/naoma.28.2019.83-89.
Full textBeniakh, Nataliia. "Glass Art Department at Lviv National Academy of Arts: unique centre of contemporary glassmaking." Bulletin of Lviv National Academy of Arts, no. 41 (December 26, 2019): 53–56. http://dx.doi.org/10.37131/2524-0943-2019-41-04.
Full textGunn, Robert, and Susan Lowish. "Australian Rock Art in the Expanded Field: History, Meaning, and Contemporary Context." Australian and New Zealand Journal of Art 19, no. 2 (July 3, 2019): 139–41. http://dx.doi.org/10.1080/14434318.2019.1701383.
Full textBlack, Jane. "Beautiful Botanicals: Art from the Australian National Botanic Gardens Library and Archives." Art Libraries Journal 44, no. 3 (June 12, 2019): 124–31. http://dx.doi.org/10.1017/alj.2019.17.
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