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Academic literature on the topic 'Australian Broadcasting Authority'
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Journal articles on the topic "Australian Broadcasting Authority"
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Aisbett, Kate. "Production of Australian Children's Drama: Is There a Future?" Media International Australia 93, no. 1 (November 1999): 41–50. http://dx.doi.org/10.1177/1329878x9909300106.
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To mark the twentieth anniversary of the introduction of the children's programs classification scheme (1979–99), the Australian Broadcasting Authority, the Australian Children's Television Foundation and the Australian Film Finance Corporation commissioned a joint research project on C classification programs. The research investigated trends in programming over the 20 years of the classification scheme and current issues related to the financing of children's programs. This paper explores current developments in the production and broadcast of children's television in Australia and the place of regulation in facilitating the community's desire for quality Australian children's programs.
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Bailey, Julie James. "Review: Australian Broadcasting Authority, Australian Content on Pay TV: Investigation in Connection with Subsection 215(2) of the Broadcasting Services Act 1992." Media International Australia 86, no. 1 (February 1998): 153–54. http://dx.doi.org/10.1177/1329878x9808600113.
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Mencinsky, Nadia, and Belinda Mullen. "Regulation of Children's Television in Australia: Past and Present." Media International Australia 93, no. 1 (November 1999): 27–40. http://dx.doi.org/10.1177/1329878x9909300105.
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The provision of quality television programming made specifically for children has been a significant issue in Australia since television was introduced. From 1979, specific requirements have been in place to ensure children have access to a variety of quality television programs made specifically for them, including Australian drama and non-drama programs. This article traces the development of these requirements and how they have led to the current Children's Television Standards (CTS). The Children's Television Standards (CTS), administered by the Australian Broadcasting Authority (ABA), are widely regarded in Australia and overseas as a notable example — if not benchmark — for how to regulate children's television in the public interest. The article also examines some key trends in programming since 1979 and identifies areas of the standards which are problematic and/or might need to be revised to ensure the expected outcomes are still being achieved.
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Craig, Geoffrey. "How Does A Prime Minister Speak?" Journal of Language and Politics 12, no. 4 (December 31, 2013): 485–507. http://dx.doi.org/10.1075/jlp.12.4.01cra.
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This paper investigates how political subjectivity is framed and expressed through language use in television political interviews. The paper argues that Bourdieu’s concepts of habitus and field provide a useful framework for analyses of political subjectivity in news media interviews, but it also argues that the more sociological emphasis of Bourdieu’s theory cannot sufficiently account for the constitutive importance of discourse in the agency of the habitus and the boundaries and authority of different fields. As such, the analysis also draws on critical discourse analysis to demonstrate how Prime Ministerial discourse involves negotiations of different constitutive features of an individual subjectivity, and also negotiations between a particular habitus and the exigencies of the journalistic and political fields. Through an analysis of interviews of former Australian Prime Minister Kevin Rudd on influential Australian Broadcasting Corporation (ABC) programmes, Insiders and the 7.30 Report, it is argued that the Prime Minister attempts to exercise political authority through an ensemble of discourses, initiating different relations with the interviewers, political colleagues and opponents, leading public figures in other fields, and the Australian public.
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Edge, Marc. "How the Camel Got in the Tent: The Canadian Assault on Australia's Foreign Media Ownership Limits." Media International Australia 132, no. 1 (August 2009): 42–53. http://dx.doi.org/10.1177/1329878x0913200106.
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Before 1991, Australia enforced strict limits on foreign ownership of licensed broadcasters and also limited foreign ownership of newspaper publishers. In the early 1990s, however, a pair of Canadian entrepreneurs succeeded in first raising and then circumventing those limits. Conrad Black bought 15 per cent of the Fairfax newspaper chain in 1992, and shortly before the ensuing national election lobbied to increase his stake to 25 per cent. In his 1993 autobiography, Black described backroom political dealings that resulted in a Senate inquiry. The Australian Broadcasting Authority soon began an investigation into another Canadian challenging the country's foreign media ownership limits. Israel ‘Izzy’ Asper, a former tax lawyer, found a way to legally purchase 57.5 per cent of Network Ten in 1992 by holding 42.5 per cent in the form of non-voting debentures. The ABA absolved his CanWest Global Communications of controlling Network Ten in 1995. Non-voting shares were outlawed in 1997, but CanWest was allowed to retain its debentures. The inquiries into Canadian purchases contributed to a decade-long process of re-evaluating media ownership limits that resulted in restrictions on foreign ownership being eliminated in 2006.
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Hutchinson, Jonathon. "From Fringe to Formalisation: An Experiment in Fostering Interactive Public Service Media." Media International Australia 155, no. 1 (May 2015): 5–15. http://dx.doi.org/10.1177/1329878x1515500103.
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The role assumed by institutions that directly develop and support online communities has emerged as a crucial factor in the development of self-governance models for online communities engaging in collaborative practices. Commonly, online communities reject top-down governance models in favour of a meritocracy that positions users in authoritative positions because of their online performance. Scholarly research into online communities suggests that their governance models are horizontal, even where the community platforms are being developed or supported by commercial institutions. Questions of authority and power emerge when institutional, top-down governance models intersect with online community meritocracy in day-to-day communicative activities and while engaging in creative production. This article examines an experiment in fostering interactive public service media by users of the now-defunct ABC Pool through the case study of Ariadne. It tracks how early user-driven ideas for creativity were aligned with the interests of the Australian Broadcasting Corporation through a process of community self-governance alongside cultural intermediation.
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Clark, Linda. "NZ watchdogs must keep up with media’s changing face." Pacific Journalism Review 18, no. 2 (October 31, 2012): 46. http://dx.doi.org/10.24135/pjr.v18i2.263.
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A discussion paper released by the New Zealand Law Commission just before the end of 2011 looked into how well the regulatory framework governing the NZ media was working, and concluded that change was needed. Currently complaints must be made first to the publication or broadcaster concerned. Only if the complainant is dissatisfied with the outcome is there a right of appeal to the self-regulatory Press Council, for print media, or, for radio and television, to the statutory Broadcasting Standards Authority (BSA). The commission’s recommendation is for a new single regulator created by statute to which all complaints about ‘news media’ would be directed. Unlike the Press Council or the BSA, the new regulator could intervene without any complaint being laid and—possibly—even before a story is published where there are concerns about the methods the journalist used to gather information. And, importantly, online media would be included. But debate about the issues in New Zealand have been rather muted compared to the Australian and British debates.
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Muhtar, Mohamad Hidayat, Zainal Abdul Aziz Hadju, Zamroni Abdussamad, and Rahmat Teguh Santoso Gobel. "Perluasan Kewenangan Komisi Penyiaran Indonesia Terhadap Pengawasan Media Digital." Jurnal Konstitusi 19, no. 1 (March 28, 2022): 126. http://dx.doi.org/10.31078/jk1916.
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Permasalahan penyiaraan sangatlah kompleks yakni definisi dan pengawasan penyiaraan yang masih belum jelas, serta kewenangan KPI lemah untuk mengawasi media digital. Tujuan penelitian ini, yaitu: Pertama, pengawasan Komisi Penyiaran Indonesia atas Media Digital. Kedua, konsep dan praktek lembaga penyiaran terhadap pengawasan media digital di negara lain. Ketiga, desain pengawasan Komisi Penyiaran Indonesia terhadap pengawasan media digital. Hasil penelitian menunjukan bahwa pertama, problematika hukum terhadap kedudukan KPI dalam pengawasan media digital yakni penafsiran frasa “media lainnya di Pasal 1 angka 2 UU Penyiaran”. Kedua, pengawasan media digital di Jerman dan Australia cukup maju untuk mengatur secara ketat penyiaraan digital dengan sistem terintegrasi misalnya Jerman mewajibkan youtube untuk mengintegrasikan UU penyiaran dalam sistem dan Australia melakukan take down apabila konten negatif dari domain lokal. Ketiga, desain penguatan lembaga KPI melalui perluasan kewenangan media digital, integrasi kelembagaan Polri dan Kominfo dan pendekatan “konvergensi media” bidang telekomunikasi, media dan internet dalam kerangka peraturan tunggal.The problem of broadcasting is very complex, consisting of the definition and supervision of broadcasting which is still unclear and the authority of KPI is still weak to supervise digital media. The research objectives are: First, to look at the legal problems of the Indonesian Broadcasting Commission in supervising Digital Media. Second, the concept and practice of broadcasters on digital media surveillance in other countries. Third, the design of the Indonesian Broadcasting Commission's supervision of digital media supervision. The results of the study show that first, there are still legal problems with the position of KPI on digital media supervision. Second, digital media surveillance in Germany and Australia has been quite advanced which has strictly regulated broadcasting in digital with an integrated system. Third, the design is carried out by strengthening KPI institutions, institutional integration, and the "legislative convergence" approach.
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Michaels, Eric. "Response to Eric Willmot's Review ‘Aboriginal Broadcasting in Remote Australia’." Media Information Australia 43, no. 1 (February 1987): 41–44. http://dx.doi.org/10.1177/1329878x8704300113.
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To respond to Professor Willmot's review of my work, I find it necessary to speak in the first person, as I did in my report, from a reflexive, authorial persona. The reasons are not simply the personal nature of the review (beginning, significantly, with the first paragraph's identification of me as American) but are those I explain in the report's introduction (xiv-xv); not to inscribe myself here but in fact to achieve transparency and deconstruct a myth of objectivity.
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Waddell, Terrie. "Playing with the Big Kids: The Implications of Imported Advertising on Australian Television." Media International Australia 98, no. 1 (February 2001): 129–42. http://dx.doi.org/10.1177/1329878x0109800114.
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This article critically examines the Australian Broadcasting Authority's Television Program Standard 23 (TPS 23) — a set of regulations governing the importation of offshore television advertisements. Point five of the Australian Content in Advertising section of TPS 23 (effective from 23 January 1992) stipulates that: ‘A licensee must ensure that at least 80 per cent of the total advertising time (other than the time occupied by exempt advertisements) broadcast in a year by the licensee between the hours of 6.00 a.m. and midnight, is occupied by Australian produced advertisements.’ Although the 20 per cent guideline has not yet been breached, the number of imported commercials has increased since the introduction of the standard. This research paper concentrates on the implications of TPS 23 for those working in the media industry.
Dissertations / Theses on the topic "Australian Broadcasting Authority"
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Keys, Wendy, and n/a. "Grown-Ups In a Grown-Up Business: Children's Television Industry Development Australia." Griffith University. School of Arts, Media and Culture, 2005. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20060928.135325.
Full textAbstract:
This dissertation profiles the children's television industry in Australia; examines the relationship between government cultural policy objectives and television industry production practices; and explores the complexities of regulating and producing cultural content for child audiences. The research conducted between 1997 and 2002 confirms that children's television is a highly competitive business dependent on government regulatory mechanisms and support for its existence. For example, the Australian Broadcasting Authority's retaining of mandatory program standards for children's programs to date, is evidence of the government's continued recognition of the conflict between broadcasters' commercial imperatives and the public-interest. As a consequence, the industry is on the one hand insistent on the government continuing to play a role in ensuring and sustaining CTV - however, on the other hand, CTV producers resent the restrictions on creativity and innovation they believe result from the use of regulatory instruments such as the Children's Television Standards (CTS). In fact, as this dissertation details, the ABA's intended policy outcomes are inevitably coupled with unintended outcomes and little new or innovative policy development has occurred. The dissertation begins with an investigation into the social, cultural and ideological construction of childhood within an historical and institutional context. I do this in order to explore how children have been defined, constructed and managed as a cultural group and television audience. From this investigation, I then map the development of children television policy and provide examples of how 'the child' is a consistent and controversial site of tension within policy debate. I then introduce and analyse a selection of established, establishing and aspiring CTV production companies and producers. Drawing on interviews conducted, production companies profiled and policy documents analysed, I conclude by identit~'ing ten key issues that have impacted, and continue to impact, on the production of children's television programming in Australia. In addressing issues of industry development, the question this dissertation confronts is not whether to continue to regulate or not, but rather, how best to regulate. That is, it explores the complexities of supporting, sustaining and developing the CTV industry in ways which also allows innovative and creative programming. This exploration is done within the context of a broadcasting industry currently in transition from analogue to digital. As communications and broadcasting technologies converge, instruments of regulation - such as quotas designed around the characteristics of analogue systems of broadcasting - are being compromised. The ways in which children use television, and the ways in which the CTV producers create content, are being transformed. The ten key issues identified in this dissertation, I propose, are crucial to industry development and policy debate about the future of children's television in Australia. In integrating the study of policy with the study of production, I have given prominence to the opinions and experiences of those working in the industry. In doing so, this dissertation contributes to the growing body of work in Australia which incorporates industry with cultural analysis, and which includes the voices of the content providers.
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Keys, Wendy. "Grown-Ups In a Grown-Up Business: Children's Television Industry Development Australia." Thesis, Griffith University, 2005. http://hdl.handle.net/10072/366792.
Full textAbstract:
This dissertation profiles the children's television industry in Australia; examines the relationship between government cultural policy objectives and television industry production practices; and explores the complexities of regulating and producing cultural content for child audiences. The research conducted between 1997 and 2002 confirms that children's television is a highly competitive business dependent on government regulatory mechanisms and support for its existence. For example, the Australian Broadcasting Authority's retaining of mandatory program standards for children's programs to date, is evidence of the government's continued recognition of the conflict between broadcasters' commercial imperatives and the public-interest. As a consequence, the industry is on the one hand insistent on the government continuing to play a role in ensuring and sustaining CTV - however, on the other hand, CTV producers resent the restrictions on creativity and innovation they believe result from the use of regulatory instruments such as the Children's Television Standards (CTS). In fact, as this dissertation details, the ABA's intended policy outcomes are inevitably coupled with unintended outcomes and little new or innovative policy development has occurred. The dissertation begins with an investigation into the social, cultural and ideological construction of childhood within an historical and institutional context. I do this in order to explore how children have been defined, constructed and managed as a cultural group and television audience. From this investigation, I then map the development of children television policy and provide examples of how 'the child' is a consistent and controversial site of tension within policy debate. I then introduce and analyse a selection of established, establishing and aspiring CTV production companies and producers. Drawing on interviews conducted, production companies profiled and policy documents analysed, I conclude by identit~'ing ten key issues that have impacted, and continue to impact, on the production of children's television programming in Australia. In addressing issues of industry development, the question this dissertation confronts is not whether to continue to regulate or not, but rather, how best to regulate. That is, it explores the complexities of supporting, sustaining and developing the CTV industry in ways which also allows innovative and creative programming. This exploration is done within the context of a broadcasting industry currently in transition from analogue to digital. As communications and broadcasting technologies converge, instruments of regulation - such as quotas designed around the characteristics of analogue systems of broadcasting - are being compromised. The ways in which children use television, and the ways in which the CTV producers create content, are being transformed. The ten key issues identified in this dissertation, I propose, are crucial to industry development and policy debate about the future of children's television in Australia. In integrating the study of policy with the study of production, I have given prominence to the opinions and experiences of those working in the industry. In doing so, this dissertation contributes to the growing body of work in Australia which incorporates industry with cultural analysis, and which includes the voices of the content providers.Thesis (PhD Doctorate)
Doctor of Philosophy (PhD)
School of Arts, Media and Culture
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Flynn, John Michael. "Locally significant content on regional television : a case study of North Queensland commercial television before and after aggregation." Thesis, Queensland University of Technology, 2008. https://eprints.qut.edu.au/16697/1/John_Michael_Flynn_Thesis.pdf.
Full textAbstract:
This thesis is an exploration of the fate which has befallen the regional commercial television industry in North Queensland in the wake of the aggregation policy introduced by the Federal Labor Government in 1990. More specifically, it examines the effectiveness of policy outcomes which stem from the Australian Broadcasting Authority's 2001 inquiry into the adequacy of regional and rural commercial television news and information services.
The research is primarily concerned with the quality of local content provided by regional commercial broadcasters in response to the implementation of the Australian Communications and Media Authority's points system for broadcast of matters of local significance. The policy outcomes are balanced against an historical context, which traces the regional commercial television industry in North Queensland back to its very beginning.
Regulatory reform has resulted in a basic level of news content being maintained. However the significance of elements of this news content to local viewers is minimal.
The reduction in local information content, despite being identified in the earliest stages of the ABA investigation, has not been adequately addressed by the reform process.
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Flynn, John Michael. "Locally significant content on regional television : a case study of North Queensland commercial television before and after aggregation." Queensland University of Technology, 2008. http://eprints.qut.edu.au/16697/.
Full textAbstract:
This thesis is an exploration of the fate which has befallen the regional commercial television industry in North Queensland in the wake of the aggregation policy introduced by the Federal Labor Government in 1990. More specifically, it examines the effectiveness of policy outcomes which stem from the Australian Broadcasting Authority's 2001 inquiry into the adequacy of regional and rural commercial television news and information services. The research is primarily concerned with the quality of local content provided by regional commercial broadcasters in response to the implementation of the Australian Communications and Media Authority's points system for broadcast of matters of local significance. The policy outcomes are balanced against an historical context, which traces the regional commercial television industry in North Queensland back to its very beginning. Regulatory reform has resulted in a basic level of news content being maintained. However the significance of elements of this news content to local viewers is minimal. The reduction in local information content, despite being identified in the earliest stages of the ABA investigation, has not been adequately addressed by the reform process.
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Davies, Llewellyn Willis. "‘LOOK’ AND LOOK BACK: Using an auto/biographical lens to study the Australian documentary film industry, 1970 - 2010." Phd thesis, Canberra, ACT : The Australian National University, 2018. http://hdl.handle.net/1885/154339.
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While much has been written on the Australian film and television
industry, little has been presented by actual producers,
filmmakers and technicians of their time and experiences within
that same industry. Similarly, with historical documentaries, it
has been academics rather than filmmakers who have led the
debate. This thesis addresses this shortcoming and bridges the
gap between practitioner experience and intellectual discussion,
synthesising the debate and providing an important contribution
from a filmmaker-academic, in its own way unique and insightful.
The thesis is presented in two voices. First, my voice, the
voice of memoir and recollected experience of my screen
adventures over 38 years within the Australian industry, mainly
producing historical documentaries for the ABC and the SBS. This
is represented in italics. The second half and the alternate
chapters provide the industry framework in which I worked with
particular emphasis on documentaries and how this evolved and
developed over a 40-year period, from 1970 to 2010.
Within these two voices are three layers against which this
history is reviewed and presented. Forming the base of the
pyramid is the broad Australian film industry made up of feature
films, documentary, television drama, animation and other types
and styles of production. Above this is the genre documentary
within this broad industry, and making up the small top tip of
the pyramid, the sub-genre of historical documentary. These form
the vertical structure within which industry issues are
discussed. Threading through it are the duel determinants of
production: ‘the market’ and ‘funding’.
Underpinning the industry is the involvement of government, both
state and federal, forming the three dimensional matrix for the
thesis. For over 100 years the Australian film industry has
depended on government support through subsidy, funding
mechanisms, development assistance, broadcast policy and
legislative provisions.
This thesis aims to weave together these industry layers, binding
them with the determinants of the market and funding, and
immersing them beneath layers of government legislation and
policy to present a new view of the Australian film industry.
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Richards, Tanya Krystine. "Legal regulations of internet services providers." Thesis, Queensland University of Technology, 2001. https://eprints.qut.edu.au/36871/1/36871_Richards_2001.pdf.
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The objective of this thesis work is to establish the legal regulations of Internet service providers and establish that there is in fact a body of regulations in existence now for their regulation. While at this time there is feeling in the marketplace that there is insufficient legal regulation of Internet service providers, this thesis has uncovered an existing statutory regime of regulations and obligations. In addition to this existing statutory regime there is further emerging regulations and obligations currently in progress and it can be expected that it will continue to emerge with the industry emergency.
Form a commercial perspective it has been shown that the telecommunications, information technology, communications and entertainment industries are converging with the Internet as a mutual channel for delivery of their existing services. This emergence of a merged industry places the Internet service provider in an interesting position from a regulatory perspective. The Internet service provider is in fact regulated not only by a number of legislative pieces, but also by a number oflegislative bodies.
The term Internet service provider is not an easily defined term. The legal definition is found in the legislation based upon the commercial decisions that the Internet service provider makes, and the term itself is only used in the Broadcasting Services Act. The definition from a layperson point of view is less defined and in many instances does not contain significant correlation with the laypersons expectation of the definition of the term. The life span of the term Internet service provider is questionable. It is difficult to ascertain how long the term will be in common use with the rapid emergence of technology, and if it is still in common usage, if it will have the same meaning as it does at the time of this thesis.
Books on the topic "Australian Broadcasting Authority"
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Authority, Australian Broadcasting. Commercial radio inquiry: Report of the Australian Broadcasting Authority hearing into Radio 2UE Sydney Pty Limited. Sydney: Australian Broadcasting Authority, 2000.
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