Dissertations / Theses on the topic 'Australian Archives History'

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1

Protopopov, Michael Alex, and res cand@acu edu au. "The Russian Orthodox Presence In Australia: The History of a Church told from recently opened archives and previously unpublished sources." Australian Catholic University. School of Philosophy and Theology, 2005. http://dlibrary.acu.edu.au/digitaltheses/public/adt-acuvp87.09042006.

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The Russian Orthodox community is a relatively small and little known group in Australian society, however, the history of the Russian presence in Australia goes back to 1809. As the Russian community includes a number of groups, both Christian and non-Christian, it would not be feasible to undertake a complete review of all aspects of the community and consequently, this work limits itself in scope to the Russian Orthodox community. The thesis broadly chronicles the development of the Russian community as it struggles to become a viable partner in Australia’s multicultural society. Many never before published documents have been researched and hitherto closed archives in Russia have been accessed. To facilitate this research the author travelled to Russia, the United States and a number of European centres to study the archives of pre-Soviet Russian communities. Furthermore, the archives and publications of the Australian and New Zealand Diocese of the Russian Orthodox Church have been used extensively. The thesis notes the development of Australian-Russian relations as contacts with Imperial Russian naval and scientific ships visiting the colonies increase during the 1800’s and traces this relationship into the twentieth century. With the appearance of a Russian community in the nineteenth century, attempts were made to establish the Russian Orthodox Church on Australian soil. However, this did not eventuate until the arrival of a number of groups of Russian refugees after the Revolution of 1917 and the Civil War (1918-1922). As a consequence of Australia’s “Populate or Perish” policy following the Second World War, the numbers of Russian and other Orthodox Slavic displaced persons arriving in this country grew to such an extent that the Russian Church was able to establish a diocese in Australia, and later in New Zealand. The thesis then divides the history of the Russian Orthodox presence into chapters dealing with the administrative epochs of each of the ruling bishops. This has proven to be a suitable matrix for study as each period has its own distinct personalities and issues. The successes, tribulations and challengers of the Church in Australia are chronicled up to the end of the twentieth century. However, a further chapter deals with the issue of the Church’s prospects in Australia and its relevance to future generations of Russian Orthodox people. As the history of the Russians in this country has received little attention in the past, this work gives a broad spectrum of the issues, people and events associated with the Russian community and society at large, whilst opening up new opportunities for further research.
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2

Booth, Sharron. "Venturing into silences:The silence of water (novel) - and - Convicts, women and Western Australian stories (essay)." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2020. https://ro.ecu.edu.au/theses/2312.

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This thesis examines the harsh impact of convict transportation on Western Australian life and literary production with a novel, “The Silence of Water”, and an accompanying essay. The Swan River Colony (Western Australia) was established in 1829 with the express intention never to accept convicts; however, almost 10,000 men were transported there from Britain between 1850 and 1868. “The Silence of Water” depicts the life of one convict, Customs and Excise officer and former tailor Edwin Thomas Salt, who was convicted of the murder of his wife, Mary Ann, in Edinburgh in 1860. The case attracted attention in newspapers across Britain partly due to the “extreme provocation” Edwin was said to have suffered because of Mary Ann’s drinking. Edwin’s death sentence was commuted and he was transported to Western Australia in 1862. Edwin later received a conditional pardon that allowed him to live as a free man. In Western Australia he married twice, had more children and worked sporadically as a tailor. He died in Fremantle in 1910. A literate man with no prior convictions, sometimes a drunk and a bully, Edwin Salt differs from the convicts usually depicted in Western Australian fiction. Through the characters of Edwin Salt, his Australian daughter and granddaughter, “The Silence of Water” explores themes of exile, incarceration, family dislocation, secrets and intergenerational silences. The accompanying essay claims complex convict characters are largely missing from Western Australia’s literature and suggests how “The Silence of Water” claims a place for convicts and the women associated with them in Western Australia’s founding colonial narrative. It also discusses key research frameworks, methods and literary strategies. Chapter one examines how the convict figure functions across a range of novels from 1880 to 2015 and finds that Western Australia’s convict figure differs markedly from that seen in novels from other Australian states. Chapter two examines two research methods used to write the novel: engagement with the archives and engagement with place. It demonstrates how exploration of Edwin Thomas Salt broadened to focus on the women associated with him, driven by a feminist theoretical framework. Chapter three discusses some literary strategies selected for “The Silence of Water” and their rationale, drawing on the work of contemporary Western Australian fiction writers. Overall, the thesis illuminates an under-explored area of Western Australian cultural production and contributes new knowledge about Western Australia’s convict era, the consequences of which are still visible today.
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3

Clark, Anna. "Teaching the nation : politics and pedagogy in Australian history /." Connect to thesis, 2004. http://eprints.unimelb.edu.au/archive/00000860.

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4

Douglas, Heather Anne. "Legal narratives of indigenous existence : crime, law and history /." Connect to thesis, 2005. http://eprints.unimelb.edu.au/archive/00001751.

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5

Roche, Vivienne Carol. "Razor gang to Dawkins : a history of Victoria College, an Australian College of Advanced Education." Connect to digital thesis, 2003. http://eprints.unimelb.edu.au/archive/00000468.

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6

Sharpe, Leslie J. "Economic development in the Kimberley region of Western Australia: a history and dependency theory perspective." University of Southern Queensland, Faculty of Business, 2004. http://eprints.usq.edu.au/archive/00003564/.

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[Abstract]:The focus of the research undertaken for this dissertation is the economic development of the Kimberley region of Western Australia. The period studied is, approximately, the one hundred years from 1900–2000. The region has many of the characteristics of an underdeveloped area and of a low income economy.This research used dependency theory as a framework for examining the causes of underdevelopment in the Kimberley. The development that occurred in the region during the relevant period has been catalogued by the creation of a database. This has enabled the collected information to be examined and manipulated in many ways. The database has allowed the detail of development in the Kimberley to be studied with respect to time, place and type of activity. This made it possible to examine the five hypotheses proposed by A. G. Frank which he considered likely to lead to fruitful research. The detailed study of these hypotheses would not have been possible in the way described without the database.It was found that dependency theory does help to explain and understand the development experience of the Kimberley region of Western Australia during the twentieth century. This was the clear and positive result of this study.The extension to Frank’s core dependency theory, the five hypotheses, were not found to be applicable to the Kimberley region nor supported by the data. The hypotheses, therefore, do not add to our understanding of the nature of Kimberley development during the period examined. This does not invalidate or devalue the usefulness of dependency theory in this study.
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7

Protopopov, Michael Alex. "The Russian Orthodox presence in Australia: The history of a church told from recently opened archives and previously unpublished sources." Phd thesis, Australian Catholic University, 2005. https://acuresearchbank.acu.edu.au/download/7a6f29d5f4ab0a9d13ba30eced67fe15b6b07e63c698a776224464e4706f77bb/2271032/65054_downloaded_stream_279.pdf.

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The Russian Orthodox community is a relatively small and little known group in Australian society, however, the history of the Russian presence in Australia goes back to 1809. As the Russian community includes a number of groups, both Christian and non-Christian, it would not be feasible to undertake a complete review of all aspects of the community and consequently, this work limits itself in scope to the Russian Orthodox community. The thesis broadly chronicles the development of the Russian community as it struggles to become a viable partner in Australia's multicultural society. Many never before published documents have been researched and hitherto closed archives in Russia have been accessed. To facilitate this research the author travelled to Russia, the United States and a number of European centres to study the archives of pre-Soviet Russian communities. Furthermore, the archives and publications of the Australian and New Zealand Diocese of the Russian Orthodox Church have been used extensively. The thesis notes the development of Australian-Russian relations as contacts with Imperial Russian naval and scientific ships visiting the colonies increase during the 1800's and traces this relationship into the twentieth century. With the appearance of a Russian community in the nineteenth century, attempts were made to establish the Russian Orthodox Church on Australian soil. However, this did not eventuate until the arrival of a number of groups of Russian refugees after the Revolution of 1917 and the Civil War (1918-1922). As a consequence of Australia's 'Populate or Perish' policy following the Second World War, the numbers of Russian and other Orthodox Slavic displaced persons arriving in this country grew to such an extent that the Russian Church was able to establish a diocese in Australia, and later in New Zealand.;The thesis then divides the history of the Russian Orthodox presence into chapters dealing with the administrative epochs of each of the ruling bishops. This has proven to be a suitable matrix for study as each period has its own distinct personalities and issues. The successes, tribulations and challengers of the Church in Australia are chronicled up to the end of the twentieth century. However, a further chapter deals with the issue of the Church's prospects in Australia and its relevance to future generations of Russian Orthodox people. As the history of the Russians in this country has received little attention in the past, this work gives a broad spectrum of the issues, people and events associated with the Russian community and society at large, whilst opening up new opportunities for further research.
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8

Gore, James Michael. "Representations of history and nation in museums in Australia and Aotearoa New Zealand : the National Museum of Australia and the Museum of New Zealand, Te Papa Tongarewa /." [Australia] : J. Gore, 2002. http://eprints.unimelb.edu.au/archive/00000320.

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9

Cheers, Rebecca. "Knowing Anne Brennan: Lyric poetry as feminist biography." Thesis, Queensland University of Technology, 2020. https://eprints.qut.edu.au/206891/1/Rebecca_Cheers_Thesis.pdf.

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This practice-led thesis explores the use of lyric poetry as a form of feminist biography through the writing of a poetic biography, No Camelias, on the life of Anne Brennan, a figure of Australian literary history whose life has been sparsely recorded, and whose existing historical profile is marred by misogyny and indifference. The creative manuscript is accompanied by an exegetical essay which analyses poetry by Natalie Harkin and Jessica Wilkinson, two poets who explore marginalised histories through contrasting poetic approaches to archival research. Together, these connected components re-present Anne Brennan’s life through feminist grief, subjectivity and empathy.
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10

Smith, Matthew Stuart. "The relationship between Australians and the overseas graves of the First World War." Thesis, Queensland University of Technology, 2010. https://eprints.qut.edu.au/38655/1/Matthew_Smith_Thesis.pdf.

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The purpose of this thesis is to outline the relationship that existed in the past and exists in the present, between Australians and the War Graves and Memorials to the Missing. commemorations of Australians who died during the First World War. Their final resting places are scattered all over the world and provide a tangible record of the sacrifice of men and women in the war, and represent the final result by Official Agencies such as the Imperial, and later, Commonwealth War Graves Commission, and its agency representative, the Office of Australian War Graves, of an attempt to appropriately commemorate them. The study follows the path of history from the event of death of an individual in the First World War, through their burial; temporary grave or memorial commemoration; the permanent commemoration; the family and public reaction to the deaths; how the Official Agencies of related Commonwealth Governments dealt with the dead; and finally, how the Australian dead are represented on the battlefields of the world in the 21st century. Australia.s war dead of the First World War are scattered around the globe in more than 40 countries and are represented in war cemeteries and civil cemeteries; and listed on large „Memorials to the Missing., which commemorate the individuals devoid of a known graves or final resting place.
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11

Davies, Llewellyn Willis. "‘LOOK’ AND LOOK BACK: Using an auto/biographical lens to study the Australian documentary film industry, 1970 - 2010." Phd thesis, Canberra, ACT : The Australian National University, 2018. http://hdl.handle.net/1885/154339.

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While much has been written on the Australian film and television industry, little has been presented by actual producers, filmmakers and technicians of their time and experiences within that same industry. Similarly, with historical documentaries, it has been academics rather than filmmakers who have led the debate. This thesis addresses this shortcoming and bridges the gap between practitioner experience and intellectual discussion, synthesising the debate and providing an important contribution from a filmmaker-academic, in its own way unique and insightful. The thesis is presented in two voices. First, my voice, the voice of memoir and recollected experience of my screen adventures over 38 years within the Australian industry, mainly producing historical documentaries for the ABC and the SBS. This is represented in italics. The second half and the alternate chapters provide the industry framework in which I worked with particular emphasis on documentaries and how this evolved and developed over a 40-year period, from 1970 to 2010. Within these two voices are three layers against which this history is reviewed and presented. Forming the base of the pyramid is the broad Australian film industry made up of feature films, documentary, television drama, animation and other types and styles of production. Above this is the genre documentary within this broad industry, and making up the small top tip of the pyramid, the sub-genre of historical documentary. These form the vertical structure within which industry issues are discussed. Threading through it are the duel determinants of production: ‘the market’ and ‘funding’. Underpinning the industry is the involvement of government, both state and federal, forming the three dimensional matrix for the thesis. For over 100 years the Australian film industry has depended on government support through subsidy, funding mechanisms, development assistance, broadcast policy and legislative provisions. This thesis aims to weave together these industry layers, binding them with the determinants of the market and funding, and immersing them beneath layers of government legislation and policy to present a new view of the Australian film industry.
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12

Taylor, C. J. "Collapsible Time: Contesting Reality, Narrative And History In South Australian Liminal Hinterlands." Phd thesis, 2017. http://hdl.handle.net/1885/131791.

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My practice-led project explores the indexical lamination of memory, history, narrative and reality afforded by photography imbued with the illusion of spatial dimensionality. This thesis investigates the notion that far from freezing a ‘slice of time’ photography reanimates perception through sensation rendering duration flexible and elastic. Using the liminal landscape of South Australia as time’s stage, I contend that time is ‘collapsible’, constantly unfolding and repeating. In embracing this temporal flow, I submit that photomedia becomes our most compelling connection to time itself, as lived experience. It is this connection that can act as an ethical agent of change for the betterment of the landscape in which we live. The project includes work created in South Australia, the ACT, the United States and the Outer Hebrides and Shetland Islands of Scotland. It includes artefacts photographed in the Adelaide Civic Collection, The South Australian Museum and the National Museum of Australia.
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13

Walker, Andrew Gordon. "Pursuing the radical objective : discourse, ideology and the text : a study of the archive of the Australian Waterside Workers' Federation." Thesis, 2002. https://vuir.vu.edu.au/33021/.

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The texts of the Waterside Workers' Federation offer a valuable insight into the beliefs and activities of one of Australia's more powerful and militant unions. This investigation focuses on the period following the end of the 1930s and the years of World War 2 when the WWF was going through a rebuilding phase under a strong Communist leadership. Seen as an essential tool for the organizational rebuilding of a battered and fragmented Federation, the leaders of the union saw the establishment of a journal as a priority. The product of this vision was the widely distributed, monthly Maritime Worker. This newspaper became the masthead of a politically re-awakening union and through it historians have been able to access the ideological directions the WWF took to achieve its industrial and political objectives. This investigation places the texts of the Waterside Workers' Federation under the scrutiny of a post-structuralist analysis that has the work of Michel Foucault as one of its principal features. The object of this project is to develop a critique of the organising processes that inform historical knowledge. These processes are recognised as the constraints that discourse functions place on all meaning and understanding. By focussing on the texts of the Waterside Workers' Federation and interrogating the interpretative features that support the notions of text, ideology and discourse, this investigation introduces the need for a re-examination of the constitutive and organisational features that have constrained and limited historical knowledge in the modem period.
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14

Conway, Judith (Jude). "The Newcastle women’s movement in the 1970s and 1980s through the lens of Josephine Conway’s activism and archives." Thesis, 2022. http://hdl.handle.net/1959.13/1430745.

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Research Doctorate - Doctor of Philosophy (PhD)
From the late 1960s, women in the Australian industrial city of Newcastle, New South Wales (NSW), joined women around the world in agitating for a broader role in all areas of society and Josephine Conway was one of those women. Josephine raised awareness of, and campaigned on, many of the feminist causes of the 1970s and 1980s. She was passionate about women’s healthcare, protested against women’s objectification in the media, and lobbied for legislation that offered legal parity for women. She fought never-ending battles for the right to legal and affordable pregnancy terminations; and campaigned for equal employment opportunities and the provision of childcare services. Josephine supported women’s activism in the peace movement and for women’s ordination; and was involved in the blossoming of feminist spirituality and creativity in Newcastle. Using Josephine’s extensive archives as a lens, supplemented with oral histories from campaign allies, the thesis explores their pathways to feminism and shared activism. It dissects the women’s groups which Josephine joined, and the modes of operation and relationships within them, as well as the actions that were carried out in pursuing their feminist causes. The themes that emerge are, first that Josephine’s role in the women’s movement was that of the ‘committed individual’ posited by Gerda Lerner as necessary for social change. Second, the thesis demonstrates the wide range and value of the macro and micro-actions undertaken by Josephine and her cohorts in mounting and maintaining effective campaigns. Third, this study reveals the web of relationships and the flow of ideas, tactics and artefacts along transnational and national feminist pathways, and between the capital cities and the regions, which were essential for bringing about nationwide change. In doing so it reveals an important regional story which has not previously been included in histories of the Australian women’s movement.
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15

Protopopov, Michael Alex. "The Russian Orthodox presence in Australia The history of a Church told from recently opened archives and previously unpublished sources /." 2005. http://dlibrary.acu.edu.au/digitaltheses/public/adt-acuvp87.09042006/index.html.

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Thesis (PhD) -- Australian Catholic University, 2005.
Submitted in total fulfillment of the requirements for the degree of Doctor of Philosophy. Bibliography: p. 423-442. Also available in an electronic format via the internet.
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16

Keaney, Benedict. "Bogong Moth Aestivation Sites as an Archive for Understanding the Floral, Faunal and Indigenous History of the Northern Australian Alps." Phd thesis, 2016. http://hdl.handle.net/1885/119187.

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The research detailed in this dissertation focuses on plant and faunal remains preserved in the accumulating sediments at aestivation sites of the Bogong Moth (Agrotis infusa), in the crevices of granite tors in the northern Australian Alps. Analyses have confirmed the preservation of a diverse range of fossil material, including bird feathers, hairs of small marsupials occupying the rock crevice niche, fossil pollen and spores derived from the summit vegetation, and charcoal from fires in the immediate vicinity of the aestivation sites. The fieldwork focused on the sampling of deposits at various aestivation sites representative of different biogeographical areas to ascertain the sedimentary characteristics of each region. Three aestivation study areas were located and sampled for the study, the Brindabella Ranges, the Bogong Peaks and the Tinderry Range in NSW. The Tinderry Range sites represent the most easterly geographical region, while the Bogong Peaks site and Brindabella Ranges sites represent, respectively, the western and central aestivation site regions of the northern Australian Alps area. Since preservation of organic material typically occurs in a stable low oxygen environment, investigation into the depositional environment is an important aspect of the study to taphonomically contextualise the environmental proxies. The palynological preparation of material from the three regions revealed abundant pollen derived from local vegetation. A rich assemblage of mammal hair was found in the Bogong Peaks and Mt Gingera sediments. This record provides a unique faunal proxy of sub-alpine ecosystems. Levels of charcoal in the sediments reflect past fire frequency, and are presented in both micro- and macro-charcoal graphs. Aestivation site deposits are a unique terrestrial archive recording ecological change in the montane and sub-alpine environments for over 1000 years. Despite some chronometric difficulties, they provide an excellent record of the effects of local disturbance, such as fires, on the biome and provide insights into the impact of European settlement, on both vegetation structure and faunal biodiversity. The study provides evidence of massive cultural, ecological and climatic upheaval at sub-alpine elevations in the northern Australian Alps from the late Holocene up to the present, and illustrates the great value that aestivation sites hold as terrestrial archives, signalling a need for further utilisation and investigation in light of rapid human induced climate change.
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17

Johns, Leanne. "Women in colonial commerce 1817-1820 : the window of understanding provided by the Bank of New South Wales ledger and minute books." Master's thesis, 2001. http://hdl.handle.net/1885/146545.

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18

Ward, Lucina. "A translation of a translation: Dissemination of the Arundel Society’s chromolithographs." Phd thesis, 2016. http://hdl.handle.net/1885/101935.

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The thesis casts new light on the activities of the London-based Arundel Society (1848–1897). It examines the watercolours and chromolithographs produced for the Society made after pre-Renaissance frescoes and Northern altarpieces, the discourse around them, and the ways the prints were collected by organisations and individual subscribers. The Society’s commercial and ideological strategies, its didactic and archival programs, as well as the multi-faceted nature of its authorship are analysed. Using the notion of translation, this thesis explores how mediation affects the reception and meaning of a work of art. The Arundel Society, or Society for Promoting the Knowledge of Art, was one of the first entities to issue high-quality colour reproductions of works of art. Through an investigation of the impact of these colour images on art writing, and the ways in which they helped give visual form to ideas about art, this thesis proposes new value for the Society’s publications. The prints, sculptural casts and texts issued over fifty years were an important contribution to art history in a period when the discipline was developing; they were distributed around the world, bringing popular awareness to the art of earlier times. By examining subscriber lists and exploring the connections between the Society’s members, this thesis demonstrates the ubiquity of the chromolithographs. By considering the prints in a range of domestic and religious spheres, within museums and other institutional contexts, the thesis challenges the idea that reproductive prints are by nature unilateral and poses further complexities about the original, its image and the viewer—it asks questions about what happens if works of art look back. This thesis is the first to examine the Arundel Society’s contribution to a nascent art history and only the second, since Tanya Ledger’s more than forty years ago, to assess its activities in depth. Initially the Society aimed to record and spread knowledge of important monuments. Later it placed greater emphasis on recording works of art to which general access was difficult, and those threatened by decay or destruction; the function of the watercolours and prints as a ‘condition report’ was recognised at the time. In 1860s and 1870s, at the height of the Society’s popularity, the chromolithographs were also used as home furnishings, while in various churches they remain as items for devotion. By surveying extant holdings, this thesis assesses the role of the Society’s publications in the development of museum collections in Britain, the colonies and further afield, and reconsiders the possibilities for these works in the twenty-first century.
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