Academic literature on the topic 'Australian aboriginal artists'
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Journal articles on the topic "Australian aboriginal artists"
Franklin, Adrian. "Aboriginalia: Souvenir Wares and the ‘Aboriginalization’ of Australian Identity." Tourist Studies 10, no. 3 (December 2010): 195–208. http://dx.doi.org/10.1177/1468797611407751.
Full textMason, Matthew J. "Out of the Outback, into the Art World: Dotting in Australian Aboriginal Art and the Navigation of Globalization." ARTMargins 11, no. 3 (October 1, 2022): 67–88. http://dx.doi.org/10.1162/artm_a_00326.
Full textGoldstein, Ilana Seltzer. "Visible art, invisible artists? the incorporation of aboriginal objects and knowledge in Australian museums." Vibrant: Virtual Brazilian Anthropology 10, no. 1 (June 2013): 469–93. http://dx.doi.org/10.1590/s1809-43412013000100019.
Full textBradford, Clare, Catherine Sly, and Xu Daozhi. "Ubby’s Underdogs: A Transformative Vision of Australian Community." Papers: Explorations into Children's Literature 24, no. 1 (January 1, 2016): 101–31. http://dx.doi.org/10.21153/pecl2016vol24no1art1112.
Full textAllen, Louis A. "The Artists and Their Work." Aboriginal Child at School 14, no. 4 (September 1986): 54–59. http://dx.doi.org/10.1017/s0310582200014553.
Full textMaher, Katie. "Traveling with Trained Man." Transfers 10, no. 2-3 (December 1, 2020): 83–102. http://dx.doi.org/10.3167/trans.2020.1002306.
Full textPrice-Williams, Douglass, and Rosslyn Gaines. "The Dreamtime and Dreams of Northern Australian Aboriginal Artists." Ethos 22, no. 3 (September 1994): 373–88. http://dx.doi.org/10.1525/eth.1994.22.3.02a00050.
Full textBlack, Jane. "Beautiful Botanicals: Art from the Australian National Botanic Gardens Library and Archives." Art Libraries Journal 44, no. 3 (June 12, 2019): 124–31. http://dx.doi.org/10.1017/alj.2019.17.
Full textGibson, Chris. "“We Sing Our Home, We Dance Our Land”: Indigenous Self-Determination and Contemporary Geopolitics in Australian Popular Music." Environment and Planning D: Society and Space 16, no. 2 (April 1998): 163–84. http://dx.doi.org/10.1068/d160163.
Full textCameron, Liz. "Australian Indigenous sensory knowledge systems in creative practices." Creative Arts in Education and Therapy 7, no. 2 (January 28, 2022): 114–27. http://dx.doi.org/10.15212/caet/2021/7/4.
Full textDissertations / Theses on the topic "Australian aboriginal artists"
Adsit, Melanie Hope. "Caught between worlds: urban aboriginal artists." Thesis, Boston University, 1997. https://hdl.handle.net/2144/27694.
Full textFernandez, Eva. "Collaboration, demystification, Rea-historiography : the reclamation of the black body by contemporary indigenous female photo-media artists." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2002. https://ro.ecu.edu.au/theses/741.
Full textRivett, Mary I. "Yilpinji art 'love magic' : changes in representation of yilpinji 'love magic' objects in the visual arts at Yuendumu /." Title page, table of contents and abstract only, 2005. http://web4.library.adelaide.edu.au/theses/09ARAH.M/09arah.mr624.pdf.
Full textCoursework. "January, 2005" Bibliography: leaves 108-112.
Butler, Sally. "Emily Kngwarreye and the enigmatic object of discourse /." St. Lucia, Qld, 2002. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe16427.pdf.
Full textMcDonald, Michelle. "Selling Utopia marketing the art of the women of Utopia /." Master's thesis, Australia : Macquarie University, 1999. http://hdl.handle.net/1959.14/15101.
Full textIncludes bibliographical references.
Introduction -- Literature review -- A brief history of Utopia's art production; its place in the indigenous art movement -- The role of the wholesaler -- The retail sector -- Report on survey of the buyers of indigenous art -- Emily Kame Kngwarreye -- Authenticity -- Conclusion.
Summary: The thesis focuses on marketing art from the Aboriginal community, Utopia, where the majority of artists, and the best known artists, are women. It documents methods by which the art moves from the community to retail art outlets; it includes detailed documentation of marketing in the retail sector and also includes research into the buying of indigenous art by private buyers. -- Emily Kame Kngwarreye is the best known of the Utopia painters. The study proposes reasons for her success and points to further questions beyond the scope of this study. Problems inherent in criticism and editing of her work are raised and interpreted in the context of the marketplace. -- The original thesis plan did not include detailed discussion about authorship. However, in 1997 the media reported controversy about authorship of a prize-winning work. As such controversy must affect marketing, this topic (as it relates to this artist), was included. -- Although possibilities for improvement in marketing methods have become apparent as a result of this research, areas where further research would be beneficial have also become apparent.
Mode of access: World Wide Web.
265, [48] p
Peacock, Janice, and n/a. "Inner Weavings: Cultural Appropriateness for a Torres Strait Island Woman Artist of Today." Griffith University. Queensland College of Art, 2006. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20070327.140720.
Full textPeacock, Janice. "Inner Weavings: Cultural Appropriateness for a Torres Strait Island Woman Artist of Today." Thesis, Griffith University, 2006. http://hdl.handle.net/10072/365502.
Full textThesis (Professional Doctorate)
Doctor of Visual Arts (DVA)
Queensland College of Art
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Croft, Pamela Joy, and n/a. "ARTSongs: The Soul Beneath My Skin." Griffith University. Queensland College of Art, 2003. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20030807.124830.
Full textCroft, Pamela Joy. "ARTSongs: The Soul Beneath My Skin." Thesis, Griffith University, 2003. http://hdl.handle.net/10072/367423.
Full textThesis (Professional Doctorate)
Doctor of Visual Arts (DVA)
Queensland College of Art
Queensland College of Art
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Syron, Liza-Mare. "Ephemera Aboriginality, reconciliation, urban perspectives ; Artistic practice in contemporary Aboriginal theatre /." Access electronically, 2004. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20060220.155544/index.html.
Full textBooks on the topic "Australian aboriginal artists"
Untitled: Portraits of Australian artists. South Yarra, Vic: Macmillan Art Pub., 2007.
Find full textSayers, Andrew. Aboriginal artists of the nineteenth century. Melbourne: Oxford University Press in association with National Gallery of Australia, 1996.
Find full textCarol, Cooper, ed. Aboriginal artists of the nineteenth century. Melbourne: Oxford University Press in association with National Gallery of Australia, 1994.
Find full textPring, Adele. Aboriginal artists in South Australia. [Adelaide]: Dept. of Employment, Education, Training, and Youth Affairs, 1998.
Find full textRyan, Judith. Colour power: Aboriginal art post 1984 : in the collection of the National Gallery of Victoria. Melbourne: National Gallery of Victoria, 2004.
Find full textOld masters: Australia's great bark artists. Canberra, ACT, Australia: National Museum of Australia Press, 2013.
Find full textTimothy Cook, dancing with the moon. Crawley, Western Australia: UWA Publishing, 2015.
Find full textNicholas, Evans. The heart of everything: The art and artists of Mornington & Bentinck Islands. Fitzroy, Vic: McCulloch & McCulloch Australian Art Books, 2008.
Find full textIsaacs, Jennifer. Australian aboriginal paintings. Sydney: Weldon, 1989.
Find full textIsaacs, Jennifer. Australian aboriginal paintings. The Rocks, NSW, Australia: Lansdowne, 1999.
Find full textBook chapters on the topic "Australian aboriginal artists"
Boyd, Candice P. "Creating the ‘Finding Home’ Exhibition." In Exhibiting Creative Geographies, 31–64. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-6752-8_3.
Full textAlthans, Katrin. "Aboriginal Gothic." In Twenty-First-Century Gothic, 276–88. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474440929.003.0020.
Full textGlowczewski, Barbara. "Lines and Criss-Crossings: Hyperlinks in Australian Indigenous Narratives." In Indigenising Anthropology with Guattari and Deleuze, 281–96. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474450300.003.0010.
Full textBest, Susan. "Repair and the Irreparable in Contemporary Aboriginal Art." In Truth in Visual Media, 15–35. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474474467.003.0001.
Full textJoyce, Rosemary A. "Interlude 5." In The Future of Nuclear Waste, 192–99. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190888138.003.0011.
Full textSumartojo, Shanti, and Ben Wellings. "Anzac, Race and Empire." In Commemorating Race and Empire in the First World War Centenary, 169–86. Liverpool University Press, 2018. http://dx.doi.org/10.3828/liverpool/9781786940889.003.0010.
Full textClarkson, Chris, Kasih Norman, Sue O'Connor, Jane Balme, Peter Veth, and Ceri Shipton. "Australia’s First People." In The Oxford Handbook of the Archaeology of Indigenous Australia and New Guinea, C9.S1—C9.S20. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780190095611.013.9.
Full textFlood, Josephine. "The Rock Art of Aboriginal Australia from Pleistocene to the Present." In Aesthetics, Applications, Artistry and Anarchy: Essays in Prehistoric and Contemporary Art, 59–70. Archaeopress Publishing Ltd, 2019. http://dx.doi.org/10.2307/j.ctvndv846.9.
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