Dissertations / Theses on the topic 'Australian 19th century Themes'
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Brooklyn, Bridget. "Something old, something new : divorce and divorce law in South Australia, 1859-1918." Title page, contents and summary only, 1988. http://web4.library.adelaide.edu.au/theses/09PH/09phb872.pdf.
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Hodge, Pamela. "Fostering flowers: Women, landscape and the psychodynamics of gender in 19th Century Australia." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 1998. https://ro.ecu.edu.au/theses/1435.
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It is said that when the Sphinx was carved into the bedrock of Egypt it had the head as well as the body of Sekhmet lioness Goddess who presided over the rise and fall of the Nile, and that only much later was the head recarved to resemble a male pharaoh. Simon Schama considered the 'making over' of Mount Rushmore to resemble America's Founding Fathers constituted 'the ultimate colonisation of nature by culture … a distinctly masculine obsession (expressing) physicality, materiality and empirical externality,… a rhetoric of humanity's uncontested possession of nature. It would be comforting to think that, although Uluru has become the focus of nationalist myths in Australia, to date it has not been incised to represent Australia's 'Great Men' - comforting that is, if it were not for the recognition that if Australia had had the resources available to America in the 1920s a transmogrified Captain Cook and a flinty Governor Phillip may have been eyeballing the red heart of Australia for the greater part of a century. My dissertation traces the conscious and unconscious construction of gender in Australian society in the nineteenth century as it was constructed through the apprehension of things which were associated with 'nature' -plants, animals, landscape, 'the bush', Aborigines, women. The most important metaphor in this construction was that of women as flowers; a metaphor which, in seeking to sacralise 'beauty' in women and nature, increasingly externalised women and the female principle and divorced them from their rootedness in the earth - the 'earth' of 'nature', and the 'earth' of men's and women's deeper physical and psychological needs. This had the consequence of a return of the repressed in the form of negative constructions of women, 'femininity'" and the land which surfaced in Australia, as it did in most other parts of the Western World, late in the nineteenth century. What I attempt to show in this dissertation is that a negative construction of women and the female principle was inextricably implicated in the accelerating development of a capitalist consumer society which fetishised the surface appearance of easily reproducible images of denatured objects. In the nineteenth century society denatured women along with much else as it turned from the worship of God and ‘nature' to the specularisation of endlessly proliferating images emptied of meaning; of spirituality. An increasing fascination with the appearance of things served to camouflage patriarchal assumptions which lopsidedly associated women with a 'flowerlike' femininity of passive receptivity (or a ‘mad' lasciviousness) and men with a 'masculinity' of aggressive achievement - and awarded social power and prestige to the latter. The psychological explanation which underlies this thesis and unites its disparate elements is that of Julia Kristeva who believed that in the nineteenth century fear of loss of the Christian 'saving' mother - the Mother of God - led to an intensification of emotional investment among men and women in the pre-oedipal all-powerful 'phallic' mother who is thought to stand between the individual and 'the void of nothingness'.
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Gardiner, Amanda. "Sex, death and desperation: Infanticide, neonaticide and concealment of birth in colonial Western Australia." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2014. https://ro.ecu.edu.au/theses/1907.
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Eluwawalage, Damayanthie. "History of costume : the consumption, governance, potency and patronage of attire in colonial Western Australia." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2004. https://ro.ecu.edu.au/theses/830.
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This dissertation represents a new' departure in the study of dress in colonial Western Australia, focusing on the rationale behind individual and collective clothing practices in the new society. As a study of significant social and cultural practices, rather than an account of fashion, this research contributes to the understanding of previously disregarded elements in colonial Western Australian ethno-economic and social histories. The study investigates the internal and external influences which impacted upon colonial inhabitants' ways of dressing, their societal attitudes and social demeanour. The research compares the influences on attire and finery in colonial Western Australian society with the British/European context. This thesis examines the influences caused by world-wide dominant events, ideas and social groups, and their effect on societal and cultural attitudes in the colony. The thesis examines clothing as a symbolic indicator of status which influenced the class distinction in colonial Western Australian society. Also the function of dress as it relates to class consciousness and identification. The research focuses on the ambiguities associated with colonial clothing and the way in which social class and status were negotiated through wearing apparel in the colony. This thesis examines colonial Western Australian fashion and attire in the context of social stratification, social conditions, power relations and cultural formation, in order to comprehend sartorial consumerism and social practise in the colony. Fashion's ultimate function of signifying power and prestige, which linked with financial capability, and its impact on society and societal practise, is significant. The research examines the affiliation between colonial clothing and the economic growth of Western Australia in the context of the development of the colonial clothing economy and the influence of affluent colonists and traders who controlled the clothing behaviour in the colony. One of the primary purposes of this study is to examine the meanings encoded in colonial dress and adornment. The function of clothing and its adornment was often used for more than its utilitarian purpose. For example, the analysis of gender in clothing reflects the sociological differences and the power relations between sexes. In that context, the dissertation discusses colonial attire as an aesthetic experience, as well as a social and cultural expression of the period by examining Veblen’s Leisure Theory and Simmel’s Trickle-down Theory. Colonial characteristics such as different societal and climatic conditions as well as the way of life brought about a society dissimilar to that in Britain but symbolic to its colonialism. This research investigates the unique social and cultural qualities which applied in the colony and which resulted in a tendency towards distinctive dress codes in early Western Australia. This study explores the consumption governance, potency and patronage of attire in colonial Western Australia within the context of social, socio-economic and fashion philosophies.
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Vick, Malcolm John. "Schools, school communities and the state in mid-nineteenth century New South Wales, South Australia and Victoria /." Title page, contents and abstract only, 1991. http://web4.library.adelaide.edu.au/theses/09PH/09phv636.pdf.
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Cooper, Leanne Rosa. "The emergence of a mixed economy : the Buandig of the lower South-East of South Australia in the mid-19th century /." Title page, contents and introduction only, 2001. http://web4.library.adelaide.edu.au/theses/09AR/09arc7776.pdf.
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Singley, William Blake. "Recipes for a nation : cookbooks and Australian culture to 1939." Phd thesis, 2013, 2013. http://hdl.handle.net/1885/109392.
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Cookbooks were ubiquitous texts found in almost every Australian home. They played an influential role that extended far beyond their original intended use in the kitchen. They codified culinary and domestic practices thereby also codifying wider cultural practices and were linked to transformations occurring in society at large. This thesis illuminates the many ways in which cookbooks reflected and influenced developments in Australian culture and society from the early colonial period until 1939. Whilst concentrating on culinary texts, this thesis does not primarily focus on food; instead it explores the many different ways that cookbooks can be read to further understand Australian culture in the nineteenth and early twentieth century. Through cookbooks we can chart the attitudes and responses to many of the changes that were occurring in Australian life and society. During a period of dramatic social change cookbooks were a constant and reassuring presence in the home. It was within the home that the foundations of Australian culture were laid. Cookbooks provide a unique perspective on issues such as gender, class, race, education, technology, and most importantly they hold a mirror up to Australia and show us what we thought of ourselves.
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Francis, Diana Pharaoh. "Models to the universe : Victorian hegemony and the construction of feminine identity." Virtual Press, 1999. http://liblink.bsu.edu/uhtbin/catkey/1159142.
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White, Claire. "Work and leisure in late nineteenth-century French literature and visual culture." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610774.
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O’Neill, Patrick Nathaniel. "Paul Solanges : soldier, industrialist, translator : a biographical study and critical edition of his correspondence with Antonio Fogazzaro and Henry Handel Richardson." Monash University. Faculty of Arts. School of Languages, Cultures and Linguistics, 2007. http://arrow.monash.edu.au/hdl/1959.1/53105.
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Paul Solanges was one of the most prolific (in correspondence) and enthusiastic fans of Australian author Henry Handel Richardson (HHR). What was it about him that made HHR invest so much time in his translation of her novel, and to what extent can credence be given to the self-portrait in his letters? This thesis reveals his illegitimate royal background, considers his early career as a cavalry officer in North Africa and in the Franco-Prussian War, and describes his long career as manager of the gasworks in Milan. It also portrays in detail his other life as a translator of songs, short stories and operas from Italian to French. Finally, it compares his relationship with Italian novelist Antonio Fogazzaro to his relationship with HHR. A critical edition of Solanges’s correspondence with Fogazzaro and HHR offers the reader a privileged insight into the life and character of this Franco-Italian littérateur.
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Gardos, Amy. "The historical archaeology of the Old Farm on Strawberry Hill : a rural estate 1827-1889, Albany, Western Australia." University of Western Australia. Archaeology Discipline Group, 2004. http://theses.library.uwa.edu.au/adt-WU2005.0032.
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This thesis presents the results of historical archaeological research at the Old Farm on Strawberry Hill in Albany, Western Australia. The site is an important colonial farm in Western Australia’s history; the location for the first farm in Western Australia (1827) and linked to many important individuals in the state’s colonial past. The site is owned and managed by the National Trust of Australia (W.A.) and is registered on both the West Australian, Heritage Council Register of Historical Places and the Australian Heritage Commission’s National Estate. Past historical and cultural biases had created an incomplete interpretation of this site that did not represent all social groups, including indentured servants, convict and Aboriginal labourers and women. The research has provided a holistic site interpretation that identified all social groups living and working on this site in the 1800s by analysing historical documents and archaeological excavated materials. The historical documentary record included both personal and official correspondence, diaries and drawings, as well as two valuable farm log books that documented the day to day events on the farm in the early to mid 1800s. The archaeological excavation was restricted to small area excavations in habitation areas still present on the site or in areas identified from 19th century surveyor maps. Both of these data sources were analysed to identify social and economic relationships, such as gender, status, class and ethnicity so that a comparison could be made between historical and archaeological data and a complementary interpretation created. The research was divided into three main periods of site occupation, firstly by convict gardeners during the government farm period from 1827 to 1832. The Spencer family period from 1833 to 1889, which is further defined by two phases, the six years from their arrival until Richard Spencer’s death in 1839 and the dispersal of the family and the property decline until it was sold in 1889. The third period of occupation by the Bird family was not discussed due to the discontinuation of a farming subsistence that distinguished it from a rural rather than an urban property. This study provides the current heritage managers with an updated interpretation of the site’s past and changing social and economic relationships on site and with the early town of Albany. It is hoped that this interpretation will be used to improve the site’s current representation and becomes the basis for a heritage conservation plan which not only recognises the importance of existing site structures, but also sub surface remains. This thesis also identifies a number of avenues for future research that will further enhance the site’s interpretation.
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Welch, Ian, and iwe97581@bigpond net au. "Alien Son : The life and times of Cheok Hong Cheong, (Zhang Zhuoxiong) 1851-1928." The Australian National University. Research School of Pacific and Asian Studies, 2003. http://thesis.anu.edu.au./public/adt-ANU20051108.111252.
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This thesis contributes to the ongoing discussion of modern Chinese identity by pro-viding a case study of Cheok Hong CHEONG. It necessarily considers Australian atti-tudes towards the Chinese during the 19th century, not least the White Australia Pol-icy. The emergence of that discriminatory immigration policy over the second half of the 19th century until its national implementation in 1901 provides the background to the thesis. Cheong was the leading figure among Chinese-Australian Christians and a prominent figure in the Australian Chinese community and the thesis seeks to iden-tify a man whose contribution has largely been shadowy in other studies or, more commonly, overlooked by the parochialism of colony/state emphasis in many histo-ries of Australia. His role in the Christian church fills a space in Victorian religious history.
Although Cheong accumulated great wealth he was not part of the Chinese mer-chant class of the huagong/huaquiao traditions of the overseas Chinese diaspora of the 19th and 20th centuries. His wealth was accumulated through property investments following the spectacular collapse of the Victorian banking system during the 1890s. His community leadership role arose through his position in the Christian Church rather than, as was generally the case, through business. His English language skills, resulting from his church association, were the key to his role as a Chinese community spokesman.¶
Cheok Hong Cheong left an archive of some 800 documents in the English lan-guage covering the major people, incidents and concerns of his life and times. His Let-terbooks, together with the archives of the various Christian missions to the Chinese in Australia in the 19th and early 20th centuries, shed light on one person’s life and more broadly, through his involvements on the complex relationships of Chinese emigrants, with the often unsympathetic majority of Australians.¶
This is a case study of a Chinese identity formed outside China and influenced by a wider set of cultural influences than any other Chinese-Australian of his time —an identity that justifies the description of him as an ‘Alien Son’. Cheong’s story is a con-tribution to the urban and family history of an important ethnic sub-group within the wider immigrant history of Australia.¶
While Cheong remained a Chinese subject his identification with Australia cannot be questioned. All his children were born in Australia and he left just twice after his arrival in 1863. He visited England in 1891-2 and in 1906 he briefly visited China. Identity and culture issues are growing in importance as part of the revived relation-ship between the Chinese of the diaspora and the economic renewal of the People’s Republic of China and this thesis is offers a contribution to that discussion.
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Taylor, John J. "Joseph John Talbot Hobbs (1864-1938) : and his Australian-English architecture." University of Western Australia. Faculty of Architecture, Landscape and Visual Arts, 2010. http://theses.library.uwa.edu.au/adt-WU2010.0100.
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Architect and soldier Sir J.J. Talbot Hobbs was born on 24 August 1864 in London. After migrating from England to Western Australia in the late 1880s, Hobbs designed many buildings that were constructed in Perth, Fremantle, and regional areas of the State. Although Talbot Hobbs has previously been recognised as a significant and influential contributor to architecture in Australia, his development as an architect has not been documented, nor has his design output undergone critical analysis. A number of problems confront attempts to interpret Hobbs' contribution to architecture. One is that a number of his most prominent building designs have been demolished. Another is that national recognition for his achievements as a First World War Army General have overshadowed his extraordinarily productive pre and post-war career as an architect. Military service was intrinsic to his character, and thus is woven in to this architectural biography. The thesis examines Hobbs' life and work, filling the gap in documented evidence of his contributions, and fitting it within the context of Australian architectural and social history. The main proposition to be tested is whether Hobbs' Australian architecture, of English derivation, combined with vast community service, warrants his recognition as an architect and citizen of national significance. Completely new important issues, information, discussion and facts that have resulted from the research for this thesis are: 1. Biographical knowledge about Hobbs' life including his upbringing, education and training in England, and his fifty years of comprehensive work and community service in and for Australia; 2. The elucidation of the late nineteenth and early twentieth century architectural issues that were relevant to Hobbs and other architects in Western Australia; 3. Examination of the important works of Hobbs' architect predecessors and contemporaries in Perth, and the setting of his own work within this context; 4. Revelation of his primary and pivotal role in war memorial design and organisational work for the far-flung theatres of Australian Army conflicts and selected personal design works within Australia itself during 1919-38; and 5. A chronology and summary of Hobbs' life, with thorough documentation of his output as a sole practitioner in the period 1887-1904 by development of a detailed web-based database - an extremely valuable tool for future researchers.
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Muldoon, Paul (Paul Alexander) 1966. "Under the eye of the master : the colonisation of aboriginality, 1770-1870." Monash University, Dept. of Politics, 1998. http://arrow.monash.edu.au/hdl/1959.1/8552.
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Clarke, Stephen John History Australian Defence Force Academy UNSW. "Marching to their own drum : British Army officers as military commandants in the Australian colonies and New Zealand 1870-1901." Awarded by:University of New South Wales - Australian Defence Force Academy. School of History, 1999. http://handle.unsw.edu.au/1959.4/38659.
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Between 1870 and 1901, seventeen officers from the British army were appointed by the governments of the Australian colonies and New Zealand as commanders of their colonial military forces. There has been considerable speculation about the roles of these officers as imperial agents, developing colonial forces as a wartime reserve to imperial forces, but little in depth research. This thesis examines the role of the imperial commandants with an embryonic system of imperial defence and their contribution to the development of the colonial military forces. It is therefore a topic in British imperial history as much as Australian and New Zealand military history. British officers were appointed by colonial governments to overcome a shortfall in professional military expertise but increasingly came to be viewed by successive British administrations as a means of fulfilling an imperial defence agenda. The commandants as ???men-on-the-spot???, however, viewed themselves as independent reformers and got offside with both the imperial and colonial governments. This fact reveals that the commandants occupied a difficult position between the aspirations of London and the reality of the colonies. They certainly brought an imperial perspective to their commands and looked forward to the colonies playing a role on the imperial stage but generally did so in terms of a personal agenda rather than one set by London. This assessment is best demonstrated in the commandants??? independent stance at the outset of the South African War. The practice of appointing British commandants in Australasia was fraught with problems because of an inherent conflict in the goals of the commandants and their colonial governments. It resembles the Canadian experience of the British officers which reveals that the system of imperials military appointments as a whole was flawed. The problem remained that until a sufficient number of colonial officers had the prerequisite professional expertise for high command there was no alternative. The commandants were therefore the beginning rather than the end of a traditional reliance upon British military expertise. The lasting legacy of the commandants for the military forces of Australia and New Zealand was the development of colonial officers, transference of British military traditions, and the encouragement of a colonial military identity premised on the expectation of future participation in defence of the empire. The study provides a major revision to the existing historiography of imperial officers in the colonies, one which concludes that far from being ???imperial agents??? they were largely marching to their own drum.
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Orr, Kirsten School of Architecture UNSW. "A force for Federation: international exhibitions and the formation of Australian ethos (1851-1901)." Awarded by:University of New South Wales. School of Architecture, 2006. http://handle.unsw.edu.au/1959.4/23987.
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In 1879 the British Colony of New South Wales hosted the first international exhibition in the Southern Hemisphere. This was immediately followed by the Melbourne International Exhibition of 1880 in the colony of Victoria and the success of these exhibitions inspired the Melbourne Centennial Exhibition, which was held in 1888 to celebrate the centenary of white settlement in Australia. My thesis is that these international exhibitions had a profound impact on the development of our cities, the evolution of an Australian ethos and the gaining of nationhood. The immense popularity and comprehensive nature of the exhibitions made them the only major events in late nineteenth-century Australia that brought the people together in an almost universally shared experience. The exhibitions conveyed official ideologies from the organising elites to ordinary people and encouraged the dissemination of new cultural sentiments, political aspirations, and moral and educational ideals. Many exhibition commissioners, official observers and ideologues were also predominantly involved in the Federation movement and the wider cultural sphere. The international exhibitions assisted the development of an Australian urban ethos, which to a large extent replaced the older pastoral / frontier image. Many of the more enduring ideas emanating from the exhibitions were physically expressed in the consequent development of our cities ??? particularly Sydney and Melbourne, both of which had achieved metropolitan status and global significance by the end of the nineteenth century. The new urban ethos, dramatically triggered by Sydney 1879, combined with and strengthened the national aspirations and sentiments of the Federation movement. Thus the exhibitions created an immediate connection between colonial pride in urban development and European and American ideals of nation building. They also created an increasing cultural sophistication and a growing involvement in social movements and political associations at the national level. The international exhibitions, more than any other single event, convinced the colonials that they were all Australians together and that their destiny was to be united as one nation. At that time, Australians began to think about national objectives. The exhibitions not only promulgated national sentiment and a new ethos, but also provided opportunities for independent colonial initiatives, inter-colonial cooperation and a more equal position in the imperial alliance. Thus they became a powerful impetus, hitherto unrecognised, for the complex of social, political and economic developments that made Federation possible.
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Clarke, Patricia, and n/a. "Life Lines to Life Stories: Some Publications About Women in Nineteenth-Century Australia." Griffith University. School of Arts, Media and Culture, 2004. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20040719.150756.
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This thesis consists of an introduction and six of my books, published between 1985 and 1999, on aspects of the history of women in nineteenth-century Australia. The books are The Governesses: Letters from the Colonies 1862-1882 (1985); A Colonial Woman: The Life and Times of Mary Braidwood Mowle 1827-1857 (1986); Pen Portraits: Women Writers and Journalists in Nineteenth Century Australia (1988); Pioneer Writer: The Life of Louisa Atkinson, Novelist, Journalist, Naturalist (1990); Tasma: The Life of Jessie Couvreur (1994); and Rosa! Rosa! A Life of Rosa Praed, Novelist and Spiritualist (1999). At the time they were published each of these books either dealt with a new subject or presented a new approach to a subject. Collectively they represent a body of work that has expanded knowledge of women's lives and writing in nineteenth-century Australia. Although not consciously planned as a sequence at the outset, these books developed as a result of the influence on my thinking of the themes that emerged in Australian social and cultural historical writing during this period. The books also represent a development in my own work from the earlier more documentary-based books on letters and diaries to the interpretive challenge of biographical writing and the weaving of private lives with public achievements. These books make up a cohesive, cumulative body of work. Individually and as a whole, they make an original contribution to knowledge of the lives and achievements of women in nineteenth-century Australia. They received critical praise at the time of publication and have led to renewed interest and further research on the subjects they cover. My own knowledge and expertise has developed as a result of researching and writing them. The Governesses was not only the first full-length study of a particular group of letters but it also documented aspects of the lives of governesses in Australia, a little researched subject to that time. A Colonial Woman, based on a previously unpublished and virtually unknown diary, pointed to the importance of 'ordinary' lives in presenting an enriched view of the past. Pen Portraits documented the early history of women journalists in Australia, a previously neglected subject. Three of the women I included in Pen Portraits, Louisa Atkinson, Tasma and Rosa Praed, the first two of whom were pioneer women journalists as well as novelists, became the subjects of my full-length biographies. In my biographies of women writers, Pioneer Writer, Tasma, and Rosa! Rosa!, I recorded and interpreted the lives of these important writers placing them in the context of Australian cultural history as women who negotiated gender barriers and recorded this world in their fiction. My books on Louisa Atkinson and Tasma were the first full-length biographies of these significant but largely forgotten nineteenth-century women writers, while my biography of Rosa Praed was the first for more than fifty years. Each introduced original research that changed perceptions of the women's lives and consequently of attitudes to their creative work. Each provided information essential for further research on their historical significance and literary achievements. Each involved extensive research that led to informed interpretation allowing insightful surmises essential to quality biography.
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Rondou, Katherine. "Le thème de sainte Marie-Madeleine dans la littérature d'expression française, en France et en Belgique, de 1814 à nos jours." Doctoral thesis, Universite Libre de Bruxelles, 2006. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210807.
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Le présent travail enrichit la thématologie à un double niveau, à la fois par une réflexion méthodologique sur les différents modes de manifestation du thème, et par une meilleure connaissance d'un "mythe" littéraire précis, celui de sainte Marie-Madeleine, dont la vitalité ne laisse aucun doute, tant dans la fréquence de l'utilisation du personnage depuis deux mille ans, que dans l'originalité des interprétations, malgré d'inévitables redites et banalités. Sur la base d'une analyse minutieuse des différentes composantes du thème magdaléen dans la littérature franco-belge d'expression française après 1814, et des incarnations féminines qui s'en dégagent, cette thèse définit les contours du visage de la Madeleine de ces deux derniers siècles, et démontre la raison fondamentale de la permanence de la figure évangélique à travers les siècles :sa rencontre immédiate, et constante, avec le motif de la Femme dans la civilisation judéo-chrétienne.
Doctorat en philosophie et lettres, Orientation langue et littérature
info:eu-repo/semantics/nonPublished
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Robb, Charles. "The Self as Subject and Sculpture." Thesis, Monash University, 2008. https://eprints.qut.edu.au/16903/1/16903.pdf.
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This paper analyses and contextualises the artist’s exploration of self-portraiture through the sculptural bust format.
Conventionally, the portrait bust epitomises an antiquated view of the human subject as fixed, finite and knowable. The classicistic allusion of the form seems the perfect embodiment of a pre-modern and hopelessly idealised view of subjectivity and its capacity to be represented. This paper will show how, despite these impressions, the portrait bust is in fact a highly volatile sculptural form in which presence and absence are brought into question. When used as a vehicle for self-portraiture the bust yields a spectrum of instability, both literal and metaphoric, that calls into question the clarity of notions of subject and object and challenges the ideas of authority and representation more broadly.
By providing an historical overview of the role of the portrait bust, this paper will map the field of content inherent to the portrait bust and discuss its application in contemporary self-portraiture. As the work of Mike Parr, Janine Antoni and Marc Quinn demonstrates, the classical certainty that permeates the bust format can indeed heighten the capacity of the form to represent uncertainty: an ambiguity that makes it a highly potent form for sustained studio investigation and experimentation.
This paper will provide an overview of this experimental scope and application, by discussing the author’s process of sculptural self-portraiture in relation to aspects of ‘likeness’, expression, truncation and reproduction that occur in the form.
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Doggett, Anne University of Ballarat. "'And for harmony most ardently we long' : musical life in Ballarat, 1851-1871." 2006. http://archimedes.ballarat.edu.au:8080/vital/access/HandleResolver/1959.17/12761.
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"The study examines two decades in the musical life of Ballarat, a regional city in south-eastern Australia. Beginning at the time of the 1851 gold rush, it covers the period in which Ballarat grew from a rough mining camp to an established city with a socially and ethnically diverse population of over 40,000 people. The thesis pursues the aim of looking at the music practices of the community in ways that will further our understanding of the significance of music in the lives of the people."--Abstract.Doctor of Philosphy
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Doggett, Anne. "'And for harmony most ardently we long' : musical life in Ballarat, 1851-1871." 2006. http://archimedes.ballarat.edu.au:8080/vital/access/HandleResolver/1959.17/14596.
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"The study examines two decades in the musical life of Ballarat, a regional city in south-eastern Australia. Beginning at the time of the 1851 gold rush, it covers the period in which Ballarat grew from a rough mining camp to an established city with a socially and ethnically diverse population of over 40,000 people. The thesis pursues the aim of looking at the music practices of the community in ways that will further our understanding of the significance of music in the lives of the people."--Abstract.Doctor of Philosphy
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Collins, Miriam A. (Miriam Anne). "Pre-industrial towns--a spatial and functional analysis over time and space : a comparative study of nineteenth century South Australian and medieval Suffolk towns." 1985. http://web4.library.adelaide.edu.au/theses/09PH/09phc7124.pdf.
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Wise, Leonard Harry. "The responsibility of a constitutional country : the politics of Australian defence during the 1880s." Master's thesis, 2006. http://hdl.handle.net/1885/150768.
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Heinrich, David. "Max Klinger's Intermezzi : a critical analysis." 2002. http://web4.library.adelaide.edu.au/theses/09ARM/09armh469.pdf.
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Bibliography: leaf 83-86. A critical analysis of Intermezzo, a portfolio of twelve etchings published in 1881 by the German printmaker, Max Klinger (1857-1920) and held by the Art Gallery of South Australia. Recorded as Opus IV, Intermezzi is a relatively unknown and unusual work in Klinger's printmaking oeuvre. It is unlike Klinger's other graphic cycles in that it does not appear to be a related set of prints but a series of free fantasies without associative or thematic connection.
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Barnet, Sophie, University of Western Sydney, and of Arts Education and Social Sciences College. "Stringybark summer." 2004. http://handle.uws.edu.au:8081/1959.7/29146.
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The first section of this paper examines the formation and portrayal of female/lesbian identity within Australian Literature with particular reference to the Bush Mythology tradition of the 1800's. Through reviewing a number of works classed as lesbian fiction it is argued that a more positive portrayal of lesbian love within Australian fiction is needed. To facilitate this shift in attitude traditional literary motifs, such as the journey and the bush, (typically the preserve of male characters) can be appropriated by a female hero. In the process of re-imagining the bushman's journey as one undertaken by a female/lesbian hero, the bush emerges as a force that can facilitate the hero on her journey toward a sense of wholeness. In keeping with the tradition of Feminist, Lesbian and Heroic literature Stringybark Summer charts the increasing self awareness of a young Australian lesbian as she journeys into the bush. The third person narrative follows the protagonist as she embarks on a journey into the unknown in order to discover the deeper meaning about her self, the world and those who share it with her.Master of Arts (Hons) (Communication and Media)
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Lawrenson, Anna Louise. "Flesh + blood : appropriation and the critique of Australian colonial history in recent art practice." Phd thesis, 2007. http://hdl.handle.net/1885/110373.
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In the final two decades of the twentieth century Australian society was preoccupied with its
own history. So ubiquitous was this interest, that bookshops were crammed with popular
histories and historical fictions, TV networks aired historical re-enactments and devoted
whole series to its exploration and re-creation. In part, this increased awareness of history
was stimulated by the 200-year anniversary of white settlement simultaneously celebrated by
many non-Indigenous Australians and condemned by Indigenous protestors. Throughout the
1990s the debate over historical fact and its place within society- or the 'history wars' - took
centre stage moving beyond academic circles and into political and public discourse. At the
heart of this debate was what Bain Attwood called the 'new history', which incorporated the
hitherto absent perspectives of Indigenous Australians. This new version of history examined
discrepancies between dominant settler accounts of historical events and those provided by
Indigenous people, often in the form of oral testimony. A more vocal Indigenous population
also forced these new perspectives on Australian history into being, as increased calls for
land rights recognition and social justice became prominent.
The debate was so prominent that it permeated many areas of Australian society, the visual
arts provides one such example. This thesis is concerned with how the popularisation of
history was contended in the visual arts. I argue that Australian artists have used
appropriation as an effective means of engaging in a discourse on colonialism; of
communicating with the past, and of ensuring that that past remained a highly visible
concern of the present Through its reliance on existing images, appropriation enables artists
to condense the space between the quoted image and their new work. It therefore demands
that the quoted image be seen as a concern of the present. This strategy was implemented by
a significant number of Indigenous and non-Indigenous Australian practitioners during the
last two decades of the twentieth century. Moreover, it provides an important point of
intersection between the artistic practice of Indigenous and non-Indigenous artists. Rather
than seeking to document the history of appropriation in Australia, this thesis is concerned
with highlighting how appropriation has become the basis of a critical commentary on
historical narratives of colonialism.
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Brent, Peter. "The rise of the returning officer : how colonial Australia developed advanced electoral institutions." Phd thesis, 2008. http://hdl.handle.net/1885/150446.
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Swann, Jill. "The Berkeley, Hill and Gilbert families : images of childhood and domesticity in colonial South Australia (1836-1870)." 2002. http://web4.library.adelaide.edu.au/theses/09ARM/09arms972.pdf.
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Bradford, Lesa M. "Women in reality: a rhetorical analysis of three of Henrik Ibsen’s plays in order to determine the most prevalent feminist themes." Thesis, 2007. http://hdl.handle.net/10057/1115.
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Collins, Miriam A. (Miriam Anne). "Pre-industrial towns--a spatial and functional analysis over time and space : a comparative study of nineteenth century South Australian and medieval Suffolk towns / Miriam A. Collins." Thesis, 1985. http://hdl.handle.net/2440/21093.
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Welch, Ian Hamilton. "Alien Son : The life and times of Cheok Hong Cheong, (Zhang Zhuoxiong) 1851-1928." Phd thesis, 2003. http://hdl.handle.net/1885/49261.
Full textAbstract:
This thesis contributes to the ongoing discussion of modern Chinese identity by providing a case study of Cheok Hong CHEONG. This thesis contributes to the ongoing discussion of modern Chinese identity by pro-viding a case study of Cheok Hong CHEONG. It necessarily considers Australian atti-tudes towards the Chinese during the 19th century, not least the White Australia Pol-icy. The emergence of that discriminatory immigration policy over the second half of the 19th century until its national implementation in 1901 provides the background to the thesis. Cheong was the leading figure among Chinese-Australian Christians and a prominent figure in the Australian Chinese community and the thesis seeks to iden-tify a man whose contribution has largely been shadowy in other studies or, more commonly, overlooked by the parochialism of colony/state emphasis in many histo-ries of Australia. His role in the Christian church fills a space in Victorian religious history. ¶ ...
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Starbuck, Nicole. "Constructing the "perfect" voyage: Nicolas Baudin at Port Jackson, 1802." Thesis, 2010. http://hdl.handle.net/2440/60141.
Full textAbstract:
In 1802, a French scientific expedition under the command of Nicolas Baudin made an uscheduled visit to the British colony at Port Jackson, New South Wales. It was a pivotal episode in the course of Baudin's Australian voyage. The commander had already fulfilled most of his instructions, though imperfectly, and only the north coast of New Holland remained unexamined. He and his men stayed at anchor in Port Jackson for over five months. When they set sail once more, they embarked on what historians agree was a new phase of the expedition. Baudin and his men did not proceed directly to the north coast, but returned to the southern and western coasts, where they perfected and augmented the work in geography and natural history that they had carried out earlier.
This thesis examines what occurred during the sojourn at Port Jackson, as well as the circumstances that led up to it, in order to determine in precise terms why and how this episode came to be a turning point in Baudin's voyage. It asks: was the second campaign just an extension of the first or was it an opportunity for Baudin to redefine the voyage? The Port Jackson sojourn thus serves as a site of interrogation regarding the nature of Nicolas Baudin's leadership and the construction, on British colonial territory, of a French scientific voyage.
However, the opportunity to gain real insight into the sojourn of the voyagers at Port Jackson has been limited by a perceived scarcity of resources. The fact that Baudin's journal falls silent here has meant that there is no one privileged source of information on the commander's role or on the day-to-day activities of the expeditioners, and that scholars examining this episode have tended to focus on the details of the larger picture rather than on the larger picture itself.
This is not to say that the presence of the Baudin expedition in Port Jackson has left no material traces. In fact, there is a diverse range of archival records – expense accounts, correspondence, inventories of specimens, journals kept by officers and savants and the logbooks of the Géographe – from which the day-to-day life of the commander and his men at Port Jackson can be reconstructed. Commencing with an analysis of the events that led up to the sojourn and influenced Baudin's approach to it, this study examines the relationships that Baudin built in the colony, his manner of command aboard the Géographe and the scientific results of the stay. After then analysing the way in which Baudin managed the sojourn and planned the second campaign, we conclude that Baudin did not simply seek to satisfy the expectations of his superiors but in fact he seized this opportunity to create the “perfect” scientific voyage.Thesis (Ph.D.) -- University of Adelaide, School of Humanities, 2010
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Mellor, Danie. "Forming identities." Phd thesis, 2004. http://hdl.handle.net/1885/151477.
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Knapová, Martina. "Sociální tendence a dílo Vladimíra Astla." Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-344511.
Full textAbstract:
One of the main objectives of this thesis is not only to map the life of Czech sculptor Vladimir Astl, but also explore various inspirational sources he might have used when creating social oriented pieces. Those are critical in is work. Typical avatars of plastics with social context are Žízeň (Thirst), Smutek (Sadness) or Stará žena (Old Woman), all of them from the period of 1905 - 1910. The initial chapter shortly discusses social problem which existed during the verge of 19th and 20th century and immediately influenced increasing use of social topics in art. Next chapter elaborates on these topics in more detail and focuses on changes of French society which were closely tied to the occurence of ambitious ideas to build monuments celebrating work of men. This chapter also discusses sculpture in France in more depth with focus on labor-oriented pieces from August Rodin, Jules Dalou and Henri Bouchard. The work of mentioned sculptors was dedicated to monuments celebrating labour. These formed a common inspiration source for social related themes in Czech sculpture of the turn of the 19th and 20th century. Next chapter continues to describe the foreign social tendencies and introduces a Belgian sculptor Constantin Meunier who made a significant impact on Czech lands with his pieces being...
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Banasinský, Vít. "Reflexe soumraku Britského impéria ve vybraných dílech anglicky psané krásné literatury." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-305611.
Full textAbstract:
In the British Empire many revolutionary changes took place from the 1850s. In my thesis I focused on the analysis of those issues and phenomena which are sufficiently reflected in the English-language belles-lettres, along with a comparison of topics in a historical context in those thematic areas where the comparison is possible, but even in those where possibility of feedback is missing. Given the specificity of the whole work is an introduction and conclusion concerns the question of literary texts as a study of sources. The aim is to answer the question whether the use of belles-lettres as a source in this particular topic is possible, and if so, under what conditions.
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Rehbinder, Nina Maroussia Graefin. "Dimensionen der Moderne im Faust II : Goethes kritische darstellung Gesellschaftlicher Entwicklungen des frühen 19. Jahrhunderts im Fünften Akt." Diss., 2012. http://hdl.handle.net/10500/11962.
Full textAbstract:
Die vorliegende Untersuchung arbeitet die wesentlichen gesellschaftspolitischen und ökonomischen Entwicklungslinien heraus, die sich während der geschichtlichen Umbruchphase um 1830 im deutschen Raum aus dem letzten Akt von Goethes Faust II ableiten lassen.
Tiefgreifende politische, wirtschaftlich-technische und kulturelle Umwälzungen zu Beginn des 19. Jahrhunderts wirkten auf Goethe als Zeitgenossen ein und wurden von ihm in seinem literarischen Spätwerk verarbeitet. Aus Goethes Alterswerk Faust II heraus lassen sich Konstanten und Entwicklungen seiner Zeit sichtbar machen und, immer eingebettet in den zeitgeschichtlichen Kontext, konkret nachweisen. Diese Ausarbeitung will aufzeigen, dass Goethe im letzten Akt von Faust II einen sich zu Beginn des 19. Jahrhunderts vollziehenden – und teils bereits vollzogenen - Wandel der menschlichen Geisteshaltung attestiert. Säkularisierung und zweckorientierte Rationalität, Beschleunigung, Enthumanisierung und Unterwerfung von Mensch und Natur stehen hierbei im Mittelpunkt.
Fausts aus seinem Pakt mit dem Teufel entstandene Welt nimmt die uns heute umgebende vorweg, die geprägt ist von Datenflut, elektronischen Medien, einer von Alltagshektik geprägten Realität und systemimmanenten Expansionsstreben. Allein dies verleiht dem Drama ein unübersehbar hohes Gegenwartspotential.This thesis explores the trends of socio-political developments during the period of historical changes in Germany around 1830 that can be deduced from Act V of Goethe´s Faust II. Profound political, technical, economic and cultural changes at the beginning of the nineteenth century had an impact on Goethe as a contemporary and appear in his late literary work. Thus specific constants and developments of his time are also presented in and can be deduced from one of the great literary works of the aged poet, Faust II. This paper shows that the final act of Faust II Goethe reveals profound changes in human mentality that took place at the beginning of the nineteenth century and partly even before: Secularization and ruthless rationality with a tendency to acceleration, de-humanization and unscrupulous submission of human beings and nature. The world that originated from Faust´s pact with the devil in Faust II anticipates the reality surrounding us nowadays, a reality characterized by a flood of data, electronic media and the hectic pace of everyday life, - a fact vouching for the play´s striking modernity.
Classics & World Languages
M.A. (German)