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Books on the topic 'Australia History Philosophy'

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Author: Grafiati
Published: 10 December 2022
Last updated: 29 January 2023

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1

The use and abuse of Australian history. St. Leonards, N.S.W: Allen & Unwin, 2000.

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2

Franklin, James. Corrupting the youth: A history of philosophy in Australia. Sydney: Macleay Press, 2003.

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3

A new history of educational philosophy. Westport, Conn: Greenwood Press, 1993.

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4

Gelder, Ken. Uncanny Australia: Sacredness and identity in a postcolonial nation. Carlton South, Vic., Australia: Melbourne University Press, 1998.

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5

Arguments about aborigines: Australia and the evolution of social anthropology. Cambridge: Cambridge University Press, 1996.

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6

Sawer, Marian. The ethical state?: Social liberalism in Australia. Carlton, Vic: Melbourne University Press, 2003.

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7

(Pakistan), Islamic Research Institute, ed. The economic plight of the Afghans in Australia, 1860-2000. Islamabad: Islamic Research Institute, International Islamic University, 2006.

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8

Wolfe, Patrick. Settler colonialism and the transformation of anthropology: The politics and poetics of an ethnographic event. London: Cassell, 1999.

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9

Fantastic dreaming: The archaeology of an Aboriginal mission. Lanham, Md: AltaMira Press, 2009.

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10

The meagre harvest: The Australian women's movement, 1950s-1990s. St. Leonards, NSW, Australia: Allen & Unwin, 1996.

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11

From Big Brother to Big Brother: Nihilism and literature in Britain, America, France and Australia in the age of screens. Bethesda: Academica Press, 2013.

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12

1949-, Wilde Sally, ed. The body divided: Human beings and human 'materials' in modern medical history. Burlington, VT: Ashgate, 2011.

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13

Identity in place: Contemporary indigenous fiction by women writers in the United States, Canada, Australia, and New Zealand. New York: Peter Lang, 2011.

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14

Australian realism: The systematic philosophy of John Anderson. Cambridge [Cambridgeshire]: Cambridge University Press, 1986.

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15

The postcolonial eye: White Australian desire and the visual field of race. Burlington, VT: Ashgate, 2012.

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16

Sauer-Thompson, Gary. The unreasonable silence of the world: Universal reason and the wreck of the Enlightenment project. Aldershot, England: Ashgate, 1997.

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17

Bennett, Bruce. An Australian compass: Essays on place and direction in Australian literature. South Fremantle, W.A: Fremantle Arts Centre Press, 1991.

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18

Bruce, Bennett. An Australian compass: Essays on place and direction in Australian literature. South Fremantle, W.A: Fremantle Arts Centre Press, 1991.

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19

Swain, Tony. A place for strangers: Towards a history of Australian Aboriginal being. Cambridge: Cambridge University Press, 1993.

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20

Lovell, David W. Marxism & Australian socialism before the Bolshevik Revolution. Melbourne: Australian Scholarly Pub., 1997.

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21

Kane, Paul. Australian poetry: Romanticism and negativity. New York, NY: Cambridge University Press, 1996.

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22

The search for meaning in the Australian novel. Frankfurt am Main: P. Lang, 1991.

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23

Bottomley, Stephen. Law in context. Leichardt, N.S.W: Federation Press, 1991.

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24

Bottomley, Stephen. Law in context. Leichhardt, NSW: Federation Press, 1994.

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25

Dening, Greg. Performances. Carlton South, Vic., Australia: Melbourne University Press, 1996.

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26

Performances. Chicago: University of Chicago Press, 1996.

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27

Martin, Adrian. Mysteries of Cinema. NL Amsterdam: Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462986831.

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The major essays of the distinguished and prolific Australian-born film critic Adrian Martin have long been difficult to access, so this anthology, which collects highlights of his work in one volume, will be welcomed throughout film studies. Martin offers indepth analysis of many genres of films while providing a broad understanding of the history of cinema and the history of film criticism and culture. These vibrant, highly personal essays, written between 1982 and 2016, balance breadth across cinema theory with almost encyclopedic detail, ranging between aesthetics, cinephilia, film genre, criticism, philosophy, and cultural politics. Mysteries of Cinema circumscribes a special cultural period that began with the dream of critique as a form of poetic writing, and today arrives at collaborative experiments in audiovisual essays. Throughout these essays, Martin pursues a particular vision of what cinema has been, what it is, and what it still could be.
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28

Smith, Bernard. The death of the artist as hero: Essays in history and culture. Melbourne: Oxford University Press, 1988.

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29

Russell, Hume, ed. Naked in Eden: Adventure and awakening in the Australian rainforest. Deerfield Beach, Fla: Health Communications, 2010.

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30

Marion, Spies. Religiöse Lyrik in Australien: Rezeption und Funktionalisierung theologischer und philosophischer Prätexte. Hamburg: Kovač, 2001.

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31

Performance, ethics and spectatorship in a global age. New York: Palgrave Macmillan, 2009.

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32

Phillips, G. R. E. 1936-, Taylor Andrew 1940-, and Edith Cowan University. International Centre for Landscape and Language., eds. Contrary rhetoric: Lectures on landscape and language. North Fremantle, W.A: Fremantle Press in association with International Centre for Landscape and Language, Edith Cowan University, 2007.

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33

What is contemporary art? Chicago: The University of Chicago Press, 2009.

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34

Place, region, and community. [Townsville, Qld.]: Foundation for Australian Literary Studies, 1985.

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35

Goldie, Terry. Fear and temptation: The image of the indigene in Canadian, Australian, and New Zealand literatures. Kingston: McGill-Queen's University Press, 1989.

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36

Mysticism in the mid-century novel. New York, NY: Palgrave Macmillan, 2012.

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37

Picasso, Pablo. Picasso: Suite Vollard. Madrid: Editoral de Arte y Ciencia, 1996.

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38

1937-, Spies Werner, and Art Focus (Zurich Switzerland), eds. Picasso: Retrospektive. Zürich: Art Focus, 2000.

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39

Picasso, Pablo. Picasso: La formación de un genio 1890-1904 : dibujos del Museu Picasso de Barcelona. Barcelona: Lunwerg, 1997.

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40

Picasso, Pablo. Picasso: Paisatge interior i exterior. [Madrid]: Electa, 1999.

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41

Picasso, Pablo. Picasso: Arles, Musée Réattu. Arles: Le Musée, 1986.

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42

Picasso, Pablo. Picasso: Sein Dialog mit der Keramik : Werke aus der Sammlung Marina Picasso. Künzelsau: P. Swiridoff, 1999.

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43

Picasso, Pablo. Picasso: The development and transformation of an image : stage and progressive proofs, editioned lithographs and variations 1945-49. London: Waddington Graphics, 1986.

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44

Marc, Gundel, Hirner René, Rohleder Stefanie, and Kunstmuseum Heidenheim, eds. Picasso: Zwischen Arena und Arkadien = Picasso : from arena to Arcadia : Bestandskatalog der Picasso Plakate- und Druckgraphiksammlung, Hermann Voith Galerie, Kunstmuseum Heidenheim. Köln: DuMont, 2001.

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45

Picasso, Pablo. Picasso: Der Maler und seine Modelle = le peintre et ses modèles. Basel: Galerie Beyeler, 1986.

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46

Picasso, Pablo. Picasso: Scolpire e dipingere la ceramica. Ferrara: Ferrara arte, 2000.

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47

Picasso, Pablo. Picasso: Drawings, watercolours, pastels. Zurich: Thomas Amman Fine Art, 1988.

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48

Colombia, Museo Nacional de, ed. Picasso: Museo Nacional de Colombia, mayo 13-agosto 11, Bogotá, 2000. Bogotá, Colombia: Museo Nacional de Colombia, 2000.

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49

1946-, Varnedoe Kirk, Karmel Pepe, Museum of Modern Art (New York, N.Y.), and High Museum of Art, eds. Picasso: Masterworks from the Museum of Modern Art : an exhibition. New York: Museum of Modern Art, 1997.

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50

Musée national Picasso La Guerre et la Paix (Vallauris, France) and Musée Magnelli, musée de la céramique., eds. Picasso: L'homme au mouton : 4 juillet-4 octobre 1999. Paris: Réunion des musées nationaux, 1999.

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