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Relevant bibliographies by topics / Auktionshus

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Academic literature on the topic 'Auktionshus'

Author: Grafiati

Published: 29 June 2021

Last updated: 18 February 2022

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Journal articles on the topic "Auktionshus"

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Westerhoff, Christian. "Kriegstagebuch von Hans von Winterfeldt, 1914-1916." WLBforum 18, no. 2 (October 15, 2016): 42–45. http://dx.doi.org/10.53458/wlbf.v18i2.325.

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Am 27. Mai 2016 bot das Berliner Auktionshaus Jeschke van Vliet ein für die Bibliothek für Zeitgeschichte sehr interessantes Objekt an: das Kriegstagebuch von Hans von Winterfeldt, deutscher Generalleutnant und Oberquartiermeister im Ersten Weltkrieg. Bei dem Tagebuch handelt es sich um eine zentrale, bisher in der Fachwelt völlig unbekannte Quelle einer wichtigen Persönlichkeit des Ersten Weltkriegs.

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2

Schiemann, X. "Die Geschäftsbeziehungen zwischen der Kunst und Antiquitäten GmbH der DDR und dem Londoner Auktionshaus Christie’s (Teil I)." KUR - Kunst und Recht 22, no. 2 (2020): 49–54. http://dx.doi.org/10.15542/kur/2020/2/4.

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3

Schiemann, X. "Die Geschäftsbeziehungen zwischen der Kunst und Antiquitäten GmbH der DDR und dem Londoner Auktionshaus Christie’s (Teil II)." KUR - Kunst und Recht 22, no. 3-4 (2020): 77–81. http://dx.doi.org/10.15542/kur/2020/3-4/3.

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4

"Einbeziehung eines von einem Auktionshaus berechneten Aufgelds in den Zollwert des ersteigerten Objekts." KUR - Kunst und Recht 13, no. 6 (2011): 197. http://dx.doi.org/10.15542/kur/2011/6/6.

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Dissertations / Theses on the topic "Auktionshus"

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Upphoff, Emmy, and Isabelle Olofsson. "Kulturarv till salu : Auktionshus och onlineplattformars ansvar när det gäller illegal handel med kulturföremål i Sverige." Thesis, Uppsala universitet, Institutionen för ABM, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-447244.

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The illicit trade with cultural property is a worldwide problem. Many of the cultural properties that are traded have been plundered and exported from countries and end up on western markets, often at auction houses and auction platforms online. This study aims to understand the responsibility Swedish auction houses and online platforms have regarding the illicit trade with cultural properties. This is achieved by answering the following questions: what responsibility does the auction houses and online platforms have? Do they take this responsibility? Do auction houses and online platforms have policy documents regarding cultural objects? What do these policy documents in that case look like and can they be improved? Is there a difference between the policy documents of physical auction houses and auction platforms online? To answer these questions this study focuses on three main areas of sources: document analysis of legal and policy documents, previous research and articles published in the field, as well as five qualitative and semi-struc- tured interviews. These sources are discussed throughout the analysis which have been divided thematically. An overview of the trade in Sweden culminates in a discussion about due diligence and provenance. Further, a discus- sion of the auction houses responsibilities and policy documents is followed by chapters discussing the same ques- tions in regard to the online platforms. Conclusions which have been drawn from the empirical analysis are that the auction businesses take respon- sibility to a certain degree but that policy documents and the transparency in public discourses can be improved. Furthermore, they should be clear that they use due diligence and actually make sure that they do it in their daily activities. This is a two-year master’s thesis in Museum and Cultural Heritage Studies.

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Widlund, Crisman Johanna. "CHRISTIE’S OCH SOTHEBY’S – ”THE OUTSIDE STORY” : AUKTIONSHUSENS ANPASSNINGAR TILL EN DIGITALT PROGRESSIV OCH GLOBALT EXPANDERANDE MARKNAD." Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-436870.

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Christie's and Sotheby's auction houses have adapted their way of working to a digitally progressive and globally expanding market, where the Internet, during the past two decades, has become an increasingly integral part of almost every aspect of current western culture. This thesis examines and demonstrates how, and why, the two auction houses have adapted their work to be published through their digital and physical channels. This thesis also examines and analyzes how Christie’s and Sotheby’s have customized their way of presenting their auction lots to potential costumers, and how they use technological innovations to visualize materiality. Intermediate presentations of four auction lots, available through Christie's and Sotheby's Instagram accounts, websites and physical auction catalogs, are the main focus of this thesis. The historical and contextual information, on an increasingly technologically innovative and digitally focused art and auction market, together with predominantly Roland Barthe’s semiotic theoretical framework regarding picture’s denoted and connoted messages, are being analyzed with Anne D’Alleva’s formal and contextual methodology for pictorial analysis.

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3

Reidick, Ortrun. "Persönlichkeit und die Bereitschaft, bei Online-Auktionen zu bieten Überprüfung eines Pfadmodells für das Internet-Auktionshaus eBay /." [S.l. : s.n.], 2007. http://nbn-resolving.de/urn:nbn:de:bsz:16-opus-77516.

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4

Schneider, Johannes. "Betriebswirtschaftliche Grundlagen und CRM-Konzept für internationale Kunstauktionshäuser." Thesis, 2010. http://epub.wu.ac.at/2088/1/Vollversion_Diss_Schneider_12Mai2010_published.pdf.

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Die Arbeit untersucht Möglichkeiten zur Ausschöpfung des Kundenpotenzials bei internationalen Kunstauktionshäusern. Trotz der Prominenz der Branche ist diese mit ihren vielfältigen unternehmerischen Herausforderungen bislang betriebswirtschaftlich unbearbeitet geblieben. Aufgrund der geringen Zahl von Vorstudien hat die Arbeit explorativen Charakter, was sich in der Literaturrecherche bzw. den Experteninterviews methodisch widerspiegelt. Die Arbeit liefert eine Aufbereitung der existierenden Quellen und eine detaillierte Beschreibung des Geschäftsmodells (Wertschöpfung und Branchenstruktur). Die thematische Einschränkung auf die Ausschöpfung von Kundenpotenzialen erfolgt auf Basis einer Priorisierung mit Branchenexperten. Das Konzept des Customer Relationship Managements (CRM) ergibt in Kombination mit der Beschreibung des Geschäftsmodells einen Bezugsrahmen, der in einem Sollkonzept zur betriebswirtschaftlich fundierten Ausschöpfung des Kundenpotenzials mündet. Dieses Sollkonzept wird mit dem in Expertengesprächen erhobenen Status quo kontrastiert und abgeglichen. Daraus resultieren ein Befund möglicher Differenzen und Hypothesen für deren Ursachen. (Autorenref.)

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Books on the topic "Auktionshus"

1

Walter, Koschatzky, and Galerie, Auktionshaus und Antiquariat für Kunst und Wissenschaft Wolfdietrich Hassfurther., eds. Wien nach 1945: Auktion, 2. Dezember, Hassfurther. [Wien: W. Hassfurther, 1989.

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Book chapters on the topic "Auktionshus"

1

Jayme, Erik. "Pflichten und Obliegenheiten im Kunstauktionswesen: Einlieferer, Experte, Auktionshaus, Ersteigerer – einige Fallstudien." In Kunsthandel - Kunstvertrieb, 37–54. Nomos Verlagsgesellschaft mbH & Co. KG, 2012. http://dx.doi.org/10.5771/9783845242095-37.

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