Academic literature on the topic 'Auditory source width'

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Journal articles on the topic "Auditory source width"

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Becker, Jörg, Markus Sapp, and Frederik Görges. "New approach in measuring auditory source width." Journal of the Acoustical Society of America 105, no. 2 (1999): 1190. http://dx.doi.org/10.1121/1.425612.

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Whitmer, William M., Bernhard U. Seeber, and Michael A. Akeroyd. "Apparent auditory source width insensitivity in older hearing-impaired individuals." Journal of the Acoustical Society of America 132, no. 1 (2012): 369–79. http://dx.doi.org/10.1121/1.4728200.

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Weeldreyer, Gabriel S., Lily M. Wang, and Z. Ellen Peng. "Perceptual consequences of reverberant environments on spatial unmasking." Journal of the Acoustical Society of America 155, no. 3_Supplement (2024): A210. http://dx.doi.org/10.1121/10.0027333.

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Spatial hearing provides access to auditory spatial cues that promote speech perception in noisy listening situations. However, reverberation degrades auditory spatial cues and limits listeners’ ability to utilize these cues for segregating target speech from competing babble. Hence, spatial unmasking—an intelligibility benefit from a spatial separation between a target and masker—is reduced in reverberant environments as compared to free field. To understand the perceptual consequences of poorer spatial unmasking in reverberation, we assessed three aspects of functional spatial hearing in vir
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Morimoto, Masayuki, and Kazuhiro Iida. "A practical evaluation method of auditory source width in concert halls." Journal of the Acoustical Society of Japan (E) 16, no. 2 (1995): 59–69. http://dx.doi.org/10.1250/ast.16.59.

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Whitmer, William M., Bernhard U. Seeber, and Michael A. Akeroyd. "The perception of apparent auditory source width in hearing-impaired adults." Journal of the Acoustical Society of America 135, no. 6 (2014): 3548–59. http://dx.doi.org/10.1121/1.4875575.

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Morimoto, Masayuki, Haruki Setoyama, and Kazuhiro Iida. "Consistent physical measures of auditory source width for various frequency components of reflections." Journal of the Acoustical Society of America 100, no. 4 (1996): 2802. http://dx.doi.org/10.1121/1.416538.

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Kim, Sungyoung, and Hidetaka Imamura. "An assessment of a spatial ear training program for perceived auditory source width." Journal of the Acoustical Society of America 142, no. 2 (2017): EL201—EL204. http://dx.doi.org/10.1121/1.4998185.

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Guo, Renzhi, and Jonas Braasch. "Influence of recording technique and ensemble size on apparent source width." Journal of the Acoustical Society of America 156, no. 4_Supplement (2024): A44. https://doi.org/10.1121/10.0035046.

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The impression of listeners to aurally “see” the size of a performing entity is crucial to the success of both a concert hall and a reproduced sound field. Previous studies have looked at how different concert halls with different lateral reflections affect apparent source width. Yet, the perceptual effects of different source distributions with different capturing techniques on apparent source width are not well understood. This study explores how listeners perceive the width of a symphony orchestra by using four stereo and one binaural recording techniques and three wave field synthesis ense
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Morimoto, Masayuki, and Mariko Watanabe. "Directional dependence of the change of auditory source width by very short time‐delay reflections." Journal of the Acoustical Society of America 103, no. 5 (1998): 2996–97. http://dx.doi.org/10.1121/1.421715.

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Mason, Russell, Tim Brookes, and Francis Rumsey. "Evaluation of a model of auditory source width based on the interaural cross‐correlation coefficient." Journal of the Acoustical Society of America 116, no. 4 (2004): 2475. http://dx.doi.org/10.1121/1.4784888.

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Dissertations / Theses on the topic "Auditory source width"

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Durak, Nurcan. "Semantic Video Modeling And Retrieval With Visual, Auditory, Textual Sources." Master's thesis, METU, 2004. http://etd.lib.metu.edu.tr/upload/12605438/index.pdf.

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The studies on content-based video indexing and retrieval aim at accessing video content from different aspects more efficiently and effectively. Most of the studies have concentrated on the visual component of video content in modeling and retrieving the video content. Beside visual component, much valuable information is also carried in other media components, such as superimposed text, closed captions, audio, and speech that accompany the pictorial component. In this study, semantic content of video is modeled using visual, auditory, and textual components. In the visual domain, visual even
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Best, Virginia Ann. "Spatial Hearing with Simultaneous Sound Sources: A Psychophysical Investigation." University of Sydney. Medicine, 2004. http://hdl.handle.net/2123/576.

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This thesis provides an overview of work conducted to investigate human spatial hearing in situations involving multiple concurrent sound sources. Much is known about spatial hearing with single sound sources, including the acoustic cues to source location and the accuracy of localisation under different conditions. However, more recently interest has grown in the behaviour of listeners in more complex environments. Concurrent sound sources pose a particularly difficult problem for the auditory system, as their identities and locations must be extracted from a common set of sensory receptors a
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Best, Virginia Ann. "Spatial Hearing with Simultaneous Sound Sources: A Psychophysical Investigation." Thesis, The University of Sydney, 2004. http://hdl.handle.net/2123/576.

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This thesis provides an overview of work conducted to investigate human spatial hearing in situations involving multiple concurrent sound sources. Much is known about spatial hearing with single sound sources, including the acoustic cues to source location and the accuracy of localisation under different conditions. However, more recently interest has grown in the behaviour of listeners in more complex environments. Concurrent sound sources pose a particularly difficult problem for the auditory system, as their identities and locations must be extracted from a common set of sensory receptors a
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Arthi, S. "Auditory Timbre and Spatialisation: Signal Analysis and Perception of Source Widening." Thesis, 2022. https://etd.iisc.ac.in/handle/2005/5988.

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In this work, auditory perception of source widening is examined in the context of different source signal timbre. Perception of widening of source or auditory source width (ASW) arises in three cases: (i) In the presence of reverberation, which has been referred to as reverberant source width (RSW); (ii) Distributed sources such as an ensemble, where multiple sources are physically placed widely, referred as ensemble source width (ESW); and (iii) In hearing disabilities, where localisation is poor in the presence of interfering sources and hence a widened or diffused source width (DSW) is per
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Lin, Chi-Wen, and 林棋文. "Examination on the relationship between apparent source width and auditory evoked potential from the cerebral hemispheres." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/06872761144752043108.

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碩士<br>朝陽科技大學<br>建築及都市設計研究所<br>100<br>Morimoto (1989) proposed in a spatial impression study that listening envelopment (LEV) and apparent source width (ASW) were two essential components that determine the spatial sense of a concert hall. While the acoustic impression of ASW was usually composed of direct sound and first reflection (Morimoto, 1989), the LEV was formed by response element. The auditory path through which an acoustic signal from the stage was transmitted to the listener’s brain proposed by Ando (1985) demonstrated in detail how the central nervous system processes the nerve impu
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Chen, Zhuo. "Single Channel auditory source separation with neural network." Thesis, 2017. https://doi.org/10.7916/D8W09C8N.

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Although distinguishing different sounds in noisy environment is a relative easy task for human, source separation has long been extremely difficult in audio signal processing. The problem is challenging for three reasons: the large variety of sound type, the abundant mixing conditions and the unclear mechanism to distinguish sources, especially for similar sounds. In recent years, the neural network based methods achieved impressive successes in various problems, including the speech enhancement, where the task is to separate the clean speech out of the noise mixture. However, the current deep
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Chen, Shu-Mei, and 陳舒玫. "The source monitoring for emotional information in schizophrenia with auditory hallucination." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/93849156010688455604.

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碩士<br>中原大學<br>心理學研究所<br>104<br>Background and purpose. Frith has claimed that auditory hallucinations are due to the misattribution of one’s internal cognitive operations to external events. The present study attempted to extend previous research on source monitoring deficits in schizophrenia patients with hallucination. We hypothesized that patients would show a bias to attribute self-generated words to an external source, especially when the stimulus can trigger negative emotions. Furthermore, Brébion et al also found that schizophrenia patients with hallucinations were more prone to report
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Ying-JiaHuang and 黃盈嘉. "A New Chip Design of Auditory Source Localization Based on AMDF Algorithm with Folding Architecture." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/72496030097797412174.

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Liu, Po-Ting Bertram, and 劉柏廷. "The effect of fully correlated sources with spatial extents on spatial filtering on the MEG data - A study of Auditory Steady-State Response." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/xuef87.

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碩士<br>國立交通大學<br>工學院聲音與音樂創意科技碩士學位學程<br>107<br>This thesis focus on the problem in source imaging of auditory steady-state responses in MEG signals. When an audio stimulus is simultaneously presented to the ears of a subject, the brain waves recorded from the subject often have fully correlated sources. Conventional spatial filters cannot accurately estimate correlated sources because it’s assumed that all sources are not cross-correlated. The method in this thesis is dual-core beamformer (DCBF). There are some papers discussing the limitation of DCBF, but the effect of spatial extent on the per
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Books on the topic "Auditory source width"

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Minobrnauki, Rossiyskoy. Finance and Financial analysis. INFRA-M Academic Publishing LLC., 2021. http://dx.doi.org/10.12737/1242227.

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The textbook systematizes basic knowledge in the field of finance, financial analysis and financial management, presented in their direct relationship and significance from the point of view of evaluation, diagnosis, forecasting and monitoring of the continuity of the organization's activities. It includes seven chapters grouped into three sections. The first section is devoted to the theoretical foundations of the organization's financial management, stakeholders and sources of the organization's activities. The second section discusses the basics of financial analysis, providing knowledge of
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Single Channel auditory source separation with neural network. [publisher not identified], 2017.

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Smith, Leslie S. Audition. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199674923.003.0015.

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Audition is the ability to sense and interpret pressure waves within a range of frequencies. The system tries to solve the what and where tasks: what is the sound source (interpretation), and where is it (location)? Auditory environments vary in the number and location of sound sources, their level and in the degree of reverberation, yet biological systems have robust techniques that work over a large range of conditions. We briefly review the auditory system, including the auditory brainstem and mid-brain major components, attempting to connect its structure with the problems to be solved: lo
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Tenney, James. The Several Dimensions of Pitch. Edited by Larry Polansky, Lauren Pratt, Robert Wannamaker, and Michael Winter. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038723.003.0017.

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James Tenney explains the different mechanisms behind the simultaneous and consecutive relationships between pitches using ideas from evolution and neurocognition. He suggests that there are two different aspects of pitch perception and that one of those aspects can also be thought of as multidimensional. In considering such fundamental questions regarding the nature of auditory perception, Tenney refers to the evolution of hearing and considers two complementary if not contradictory things: distinguish between or among sounds issuing from different sound sources, and recognize when two or mor
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Toop, David. Sinister Resonance. The Continuum International Publishing Group, 2010. http://dx.doi.org/10.5040/9781501382864.

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Sinister Resonance begins with the premise that sound is a haunting, a ghost, a presence whose location is ambiguous and whose existence is transitory. The intangibility of sound is uncanny – a phenomenal presence in the head, at its point of source and all around. The close listener is like a medium who draws out substance from that which is not entirely there. The history of listening must be constructed from the narratives of myth and fiction, ‘silent’ arts such as painting, the resonance of architecture, auditory artefacts and nature. In such contexts, sound often functions as a metaphor f
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Worthington, Sarah, and Sinéad Agnew. Sealy & Worthington's Text, Cases, and Materials in Company Law. 12th ed. Oxford University Press, 2022. http://dx.doi.org/10.1093/he/9780198830092.001.0001.

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Sealy &amp; Worthington’s Cases and Materials in Company Law clearly explains the fundamental structure of company law and provides a concise introduction to each different aspect of the subject. The materials are carefully selected and well supported by commentary so that the logic of the doctrinal or policy argument is unambiguously laid out. Notes and questions appear periodically throughout the text to provoke persistent analysis and debate, and to enable students to test their understanding of the issues as the topics unfold. This text covers a wide range of sources, and provides intellig
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Lee, James, James Mahshie, Mary June Moseley, and Susanne M. Scott. Enhancing Communication Skills of Deaf and Hard of Hearing Children in the Mainstream. Singular, 2005.

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Enhancing communication skills of deaf & hard of hearing children in the mainstream. Thomson Delmar Learning, 2006.

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Book chapters on the topic "Auditory source width"

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Altman, J. A., L. M. Kotelenko, and S. F. Vaitulevich. "Disorders of Sound Source Localization and Auditory Evoked Potentials in Patients with Temporal Epilepsy." In Acoustical Signal Processing in the Central Auditory System. Springer US, 1997. http://dx.doi.org/10.1007/978-1-4419-8712-9_55.

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Whitmer, William M., Bernhard U. Seeber, and Michael A. Akeroyd. "Measuring the Apparent Width of Auditory Sources in Normal and Impaired Hearing." In Advances in Experimental Medicine and Biology. Springer New York, 2013. http://dx.doi.org/10.1007/978-1-4614-1590-9_34.

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Rogers, R. L., A. C. Papanicolaou, S. Baumann, C. Saydjari, and H. M. Eisenberg. "Nonstationary Dynamics of Sequential Magnetic Dipole Source Changes Associated with N100 Auditory Evoked Responses." In Advances in Biomagnetism. Springer US, 1989. http://dx.doi.org/10.1007/978-1-4613-0581-1_13.

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Houser, Dorian. "Marine Mammal Hearing." In Marine Mammal Acoustics in a Noisy Ocean. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-77022-7_8.

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Abstract The hearing abilities of marine mammals are addressed in this chapter. Hearing curves (audiograms) are presented for cetaceans in water and for marine carnivores in both air and water. Audiograms are presented based on whether they were collected with behavioral or electrophysiological methods, and differences in the audiograms due to the methods employed are discussed. Concepts related to hearing in noise are introduced and marine mammal adaptations for facilitating sound detection and sound source localization in noise are presented. Despite continuing research into marine mammal he
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Hastings, Mardi C., and Jeanette A. Thomas. "Fishes." In Exploring Animal Behavior Through Sound: Volume 2. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-83460-8_5.

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Abstract The term fishes is used broadly to include the eel-like, cartilaginous jawless fishes (Agnatha), the cartilaginous jawed fishes (Chondrichthyes), and the bony fishes (Osteichthyes). Among these groups, most bioacoustics research has focused on bony fishes, which generate communication sounds via the swim bladder and/or skeletal components. Fishes that have been studied in detail generally hear frequencies below 3000 Hz. The main functions of sounds emitted by fish are for intraspecific or interspecific aggression, defense of a territory or nest, attraction of a mate, and courtship. Al
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Yao, Chiung. "Contribution of Precisely Apparent Source Width to Auditory Spaciousness." In Soundscape Semiotics - Localisation and Categorisation. InTech, 2014. http://dx.doi.org/10.5772/56616.

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Huron, David. "Sources and Images." In Voice Leading. The MIT Press, 2016. http://dx.doi.org/10.7551/mitpress/9780262034852.003.0003.

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An introduction to the perception of sound is given, with special emphasis on topics useful for understanding the organization of music. The chapter covers essential concepts in acoustics and auditory perception, including basic auditory anatomy and physiology. Core concepts are defined such as vibrational mode, pure tone, complex tone, partial, harmonic, cochlea, basilar membrane, resolved partial, auditory image, auditory stream, acoustic scene, auditory scene, and auditory scene analysis.
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Spreen, Otfried, Anthony H. Risser, and Dorothy Edgell. "Auditory Disorders." In Developmental Neuropsychology. Oxford University PressNew York, NY, 1995. http://dx.doi.org/10.1093/oso/9780195067361.003.0026.

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Abstract The auditory system in lower mammals primarily seives as a protective sense and is reflexive. The reflex action is controlled and coordinated by various centers in the brainstem (Barr 1972). The human cortex has larger association areas for storage and processing of information arriving from the sensory organs, which allows differential recognition, interpretation, and association of sounds with meanings. Most importantly, an intact auditory system permits the reception, sorting, and codifying of speech and thus verbal communication with others.Auditory processing may be divided into
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Hari, Riitta, and Aina Puce. "Auditory Responses." In MEG - EEG Primer, 2nd ed., edited by Riitta Hari and Aina Puce. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/med/9780197542187.003.0013.

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Abstract This chapter—devoted to MEG/EEG recordings of the human auditory system—begins by briefly outlining the multiple types of auditory responses that can be recorded from the human brainstem and cerebral cortex. After introducing important experimental variables, such as hearing threshold and stimulus parameters that will affect neurophysiological responses, the chapter continues with a description of experimental setups and typical waveforms and sources of auditory brainstem responses, middle-latency auditory-evoked responses, long-latency auditory-evoked responses, and auditory steady-s
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Ortiz de Gortari, Angelica B., and Mark D. Griffiths. "Auditory Experiences in Game Transfer Phenomena." In Gamification. IGI Global, 2015. http://dx.doi.org/10.4018/978-1-4666-8200-9.ch067.

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This study investigated gamers' auditory experiences as after effects of playing. This was done by classifying, quantifying, and analysing 192 experiences from 155 gamers collected from online videogame forums. The gamers' experiences were classified as: (i) involuntary auditory imagery (e.g., hearing the music, sounds or voices from the game), (ii) inner speech (e.g., completing phrases in the mind), (iii) auditory misperceptions (e.g., confusing real life sounds with videogame sounds), and (iv) multisensorial auditory experiences (e.g., hearing music while involuntary moving the fingers). Ga
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Conference papers on the topic "Auditory source width"

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Guo, Renzhi, and Jonas Braasch. "Influence of Recording Technique and Ensemble Size on Apparent Source Width." In ICAD 2024: The 29th International Conference on Auditory Display. International Community for Auditory Display, 2024. http://dx.doi.org/10.21785/icad2024.009.

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Previous studies have looked at how different concert halls with different lateral reflections affect apparent source width. Yet, the perceptual effects of different source distributions with different recording techniques on apparent source width are not well understood. This study explores how listeners perceive the width of an orchestra by using four stereo and one binaural recording techniques and three wave field synthesis ensemble settings. Subjective experiments were conducted using stereo loudspeakers and headphone to play back the recording clips asking the listeners to rate the perce
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Crozzoli, Miguel Angel, and Thor Magnusson. "Sounding Numbers: The Sonification Object as an Interface in "I Am the Ocean"." In ICAD 2024: The 29th International Conference on Auditory Display. International Community for Auditory Display, 2024. http://dx.doi.org/10.21785/icad2024.021.

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Designing sonification for music composition involves aesthetic and narrative manipulation through strategies based on compositional intent, sparking discussions of data clarity and understanding. This paper describes an autobiographical process of crafting an aesthetic sonification from climate change data, and its further musification. In this approach, the sonification is used as a material for composition and transformed into an interactive musical instrument, within contemporary aesthetics and live performance contexts. The sonification object becomes an interface for composition and perf
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Huang, M. Jerry, Stephanie Loveless, and Jonas Braasch. "Cenotaph and Elegy of Contagion: Collective Immersion of National-Level Covid-19 Fatality Data in the United States." In ICAD 2024: The 29th International Conference on Auditory Display. International Community for Auditory Display, 2024. http://dx.doi.org/10.21785/icad2024.018.

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Effective representation of epidemiological data is essential for informing the general public about the extent of disease contagion, yet hard to achieve. On the one hand, the expressiveness of statistical visualization is often limited. On the other hand, explicit data sonification is lost in translation, failing to capture the meaning of the data at hand. The ongoing COVID-19 pandemic, which has caused excessive fatalities in the world and the United States, has presented us with a timely opportunity to address both challenges at once. In this work, we use the room-oriented immersive system
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Arthi, S., K. R. Adhithya, and T. V. Sreenivas. "Perceptual evaluation of simulated auditory source width expansion." In 2017 Twenty-third National Conference on Communications (NCC). IEEE, 2017. http://dx.doi.org/10.1109/ncc.2017.8077113.

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Guo, Renzhi. "Apparent source width: How capturing, playback, and ensemble width affect auditory spatial impression." In 187th Meeting of the Acoustical Society of America. ASA, 2024. https://doi.org/10.1121/2.0002005.

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MORIMOTO, M., and K. IIDA. "THE RELATION BETWEEN AUDITORY SOURCE WIDTH AND THE LAW OF THE FIRST WAVE FRONT." In Acoustics, Architecture and Auditoria 1992. Institute of Acoustics, 2024. http://dx.doi.org/10.25144/20713.

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Băcilă, Bogdan Ioan, and Hyunkook Lee. "Subjective Elicitation Of Listener-Perspective-Dependent Spatial Attributes in a Rerverberant Room, using the Repertory Grid Technique." In ICAD 2019: The 25th International Conference on Auditory Display. Department of Computer and Information Sciences, Northumbria University, 2019. http://dx.doi.org/10.21785/icad2019.073.

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Spatial impression is a widely researched topic in concert hall acoustics and spatial audio display. In order to provide the listener with plausible spatial impression in virtual and augmented reality applications, especially in the 6 Degrees of Freedom (6DOF) context, it is first important to understand how humans perceive various acoustical cues from different listening perspectives in a real space. This paper presents a fundamental subjective study conducted on the perception of spatial impression for multiple listener positions and orientations. An in-situ elicitation test was carried out
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Balan, Oana, Alin Moldoveanu, Florica Moldoveanu, and Ionut Negoi. "THE ROLE OF PERCEPTUAL FEEDBACK TRAINING ON SOUND LOCALIZATION ACCURACY IN AUDIO EXPERIMENTS." In eLSE 2015. Carol I National Defence University Publishing House, 2015. http://dx.doi.org/10.12753/2066-026x-15-074.

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The purpose of this paper is to present and compare the main techniques and methodological approaches aimed to improve audio discrimination in sound localization experiments. As reviewed from the literature, perceptual feedback training procedures provide listeners with the proper auditory/visual feedback concerning the correct sound source location. This type of feedback training can significantly improve localization accuracy, as well as the listener's ability to discern between the sound sources situated in the front and rear hemifield, reducing the incidence of reversal errors (a very comm
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Wühle, Tom, and M. Ercan Altinsoy. "Investigation of auditory events with projected sound sources." In 173rd Meeting of Acoustical Society of America and 8th Forum Acusticum. Acoustical Society of America, 2017. http://dx.doi.org/10.1121/2.0000577.

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Gao, Fenglin, and Fei Xu. "The Sound Nest project: mobile Application design for auditory cognitive training of stressed people in the post epidemic era." In 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1003440.

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Under the COVID-19 epidemic and the economic downturn, people's pressure is increasing daily. Many people in the workplace are troubled by the distraction caused by excessive pressure. This paper aims to study the effective methods for stressed people to improve their concentration in the post-pandemic era. It also introduces the design and development process of an Android system-based mobile app - "Sound Nest." With auditory cognitive training as the core, we will conduct nonmusical auditory training for stressed people from three aspects: sound frequency, spatial orientation, and rhythm. We
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Reports on the topic "Auditory source width"

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HOLLOMEY, Clara, Piotr MAJDAK, and Robert BAUMGARTNER. The Auditory Modeling Toolbox 1.x. Verlag der Österreichischen Akademie der Wissenschaften, 2025. https://doi.org/10.1553/ica_2022_autitory-toolbox.

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The Auditory Modeling Toolbox (AMT) is an open source Matlab/Octave toolbox dedicated to promoting reproducible research in the hearing sciences. Through its unified interface, it provides access to implementations of auditory models written in various programming languages, to experimental data, and to code focusing on the reproduction of published results. An extensive in-code generated documentation and software demonstrations of the relevant aspects of the models assist in getting quickly familiar with their functioning. Moreover, the AMT 1.x comprises tools to facilitate the extension and
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liu, cong, xing wang, rao chen, and jie zhang. Meta-analyses of the Effects of Virtual Reality Training on Balance, Gross Motor Function and Daily Living Ability in Children with Cerebral Palsy. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, 2022. http://dx.doi.org/10.37766/inplasy2022.4.0137.

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Review question / Objective: Cerebral palsy (CP) is a non-progressive, persistent syndrome occurring in the brain of the fetus or infant[1]. The prevalence of CP is 0.2% worldwide, and the prevalence can increase to 20-30 times in preterm or low birth weight newborns. There are about 6 million children with CP in China, and the number is increasing at a rate of 45,000 per year. Virtual reality (VR) refers to a virtual environment that is generated by a computer and can be interacted with.VR can mobilize the visual, auditory, tactile and kinesthetic organs of CP, so that they can actively parti
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Sun, He. Animated electronic storybook and children's Mother Tongue development: Tracing the process and the outcome with eye-tracking. National Institute of Education, Nanyang Technological University, Singapore, 2020. https://doi.org/10.32658/10497/22664.

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Storybook reading to children is considered an efficient way to provide a meaningful context for exposure to unfamiliar words and grammar (Weizman &amp; Snow, 2001). Nonetheless, children with limited language knowledge (e.g., child MTL learners in Singapore) may benefit less from the reading activities, due to the gap between their skills and those required for processing the narration. They often fail to derive the meaning of unknown words/grammar from the verbal context and consequently have trouble figuring out the story plots (Verhallen &amp; Bus, 2010). Children’s electronic storybook (e
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Yatsymirska, Mariya. SOCIAL EXPRESSION IN MULTIMEDIA TEXTS. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11072.

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The article investigates functional techniques of extralinguistic expression in multimedia texts; the effectiveness of figurative expressions as a reaction to modern events in Ukraine and their influence on the formation of public opinion is shown. Publications of journalists, broadcasts of media resonators, experts, public figures, politicians, readers are analyzed. The language of the media plays a key role in shaping the worldview of the young political elite in the first place. The essence of each statement is a focused thought that reacts to events in the world or in one’s own country. Th
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