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Relevant bibliographies by topics / Auditory binding

Academic literature on the topic 'Auditory binding'

Author: Grafiati

Published: 10 December 2022

Last updated: 28 January 2023

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Dissertations / Theses
Book chapters
Conference papers

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Auditory binding.'

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Journal articles on the topic "Auditory binding"

1

Burr, David, Ottavia Silva, Guido Marco Cicchini, Martin S. Banks, and Maria Concetta Morrone. "Temporal mechanisms of multimodal binding." Proceedings of the Royal Society B: Biological Sciences 276, no. 1663 (February 25, 2009): 1761–69. http://dx.doi.org/10.1098/rspb.2008.1899.

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The simultaneity of signals from different senses—such as vision and audition—is a useful cue for determining whether those signals arose from one environmental source or from more than one. To understand better the sensory mechanisms for assessing simultaneity, we measured the discrimination thresholds for time intervals marked by auditory, visual or auditory–visual stimuli, as a function of the base interval. For all conditions, both unimodal and cross-modal, the thresholds followed a characteristic ‘dipper function’ in which the lowest thresholds occurred when discriminating against a non-zero interval. The base interval yielding the lowest threshold was roughly equal to the threshold for discriminating asynchronous from synchronous presentations. Those lowest thresholds occurred at approximately 5, 15 and 75 ms for auditory, visual and auditory–visual stimuli, respectively. Thus, the mechanisms mediating performance with cross-modal stimuli are considerably slower than the mechanisms mediating performance within a particular sense. We developed a simple model with temporal filters of different time constants and showed that the model produces discrimination functions similar to the ones we observed in humans. Both for processing within a single sense, and for processing across senses, temporal perception is affected by the properties of temporal filters, the outputs of which are used to estimate time offsets, correlations between signals, and more.

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Sanders, Mark C., Nai-Yuan N. Chang, Meghan M. Hiss, Rosalie M. Uchanski, and Timothy E. Hullar. "Temporal binding of auditory and rotational stimuli." Experimental Brain Research 210, no. 3-4 (February 2, 2011): 539–47. http://dx.doi.org/10.1007/s00221-011-2554-x.

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Chernyshev, Boris V., Dmitri V. Bryzgalov, Ivan E. Lazarev, and Elena G. Chernysheva. "Distributed feature binding in the auditory modality." NeuroReport 27, no. 11 (August 2016): 837–42. http://dx.doi.org/10.1097/wnr.0000000000000623.

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Bell, Raoul, Jan P. Röer, and Axel Buchner. "Irrelevant Speech Disrupts Item-Context Binding." Experimental Psychology 60, no. 5 (June 1, 2013): 376–84. http://dx.doi.org/10.1027/1618-3169/a000212.

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The present study examines the effects of irrelevant speech on immediate memory. Previous research led to the suggestion that auditory distractors particularly impair memory for serial order. These findings were explained by assuming that irrelevant speech disrupts the formation and maintenance of links between adjacent items in a to-be-remembered sequence, resulting in a loss of order information. Here we propose a more general explanation of these findings by claiming that the capacity to form and maintain item-context bindings is generally impaired by the presence of auditory distractors. The results of Experiment 1 show that memory for the association between an item and its background color is drastically impaired by irrelevant speech, just as memory for the association between an item and its serial position. In Experiment 2 it was examined whether the disrupting effects of irrelevant sound are limited to memory for item-context associations or whether item memory is also affected by the auditory distractors. The results revealed that irrelevant speech disrupts both item memory and item-context binding. The results suggest that the effects of irrelevant sound on immediate memory are more general than previously assumed, which has important theoretical and applied implications.

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BIDELMAN, GAVIN M., and SHELLEY T. HEATH. "Enhanced temporal binding of audiovisual information in the bilingual brain." Bilingualism: Language and Cognition 22, no. 04 (July 5, 2018): 752–62. http://dx.doi.org/10.1017/s1366728918000408.

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We asked whether bilinguals’ benefits reach beyond the auditory modality to benefit multisensory processing. We measured audiovisual integration of auditory and visual cues in monolinguals and bilinguals via the double-flash illusion where the presentation of multiple auditory stimuli concurrent with a single visual flash induces an illusory perception of multiple flashes. We varied stimulus onset asynchrony (SOA) between auditory and visual cues to measure the “temporal binding window” where listeners fuse a single percept. Bilinguals showed faster responses and were less susceptible to the double-flash illusion than monolinguals. Moreover, monolinguals showed poorer sensitivity in AV processing compared to bilinguals. The width of bilinguals’ AV temporal integration window was narrower than monolinguals’ for both leading and lagging SOAs (Biling.: -65–112 ms; Mono.: -193 – 112 ms). Our results suggest the plasticity afforded by speaking multiple languages enhances multisensory integration and audiovisual binding in the bilingual brain.

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Wilbiks, Jonathan M. P., and Benjamin Dyson. "Effects of within-modal congruency, cross-modal congruency and temporal asynchrony on the perception of perceived audio–visual distance." Seeing and Perceiving 25 (2012): 178. http://dx.doi.org/10.1163/187847612x648080.

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The factors we use to determine whether information from separate modalities should be assigned to the same source include task demands, the spatial and temporal coincidence of the composite signals, and, whether the signals are congruent with one another. In a series of experiments, we examined how temporal asynchrony and congruency interact in a competitive binding situation. Across a series of experiments, participants assigned a temporally roving auditory stimulus to competing primary or secondary visual anchors (VAV), or, a temporally roving visual stimulus to competing primary or secondary auditory anchors (AVA), based on causality. Congruency was defined in terms of simulated distance both within- and between-modalities (visual: small, auditory: quiet = far; visual: large, auditory: loud = near). Strong temporal effects were revealed, with differences between VAV and AVA conditions reflecting natural auditory lag tolerance for binding. During VAV conditions, binding was influenced only by visual congruency. During AVA conditions, binding was influenced by audio–visual congruency. These differences did not seem to be due to the relative discriminability between visual and auditory magnitude. The data reiterate the dominance of audition in the time domain (showing stronger temporal effects), the dominance of vision in the spatial domain (showing stronger congruency effects), and, the assistance of domain-inappropriate modalities by domain-appropriate modalities. A special case of congruency in terms of visual looming will also be discussed, along with the potential alerting properties of high magnitude stimuli.

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Winkler, István, István Czigler, Elyse Sussman, János Horváth, and László Balázs. "Preattentive Binding of Auditory and Visual Stimulus Features." Journal of Cognitive Neuroscience 17, no. 2 (February 2005): 320–39. http://dx.doi.org/10.1162/0898929053124866.

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We investigated the role of attention in feature binding in the auditory and the visual modality. One auditory and one visual experiment used the mismatch negativity (MMN and vMMN, respectively) event-related potential to index the memory representations created from stimulus sequences, which were either task-relevant and, therefore, attended or task-irrelevant and ignored. In the latter case, the primary task was a continuous demanding within-modality task. The test sequences were composed of two frequently occurring stimuli, which differed from each other in two stimulus features (standard stimuli) and two infrequently occurring stimuli (deviants), which combined one feature from one standard stimulus with the other feature of the other standard stimulus. Deviant stimuli elicited MMN responses of similar parameters across the different attentional conditions. These results suggest that the memory representations involved in the MMN deviance detection response encoded the frequently occurring feature combinations whether or not the test sequences were attended. A possible alternative to the memory-based interpretation of the visual results, the elicitation of the McCollough color-contingent aftereffect, was ruled out by the results of our third experiment. The current results are compared with those supporting the attentive feature integration theory. We conclude that (1) with comparable stimulus paradigms, similar results have been obtained in the two modalities, (2) there exist preattentive processes of feature binding, however, (3) conjoining features within rich arrays of objects under time pressure and/or long-term retention of the feature-conjoined memory representations may require attentive processes.

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Shisler, Rebecca. "Aphasia and auditory extinction: Preliminary evidence of binding." Aphasiology 19, no. 7 (July 2005): 633–50. http://dx.doi.org/10.1080/02687030444000930.

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Terrence, Peter I., Justin F. Morgan, and Richard D. Gilson. "Dynamic Frequencies and Perceptual Binding in a Combined Auditory-Tactile Task." Proceedings of the Human Factors and Ergonomics Society Annual Meeting 51, no. 19 (October 2007): 1336–40. http://dx.doi.org/10.1177/154193120705101913.

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Two experiments examined the potential effect of perceptual binding in the auditory and tactile modalities for one stimulus parameter: dynamic frequency sweeps versus static frequencies. Experiment 1 established baseline performance for identifying a single stimulus presentation. Experiment 2 examined the effects of presenting simultaneous auditory and tactile signals while attempting to focus on a single sensory channel. Experiment 1 demonstrates that identifying the frequency sweep or static signal is relatively easy in both modalities. Experiment 2 shows the unidirectional domination of auditory signals over tactile, irrespective of sensory focus modality. Overall findings and the implications for design and directions for future research are discussed.

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Wilbiks, Jonathan M. P., and Benjamin J. Dyson. "The Influence of Previous Environmental History on Audio-Visual Binding Occurs during Visual-Weighted but not Auditory-Weighted Environments." Multisensory Research 26, no. 6 (2013): 561–68. http://dx.doi.org/10.1163/22134808-00002432.

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Although there is substantial evidence for the adjustment of audio-visual binding as a function of the distribution of audio-visual lag, it is not currently clear whether adjustment can take place as a function of task demands. To address this, participants took part in competitive binding paradigms whereby a temporally roving auditory stimulus was assigned to one of two visual anchors (visual-weighted; VAV), or, a temporally roving visual stimulus was assigned to one of two auditory anchors (auditory-weighted; AVA). Using a blocked design it was possible to assess the malleability of audio-visual binding as a function of both the repetition and change of paradigm. VAV performance showed sensitivity to preceding contexts, echoing previous ‘repulsive’ effects shown in recalibration literature. AVA performance showed no sensitivity to preceding contexts. Despite the use of identical equi-probable temporal distributions in both paradigms, data support the contention that visual contexts may be more sensitive than auditory contexts in being influenced by previous environmental history of temporal events.

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Dissertations / Theses on the topic "Auditory binding"

1

Dyson, Benjamin J. "Processing and representation in auditory cognition." Thesis, University of York, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.270043.

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Aksentijevic, Aleksandar. "Psychophysical effects of auditory gamma-band entrainment : evidence for oscillatory harmonic binding." Thesis, Birkbeck (University of London), 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.406289.

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Yan, Kai. "Calcium binding proteins and GAD immunoreactivity in the auditory system of Gekko Gecko." College Park, Md.: University of Maryland, 2008. http://hdl.handle.net/1903/8193.

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Thesis (M.S.) -- University of Maryland, College Park, 2008.
Thesis research directed by: Dept. of Biology. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.

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Idrizbegovic, Esma. "Calcium binding protein immunoreactivity in the central auditory system and correlations with the auditory periphery : the effects of noise and aging in mice /." Stockholm, 2001. http://diss.kib.ki.se/2001/91-628-4829-1/.

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Gilbert, Benjamin Lawrence. "ACF7 DEFICIENCY DOES NOT IMPAIR AUDITORY HAIR CELL DEVELOPMENT OR HEARING FUNCTION." Case Western Reserve University School of Graduate Studies / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=case1619801135718899.

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Roebel, John L. "Developmental Expression of Calcium-Binding Proteins in the AVCN and MNTB of Normal Hearing and Congenitally Deaf Mice." Wright State University / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=wright1150313169.

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Chen, Ssu-Chen, and 陳思禎. "Binding of Musical Pitch and Spatial Location in Auditory Short-Term Memory by Congenital Amusics." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/47575176567600159265.

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碩士
國立陽明大學
神經科學研究所
102
Congenital amusia (CA), commonly known as tone deafness, is a developmental disorder characterized by deficits in processing pitch information. Some evidence suggest that pitch impairment may have influence on other domains of information processing such as temporal or spatial dimensions due to possible binding of these features in auditory working memory. The current study investigates the ability of amusics and non-musically trained control individuals in processing the identity and spatial location of musical pitch at the perceptual and working memory level. In Experiment I, adaptive threshold tracking procedure was used to study how participants use temporal fine structure information to detect the location of musical pitch. Interaural time difference (ITD) thresholds were measured when musical pitch of a tone pair was identical or different across various time intervals. Results demonstrated that ITD thresholds were equivalent for both groups in same pitch interval or varying pitch intervals. In the second study, we examined the ability of CA and control individuals to memorize task relevant information (pitch or lateralization) in an ordered-probe recognition paradigm. Constant or varying five-tone musical pitch sequences randomly sampled from left, right or center spatial locations were presented over headphones. While amusics were consistently less efficient in identifying pitch sequences, accuracy for task relevant sequence was not affected by the variation of task irrelevant information presented simultaneously for both amusic and control individuals. Experiment III further investigates the binding mechanism of musical pitch and spatial locations using old/new feature probe during retrieval stage. Participants listened to major chord sequences presented sequentially from four (out of eight) speakers arranged in semicircles and had to indicate whether the probe sound appeared in the previous sequence. Results showed that both CA and control i participants were faster and more accurate in recognizing the features of intact probe as compared to those of the recombined probe, suggesting incidental binding of pitch and spatial features of the sound. Additionally, performance in amusics was significantly worse when the probe contained new pitch information rather than old pitch. Findings from the current study support existence of binding between musical pitch and spatial location in auditory short-term memory and that amusics’ impaired pitch information did not seem to extend to modulate integrated binding representation.

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Book chapters on the topic "Auditory binding"

1

Zhuo, Guangping, and Xueli Yu. "Auditory Feature Binding and Its Hierarchical Computational Model." In Artificial Intelligence and Computational Intelligence, 332–38. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-23881-9_44.

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Mutoh, Yoshitaka, and Yoshiki Kashimori. "Neural Model of Auditory Cortex for Binding Sound Intensity and Frequency Information in Bat’s Echolocation." In Neural Information Processing, 62–69. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-24955-6_8.

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Canlon, Barbara, Esma Idrizbegovic, and Nenad Bogdanovic. "Calcium Binding Proteins in the Central Auditory System." In Handbook of Mouse Auditory Research, 321–29. CRC Press, 2001. http://dx.doi.org/10.1201/9781420038736.ch22.

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"Calcium Binding Proteins in the Central Auditory System: Modulation by Noise Exposure and Aging." In Handbook of Mouse Auditory Research, 335–44. CRC Press, 2001. http://dx.doi.org/10.1201/9781420038736-28.

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5

Thagard, Paul. "Perception and Imagery." In Brain-Mind, 50–71. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190678715.003.0003.

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This chapter provides a general account of imagery that applies to both external senses such as vision and internal senses such as pain. It identifies five mental operations that occur in all kinds of imagery: intensification, focusing, combination, juxtaposition, and decomposition. Each of these operations results from neural mechanisms that are part of the Semantic Pointer Architecture, including storage, retrieval, neural representation, binding, competition, and transformation. There is abundant psychological and neural evidence that imagery is real and that the brain’s computations employ special patterns of neural representation that develop from sensory inputs. This development requires binding into semantic pointers that are susceptible to symbol-like manipulation that exploits the different sensory characters of visual, auditory, and other sorts of representation.

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Judge, Jenny. "“Feeling the Beat”." In The Philosophy of Rhythm, 76–90. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780199347773.003.0005.

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Chapter 4 argues that the experience of musical meter (distinguished from musical rhythm) is multimodal: it involves the binding to a common sensory individual of auditory and proprioceptive content. Consideration of this multimodal content offers a novel perspective on the experience of musical movement. Some philosophers have suggested that all perceptual experiences of musical movement must be “metaphorical” (which notion is explained in the chapter), given that musical sounds do not move. But if a given type of musical experience involves more than the awareness of sounds, it does not follow that the experience of movement must be metaphorical in that case. The author claims that since the proprioceptive content involved in beat experience is legitimately movement-involving, it is unnecessary to appeal to “metaphorical perception” to explain the experience of movement in musical meter.

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Conference papers on the topic "Auditory binding"

1

Zhuo, Guangping, and Xueli Yu. "Real-world Audititory Perception Based on Auditory Feature Binding." In 2010 International Conference on Computational Aspects of Social Networks (CASoN 2010). IEEE, 2010. http://dx.doi.org/10.1109/cason.2010.86.

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