Academic literature on the topic 'Auditors in fiction'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Auditors in fiction.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Journal articles on the topic "Auditors in fiction"
Czarniawska, Barbara. "Research Note. A Culture of Costs versus A Culture of Expenses." Valuation Studies 5, no. 2 (May 2, 2018): 131–44. http://dx.doi.org/10.3384/vs.2001-5992.1852131.
Full textRauch, Bernhard, Max Göttsche, Stefan Engel, and Gernot Brähler. "Fact and Fiction in EU-Governmental Economic Data." German Economic Review 12, no. 3 (August 1, 2011): 243–55. http://dx.doi.org/10.1111/j.1468-0475.2011.00542.x.
Full textLeenhardt, Jacques. "Existence et objet de la « sociologie de la littérature », aujourd’hui." Sociologias 20, no. 48 (August 2018): 30–46. http://dx.doi.org/10.1590/15174522-020004802.
Full textKUZ, Valentyna. "GENRE AND STYLISTIC PECULIARITIES OF YURII KLEN’S FLASH FICTION." Current issues of linguistics and translations studies, no. 23 (March 30, 2022): 19–23. http://dx.doi.org/10.31891/2415-7929-2022-23-4.
Full textBrownlee, Shannon. "Imaginative Animated Non-Fiction: Educating Adults about Child Soldiers." Animation 18, no. 3 (November 2023): 227–39. http://dx.doi.org/10.1177/17468477231206670.
Full textSlote, Ben. "Narrative Jujitsu: Twain's “Studied Fictions” and Their Plot Against Audience." Prospects 20 (October 1995): 87–118. http://dx.doi.org/10.1017/s0361233300006025.
Full textGleeson-White, Sarah. "Auditory Exposures: Faulkner, Eisenstein, and Film Sound." PMLA/Publications of the Modern Language Association of America 128, no. 1 (January 2013): 87–100. http://dx.doi.org/10.1632/pmla.2013.128.1.87.
Full textZhang, Rui. "On Auditory Narratology in The Ivory Acrobat." Arts Studies and Criticism 3, no. 2 (June 27, 2022): 115. http://dx.doi.org/10.32629/asc.v3i2.836.
Full textTian, Hua. "The Technological Landscape and Artistic Illusion: A Case Study of Avatar." Journal of Research in Social Science and Humanities 3, no. 4 (April 2024): 18–21. http://dx.doi.org/10.56397/jrssh.2024.04.04.
Full textWaugh, Patricia. "Muriel Spark’s ‘informed air’: the auditory imagination and the voices of fiction." Textual Practice 32, no. 9 (October 21, 2018): 1633–58. http://dx.doi.org/10.1080/0950236x.2018.1533171.
Full textDissertations / Theses on the topic "Auditors in fiction"
Bünger, Maja. "Janet Cardiff : Portholes into other Worlds." Thesis, Södertörn University College, The School of Culture and Communication, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-2068.
Full textThis essay is about the relationship between the spatial reality and the imaginary reality in the auditory artwork The Missing Voice (case study b) by Janet Cardiff. The analysis is based on a semiotic model that differentiate between two types of signifieds; a denotative signified and a connotative signified. Those terms, with focus on connotation, is used in relation to sound and linguistic signs in the auditory reality of the artwork.
The first chapter “Den okroppsliga rösten” discusses the relationship between the several voices of fiction and the spatial reality in The Missing Voice (case study b). There are four versions of the voice of cardiff and two other masculine voices that reach out, through the auditory reality, to the participant of the artwork. The participant throws therefore between the spatial reality and the reality of fiction.
The second chapter “Den akustiska upplevelsen” discusses what happens when the aucoustic reality is in and out of sync with the spatial reality in The Missing Voice (case study b). When the two soundscapes, the real and the auditory, synchronize it’s difficult for the participant to separate between reality and fiction. Those recorded sounds originate from the spatial reality and therefore connotes this reality. Sometimes Cardiff refers to sounds that are invisible in the spatial reality, the soundscapes are then not in sync with each other, but still the sounds are so close to the spatial reality that they feel real.
The last chapter “Det imaginära rummet” is about the meeting between the real spatiality and the imaginäry. On many occations in the artwork the voice of Cardiff transforms the real room to a room from the past. Then her words connotations reinforces the experience of the presence of the imaginäry room in the real room.
Sinatra, Anne M. "The Impact of Degraded Speech and Stimulus Familiarity in a Dichotic Listening Task." Doctoral diss., University of Central Florida, 2012. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5502.
Full textID: 031001451; System requirements: World Wide Web browser and PDF reader.; Mode of access: World Wide Web.; Adviser: Valerie K. Sims.; Title from PDF title page (viewed July 2, 2013).; Thesis (Ph.D.)--University of Central Florida, 2012.; Includes bibliographical references (p. 168-173).
Ph.D.
Doctorate
Psychology
Sciences
Psychology; Human Factors Psychology
Books on the topic "Auditors in fiction"
Kilby, Joan. Two against the odds. Toronto: Harlequin Books, 2011.
Find full textKilby, Joan. Two against the odds. Toronto: Harlequin, 2011.
Find full textFesperman, Dan. Layover in Dubai. New York: Alfred A. Knopf, 2010.
Find full textDALTON, MARGOT. Cottonwood creek. Toronto: Harlequin Books, 1998.
Find full textShwartz, Susan. Hostile takeover. New York: Tor, 2004.
Find full textBrowne, Marshall. The eye of the abyss. New York: Thomas Dunne Books, 2003.
Find full textGregg, Stacy. The auditions. London: HarperCollins Children's Books, 2010.
Find full textLoebbecke, James K. The auditor: An instructional novella. Upper Saddle River, N.J: Prentice Hall, 1999.
Find full textSims, Kassandra. Falling upwards. New York: Tom Doherty, 2007.
Find full textPhillips, Joanne Fox. Revenge of the cube dweller. Austin, TX: River Grove Books, 2014.
Find full textBook chapters on the topic "Auditors in fiction"
Al-Adeem, Khalid. "Perspective Chapter: Governing Corporations in Appearance but Not in Fact – A Possible Unintended Consequence of the Corporate Governance Movement." In Corporate Governance - Evolving Practices and Emerging Challenges [Working Title]. IntechOpen, 2024. http://dx.doi.org/10.5772/intechopen.1005075.
Full textCubitt, Sean. "Temporalities of the Glitch: Déjà Vu." In Indefinite Visions. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474407120.003.0018.
Full textFrattarola, Angela. "Turning Words into Sounds." In Modernist Soundscapes, 141–61. University Press of Florida, 2018. http://dx.doi.org/10.5744/florida/9780813056074.003.0007.
Full textBernini, Marco. "A Brain Listening to Itself." In Beckett and the Cognitive Method, 45–84. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190664350.003.0002.
Full textEpstein, Hugh. "Introduction." In Hardy, Conrad and the Senses, 1–20. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474449861.003.0001.
Full textFrattarola, Angela. "Inner Speech as a Gramophone Record." In Modernist Soundscapes, 114–40. University Press of Florida, 2018. http://dx.doi.org/10.5744/florida/9780813056074.003.0006.
Full textWatson, Jay. "The Unsynchable William Faulkner." In William Faulkner and the Faces of Modernity, 148–70. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198849742.003.0005.
Full textK, Yuvaraj, and Ms K. Shanmugapriya. "THE EVOLUTIONARY TRAJECTORY OF INDIAN STORY TELLING." In Research Trends in Language, Literature & Linguistics Volume 3 Book 3, 17–22. Iterative International Publishers, Selfypage Developers Pvt Ltd, 2024. http://dx.doi.org/10.58532/v3bilt3p3ch1.
Full textMcDonagh, Josephine. "John Galt’s ‘Whole Art of Colonization’." In Literature in a Time of Migration, 70–111. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192895752.003.0003.
Full textAngus, Bill. "The Knight of the Burning Pestle and the Menace of the Audience." In Intelligence and Metadrama in the Early Modern Theatre, 92–109. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474432917.003.0004.
Full text