Relevant bibliographies by topics / Auditorium Acoustics

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Auditorium Acoustics'

Author: Grafiati
Published: 4 June 2021
Last updated: 20 February 2023

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Journal articles on the topic "Auditorium Acoustics"

1

Orlowski, Raf. "Auditorium Acoustics." Acoustics 1, no. 3 (2019): 693. http://dx.doi.org/10.3390/acoustics1030040.

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Putra, Alnugraha Rachman, and Ryanty Derwentyana Nazhar. "Peranan Material Interior dalam Pengendalian Akustik Auditorium Bandung Creative Hub." Waca Cipta Ruang 6, no. 2 (2020): 71–76. http://dx.doi.org/10.34010/wcr.v6i2.4123.

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Acoustics in an auditorium interior have a vital role in the continuity of activities in it. Activities in the auditorium are closely related to audio and visual, so designing an auditorium requires an acoustic control system, not only visual elements are considered, but also sound or acoustic control requires special attention. This study describes the role of interior materials in acoustic control in a multifunctional auditorium in the Bandung Creative Hub building, West Java. To determine the quality of the room acoustics under study, the research method used is descriptive analysis by proc
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Pereira, Andreia, Anna Gaspar, Luís Godinho, et al. "On the Use of Perforated Sound Absorption Systems for Variable Acoustics Room Design." Buildings 11, no. 11 (2021): 543. http://dx.doi.org/10.3390/buildings11110543.

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An important challenge for acoustic engineers in room acoustics design is related to the acoustic performance of multi-purpose auditoriums, which are typically designed to suit several performance requirements. With this intent, the analysis of several scenarios is usually performed individually, and then an acceptable solution, that may be adapted to several situations, is selected. One way of providing a more appropriate acoustic performance for each function of the auditorium is using variable sound absorption techniques to control reverberation and other relevant acoustic phenomena associa
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Wang, Ji-Qing. "Diffusion and Auditorium Acoustics." Building Acoustics 10, no. 3 (2003): 211–19. http://dx.doi.org/10.1260/135101003322662014.

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Kuttruff, H. "On the Acoustics of Auditoria." Building Acoustics 1, no. 1 (1994): 27–48. http://dx.doi.org/10.1177/1351010x9400100103.

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The paper presents a short introduction into auditorium acoustics and reports on a few new developments in this field, which are believed to be of great benefit both for the acoustical design of auditoria and for research in practical room acoustics. The first part describes in a rather elementary way the basic facts of sound propagation in enclosures, including the effects of reflections and the role of reverberation. Furthermore, some of the numerous objective parameters are discussed which have been introduced in order to characterize particular aspects of sound fields. In the second part,
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Templeton, Duncan. "Auditorium acoustics and architectural design." Applied Acoustics 49, no. 3 (1996): 283–85. http://dx.doi.org/10.1016/s0003-682x(97)88032-2.

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Borish, Jeffrey Glenn. "Electronic simulation of auditorium acoustics." Journal of the Acoustical Society of America 77, no. 2 (1985): 764. http://dx.doi.org/10.1121/1.392353.

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Barron, Michael, and Timothy J. Foulkes. "Auditorium Acoustics and Architectural Design." Journal of the Acoustical Society of America 96, no. 1 (1994): 612. http://dx.doi.org/10.1121/1.410457.

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Pinnington, R. J., and C. B. Nathanail. "Modelling auditorium acoustics with light." Applied Acoustics 40, no. 1 (1993): 21–46. http://dx.doi.org/10.1016/0003-682x(93)90019-3.

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Maishan, Kabiru, and Asst Prof Dr Halil Zafer Alibaba. "Auditorium Acoustics From Past to Present." International Journal of Engineering Research and Applications 07, no. 01 (2017): 15–23. http://dx.doi.org/10.9790/9622-0701011523.

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Dissertations / Theses on the topic "Auditorium Acoustics"

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Bassett, John. "Assessing the Spatial Diffusivity of Sound Fields in Rooms using Ambisonic Techniques." Thesis, The University of Sydney, 2012. http://hdl.handle.net/2123/8255.

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This thesis explores the means of objectively measuring diffuse sound fields contained within music performance auditoria. Although the diffuse field is considered to be an important component of the reverberant sound field there is currently no widely accepted method for its measurement. A review of methods shows that attempts to characterize the field may be divided into those methods that seek to directly measure the state of the field and those that indirectly indicate the existence of the state. The primary focus of this thesis is the application of Ambisonic techniques to capture the spa
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Dammerud, Jens Jørgen. "Stage acoustics for symphony orchestras in concert halls." Thesis, University of Bath, 2009. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.518296.

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Legoh, Finarya. "An investigation into auditorium design using 1:50 physical scale modelling and computer modelling." Thesis, University of Salford, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.238916.

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Nguyen, Andy. "Sensing Sound And Space:Auditory And Visual Spatial ImpressionIn Three Auditoria." Thesis, The University of Sydney, 2005. http://hdl.handle.net/2123/697.

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In some contexts, the experience of sound and space are often considered as two unrelated experiences. In an auditorium, the senses of hearing and seeing are not necessary unrelated. This thesis proposes that there is a sensorial relationship between sound and space in the context of symphonic concert halls. Through a study of three auditoria, this thesis explores the relationship, and the degree of correspondence and interaction between auditory and visual spatial impression. It begins by exploring the concepts of auditory and visual spatial impression in relation with auditorium acous
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Yilmaz, Tansu. "Acoustical Analysis Of A Multipurpose Hall By Computer Simulation Method: Metu Northern Cyprus Campus Auditorium (ncca) As A Case Study." Master's thesis, METU, 2005. http://etd.lib.metu.edu.tr/upload/12605957/index.pdf.

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In this study, impulse response of a multipurpose hall, namely METU Northern Cyprus Campus Auditorium (NCCA) is analyzed and the acoustical quality of the auditorium is evaluated. Suggestions to increase the acoustical satisfaction has been made and to overcome the probability of bass-rise caused by the noise of HVAC systems, a proposal has been made to control low frequency sounds by introducing the volume resonators for the specified frequency. For the study, Odeon, which is used effectively in computer based acoustical simulation studies, is used for the analysis part. In the analysis, a 3D
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Nguyen, Andy. "Sensing Sound And Space:Auditory And Visual Spatial ImpressionIn Three Auditoria." University of Sydney. Architecture, Design Science and Planning, 2005. http://hdl.handle.net/2123/697.

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In some contexts, the experience of sound and space are often considered as two unrelated experiences. In an auditorium, the senses of hearing and seeing are not necessary unrelated. This thesis proposes that there is a sensorial relationship between sound and space in the context of symphonic concert halls. Through a study of three auditoria, this thesis explores the relationship, and the degree of correspondence and interaction between auditory and visual spatial impression. It begins by exploring the concepts of auditory and visual spatial impression in relation with auditorium acous
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Zhang, Yan. "A method to predict reverberation time in concert hall preliminary design stage." Diss., Available online, Georgia Institute of Technology, 2005, 2005. http://etd.gatech.edu/theses/available/etd-09262005-085624/.

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Thesis (Ph. D.)--Architecture, Georgia Institute of Technology, 2006.<br>Brani Vidakovic, Committee Member ; Larry Kirkegaard, Committee Member ; Yves Berthelot, Committee Member ; Ruchi Choudhary, Committee Member ; Ning Xiang, Committee Member ; Godfried, Augenbroe, Committee Chair. Vita. Includes bibliographical references.
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Wong, Lawdy Siu Shan. "Auditorium acoustic modelling on chaotic realisation." Thesis, Oxford Brookes University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.394625.

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Davies, W. J. "The effects of seating on the acoustics of auditoria." Thesis, University of Salford, 1992. http://usir.salford.ac.uk/14799/.

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The two main attributes of seating in auditoria have been investigated. Tle first is random incidence absorption. The second is the low-frequency selective attenuation which seating can impart to sound travelling over it at grazing incidence: the so-called "seat dip" effect. It was found that there was a need for a more accurate laboratory measurement method to predict auditorium seat absorption. The traditional method tended to overpredict the absorption of the exposed front and sides of seating blocks. A new method was studied which involves the use of barriers to obtain realistic measuremen
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Nguyen, Andy. "Sensing sound and space auditory and visual spatial impression in three auditoria /." Connect to full text, 2005. http://hdl.handle.net/2123/697.

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Thesis (M. Phil. (Arch.))--University of Sydney, 2005.<br>Title from title screen (viewed 27 May 2008). Submitted in fulfilment of the requirements for the degree of Master of Philosophy (Architecture) to the School of Architecture, Design Science and Planning, Faculty of Architecture. Includes bibliographical references. Also available in print form.
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Books on the topic "Auditorium Acoustics"

1

Auditorium acoustics and architectural design. E & FN Spon, 1993.

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Auditorium acoustics and architectural design. 2nd ed. Taylor & Francis, 2010.

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Fuchs, Guillermo L. El auditorium como instrumento musical integrador. Facultad de Arquitectura y Urbanismo, Universidad Nacional de Córdoba, 1989.

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Subagio. Acoustic absorption of auditorium seating. University of Salford, 1986.

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Makrinenko, L. I. Acoustics of auditoriums in public buildings. Published for the Acoustical Society of America through the American Institute of Physics, 1994.

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Wong, Lawdy Siu Shan. Auditorium acoustic modelling based on chaotic realisation. Oxford Brookes University, 1999.

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Duncan, Templeton, ed. The architecture of sound: Designing places of assembly. Architectural Press, 1986.

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Davies, William Jonathan. The effects of seating on the acoustics of auditoria. University of Salford, 1992.

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Legoh, Finarya. Acoustic design and scale model testing of a multi-purpose auditorium. University of Salford, 1988.

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Forsyth, Michael. Auditoria: Designing for the performing arts. Van Nostrand Reinhold, 1987.

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Book chapters on the topic "Auditorium Acoustics"

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Toyota, Yasuhisa, Motoo Komoda, Daniel Beckmann, Marc Quiquerez, and Erik Bergal. "Auditorium Giovanni Arvedi." In Concert Halls by Nagata Acoustics. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-42450-3_18.

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Toyota, Yasuhisa, Motoo Komoda, Daniel Beckmann, Marc Quiquerez, and Erik Bergal. "Charles Bronfman Auditorium." In Concert Halls by Nagata Acoustics. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-42450-3_17.

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Toyota, Yasuhisa, Motoo Komoda, Daniel Beckmann, Marc Quiquerez, and Erik Bergal. "Auditorium, Fondation Louis Vuitton." In Concert Halls by Nagata Acoustics. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-42450-3_21.

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Adelman-Larsen, Niels Werner. "Auditorium Acoustics: Terms, Language, and Concepts." In Rock and Pop Venues. Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-642-45236-9_2.

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Adelman-Larsen, Niels Werner. "Auditorium Acoustics: Terms, Language, and Concepts." In Rock and Pop Venues. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-62320-3_2.

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Braden, C., B. Hayes, R. Averbach, and V. Ranatunga. "Identification and Enhancement of On-stage Acoustics in a Multipurpose Auditorium." In Experimental and Applied Mechanics, Volume 6. Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-9792-0_119.

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Braden, C., B. Hayes, R. Averbach, and V. Ranatunga. "Identification and Enhancement of On-stage Acoustics in a Multipurpose Auditorium." In Experimental and Applied Mechanics, Volume 6. Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-9792-0_77.

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Morris, Gareth, Mark Browne, Kirsti Murahidy, and Mike Jacka. "Christchurch Town Hall Complex: Post-Earthquake Ground Improvement, Structural Repair, and Seismic Retrofit." In Case Studies on Conservation and Seismic Strengthening/Retrofitting of Existing Structures. International Association for Bridge and Structural Engineering (IABSE), 2020. http://dx.doi.org/10.2749/cs002.145.

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&lt;p&gt;The Christchurch Town Hall (CTH) complex contains six reinforced concrete buildings constructed circa 1970 in Christchurch, New Zealand (NZ). The complex is used for performing arts and entertainment, with an Auditorium that is internationally recognized for its acoustics. It is listed as a Grade-1 heritage building due to its cultural and historical significance. Unfortunately, the CTH foundation system was not originally designed to accommodate liquefaction-induced differential settlement and lateral spreading effects, as highlighted by the 2010–2011 Canterbury earthquake sequence. Although the most extreme ground motions exceeded the NZS 1170.5 code-defined 1/2500 year earthquake loads, the CTH structures performed remarkably well for a design that pre-dated modern seismic codes. Most of the observed structural damage was a result of the differential ground deformations, rather than in response to inertial forces. The post-earthquake observations and signs of distress are presented herein. The primary focus of this paper is to describe two major features of the seismic retrofit project (initiated in 2013) which were required to upgrade the CTH complex to meet 100% of current NZS 1170.5 seismic loadings. Firstly, the upgrade required extensive ground improvement and a new reinforce concrete mat slab to mitigate the impacts future ground deformations. Soil stabilization was provided by a cellular arrangement of jet-grout columns, a relatively new technique to NZ at the time. The new mat slab (typically 600-900 mm) was constructed over the stabilized soils. Secondly, upgrading the superstructure had many constraints that were overcome via a performance-based design approach, using non-linear time-history analysis. Recognizing the heritage significance, the superstructure “resurrection” as a modern building was hidden within the original skin minimized disruption of heritage fabric. Retrofit solutions were targeted, which also minimized the overall works. The 2015–2019 construction phase is briefly discussed within, including jet-grout procedures and sequencing considerations.&lt;/p&gt;
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Hayes, B., C. Braden, R. Averbach, and V. Ranatunga. "Objective Determination of Acoustic Quality in a Multipurpose Auditorium." In Experimental and Applied Mechanics, Volume 6. Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-9792-0_76.

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Dodd, G. "Active or Passive Acoustics for Auditoria? — A Preliminary Survey." In 1989 2nd European Conference on Architecture. Springer Netherlands, 1990. http://dx.doi.org/10.1007/978-94-017-0556-1_67.

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Conference papers on the topic "Auditorium Acoustics"

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Alam, Shah Faaiz, Yasser Rafat, and Husayn Bilgrami. "Acoustical analysis of Aligarh Muslim University’s central auditorium." In 22nd International Congress on Acoustics: Acoustics for the 21st Century. Acoustical Society of America, 2016. http://dx.doi.org/10.1121/2.0000438.

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Monica, Monica, Ika Yuni, and Fivanda Fivanda. "The Implementation of the Indonesian Adiwarna Design Concept Towards the Acoustics of Auditorium Tanah Airku Theater TMII Jakarta." In International Conference on Economics, Business, Social, and Humanities (ICEBSH 2021). Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210805.189.

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Van der Harten, Arthur, Timothy Gulsrud, Larry Kirkegaard, and Andy Kiel. "A Multi-faceted Study of Sound Diffusing Elements in an Auditorium." In 161st Meeting Acoustical Society of America. Acoustical Society of America, 2011. http://dx.doi.org/10.1121/1.3633211.

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Cairoli, Maria, and Francesca Merli. "From the architectural acoustic design to measurements: The Auditorium Arvedi case study." In TECHNOLOGIES AND MATERIALS FOR RENEWABLE ENERGY, ENVIRONMENT AND SUSTAINABILITY: TMREES20. AIP Publishing, 2020. http://dx.doi.org/10.1063/5.0032655.

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Filipe Renan Benicio da Silva, Nelson José Moreira Henriques, Gustavo da Silva Vieira de Melo, Wagner de Sousa Santos, Marcell Landry Negrão Gomes, and Ivan Victor Corrêa Picanço. "EVALUATION OF ACOUSTIC PARAMETERS OF INTELLIGIBILITY ON AN UNIVERSITY AUDITORIUM TO IMPROVEMENT." In 23rd ABCM International Congress of Mechanical Engineering. ABCM Brazilian Society of Mechanical Sciences and Engineering, 2015. http://dx.doi.org/10.20906/cps/cob-2015-1731.

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Accolti, Ernesto, Yésica Alamino Naranjo, Alción Alonso Frank, Ernesto Kuchen, and Bruno Arballo. "The acoustics of the concert hall Auditorio Juan Victoria from San Juan, Argentina." In 22nd International Congress on Acoustics: Acoustics for the 21st Century. Acoustical Society of America, 2016. http://dx.doi.org/10.1121/2.0000327.

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Mahalingam, Ganapathy. "Generating the spatial forms of auditoriums based on distributed sentience." In 175th Meeting of the Acoustical Society of America. Acoustical Society of America, 2017. http://dx.doi.org/10.1121/2.0000966.

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Indira, Eddy Supriyatna Marizar, and Maria Florencia. "Implementation of Acoustic Materials in The Auditorium of Daya Indonesia Performing Arts Academy (DIPAA) Music Institute." In The 2nd Tarumanagara International Conference on the Applications of Social Sciences and Humanities (TICASH 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201209.053.

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Del Cerro, Emiliano, and Silvia M. Ortiz. "Study of the acoustic of Jean Nouvel `s Auditorium 400, at the Museum Reina Sofia in Madrid." In ICA 2013 Montreal. ASA, 2013. http://dx.doi.org/10.1121/1.4798971.

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Ziaran, Stanislav, Milos Musil, and Ondrej Chlebo. "Determination of the Bearing Quality by Means of Vibroacoustic Response." In ASME 2015 Noise Control and Acoustics Division Conference at InterNoise 2015. American Society of Mechanical Engineers, 2015. http://dx.doi.org/10.1115/ncad2015-5910.

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A signal of mechanical and acoustical vibration generated during a bearing’s quality testing contains variety of useful information about their operational conditions. At defined testing speeds, the bearings generate a periodical and a non-periodical vibroacoustic signal of different intensities, which are dependent on the quality of bearings and/or their damage type. A dynamical response of the tested bearings recorded in time characterizes also the nature of the unwanted noise of bearings. Therefore the dynamical response of the maximum acceleration recorded in time is one of the major crite
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