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Books on the topic 'Audio synthesi'

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Published: 9 March 2023
Last updated: 10 March 2023

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1

Kunow, Kristian. Rundfunk und Internet: These, Antithese, Synthese? Edited by Arbeitsgemeinschaft der Landesmedienanstalten in der Bundesrepublik Deutschland. Berlin: Vistas, 2013.

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2

Audio system for technical readings. Berlin: Springer, 1998.

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3

1944-, Kamajou François, and Cameroon. Ministry of Scientific Research., eds. Audit scientifique de la recherche agricole au Cameroun: Synthèse de l'audit, rapport général. [Yaoundé]: République du Cameroun, Ministère de la recherche scientifique et technique, 1993.

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4

Joachim, Hornegger, ed. Pattern recognition and image processing in C [plus] [plus]. Wiesbaden: Vieweg, 1995.

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5

Audio Engineering Society. International Conference. Virtual, synthetic and entertainment audio: The proceedings of the AES 22nd international conference 2002, June 15-17, Espoo, Finland. New York: AES, 2002.

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6

Nakagawa, Seiichi. Speech, hearing and neural network models. Tokyo: Ohmsha, 1995.

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7

Junqua, Jean-Claude. Robustness in automatic speech recognition: Fundamentals and applications. Boston: Kluwer Academic Publishers, 1996.

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8

Rick, Beasley, ed. Voice application development with VoiceXML. Indianapolis, Ind: Sams, 2002.

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9

IEEE/RSJ International Conference on Intelligent Robots and Systems (2001 Maui, Hawaii). Proceedings 2001 IEEE/RSJ International Conference on Intelligent Robots and Systems (IROS 2001): Expanding the societal role of robotics in the next millennium, October 29-November 3, 2001, Outrigger Wailea Resort, Maui, Hawaii, USA. Piscataway, N.J: IEEE, 2001.

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10

IEEE Workshop on Automatic Speech Recognition and Understanding (1997 Santa Barbara, Calif.). 1997 IEEE Workshop on Automatic Speech Recognition and Understanding proceedings. Piscataway, NJ: Published under the sponsorship of the IEEE Signal Processing Society, 1997.

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11

1961-, Morgan David P., ed. How to build a speech recognition application: A style guide for telephony dialogues. 2nd ed. San Ramon, Calif: EIG Press, 2001.

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12

1962-, Rajman Martin, ed. Speech and language engineering. Lausanne: EPFL Press, 2007.

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13

Jeff, Kunins, ed. VoiceXML: Strategies and techniques for effective voice application development with VoiceXML 2.0. New York: Wiley, 2002.

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14

IEEE International Conference on Acoustics, Speech and Signal Processing (1998 Seattle). Proceedings of the 1998 IEEE International Conference on Acoustics, Speech and Signal Processing: May 12-15, 1998, Washington State Convention and Trade Center, Seattle, WA. Piscataway, NJ: IEEE, 1998.

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15

IEEE Workshop on Speech Coding for Telecommunications (1999 Porvoo, Finland). 1999 IEEE Workshop on Speech Coding: Proceedings : model coders and error criteria : Haikko Manor, Porvoo, Finland, June 20-23, 1999. Piscataway, New Jersey: IEEE, 1999.

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16

Deller, John R. Discrete-time processing of speech signals. New York: Institute of Electrical and Electronics Engineers, 2000.

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17

G, Proakis John, and Hansen John H. L, eds. Discrete-time processing of speech signals. New York: Macmillan Pub. Co., 1993.

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18

David, Bers, and Tree Stephen 1949-, eds. The music of Psalms, Proverbs and Job in the Hebrew Bible: A revised theory of musical accents in the Hebrew Bible : general analysis, bibliography, table of contents : CD with complete text and audio files of musically reconstructed Psalms, Proverbs and Job, sung by computer speech synthesis. Wiesbaden: Harrassowitz Verlag, 2011.

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19

ICASSP (22nd 1997 Munich, Germany). 1997 IEEE International Conference on Acoustics, Speech, and Signal Processing: April 21-24, 1997, Munich, Germany. Los Alamitos, Calif: IEEE Computer Society Press, 1997.

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20

Pitt, Ian. Design of speech-based devices: A practical guide. London: Springer, 2003.

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21

ICASSP (24th 1999 Phoenix, Ariz.). 1999 IEEE International Conference on Acoustics, Speech, and Signal Processing: Proceedings : ICASSP99 Phoenix : March 15-19, 1999, Civic Plaza, Hyatt Regency, Phoenix, Arizona, U.S.A. Piscataway, NJ: IEEE, 1999.

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22

Minker, Wolfgang. Stochastically-based semantic analysis. Boston: Kluwer Academic, 1999.

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23

Holloway, Ian D., and Daniel Ansari. Numerical Symbols. Edited by Roi Cohen Kadosh and Ann Dowker. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199642342.013.56.

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Human culture is founded upon an understanding of mathematics. Mathematics, in turn, is built upon a basic competency for abstracting and symbolizing numerical information. Although cognitive science has made great strides in the characterization of human knowledge, the understanding and use of numerical symbols remains largely unexplored. In this chapter we synthesize the current scientific understanding of numerical symbol processing using a synthesis of behavioral and neuroscientific findings. In particular, the chapter focuses on two interrelated topics: the processing of the semantics of numerical symbols and the processing of numerical symbols as audio-visual percepts. We conclude by proposing several avenues of inquiry about numerical symbols that can be traversed by future researchers.
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24

Creasey, David. Audio Processes: Musical Analysis, Modification, Synthesis, and Control. Taylor & Francis Group, 2016.

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25

Creasey, D. J. Audio Processes: Musical Analysis, Modification, Synthesis, and Control. Taylor & Francis Group, 2016.

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26

Creasey, David. Audio Processes: Musical Analysis, Modification, Synthesis, and Control. Taylor & Francis Group, 2016.

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27

Creasey, David. Audio Processes: Musical Analysis, Modification, Synthesis, and Control. Taylor & Francis Group, 2016.

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28

Audio Processes: Musical Analysis, Modification, Synthesis, and Control. Taylor & Francis Group, 2016.

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29

Creasey, David. Audio Processes: Musical Analysis, Modification, Synthesis, and Control. Taylor & Francis Group, 2016.

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30

Allen, Jont B. Articulation and Intelligibility (Synthesis Lectures on Speech and Audio Processing). Morgan & Claypool Publishers, 2005.

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31

Deng, Li. Dynamic Speech Models (Synthesis Lectures on Speech and Audio Processing). Morgan and Claypool Publishers, 2007.

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32

Brinkmann, Peter. Making Musical Apps: Real-Time Audio Synthesis on Android and IOS. O'Reilly Media, Incorporated, 2012.

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33

Brinkmann, Peter. Making Musical Apps: Real-Time Audio Synthesis on Android and IOS. O'Reilly Media, Incorporated, 2012.

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34

Harrison-Palmer, Ruth, and David Waugh. Teaching Systematic Synthetic Phonics: Audit and Test. SAGE Publications, Limited, 2013.

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35

Teaching Systematic Synthetic Phonics Audit And Test. SAGE Publications Ltd, 2013.

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36

Teaching Systematic Synthetic Phonics Audit And Test. SAGE Publications Ltd, 2013.

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37

Alternative Audio Solution to Enhance Immersion in Deployable Synthetic Environments. Storming Media, 2003.

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38

Levinson, Steven. Articulatory Speech Synthesis from the Fluid Dynamics of the Vocal Apparatus (Synthesis Lectures on Speech and Audio Processing). Morgan & Claypool Publishers, 2007.

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39

Chen, Jongdon. Optimal Filtering for Speech Enhancement (Synthesis Lectures on Speech and Audio Processing). Morgan & Claypool Publishers, 2007.

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40

Raman, Dr B. V. Audio system for technical readings. Springer, 1998.

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41

Bellegarda, Jerome R. Latent Semantic Mapping: Principles And Applications (Synthesis Lectures on Speech and Audio Processing). Morgan & Claypool Publishers, 2007.

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42

Technology and knowledge: Synthesis report of the national research and technology audit. Foundation for Research Development for the Department of Arts, Culture, Science and Technology, 1998.

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43

He, Xiaodong. Discriminative Learning for Speech Processing: Theory and Practice (Synthesis Lectures on Speech and Audio Processing). Morgan & Claypool Publishers, 2007.

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44

Scaletti, Carla. Sonification ≠ Music. Edited by Roger T. Dean and Alex McLean. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190226992.013.9.

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Starting from the observation that symbolic language is not the only channel for human communication, this chapter examines ‘data sonification’, a means of understanding, reasoning about, and communicating meaning that extends beyond that which can be conveyed by symbolic language alone. Data sonification is a mapping from data generated by a model, captured in an experiment, or otherwise gathered through observation to one or more parameters of an audio signal or sound synthesis model for the purpose of better understanding, communicating, or reasoning about the original model, experiment, or system. Although data sonification shares techniques and materials with data-driven music, it is in the interests of the practitioners of both music composition and data sonification to maintain a distinction between the two fields.
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45

Johnston, Nessa. Sounding Decay in the Digital Age. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190469894.003.0012.

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Bill Morrison’s Decasia (2012) and Peter Delpeut’s Lyrical Nitrate (1991) are collage works made up of decayed silent-era film fragments. The films approach sound in contrasting ways: Lyrical Nitrate uses old 78 rpm recordings of operatic music as musical accompaniment to its decayed images, whereas Decasia uses a specially commissioned score and exists not only in DVD format but also as an elaborately staged performance piece. This chapter is an investigation of the role of the soundtrack within both films’ repurposing strategy, comparing and contrasting their sonic approaches, using a Chion-esque idea of “audio-vision” in an effort to understand their aesthetic workings. Despite the material heterogeneity of film sound and film image, the spectator takes in the experience as a synthesis. Yet beyond representational strategies the materiality of sounds and images in the pre- and postdigital ages is arguably the subject of exploration unifying this comparative analysis.
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46

Hornegger, Joachim, and Dietrich W. R. Paulus. Pattern Recognition and Image Processing in C++ (Vieweg Advanced Studies in Computer Science). Friedrich Vieweg & Sohn Verlag, 1995.

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47

Rutter, Michael, Karl Barksdale, and J. Alan Baumgarten. IBM ViaVoice Recognition Software: Quicktorial. Course Technology, 1999.

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48

Obert, Robert. Synthèse droit et comptabilité, DESCF numéro 1 : Tome 2 - Audit et commissariat aux comptes. Aspects internationaux. Dunod, 2002.

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49

elhariry, yasser, ed. Sounds Senses. Liverpool University Press, 2022. http://dx.doi.org/10.3828/liverpool/9781800856882.001.0001.

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Sounds Senses is about what happens to the francophone postcolonial condition when sound is taken as a point of departure for engaging cultural production. Offering a synthetic overview of sound studies, it dismantles the retinal paradigms and oculocentrism of francophone postcolonial studies. By shifting the sensory hermeneutics of perception from the visual, the textual, and the graphemic to the sonic, the auditory, and the phonemic, the book places cultural production that privileges or otherwise exaggerates æstheticized sensorial experiences at the forefront of francophone postcolonialism. In the process, it introduces two primary theoretical thrusts—the unheard and the unintegrated—to the project of analyzing, extending, and rejuvenating francophone postcolonial studies. The book reevaluates francophone culture in relation to sound and the experience of sound, situating it along the fluid axes of paralingual utterance, audio-vision, voice, and narrative speakers. Through a range of case studies focusing on parafrancophonics, poetry, world music, cinema, the graphic novel, popular speech phenomenæ, and the poetics and politics of transcolonial identification, Sounds Senses demonstrates how francophone postcolonial culture is satiated with a glut of unexplored sonic significance.
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50

Shikano, K., and Y. Tohkura. Speech, Hearing and Neural Network Models, (Biomedical and Health Research). Ios Pr Inc, 1995.

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