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Books on the topic 'Attali'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 April 2022

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1

Jourdaa, Frédérique. La planète Attali. Paris: Editions du Seuil, 2010.

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2

La planète Attali. Paris: Editions du Seuil, 2010.

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3

Sitbon, Guy. Le cas Attali. Paris: B. Grasset, 1995.

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4

Attali, Jacques. Entretiens avec Jacques Attali. Paris: M. de Maule, 2007.

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5

Laure, Adler, ed. Entretiens avec Jacques Attali. Paris: M. de Maule, 2007.

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6

Département ou région?: Les réformes territoriales de Fénelon à Jacques Attali. Paris: Harmattan, 2008.

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7

Bazoche, Maud. Département ou région?: Les réformes territoriales de Fénelon à Jacques Attali. Paris: Harmattan, 2008.

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8

Bazoche, Maud. Département ou région?: Les réformes territoriales de Fénelon à Jacques Attali. Paris: Harmattan, 2008.

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9

Saint-Cheron, Michael de. La condition humaine et le temps: [dialogue avec Elisabeth Badinter, Jacques Attali, François Gros et le lama Jigmé Rinpoché]. Paris: Dervy, 2001.

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10

Livres de vie: De la Bible à Albert Cohen : entretiens avec Jacques Attali, Robert Badinter, Jean Blot, Albert Cohen, Claude Hagège, Claude Lanzmann, Jean d'Ormesson, Marcel Pagnol, Ruth Reichelberg, Joann Sfar. Paris: Albin Michel, 2010.

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11

Colizzi, Gioacchino. Attalo. Roma: Napoleone, 1986.

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12

Marchegiani, Jones Irene, ed. Incontri attuali. Fort Worth: Harcourt Brace Jovanovich, 1992.

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13

Cīn̲uvācan̲, Vēṇu. An̲puḷḷa attai. Cen̲n̲ai: Rājēsvari Puttaka Nilaiyam, 1999.

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14

A, Caccitān̲antam Ki. Ammāvin̲ attai. Cen̲n̲ai: Tamil̲in̲i, 2001.

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15

Damroze, Arturs. Arturs Damroze: Attēli = images. Bloomington, Calif: Sparky, Div. of Reportype, 1999.

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16

Fenwick, Marymaganos McCool. Attala County, Mississippi, cemeteries. [Mississippi: s.n., 1987.

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17

Granelli, Carlo, and Andrea Belvedere. Confini attuali dell'autonomia privata. Padova: CEDAM, 2001.

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18

Wiltshire, Betty Couch. Attala County, Mississippi pioneers. Bowie, Md: Heritage Books, 1991.

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19

Bage, Āśā *. Attara. Akolā: Pisārā Prakāśana, 1986.

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20

Bage, Āśā. Attara. Akolā: Pisārā Prakāśana, 1986.

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21

Hardcastle, Michael. Attack! London: Severn, 1986.

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22

Fred, Reinfeld. Attack & counter attack in chess. New York: Harper & Row, 1986.

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23

Rossi, Emanuele. Problemi attuali delle libertà costituzionali. Pisa: University Press, 2009.

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24

Sesta, Michele, and Laura Valle. La responsabilità sciistica: Prospettive attuali. Bozen: Bozen-Bolzano University Press, 2012.

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25

Gattullo, Mario. Questioni attuali di politica scolastica. Bologna: CLUEB, 1991.

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26

Kr̥ṣṇa, Attili. Ḍā. Attili Kr̥ṣṇa: Nāṭikā vāṭika. Viśākhapaṭnaṃ: Viśākha Sāhiti, 2000.

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27

Owings, Lisa. Rat attack. Minneapolis, MN: Bellwether Media, Inc., 2013.

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28

Cowley, Joy. Shark attack! Carlsbad, Calif: Dominie Press, 2002.

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29

Franks, Norman L. R. Typhoon attack. London: Grub Street, 2003.

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30

Leif, Nesheim, ed. Saucer attack! Los Angeles, Calif: General Publ. Group, 1997.

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31

Chevat, Richie. Shark attack. New York: Bantam Books, 1996.

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32

Bickers, Richard Townshend. Torpedo attack. London: Hale, 1987.

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33

architect, Kuma Kengo 1954, ed. Glass/Wood: Erieta Attali on Kengo Kuma. 2015.

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34

Rena Sakellaridou : Sea Voyage: Photography by Erieta Attali. Hatje Cantz Verlag GmbH & Co KG, 2019.

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35

Structure - Light: Marc Mimram's Landscapes of Gravity Through the Lens of Erieta Attali. Hatje Cantz Verlag GmbH & Co KG, 2019.

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36

Sykes, Jim. Sonic Generosity. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190912024.003.0002.

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This chapter introduces the concept of the “musical gift” and locates its presence in Sri Lankan contexts. It also considers the historic relations between musical giving and the identity paradigm in European history, and the relations between musical gifts and musical commodities. Finally, the chapter considers writings in the ontological turn and new materialism in religious studies in tandem with writings on secularism to argue for a new narrative on global music history for music studies. Contra Jacques Attali and numerous other writers on the political economy of music, the chapter argues for the persistence of musical efficacy, enchantment, and giving in the modern world.
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37

Bowler, Dave. Attack Attack. Britespot Publishing Ltd, 2004.

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38

Thonemann, Peter, ed. Attalid Asia Minor. Oxford University Press, 2013. http://dx.doi.org/10.1093/acprof:oso/9780199656110.001.0001.

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39

Buchanan, Neil. "Art Attack" (Art Attack). Dorling Kindersley Publishers Ltd, 1999.

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40

Kim-Cohen, Seth. In the Blink of an Ear. Continuum International Publishing Group Ltd, 2009. http://dx.doi.org/10.5040/9781501382796.

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An ear-opening reassessment of sonic art from World War II to the present Marcel Duchamp famously championed a "non-retinal" visual art, rejecting judgments of taste and beauty. In the Blink of an Ear is the first book to ask why the sonic arts did not experience a parallel turn toward a non-cochlear sonic art, imagined as both a response and a complement to Duchamp's conceptualism. Rather than treat sound art as an artistic practice unto itself-or as the unwanted child of music-artist and theorist Seth Kim-Cohen relates the post-War sonic arts to contemporaneous movements in the gallery arts. Applying key ideas from poststructuralism, deconstruction, and art history, In the Blink of an Ear suggests that the sonic arts have been subject to the same cultural pressures that have shaped minimalism, conceptualism, appropriation, and relational aesthetics. Sonic practice and theory have downplayed - or, in many cases, completely rejected - the de-formalization of the artwork and its simultaneous animation in the conceptual realm. Starting in 1948, the simultaneous examples of John Cage and Pierre Schaeffer initiated a sonic theory-in-practice, fusing clement Greenberg's media-specificity with a phenomenological emphasis on perception. Subsequently, the "sound-in-itself" tendency has become the dominant paradigm for the production and reception of sound art. Engaged with critical texts by Jacques Derrida, Rosalind Krauss, Friedrich Kittler, Jean François Lyotard, and Jacques Attali, among others, Seth Kim-Cohen convincingly argues for a reassessment of the short history of sound art, rejecting sound-in-itself in favor of a reading of sound's expanded situation and its uncontainable textuality. At the same time, this important book establishes the principles for a nascent non-cochlear sonic practice, embracing the inevitable interaction of sound with the social, the linguistic, the philosophical, the political, and the technological.
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41

Cox, Christoph, and Daniel Warner, eds. Audio Culture. Bloomsbury Publishing Inc, 2017. http://dx.doi.org/10.5040/9781501318399.

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The groundbreaking Audio Culture: Readings in Modern Music (Continuum; September 2004; paperback original) maps the aural and discursive terrain of vanguard music today. Rather than offering a history of contemporary music, Audio Culture traces the genealogy of current musical practices and theoretical concerns, drawing lines of connection between recent musical production and earlier moments of sonic experimentation. It aims to foreground the various rewirings of musical composition and performance that have taken place in the past few decades and to provide a critical and theoretical language for this new audio culture. This new and expanded edition of the Audio Culture contains twenty-five additional essays, including four newly-commissioned pieces. Taken as a whole, the book explores the interconnections among such forms as minimalism, indeterminacy, musique concrète, free improvisation, experimental music, avant-rock, dub reggae, ambient music, hip hop, and techno via writings by philosophers, cultural theorists, and composers. Instead of focusing on some “crossover” between “high art” and “popular culture,” Audio Culture takes all these musics as experimental practices on par with, and linked to, one another. While cultural studies has tended to look at music (primarily popular music) from a sociological perspective, the concern here is philosophical, musical, and historical. Audio Culture includes writing by some of the most important musical thinkers of the past half-century, among them John Cage, Brian Eno, Ornette Coleman, Pauline Oliveros, Maryanne Amacher, Glenn Gould, Umberto Eco, Jacques Attali, Simon Reynolds, Eliane Radigue, David Toop, John Zorn, Karlheinz Stockhausen, and many others. Each essay has its own short introduction, helping the reader to place the essay within musical, historical, and conceptual contexts, and the volume concludes with a glossary, a timeline, and an extensive discography.
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42

Enrico, Crispolti, ed. Alternative attuali/Abruzzo 87. Milano: Mazzotta, 1987.

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43

Bolton, David, and Jayne Wildman. Attain. Oxford University Press, 2003.

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44

Bolton, David, and Jayne Wildman. Attain. Oxford University Press, 2003.

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45

Attack. Severn House Publishers Ltd, 1986.

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46

Bolton, David, and Jayne Wildman. Attain. Oxford University Press, 2003.

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47

Attack. Penguin Random House, 2007.

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48

Bolton, David, and Jayne Wildman. Attain. Oxford University Press, 2004.

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49

various. Attack! Eagle Games, 2003.

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50

Bolton, David, and Jayne Wildman. Attain. Oxford University Press, 2004.

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