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1

Gilliatt, Nathan. AT&T WorldNet tour guide. Research Triangle Park, NC: Ventana, 1997.

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2

Rupley, Frances. A walking tour of the University at Buffalo: And other area architectural treasures, including a driving tour. Buffalo, N.Y: Prometheus Books, 1993.

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3

Miller, Marla R. University of Massachusetts Amherst: An architectural tour. New York: Princeton Architectural Press, 2013.

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4

Robert, Young. A personal tour of Camden Yards. Minneapolis: Lerner Publications Co., 1999.

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1963-, Mason Randall, ed. University of Massachusetts Amherst: An architectural tour. New York: Princeton Architectural Press, 2013.

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6

Koblas, John J. Jesse James ate here: An outlaw tour and history of Minnesota at the time of the Northfield raid. St. Cloud, Minn: North Star Press of St. Cloud, 2001.

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7

Bei jing jin rong pei xun zhong xin, ed. AFP zi ge ren zheng kao qian chong ci. 2nd ed. Beijing: Zhong xin chu ban she, 2011.

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Bei jing jin rong pei xun zhong xin. AFP zi ge ren zheng kao qian chong ci. Bei jing: Zhong xin chu ban she, 2009.

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9

Caillaux, Jean-Claude. Père Joseph Wresinski: Un défi pour la dignité de tous. Paris: Desclée de Brouwer, 1999.

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10

Orange County trio: Hillsborough, Chapel Hill, and Carrboro, North Carolina : histories and tour guides. Chapel Hill, N.C: Chapel Hill Press, 2004.

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11

1778-1843, Hakewill James, Herrmann Luke, British School at Rome, and Cartiere Miliani Fabriano, eds. Twilight of the grand tour: A catalogue of the drawings by James Hakewill in the British School at Rome Library. [Roma]: Istituto poligrafico e Zecca dello Stato, 1992.

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12

Scanlan, Suzanne. Divine and Demonic Imagery at Tor de'Specchi, 1400-1500. NL Amsterdam: Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462983991.

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In the fifteenth century, the Oblates of Santa Francesca Romana, a fledgling community of religious women in Rome, commissioned an impressive array of artwork for their newly acquired living quarters, the Tor de'Specchi. The imagery focused overwhelmingly on the sensual, corporeal nature of contemporary spirituality, populating the walls of the monastery with a highly naturalistic assortment of earthly, divine, and demonic figures. This book draws on art history, anthropology, and gender studies to explore the disciplinary and didactic role of the images, as well as their relationship to important papal projects at the Vatican.
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13

Koppelaar, Rembrandt, and Willem Middelkoop. The Tesla Revolution. NL Amsterdam: Amsterdam University Press, 2017. http://dx.doi.org/10.5117/9789462982062.

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Though oil prices have been on a downward trajectory in recent months, that doesn't obscure the fact that fossil fuels are finite, and we will eventually have to grapple with the end of their dominance. At the same time, however, skepticism about the alternatives remains: we've never quite achieved the promised 'too cheap to meter' power of the future, be it nuclear, solar, or wind. And hydrogen and bio-based fuels are thus far a disappointment. So what does the future of energy look like? The Tesla Revolution has the answers. In clear, unsensational style, Willem Middelkoop and Rembrandt Koppelaar offer a layman's tour of the energy landscape, now and to come. They show how rapid technological advances in batteries and solar technologies are already driving large-scale transformations in power supply, while economic and geopolitical changes, combined with a growing political awareness that there are alternatives to fossil fuels will combine in the coming years to bring an energy revolution ever closer. Within in our lifetimes, the authors argue, we will see changes that will reshape economics, the balance of political power, and even the most mundane aspects of our daily lives. Determinedly forward-looking and optimistic, though never straying from hard facts, The Tesla Revolution paints a striking picture of our global energy future.
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14

Books, Triumph, and Atp Tour. Atp Tour 1995. Triumph Books, 1995.

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15

Atp Tour: Year One -- 1990. Tuttle Publishing, 1991.

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16

Evans, Richard. The Atp Tour: Year Two-1991 : The Official Illustrated Guide to the Atp Tour-With the Full Results. Bloomsbury Pub Ltd, 1993.

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17

1939-, Evans Richard, and ATP Tour (Organization), eds. The ATP Tour: Ten years of superstar tennis. New York: Universe, 1999.

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18

Evans, Richard. The ATP Tour: Ten Years of Superstar Tennis. Universe Publishing, 2000.

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19

1939-, Evans Richard, ed. The ATP tour: Year one, 1990 : the official illustrated guide to the 77 tournaments in the new ATP tour, with thefull results. London: Bloomsbury, 1991.

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20

Rocket to the Top. HarperCollins Australia, 2001.

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21

Howlett, David J. Tour Guiding, 1959–2012. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038488.003.0009.

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This chapter argues that the evolution of tour guiding at the Kirtland Temple reflects select and crucial changes within the Community of Christ/Reorganized Church of Jesus Christ of Latter Day Saints denomination over the course of the late twentieth century. Specifically, tour performances offer a window into the historical memories that the church deemed important, show how it desired itself to be known by the wider world, and reflect how the denomination interacted with its competitors and changing allies. The Kirtland Temple tours tell as much about the Community of Christ's general leftward turn in the late twentieth century as they reveal about changing academic knowledge of the Kirtland Temple's past. Indeed, guides constantly were correcting or changing tour content to reflect new understandings of the history and the meaning of the temple.
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22

Leask, Nigel. Stepping Westward. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198850021.001.0001.

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Stepping Westward is the first book of its kind dedicated to the literature of the Scottish Highland tour 1720-1830, a major cultural phenomenon that attracted writers and artists like Pennant, Johnson and Boswell, William and Dorothy Wordsworth, Coleridge, Scott, Hogg, Keats, Daniell, and Turner, as well as numerous less celebrated travellers and tourists. Addressing more than a century’s worth of literary and visual representations of the Highlands, the book casts new light on how the tour developed a modern literature of place, acting as a catalyst for thinking about improvement, landscape, and the shaping of British, Scottish and Gaelic identities. Attention is paid to the relationship between travellers and the native Gaels, whose world was plunged into crisis by rapid and forced social change. At the book’s core lie the best-selling tours of Pennant and Dr Johnson, associated with attempts to ’improve’ the intractable Gaidhealtachd in the wake of Culloden. Alongside the Ossian craze and Gilpin’s picturesque, their books stimulated a wave of ’home tours’ from the 1770s through the romantic period, including writing by women like Sarah Murray and Dorothy Wordsworth. The incidence of published Highland Tours (many lavishly illustrated), peaked around 1800, but as the genre reached exhaustion, the ’romantic Highlands’ were reinvented in Scott’s poems and novels, coinciding with steam boats and mass tourism, but also rack-renting, sheep clearance and emigration.
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23

Warfield, Patrick. Into the Pit. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037795.003.0002.

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This chapter details John Philip Sousa's career as a violinist, his earliest efforts as a composer, and his first tours away from Washington as a professional theater musician. By 1874, Sousa had gained at least some experience as a violinist for light opera, the tradition in which he would soon make his mark as an arranger and composer. Sousa also worked at the Washington Theatre Comique. Moreover, he published three works during the early 1970s, all piano pieces on dance forms: Moonlight on the Potomac Waltzes, “Review,” and “Cuckoo.” While Sousa was conducting incidental music for Milton Nobles's play Jim Bludso, or, Bohemians and Detectives—which was presented at Kernan's Theatre Comique between June 21 and June 26, 1875—Nobles was impressed by the young conductor, and a few days later he sent Sousa a telegram asking that he join the troupe on tour. Sousa would then tour the Midwest and the southern United States for the next two months.
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24

Jones, Alison, Brenda Sufrin, and Niamh Dunne. Jones & Sufrin's EU Competition Law. Oxford University Press, 2019. http://dx.doi.org/10.1093/he/9780198824657.001.0001.

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EU Competition Law: Text, Cases, and Materials provides a complete guide to European competition law in a single authoritative volume. Carefully selected extracts from key cases, academic articles, and statutory materials are accompanied by in-depth author commentary from three experienced academics in the field. Thorough footnoting and referencing give a tour of the available literature, making this an ideal text and stand-alone resource for undergraduate and postgraduate students, as well as for competition law scholars engaged in specialized study. This seventh edition has been fully updated with detailed coverage and commentary on recent developments. These include the EU Courts’ judgments on Articles 101, 102 and 106 including Intel; cases on the Commission’s enforcement powers and judicial review; new legislation and guidelines on technology transfer; the revised de minimis notice; Commission actions in the digital economy, including the Google case; the directive on damages; and thorough discussion of ongoing developments in competition law such as the Commission's enforcement policy against cartels, the appraisal of mergers, the use of commitments decisions and the compatibility of EU competition procedures with human rights provisions.
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25

(Editor), M. Arnould, M. Lewitowicz (Editor), G. Münzenberg (Editor), H. Akimune (Editor), M. Ohta (Editor), H. Utsonomiya (Editor), T. Wada (Editor), and T. Yamagata (Editor), eds. Tours Symposium on Nuclear Physics V: Tours 2003 (AIP Conference Proceedings / Tours Symposia on Nuclear Physics). American Institute of Physics, 2004.

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26

(Editor), M. Arnould, M. Lewitowicz (Editor), Yu T. Oganessian (Editor), H. Akimune (Editor), M. Ohta (Editor), H. Utsunomiya (Editor), T. Wada (Editor), and T. Yamagata (Editor), eds. Tours Symposium on Nuclear Physics IV: Tours 2000: Tours, France 4-7 September 2000 (AIP Conference Proceedings / Tours Symposia on Nuclear Physics). American Institute of Physics, 2001.

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27

Jones, Kingsley. Tour du Mont Blanc: The Most Spectacular Long-Distance, Circular Trek in the Alp. Vertebrate Graphics Limited, 2020.

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28

Mee, Nicholas. The Cosmic Mystery Tour. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198831860.001.0001.

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The Cosmic Mystery Tour is a brief account of modern physics and astronomy presented in a broad historical and cultural context. The book is attractively illustrated and aimed at the general reader. Part I explores the laws of physics including general relativity, the structure of matter, quantum mechanics and the Standard Model of particle physics. It discusses recent discoveries such as gravitational waves and the project to construct LISA, a space-based gravitational wave detector, as well as unresolved issues such as the nature of dark matter. Part II begins by considering cosmology, the study of the universe as a whole and how we arrived at the theory of the Big Bang and the expanding universe. It looks at the remarkable objects within the universe such as red giants, white dwarfs, neutron stars and black holes, and considers the expected discoveries from new telescopes such as the Extremely Large Telescope in Chile, and the Event Horizon Telescope, currently aiming to image the supermassive black hole at the galactic centre. Part III considers the possibility of finding extraterrestrial life, from the speculations of science fiction authors to the ongoing search for alien civilizations known as SETI. Recent developments are discussed: space probes to the satellites of Jupiter and Saturn; the discovery of planets in other star systems; the citizen science project SETI@Home; Breakthrough Starshot, the project to develop technologies to send spacecraft to the stars. It also discusses the Fermi paradox which argues that we might actually be alone in the cosmos
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29

(Editor), M. Arnould, M. Lewitowicz (Editor), H. Emling (Editor), H. Akimune (Editor), M. Ohta (Editor), H. Utsunomiya (Editor), T. Wada (Editor), and T. Yamagata (Editor), eds. Tours Symposium on Nuclear Physics VI (AIP Conference Proceedings / High Energy Physics). American Institute of Physics, 2007.

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30

Macleod, Beth Abelson. On Tour before European Audiences. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039348.003.0007.

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This chapter describes some of the situations encountered by Fannie Bloomfield-Zeisler during her European tour in 1893–1894, 1899, 1902, and 1912. Bloomfield-Zeisler made her Berlin debut at the Singakademie in a concert featuring Frederic Chopin's F Minor and Anton Rubinstein's D Minor piano concertos with the Berlin Philharmonic Orchestra; the performance was a success with both audience and critics. In 1902, she faced a hostile audience when making her Paris debut with the Lamoureux Orchestra. The chapter recounts Bloomfield-Zeisler's initial reluctance to play before Berlin critics, who were notorious for their harshness and their susceptibility to bribes; her interpretation of Rubinstein's piano concerto with the composer in the audience; and her controversial orchestral debut in Paris at a time when France was experiencing a time of intense musical nationalism, and Parisian audiences viewed a soloist performing with orchestra as synonymous with a shallow display of virtuosity.
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31

Shaner, Katherine A. Power in Perspectives. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190275068.003.0001.

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This chapter suggests a reorientation of interpretive strategy for archaeological materials that explicitly recognizes the ubiquitous presence of slaves; takes seriously the persuasive, prescriptive nature of architecture, city layout, inscriptions, and imagery; and accounts for the complexity of enslaved persons’ lives and the different power dynamics at work in those complexities. It then provides a tour of three sites in Ephesos—the harbor, the marketplace, and the Terrace Houses—and reenvisions these spaces as spaces where enslaved persons were ubiquitous. At the same time, this revision tour demonstrates that these city spaces are rhetorical spaces that attempt to persuade viewers and dwellers alike of enslaved invisibility and compliance with kyriarchal expectations. The chapter explores examples of how archaeological remains in Ephesos mark, discuss, and regulate enslaved persons who participate in civic and religious practices around the city.
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Steichen, James. 1935. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190607418.003.0005.

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This chapter revisits the circumstances by which the American Ballet became the resident dance company at the Metropolitan Opera in 1935. Many accounts have construed this engagement as a surprise development, but in fact the company lobbied heavily to secure it, and were successful thanks to Edward Warburg’s close ties with the management of the opera and the Juilliard organization. Evidence reveals that choreographer Ruth Page had been a leading candidate before internal dynamics at the opera led to the selection of Balanchine. During these negotiations the American Ballet had the opportunity to perform again for the public, in part in the course of a short-lived cross-country tour. This ambitious tour was cut short as a result of mismanagement on the part of Warburg and led to questions about whether the American Ballet was in fact ready to assume their new role at the opera.
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33

Beesley, Philip. Protocell mesh : tour : prototyping architecture exhibition, Nottingham & London, England, Cambridge, ON - 2012-/13 / Philip Beesley (Living Architecture Systems Group). Riverside Architectural Press, 2016. http://dx.doi.org/10.21312/978-1-926724-91-1.

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34

Snead, James E. Relic Hunters. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198736271.001.0001.

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Relic Hunters is a study of the complex relationship between the people of 19th century America with the material antiquities of North America's indigenous past. As scholars struggled to explain their existence, farmers in Ohio were plowing up arrowheads, building their houses atop burial mounds, and developing their own ideas about antiquity. They experienced the new country as a "place with history" reflected in material traces that became important touch points for scientific knowledge, but for American cultural identity as well. Relic Hunters traces the encounter with American antiquities from 1812 to 1879. This encompasses the period when archaeology took root in the United States: it also spans the "deep settlement" of the Midwest and sectional strife both before and after the Civil War. At the center of the story is the first iconic find of American archaeology, known as "the Kentucky Mummy." Discovered deep in a cavern, this dessicated burial became the subject of scholarly competition, traveling exhibitions, and even poetry. The book uses the theme of the Kentucky Mummy to structure the broader story of the public and American antiquities, a tour that leads through rural museums, mound excavations, lecture tours, shady deals, and ultimately into the famous attic of the Smithsonian Institution. Ultimately, Relic Hunters is a story of the American landscape, and of the role of archaeology in shaping that place. Derived from letters, memoranda, and reports found in more than a dozen archives, this is a unique account of a critical encounter that shaped local and national identity in ways that are only now being explored.
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Crawford, Matthew r. Rejection at Nazareth in the Gospels of Mark, Matthew, Luke—and Tatian. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198814801.003.0006.

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While Jesus’ rejection in his hometown is common to all three synoptic accounts, the placement of this episode differs. Mark and Matthew narrate his rejection at the synagogue of Nazareth only after a period of successful ministry elsewhere. Luke collapses the Markan timeline by relocating the scene in the synagogue in Nazareth to the initial preaching tour through Galilee, and he also recounts an unsuccessful attempt to cast Jesus from the cliff outside the town. This trajectory of rewriting can be extended to include the Diatessaron of Tatian, where the first half of the Lukan pericope is left in the preaching tour through Galilee, while the second half is postponed until later in the narrative. In his redaction of prior sources, Tatian’s editorial work is comparable to that of Matthew and Luke. His work was regarded by its primary users as the Gospel, and not just as a ‘gospel harmony’.
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36

Steichen, James. 1939–1940. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190607418.003.0011.

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From 1939 to 1940 Balanchine and Kirstein continued their independent activities. Balanchine and Zorina took on additional projects on the stage and screen, including a film adaptation of On Your Toes, the romantic melodrama I Married an Adventuress, and a new stage musical by Irving Berlin, Louisiana Purchase. Balanchine also created dances for the short-lived revue Keep Off the Grass as well as serving as producer and director of Cabin in the Sky, for which he collaborated with Vernon Duke and choreographer Katherine Dunham and her dance company. Kirstein continued to tour with the company now billed as the American Ballet Caravan, which completed a second transcontinental tour that included the premieres of the ballets City Portrait and Charade. The company secured one final engagement in a ballet called A Thousand Times Neigh, presented at the World’s Fair Pavilion of the Ford Motor Company.
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37

Fallaize, Elizabeth. Introduction. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039003.003.0001.

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“Problèmes de la littérature féminine” (Problems for women’s literature) and “Femmes de lettres” (Women of letters) constitute the two halves of a substantial article on French women writers that Beauvoir wrote and published during her lecture tour of America, in the spring of 1947. The article, which has come to light only in the course of the preparation of this volume, throws light on Beauvoir’s thinking on the subject of women writers at an early stage of her work on ...
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38

Davenport, Lisa. The Paradox of Jazz Diplomacy. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038877.003.0008.

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This chapter focuses on the jazz tours that began in July 1954, which were sponsored by the State Department's Bureau of Educational and Cultural Affairs. The jazz tours created a paradox in U.S. Cold War strategy. The cultural expression of one of the nation's most oppressed minorities came to symbolize the cultural superiority of American democracy. Policy makers considered jazz, the “authentic expression of American life,” to be an apt instrument in U.S. efforts to contain criticism about America's cultural and racial identity. The tours were suspended in the early 1960s when volatile racial conflicts in urban America and the Vietnam War no longer made them viable. These were reinstated in the late 1960s, but with more conservative jazz musicians. The chapter also examines the “moral tension” experienced by jazz performers over whether to “affirm their heritage by struggling against racial oppression or seek acceptance into white society.”
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39

Gheciu, Alexandra, and William C. Wohlforth, eds. The Oxford Handbook of International Security. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780198777854.001.0001.

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Future-oriented questions are woven through the study and practice of international security. The 48 essays collected in this Handbook use such questions to provide a tour of the most innovative and exciting new areas of research as well as major developments in established lines of inquiry. The results of their efforts are: the definitive statement of the state of international security and the academic field of security studies, a comprehensive portrait of expert assessments of expected developments in international security at the onset of the twenty-first century’s second decade, and a crucial staging ground for future research agendas.
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40

Moffat, John W. The Shadow of the Black Hole. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190650728.001.0001.

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The author visits one of the two Laser Interferometer Gravitational- Wave Observatory (LIGO) sites in the United States, at Hanford, Washington. This is where scientists are detecting gravitational waves generated by faraway merging black holes and neutron stars. He meets the people who work there and has discussions with some of them. The director gives him a tour of the LIGO experimental installation, describing the work, the technological details of the apparatus, and answers his questions. On the final day of the visit, the author gives a talk to the LIGO group on gravitational waves and on an alternative gravitational theory.
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41

Till, Hilary. Commodity Trading Strategies, Common Mistakes, and Catastrophic Blowups. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190656010.003.0020.

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Becoming an expert in the commodity markets has traditionally required a novice to seek an apprenticeship at an established commodity firm. This chapter provides an alternative approach: a reader is provided a reasonably comprehensive tour of the always dynamic and frequently opaque commodity markets, including views on (1) commodity trading strategies, (2) common mistakes, and (3) catastrophic blowups. The specific commodity trading strategies covered are trend-following and calendar spreads. The common mistakes that the chapter includes are (1) targeting returns rather than risk metrics, (2) establishing inappropriate trade sizing, and (3) failing to fully appreciate the psychological discipline required for trading. The chapter also provides case studies on the catastrophic derivatives blowups at both Amaranth and MF Global.
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42

Oleskiewicz, Mary. Keyboards, Music Rooms, and the Bach Family at the Court of Frederick the Great. University of Illinois Press, 2018. http://dx.doi.org/10.5622/illinois/9780252041488.003.0002.

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Using historical architectural plans, inventories, and images, this study locates and describes the musical spaces and the keyboard instruments upon which Johann Sebastian, Carl Philipp Emanuel, and Wilhelm Friedemann Bach would have performed at the Prussian court. King Frederick II’s many palaces—and those of the king’s close family members—featured from one to five music rooms, in addition to small palace theaters and orangeries. Oleskiewicz takes the reader on a virtual tour of each palace (with help of an illustrated web companion) and solves many long-standing puzzles about enigmatic features of several keyboard works, specific locations of known performances at court by the Bachs, and the numbers and types of organs, fortepianos and other keyboards at court by Marx, Shudi, Silbermann, and others.
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Bauer, Nancy. Introduction. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039003.003.0004.

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In January of 1947, Simone de Beauvoir flew from Paris to New York to begin her first tour of the United States. It was to be a momentous four months. Under the auspices of the French government, Beauvoir gave two dozen lectures at colleges and universities across the country on the topic “the ethical problems of the post-war writer.” Her friendship with the novelist Richard Wright and his wife, Ellen, who took her under their wing during her whirlwind first weeks in New York, sensitized her to the pervasiveness of racism that she would witness in America, which she chronicled with startling (and, still, underappreciated) insight in ...
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44

Welsh, Mary Sue. A Month Out of School. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037368.003.0011.

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This chapter details the Philadelphia Orchestra's transcontinental tour, the first ever taken by a symphony orchestra, after the end of the regular season in 1936. Thanks to generous funding from RCA Victor, they would visit twenty-seven cities across the United States and into Canada in an undertaking that Stokowski, who longed to share his great orchestra with the world, had worked many years to achieve. Over a thousand well-wishers jammed into Philadelphia's old Broad Street Station at Broad and Market Streets on April 13, 1936, to bid bon voyage to the 107 men and three women (Edna Phillips, Elsa Hilger, and Marjorie Tyre) of the orchestra.
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45

Atkins, Peter. Reactions. Oxford University Press, 2011. http://dx.doi.org/10.1093/oso/9780199695126.001.0001.

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Illustrated with remarkable new full-color images--indeed, one or more on every page--and written by one of the world's leading authorities on the subject, Reactions offers a compact, pain-free tour of the inner workings of chemistry. Reactions begins with the chemical formula almost everyone knows--the formula for water, H2O--a molecule with an "almost laughably simple chemical composition." But Atkins shows that water is also rather miraculous--it is the only substance whose solid form is less dense than its liquid (hence ice floats in water)--and incredibly central to many chemical reactions, as it is an excellent solvent, being able to dissolve gases and many solids. Moreover, Atkins tells us that water is actually chemically aggressive, and can react with and destroy the compounds dissolved in it, and he shows us what happens at the molecular level when water turns to ice--and when it melts. Moving beyond water, Atkins slowly builds up a toolkit of basic chemical processes, including precipitation (perhaps the simplest of all chemical reactions), combustion, reduction, corrosion, electrolysis, and catalysis. He then shows how these fundamental tools can be brought together in more complex processes such as photosynthesis, radical polymerization, vision, enzyme control, and synthesis. Peter Atkins is the world-renowned author of numerous best-selling chemistry textbooks for students. In this crystal-clear, attractively illustrated, and insightful volume, he provides a fantastic introductory tour--in just a few hundred colorful and lively pages - for anyone with a passing or serious interest in chemistry.
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Whitmire, Ethelene. International Flights. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038501.003.0008.

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This chapter focuses on Regina's involvement with civic organizations, including associated international travels. Throughout her tour of various Asian countries, Regina concentrated on meeting women and hearing about the social, educational, and economic issues and concerns that impacted their lives. She also visited libraries and discussed the work that she was doing for both the National Council of Women of the United States (NCWUS) and the community programs sponsored by her Washington Heights Branch. This was a perfect opportunity for Regina to make a bigger, international impact as her library career was drawing to a reluctant close. Not surprisingly, Regina's greatest concern as she approached retirement was the future of her Family Night at the Library program.
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47

Baron, Alan, John Hassard, Fiona Cheetham, and Sudi Sharifi. Touring the Hospice. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198813958.003.0007.

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This chapter continues the analysis of organizational culture at the host Hospice under ethnographic investigation. Having discussed the cultural make-up of the ‘old’ Hospice, and then glimpsed something of the ‘new’, the study now focuses on the latter to illuminate the nature of the organization as the authors interpreted it at the time the research was carried out. In so doing, the study once again returns to Schein’s three-level culture model and primarily his analytical level of organizational ‘artefacts’, as the focus for a ‘tour’ of the case study site. This sees staff and volunteers describe in depth how they make sense of the Hospice’s physical structure and symbolic meaning, an analysis which offers a fine-grained appreciation of the socio-material composition of the organization.
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48

Iliopoulos, John. The Origin of Mass. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198805175.001.0001.

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Why do most ’elementary particles’ which form the constituents of all matter have a non-zero mass? Strange question, apparently in contradiction with our physical intuition. In this little book we attempt to explain that the question is far from being trivial and that the answer can be found in the recent discovery of a new particle in the Large Hadron Collider (LHC) at CERN near Geneva. We offer the reader a guided tour, starting from the tiny fractions of a second after the Big Bang, when all particles have been created, to the present experiments we perform in our laboratories. We show that the Universe follows a profound symmetry principle which seems to determine the structure of the world.
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Holland, Robert. The Warm South. Yale University Press, 2018. http://dx.doi.org/10.12987/yale/9780300235920.001.0001.

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Ever since the age of the Grand Tour in the eighteenth century, the Mediterranean has had a significant pull for Britons — including many painters and poets — who sought from it the inspiration, beauty, and fulfilment that evaded them at home. Referred to as ‘Magick Land’ by one traveller, dreams about the Mediterranean, and responses to it, went on to shape the culture of a nation. This book charts how a new sensibility arose from British engagement with the Mediterranean, ancient and modern. Ranging from Byron's poetry to Damien Hirst's installations, the book shows that while idealized visions and aspirations often met with disillusionment and frustration, the Mediterranean also offered a notably insular society the chance to enrich itself through an imagined world of colour, carnival, and sensual self-discovery.
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50

Kukkonen, Taneli. Ibn Ṭufayl’s (d. 1185). Edited by Khaled El-Rouayheb and Sabine Schmidtke. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199917389.013.35.

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Ḥayy Ibn Yaqẓān is one of the most abidingly popular works in all of Arabic literature. At once inviting and expansive, accessible and surprisingly deep, the book offers an excellent introduction to the themes of classical Arabic philosophy. What often goes unnoticed is how deliberately Ibn Ṭufayl spins his story of Ḥayy, the self-taught philosopher who grows up alone on an equatorial island. Ḥayy in fact takes the reader on a tour of the Arabic Aristotelian curriculum, with ethical and political themes following upon a comprehensive exploration of the great chain of being. Ḥayy furthermore contributes to numerous sixth-/twelfth-century debates, ranging from the role that the heart and the brain play in the organism’s life, through the weighting of immanent and transcendent factors in the process of coming-to-be, to the relationship of philosophy to revealed religion.
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