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1

Geyer, Mark A. "Athina Markou." Neuropsychopharmacology 41, no. 13 (November 7, 2016): 3121–22. http://dx.doi.org/10.1038/npp.2016.137.

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Georgopoulou, Xenia, Eleni Pilla, Urszula Kizelbach, and Jacek Fabiszak. "Theatre Reviews." Multicultural Shakespeare: Translation, Appropriation and Performance 12, no. 27 (June 26, 2015): 147–65. http://dx.doi.org/10.1515/mstap-2015-0012.

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Romeo and Juliet for Two. Dir. Kostas Gakis, Athina Moustaka, Konstantinos Bibis. 104 Theatre, Athens, Greece. Lady Macbeth. Dir. Marios Mettis. Theatro Thentro, Nicosia, Cyprus Hamlet. Dir. Jan Klata. Gdańsk Shakespeare Theatre, Gdańsk, Poland The Taming of the Shrew [Poskromienie złośnicy]. Dir. Katarzyna Deszcz. Stefan Żeromski Theatre, Kielce, Poland
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3

Cryan, John F., and Paul J. Kenny. "Obituary: Athina Markou PhD (1961–2016)." Neuropharmacology 113 (February 2017): 591–93. http://dx.doi.org/10.1016/j.neuropharm.2016.10.023.

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4

Nikas, K., A. Antonakos, G. Kallergis, and G. Kounis. "INTERNATIONAL HYDROGEOLOGICAL MAP OF EUROPE: SHEET D6 “ATHINA”." Bulletin of the Geological Society of Greece 43, no. 4 (January 25, 2017): 1821. http://dx.doi.org/10.12681/bgsg.11373.

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Hydrogeological maps adopting international standards and covering the whole Greek territory are lacking today in Greece. Sheet D6 - Athina of the International Hydrogeological Map of Europe, scale 1:1,5 million can serve, among many other uses, for such a map. Although relatively limited amount of hydrogeological information is conveyed in the map, because of its small scale, it can serve very well as a guide for information, teaching purposes, planning and scientific work. Besides, because it has fully adopted the standards set from a number of relevant organisations (IAH, IAHS, COHYM, CGMW, UNESCO etc) for the compilation of such kind maps, it can serve equally well as a model for the generation of larger scale Hydrogeological maps.
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Robbins, T. W. "In Memory of Athina Markou (1961-2016): Obituary." Psychopharmacology 234, no. 9-10 (January 13, 2017): 1309–10. http://dx.doi.org/10.1007/s00213-016-4524-2.

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Geyer, Mark A., Svetlana Semenova, Xia Li, Andre Der-Avakian, Samuel A. Barnes, and Igor Grant. "Overview of the Biography and Legacy of Professor Athina Markou." Biological Psychiatry 83, no. 11 (June 2018): 910–12. http://dx.doi.org/10.1016/j.biopsych.2017.10.009.

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Cryan, John F., and Harriet de Wit. "Special issue: recognizing the lifetime scientific contributions of Athina Markou." Psychopharmacology 234, no. 9-10 (April 18, 2017): 1311–13. http://dx.doi.org/10.1007/s00213-017-4624-7.

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Der-Avakian, Andre, and Diego A. Pizzagalli. "Translational Assessments of Reward and Anhedonia: A Tribute to Athina Markou." Biological Psychiatry 83, no. 11 (June 2018): 932–39. http://dx.doi.org/10.1016/j.biopsych.2018.02.008.

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Winsky, Lois, and Linda S. Brady. "Athina Markou’s contributions to treatment development for mental illnesses: a perspective." Psychopharmacology 234, no. 9-10 (November 24, 2016): 1645–47. http://dx.doi.org/10.1007/s00213-016-4485-5.

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Olkiewicz, Filip. "Giorgos Karambelias, Panajotis Kondylis: Mia diadromi, Enallaktikes Ekdoseis, Athina 2018, ss. 224." Studia z Historii Filozofii 10, no. 2 (July 5, 2019): 283. http://dx.doi.org/10.12775/szhf.2019.025.

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Tamborrino, Leonardo, Tobias Himmler, Marcus Elvert, Stefano Conti, Alessandro F. Gualtieri, Daniela Fontana, and Gerhard Bohrmann. "Formation of tubular carbonate conduits at Athina mud volcano, eastern Mediterranean Sea." Marine and Petroleum Geology 107 (September 2019): 20–31. http://dx.doi.org/10.1016/j.marpetgeo.2019.05.003.

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12

Palis, Eleni. "A Problem of Fit: Athina Rachel Tsangari and Greek “Weird Wave” Cinema." Camera Obscura: Feminism, Culture, and Media Studies 37, no. 2 (September 1, 2022): 59–89. http://dx.doi.org/10.1215/02705346-9787014.

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Abstract This article uses Athina Rachel Tsangari's films to interrogate and reframe the Greek “Weird Wave” film movement (largely shaped by her frequent collaborator, Yorgos Lanthimos), revealing how the wave has obscured Tsangari's feminist authorship. In general, the Weird Wave had described a cohort of films beginning around 2009 in which familial dysfunction, violence, ineffectual communication, and corporeal “weirdness” allegorize Greek political, economic, and social crises. In a kind of temporal jumble, Tsangari's first film Fit (Greece, 1994) provides instructions for reading her later, supposedly Weird Wave films. The conceptual capaciousness of the term fit, as both a film title and a concept, refracts across Tsangari's films and career at large. This article exploits wordplay around fit as a technical standard of sound and image cohesion (how image and sound fit together), as a thematic narrative preoccupation regarding space, place, and belonging (fitting in), and as a categorizing metric (fit for inclusion). Reading diegetic and extradiegetic fit in Tsangari's film and television works, including Attenberg (Greece, 2010), The Capsule (Greece, 2012), the short 24 Frames per Century (Italy, 2013), Chevalier (Greece, 2015), and Trigonometry (BBC, 2020), reveals Tsangari's authorial signature and how Tsangari's films ambivalently benefit from “wave” marketing even as their reception bears out the costs of that uncomfortable fit. Paradoxically, Tsangari's auteur signature emerges in her struggle against category, especially Weird Wave and “women's cinema” labels. In diegetic and extradiegetic negotiations of belonging, Tsangari's auteurism emerges.
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13

Mattes, Mark. "A Year with Luther: From the Great Reformer for Our Times by Athina Lexutt." Lutheran Quarterly 31, no. 2 (2017): 210–12. http://dx.doi.org/10.1353/lut.2017.0033.

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Stańco-Wawrzyńska, Alicja. "Athina Karatzogianni (Ed.).Violence and War in Culture and the Media: Five Disciplinary Lenses." Terrorism and Political Violence 28, no. 1 (December 14, 2015): 180–82. http://dx.doi.org/10.1080/09546553.2015.1112195.

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15

Koob, George F. "Antireward, compulsivity, and addiction: seminal contributions of Dr. Athina Markou to motivational dysregulation in addiction." Psychopharmacology 234, no. 9-10 (January 3, 2017): 1315–32. http://dx.doi.org/10.1007/s00213-016-4484-6.

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Everitt, Barry J. "Drug Cues, Conditioned Reinforcement, and Drug Seeking: The Sequelae of a Collaborative Venture With Athina Markou." Biological Psychiatry 83, no. 11 (June 2018): 924–31. http://dx.doi.org/10.1016/j.biopsych.2017.09.013.

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VASILIU, Emanuel-Alexandru. "“Bonjour, bourgeois” or undermining the realist convention in The Greek Weird Wave." Theatrical Colloquia 12, no. 2 (December 1, 2022): 121–26. http://dx.doi.org/10.35218/tco.2022.12.2.13.

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The Greek Weird Wave is an ongoing cinema movement, some researchers state, which debuted with Kynodontas (directed by Yorgos Lanthimos, 2009), finalised – aesthetically speaking – once performance art was introduced in the film Attenberg (directed by Athina Rachel Tsangari, 2010). There are aesthetic links and links regarding conception between the above-mentioned directors, as the two films can be interpreted through the same critical device. Overcoming the aesthetic conditioning can be felt in the second internationally-produced film directed in 2015 by Yorgos Lanthimos, The Lobster, in which the first sequence, thought out as a prologue, is unique through the fact that the character in it does not reappear in the remainder of the film. Another director, who draws closer to a different perception of the real, is Babis Makridis through the films Oiktos (Pity) (2018) and Ornithes (I pos na gineis pouli) (Birds (or How to Be One)) (2020).
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Χατζηπαναγής, I., and Δ. Βουγιούκας. "THE SIGNIFICANCE OF THE LITHOSTRATIGRAFHIC POSITION AND THE TECTONIC DEFORMATION FOR THE LOCATION AND THE EXPLOITATION OF THE DOLOMITIC MARBLES OF FALACRON MOUNTAIN." Bulletin of the Geological Society of Greece 36, no. 1 (January 1, 2004): 63. http://dx.doi.org/10.12681/bgsg.16570.

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At the broad area of Falakro mountain a systematic exploitation of dolomitic marbles is taking place. Besides, the fact that the excavated material consists of pure dolomitic carbonate, in the commerce there are more than 15 quality types with different denominations. The differences between them are related to their lithostratigraphic position and also with some structures of tectonic deformations. In the dolomitic marbles the following quality types are identified: The Aristo type, which consists of fine grained and white dolomitic rock. The Orion, Athina, Kalisto, Omega, Kyknos and Lambros Asteras which consist of white dolomitic material and thin coloured interbanding. The white Granitis, white Volakas and white Macedonia are composed of white dolomitic material with red interbanding which correspond to mylonites. Amvrossia is shaped by tectonic pseudoconglomerate material, while in Venus the dolomitic rock appears strongly folded. In the banded-cipoline marble series, quality types such as Dolit, Grey Lais and Pink Lais are identified, while in the Falakro type marble series, white Pirghon is identified.
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19

Willianms, Ellery. "Reviewer Acknowledgements." Business and Management Studies 2, no. 1 (February 28, 2016): 125. http://dx.doi.org/10.11114/bms.v2i1.1424.

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Business and Management Studies (BMS) would like to acknowledge the following reviewers for their assistance with peer review of manuscripts for this issue. Many authors, regardless of whether BMS publishes their work, appreciate the helpful feedback provided by the reviewers. Their comments and suggestions were of great help to the authors in improving the quality of their papers. Each of the reviewers listed below returned at least one review for this issue. Reviewers for Volume 2, Number 1 Abdul-Kahar Adam Arash Riasi Athina Qendro Christer Thörnqvist Florin Peci Gabriela Antošová Hung-Che Wu Kenichi Shimizu Mohammad Soliman Mythili Kolluru Oleksandr Mosin Olha Komelina Olumide Olasimbo Jaiyeoba Ombretta Caldarice Rashedul Hasan Seyed Mehrdad Miraftab Zadeh Sourabh Sharma Tetiana Paientko Yu-Shou Su Zoran Mastilo Ellery Willianms Editorial Assistant On behalf of, The Editorial Board of Business and Management Studies Redfame Publishing 9450 SW Gemini Dr. #99416 Beaverton, OR 97008, USA URL: http://bms.redfame.com
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Willianms, Ellery. "Reviewer Acknowledgements." Business and Management Studies 2, no. 4 (November 30, 2016): 78. http://dx.doi.org/10.11114/bms.v2i4.2035.

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Business and Management Studies (BMS) would like to acknowledge the following reviewers for their assistance with peer review of manuscripts for this issue. Many authors, regardless of whether BMS publishes their work, appreciate the helpful feedback provided by the reviewers. Their comments and suggestions were of great help to the authors in improving the quality of their papers. Each of the reviewers listed below returned at least one review for this issue. Reviewers for Volume 2, Number 4 Arash Riasi Asad Ghalib Ashford Chea Athina Qendro Christer Thörnqvist Florin Peci Gabriela Antošová Gongyan Yang İzlem Gözükara Julia Stefanova Julio Cesar Puche Regaliza Kenichi Shimizu Mike Rayner Mythili Kolluru Olha Komelina Rashedul Hasan Regina LenartGansiniec Rocsana Tonis Ruoniu Wang Taro Abe Tetiana Paientko Yao Liu Yun Lin Zeki Atıl Bulut Zoran Mastilo Ellery Willianms Editorial Assistant On behalf of, The Editorial Board of Business and Management Studies Redfame Publishing 9450 SW Gemini Dr. #99416 Beaverton, OR 97008, USA URL: http://bms.redfame.com
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21

Lykousis, V., S. Alexandri, J. Woodside, P. Nomikou, C. Perissoratis, D. Sakellariou, G. de Lange, et al. "New evidence of extensive active mud volcanism in the Anaximander mountains (Eastern Mediterranean): The “ATHINA” mud volcano." Environmental Geology 46, no. 8 (June 19, 2004): 1030–37. http://dx.doi.org/10.1007/s00254-004-1090-4.

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Menapace, Walter, David Völker, Heiko Sahling, Christian Zoellner, Christian dos Santos Ferreira, Gerhard Bohrmann, and Achim Kopf. "Long-term in situ observations at the Athina mud volcano, Eastern Mediterranean: Taking the pulse of mud volcanism." Tectonophysics 721 (November 2017): 12–27. http://dx.doi.org/10.1016/j.tecto.2017.09.010.

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23

Svinkin, Mark R. "Discussion of “Ground Vibration Measurements near Impact Pile Driving” by Athina Grizi, Adda Athanasopoulos-Zekkos, and Richard D. Woods." Journal of Geotechnical and Geoenvironmental Engineering 143, no. 8 (August 2017): 07017016. http://dx.doi.org/10.1061/(asce)gt.1943-5606.0001725.

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Grizi, Athina, Adda Athanasopoulos-Zekkos, and Richard D. Woods. "Closure to “Ground Vibration Measurements near Impact Pile Driving” by Athina Grizi, Adda Athanasopoulos-Zekkos, and Richard D. Woods." Journal of Geotechnical and Geoenvironmental Engineering 144, no. 4 (April 2018): 07018002. http://dx.doi.org/10.1061/(asce)gt.1943-5606.0001815.

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Kenny, Paul J., Daniel Hoyer, and George F. Koob. "Animal Models of Addiction and Neuropsychiatric Disorders and Their Role in Drug Discovery: Honoring the Legacy of Athina Markou." Biological Psychiatry 83, no. 11 (June 2018): 940–46. http://dx.doi.org/10.1016/j.biopsych.2018.02.009.

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Rundin, John. "Gods and Corporations: Fifth-Century B. C. E. Athena and the Economic Utility of Extraordinary Agents." Method & Theory in the Study of Religion 19, no. 3-4 (2007): 323–31. http://dx.doi.org/10.1163/157006807x244943.

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AbstractGregory D. Alles has suggested that economic theory can be a valuable supplement to cognitive theories of religion. The cult of Athena at Athens supplies evidence to support this suggestion. Athena may have origins in the cognitive structures of the human mind as an extraordinary agent. However, she developed economic functions in fifth-century B. C. E. Athens. The sanctuary of Athena served as a bank that funded Athenian civic endeavours. Athena's sanctuary was able to do this because she was a disembodied agent with functions similar to those of a modern United States corporation, which is also a disembodied agent.
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Seidling, Hanna Marita, Alexander Francesco Josef Send, Janina Bittmann, Katja Renner, Bernd Dewald, Dörte Lange, Thomas Bruckner, and Walter Emil Haefeli. "Medication review in German community pharmacies – Post-hoc analysis of documented drug-related problems and subsequent interventions in the ATHINA-project." Research in Social and Administrative Pharmacy 13, no. 6 (November 2017): 1127–34. http://dx.doi.org/10.1016/j.sapharm.2016.10.016.

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Christiane, Sourvinou-Inwood. "A reading of two fragments of Sophilos." Journal of Hellenic Studies 128 (November 2008): 128–31. http://dx.doi.org/10.1017/s0075426900000082.

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Pattoni, Maria Pia. "Democratic Paideia in Aeschylus’ Suppliants." Polis: The Journal for Ancient Greek Political Thought 34, no. 2 (November 11, 2017): 251–72. http://dx.doi.org/10.1163/20512996-12340126.

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Abstract The analysis of political language in Aeschylus’ Suppliants confirms the hypothesis that the form of government here represented is strongly influenced by contemporary Athens: prehistoric Argos turns out to be a sort of mirror of democratic Athens. It is no coincidence that the sequence running from the entrance of Pelasgus at l. 234 to the Danaids’ song of benediction (ll. 625-709) presents a dramatic pattern similar in several respects to that underlying in Eumenides 397-1002 (the scenes between the entrance of Athena and the Chorus’ prayer of blessing). Pelasgus (likewise Athena in Eumenides) imparts a sort of lesson on ‘democratic paideia’ to the Danaids, in view of their integration as metoikoi in the institutional structures of the polis.
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Lundgreen, Birte. "A methodological enquiry: the Great Bronze Athena by Pheidias." Journal of Hellenic Studies 117 (November 1997): 190–97. http://dx.doi.org/10.2307/632558.

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The ‘Great Bronze Athena’, or the Athena Promachos by Pheidias, was a famous statue on the Akropolis of Athens, according to the literary sources. Numerous attempts have been made in the 19th and 20th centuries to reconstruct the image of the statue based on various sources: coins, gems, lamps, Byzantine miniatures, and sculpture. However, some of these attempts have revealed a number of inconsistencies in treatment and interpretation of the various sources. This article, therefore, endeavours to separate the valid from the invalid through a careful assessment of all the available evidence relating to the Athena Promachos as the Pheidian statue rather than the iconographic type.
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Weiß, Peter. "Harikleia Papageorgiadou-Bani: The Numismatic Iconography of the Roman Colonies in Greece. Local Spirit and the Expression of Imperial Policy. With the contribution of Athina Iakovidou." Gnomon 80, no. 2 (2008): 142–47. http://dx.doi.org/10.17104/0017-1417_2008_2_142.

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ChoiHaeYoung. "Athens’ Thalassocracy and The Contention of Athena and Poseidon." Journal of Mediterranean Area Studies 16, no. 4 (November 2014): 105–32. http://dx.doi.org/10.18218/jmas.2014.16.4.105.

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Ritonga, Ainun Jakia, and Zuhrinal M. Nawawi. "Implementasi E-Commerce sebagai Media Penjualan Online pada Toko Athena Shop." Economic Reviews Journal 1, no. 2 (July 14, 2022): 129–46. http://dx.doi.org/10.56709/mrj.v1i2.23.

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E-commerce is the act of buying and selling through electronic media related to the internet. Athena Shop is a specialty shop that specializes in baby goods such as feeding, sleeping and dressing items. The last few months have seen a decline in sales in Athens stores. This is because e-commerce is growing in popularity, making it difficult for offline businesses like Athena Shop to compete with them because it provides so many advantages for both buyers and sellers. The implementation of e-commerce with wordpress content management system (CMS) as an online sales platform at the Athena store is one option to overcome this problem. Thanks to e-commerce, Athena Shop can compete in the baby gear market and boost sales. E-commerce has removed the requirement for customers to physically visit stores to make purchases. E-commerce can also make it easier to find out the latest information about the latest products. In addition, it makes it easy for merchants to understand all things related to bestseller reports, price reductions, product shipping, refunds and returns. Keywords: Implementation, internet, E-commerce, online shop, baby shop.
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Ritonga, Ainun Jakia, and Zuhrinal M. Nawawi. "Implementasi E-Commerce sebagai Media Penjualan Online pada Toko Athena Shop." Economic Reviews Journal 1, no. 2 (July 14, 2022): 129–46. http://dx.doi.org/10.47467/mrj.v1i2.23.

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E-commerce is the act of buying and selling through electronic media related to the internet. Athena Shop is a specialty shop that specializes in baby goods such as feeding, sleeping and dressing items. The last few months have seen a decline in sales in Athens stores. This is because e-commerce is growing in popularity, making it difficult for offline businesses like Athena Shop to compete with them because it provides so many advantages for both buyers and sellers. The implementation of e-commerce with wordpress content management system (CMS) as an online sales platform at the Athena store is one option to overcome this problem. Thanks to e-commerce, Athena Shop can compete in the baby gear market and boost sales. E-commerce has removed the requirement for customers to physically visit stores to make purchases. E-commerce can also make it easier to find out the latest information about the latest products. In addition, it makes it easy for merchants to understand all things related to bestseller reports, price reductions, product shipping, refunds and returns. Keywords: Implementation, internet, E-commerce, online shop, baby shop.
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COUREAS, Nicolaos. "Review Article: Byzantium and the West: Perception and Reality (11th-15th C.), edited by Nikolaos G. Chryssis, Athina Kolia-Dermitzaki and Angeliki Papageorgiou, Abingdon and New York: Routledge, 2019." Byzantina Symmeikta 30 (September 17, 2020): 343. http://dx.doi.org/10.12681/byzsym.23165.

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Beyer, Cornelia. "Book Review: Athina Karatzogianni and Andrew Robinson, Power, Resistance and Conflict in the Contemporary World: Social Movements, Networks and Hierarchies (New York and Abingdon: Routledge, 2010, 324 pp., £71.25 hbk)." Millennium: Journal of International Studies 39, no. 2 (December 2010): 582–83. http://dx.doi.org/10.1177/03058298100390021910.

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Pötscher, Walter. "Tritogeneia und das Gebet der Athener." Acta Antiqua Academiae Scientiarum Hungaricae 41, no. 1-2 (October 1, 2001): 3–8. http://dx.doi.org/10.1556/aant.41.2001.1-2.22.

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Summary: ΤΡΙΤΟΓΕΝΕΙΑ, the epitheton of Athena means ‘Erztochter’ (‘Archdaughter') and the TPI- ΤΟΠΑΤΟΡΕΣ are in the opinion of the former people of Athens the ‘Archfathers’ (cf. Rhein. Mus. 104, 1961, 346 sqq.). In a prayer spoken to the Τριτοπάτορες (παις μοι τριτογενής ε'ίη μή τριτογένεια) τριτογενης and τριτογένεια resp. express the wish that a right boy, not a girl should be born on the third day of a month.
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O'Brien, P., and P. Jonker. "Studying stellar explosions with Athena." Proceedings of the International Astronomical Union 11, A29B (August 2015): 243. http://dx.doi.org/10.1017/s1743921316005147.

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AbstractAthena is the second large mission selected in the ESA Cosmic Vision plan. With its large collecting area, high spectral-energy resolution (X-IFU instrument) and impressive grasp (WFI instrument), Athena will truly revolutionise X-ray astronomy. The most prodigious sources of high-energy photons are often transitory in nature. Athena will provide the sensitivity and spectral resolution coupled with rapid response to enable the study of the dynamic sky. Potential sources include: distant Gamma-Ray Bursts to probe the reionisation epoch and find missing baryons in the cosmic web; tidal disruption events to reveal dormant supermassive and intermediate-mass black holes; and supernova explosions to understand progenitors and their environments. We illustrate Athenas capabilities and show how it will be able to constrain the nature of explosive transients including gas metallicity and dynamics.
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39

Kennedy, Rebecca Futo. "Justice, Geography and Empire in Aeschylus' Eumenides." Classical Antiquity 25, no. 1 (April 1, 2006): 35–72. http://dx.doi.org/10.1525/ca.2006.25.1.35.

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Abstract This paper argues that Aeschylus' Eumenides presents a coherent geography that, when associated with the play's judicial proceedings, forms the basis of an imperial ideology. The geography of Eumenides constitutes a form of mapping, and mapping is associated with imperial power. The significance of this mapping becomes clear when linked to fifth-century Athens' growing judicial imperialism. The creation of the court inEumenides, in the view of most scholars, refers only to Ephialtes' reforms of 462 BC. But in the larger context, Athenian courts in the mid-fifth century are a form of imperial control. When geographically specific jurisdiction combines with new courts, it supports and even creates a developing imperial ideology. Moreover, the figure of Athena and the role she gives the Athenian jury emphasizes a passionate pro-Athenian nationalism, a nationalism that the text connects to Athens' geographic and judicial superiority. This imperial ideology did not spring from Aeschylus' imagination fully formed; it reflects a trend in Athens of promoting her own cultural superiority. This sense of cultural superiority in fact disguises the realities of Athens' developing power and increasingly harsh subjection of her former allies.
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Ajootian, Aileen. "A Roman Athena from the Pnyx and the Agora in Athens." Hesperia 78, no. 4 (December 30, 2009): 481–99. http://dx.doi.org/10.2972/hesp.78.4.481.

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Sears, Matthew A. "Mother Canada and Mourning Athena: From Classical Athens to Vimy Ridge." Arion: A Journal of the Humanities and the Classics 25, no. 3 (2017): 43–66. http://dx.doi.org/10.1353/arn.2017.0035.

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Matthew A. Sears. "Mother Canada and Mourning Athena: From Classical Athens to Vimy Ridge." Arion: A Journal of Humanities and the Classics 25, no. 3 (2018): 43. http://dx.doi.org/10.2307/arion.25.3.0043.

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43

Mark, Ira S., Machteld J. Mellink, and James R. McCredie. "The Sanctuary of Athena Nike in Athens: Architectural Stages and Chronology." Hesperia Supplements 26 (1993): i. http://dx.doi.org/10.2307/1354000.

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Papachatzis, Nicolaos. "The Cult of Erechtheus and Athena on the Acropolis of Athens." Kernos, no. 2 (January 1, 1989): 175–85. http://dx.doi.org/10.4000/kernos.247.

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Al-Jarf, Reima. "Student-Interpreters’ Foreign Proper Noun Pronunciation Errors in English-Arabic and Arabic-English Media Discourse Interpreting." International Journal of Translation and Interpretation Studies 2, no. 1 (May 29, 2022): 80–90. http://dx.doi.org/10.32996/ijtis.2022.2.1.11.

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This study aimed to explore the types of pronunciation errors that student interpreters make in pronouncing foreign Proper Nouns during English-Arabic and Arabic-English Liaison Interpreting, the pronunciation error strategies that students utilize when they encounter unfamiliar Proper Nouns in media discourse, and the factors that affect students’ incorrect pronunciation of foreign Proper Nouns. A corpus of foreign Proper Noun pronunciation errors was collected from interpreting tests and in-class practice. Error analysis showed that students have difficulty identifying and discriminating one or more phonemes in foreign Proper Nouns such as Rio di Janeiro, Paraguay, Abuja, Davos, Scandinavia, Missouri, Helsinki, Crimea, Al Gore, and Yuan, whether such words were heard in English or Arabic. Whenever the students heard an unfamiliar Proper Noun, they produced (made up) nonsense words that rhyme with the unfamiliar source words as in *Dagos, *Dados, *Dabos which they provided for Davos; *lizouri, *rozouri, *kansouri, *mansouri instead of Missouri; and *Scinavia for Scandinavia. Sound analogy was also used in producing equivalent for unfamiliar Proper Nouns. Volcanoes and *burkini were provided as equivalents for Balkans and *NADO for NATO. They reduced, i.e., deleted part of the Proper Noun, whether it is a vowel, consonant or even a syllable as in *Buja instead of Abuja, United *State, *Izheimer, *Philippine, *Parkins, *Bloomber probably because of the length of the words and poor short-term memory. Phonemes were changed and substituted by a longer or shorter vowel, by another consonant or another syllable as in Dracula /dracola/, /gri:k/; Sergey Lavrov /sergi la:vro:v/; *snab shat, *Uzbakistan, *foks fagon, Ukraine /ʊkrɜ:rɪə/, /sinofa:rm/. The Arabic pronunciation was retained and overgeneralized in Eiffel Tower /i:fəl/ or /i:vəl/, *Ardoghan, *Anadol, and *Athina. A vowel was inserted to break the consonant clusters in *Beligrade, *Bangaladesh, *Barazil, *Danimark, *Kazakhistan, *Uzbakistan, *Shangahai, *Tarafalgar. Syllables were reversed in *Serbrenica and *ALESCO. Most pronunciation errors in interpreting are attributed to lack of knowledge of Proper Nouns commonly occurring in the media. Knowledge of the similarities and differences in Proper Noun pronunciation in English and Arabic and extra practice using online videos, podcasts, mobile apps, and TED Talks are needed in Liaison Interpreting instruction.
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46

Palagia, Olga. "A classical variant of the Corinth/Mocenigo goddess: Demeter/Kore or Athena?" Annual of the British School at Athens 84 (November 1989): 323–31. http://dx.doi.org/10.1017/s0068245400021006.

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This paper examines the fragment of a life-size marble statue of a goddess in the storerooms of the Acropolis Museum (inv. no. 13641). Both technical and stylistic considerations show that it is an original work of the mid 5th century B.C., issuing from the artistic milieu of the Parthenon. The figure was dressed in a chiton under a himation pinned on the right shoulder (diplax), following a sub-Archaic fashion current throughout the 5th century and recurrent in Archaising works of later periods. This dress is familiar from Attic red-figure vase-paintings, where it is donned by a number of deities, mainly female but male too (Apollo and Dionysos) and mortal women on festive occasions.Apart from the Acropolis fragment, three statuary types in chiton and diplax are known from the 5th century: the Corinth/Mocenigo ‘Kore’, the Athena Albani and the Athena Hope/Farnese. The Acropolis fragment is compared to all three and found to be an independent creation, perhaps reflecting yet another large-scale prototype of the period. There follows a discussion of the iconographical type of all four figures and of the possibility that they are all Athenas, inspired by a version of the Athena Polias on the Acropolis.
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47

Corso, Antonio. "Vitruvius and Attic Monuments." Annual of the British School at Athens 92 (November 1997): 373–400. http://dx.doi.org/10.1017/s0068245400016749.

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The aims of this article are to establish the extent of Vitruvius's knowledge of Athens, the other sources of his information on the city, and his preference for Hellenistic rather than Classical monuments. The following passages are analyzed: i, 6, 4, on the Tower of the Winds; ii, 1, 5, on a hut on the Areopagus; ii, 8, 9, on a wall at Athens which looks to Mt. Hymettus and Pentelicus, to be identified perhaps with the Long Walls between Athens and the Piraeus; iii, 2, 8, on the Olympieion; iv, 8, 4, on the Erechtheion and the temple of Athena Sounias; v, 9, 1, on the Colonnades of Eumenes II, on the shrine of Dionysos Eleuthereus, and on the Odeion of Perikles; vii, praef., 12, on the Parthenon and on the harbour of the Piraeus; vii, praef., 15, on the architects of the Olympieion; vii, praef., 16–17, on the telesterion of Eleusis and on the Olympieion. The conclusions are that, after having followed Caesar through Asia Minor in 47 BC, Vitruvius came back to Italy via the coast of Attica and probably stayed at Athens, and that his preference for Hellenistic monuments must be explained in terms of his education in the Hellenistic taste of Asia, and in particular of Hermogenes.
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48

Smith, Lindsay. "Fugitive stones: the temple of Athena Nike, Athens in nineteenth-century photographs." Nineteenth-Century Contexts 42, no. 2 (March 14, 2020): 137–58. http://dx.doi.org/10.1080/08905495.2020.1733317.

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49

Østby, Erik. "A Protocorinthian aryballos with a myth scene from Tegea." Opuscula. Annual of the Swedish Institutes at Athens and Rome 13 (November 2, 2020): 123–38. http://dx.doi.org/10.30549/opathrom-13-05.

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During the preparation of the new exhibition in the Museum of Tegea it was discovered that one composed fragment from a Protocorinthian aryballos with a complicated, figured representation, found during the excavations of the Norwegian Institute at Athens in the Sanctuary of Athena Alea in the 1990s, joined with another fragment found by the French excavation at the same site in the early 20th century. After the join, the interpretation of the scene must be completely changed. The aryballos has two narrative scenes in a decorative frieze: a fight between two unidentified men over a large vessel, and an unidentified myth involving the killing of a horse-like monster by two heroes, with the probable presence of Athena. Possibly this is an otherwise unknown episode from the cycle of the Argonauts, involving the Dioskouroi, perhaps also Jason and Medea. The aryballos was produced by an artist closely related to and slightly earlier than the so-called Huntsmen Painter; he was active in early Middle Protocorinthian II, and demonstrates a skill astonishing for this period in creating a many-figured and sophisticated, narrative composition.
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Lindberg, Carter. "Rechtfertigung im Gespräch: Das Rechtfertigungsverständnis in den Religionsgesprächen von Hagenau, Worms und Regensburg 1540/41. By Athina Lexutt. Forschungen zur Kirchen- und Dogmengeschichte 64. Göttingen, Germany: Vandenhoeck & Ruprecht, 1996. 299 pp. DM 84." Church History 66, no. 3 (September 1997): 584–85. http://dx.doi.org/10.2307/3169492.

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