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Books on the topic 'Athens (Greece). Theater of Dionysius'

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Author: Grafiati

Published: 26 July 2024

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1

Gogos, Savas. To archaio theatro tou Dionysou: Architektonikē morphē kai leitourgia. Athēna: Milētos Ekdoseis, 2005.

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2

Tozzi, Giulia. Decreti dal santuario di Dioniso Eleutereo ad Atene. Pisa: Fabrizio Serra editore, 2021.

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3

J, Winkler John, and Zeitlin Froma I, eds. Nothing to do with Dionysos?: Athenian drama in its social context. Princeton, N.J: Princeton University Press, 1990.

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4

Chōremē-Spetsierē, Alkēstis. Acropolis: Ancient and Roman Agora, Pnyx, Philopappus Hill, Hadrian's Library, Theatre of Dionysus, Odeion of Herodes Atticus, Acropolis Museum. Ahtens: Militos, 2010.

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5

Sewell, Richard C. In the theatre of Dionysos: Democracy and tragedy in ancient Athens. Jefferson, N.C: McFarland & Company, Inc., Publishers, 2007.

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6

Riess, Werner. Performing violence in fourth-century BCE Athens: Court, curse, and comedy. New York: De Gruyter, 2011.

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7

Michalopoulos, Panagiōtēs. 30 chronia "Praxē": Theatro Hodou Kephallēnias, 1987-2017. Athēna: Ekdosē Praxē, 2016.

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8

Wiles, David. Tragedy in Athens: Performance space and theatrical meaning. Cambridge: Cambridge University Press, 1997.

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9

Kapelōnēs, Kōstēs Z. Theatro Technēs Karolou Koun, Epidauros 1985-1998: 17 parastaseis, 63 philms, 14 chronia, 1985 phōtographies. Athēna: Theatro Technēs, 2019.

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10

Kangelarē, Dēō. Karolos Koun. Athēna: Morphōtiko Hidryma Ethnikēs Trapezēs, 2010.

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11

Wiles, David. The masks of Menander: Sign and meaning in Greek and Roman performance. Cambridge [England]: Cambridge University Press, 1991.

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12

Slater, Niall W. Spectator politics: Metatheatre and performance in Aristophanes. Philadelphia: University of Pennsylvania Press, 2002.

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13

Shakespeare, William. Shakespeare's A midsummer night's dream. Mineola, N.Y: Dover, 2003.

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14

Shakespeare, William. A midsummer night's dream: Teacher's guide. Toronto: Harcourt Brace Jovanovich, Canada, 1988.

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15

Shakespeare, William. A midsummer night's dream. Cambridge, U.K: Cambridge University Press, 2003.

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16

Shakespeare, William. The sixty-minute Shakespeare-- A midsummer night's dream. 5th ed. Chandler, Ariz: Five Star Publications, 2001.

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17

Shakespeare, William. Sogno di una notte di mezz'estate. Milano: Mondadori, 1998.

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18

Shakespeare, William. William Shakespeare's A midsummer night's dream. London: Joseph, 1985.

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19

Dan, Almagor, and Gesher (Theater company : Tel Aviv, Israel), eds. Ḥalom lel ḳayits: Ḳomedyah. Lod: Zemorah-Bitan, 2001.

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20

Shakespeare, William. A midsummer night's dream. San Diego, CA: ICON Classics, 2005.

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21

Shakespeare, William. A midsummer night's dream. St. Paul, Minn: EMC/Paradigm Pub., 1998.

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22

Sewell, Richard. In the Theatre of Dionysos: Democracy and Tragedy in Ancient Athens. McFarland & Company, 2007.

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23

Stewart, Edmund. Tragedy in Attica c.500–300 BC. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198747260.003.0004.

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Chapter 3 examines Athenian festival culture in the fifth and fourth centuries. It is argued that the process of tragedy’s dissemination began not with the ‘export’ of plays out of Athens, but even at the very moment of their first performance in the theatre of Dionysus. Athens attracted a wide range of visitors to its festivals, who could be both performers and spectators. Here we examine the evidence for the activities of ninety non-citizen musicians, poets, and actors and the contribution they made to the Dionysia and other festivals. We shall see that Athens is best understood as a major Panhellenic centre within a broader network of other Greek cities and sanctuaries.

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24

Fischer-Lichte, Erika. Epilogue. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199651634.003.0012.

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The book concludes with an epilogue entitled ‘The Return of Dionysus. From Festive Performances to Global Spectacle’. It very briefly retraces the exchange of productions of Greek tragedies between Germany and other countries and ends with the role played by productions of Greek tragedies today, at German as well as international theatre festivals, thus linking them back to the most important festival in ancient Athens, the Great Dionysia. After explaining how such festivals in Germany reassert the central position held by theatre in German culture, the epilogue ends with a short discussion of Jan Fabre’s twenty-four-hour performance Mount Olympus—to Glorify the Cult of Tragedy (Berliner Festspiele, June 2015) as an allegory of and a reflection on Greek tragedy’s endurance on the German stage.

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25

Winkler, John J., and Froma I. Zeitlin. Nothing to Do with Dionysos?: Athenian Drama in Its Social Context. Princeton University Press, 2020.

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26

(Editor), John J. Winkler, and Froma I. Zeitlin (Editor), eds. Nothing to Do With Dionysos: Athenian Drama in Its Social Context. Princeton Univ Pr, 1992.

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27

Roselli, David Kawalko. Theater of the People: Spectators and Society in Ancient Athens. University of Texas Press, 2012.

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28

Roselli, David Kawalko. Theater of the People: Spectators and Society in Ancient Athens. de Gruyter GmbH, Walter, 2011.

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29

Georgiou, Michalis. Reception of German Theater in Greece : Establishing a Theatrical Locus Communis: The Royal Theater in Athens. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2019.

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30

Georgiou, Michalis. Reception of German Theater in Greece : Establishing a Theatrical Locus Communis: The Royal Theater in Athens. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2019.

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31

Georgiou, Michalis, and Georgiou Finter. Reception of German Theater in Greece : Establishing a Theatrical Locus Communis: The Royal Theater in Athens. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2019.

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32

Georgiou, Michalis. Reception of German Theater in Greece : Establishing a Theatrical Locus Communis: The Royal Theater in Athens. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2019.

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33

Markantonatos, Andreas, and Bernhard Zimmermann. Crisis on Stage: Tragedy and Comedy in Late Fifth-Century Athens. de Gruyter GmbH, Walter, 2011.

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34

Crisis on stage: Tragedy and comedy in late fifth-century Athens. Berlin: De Gruyter, 2011.

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35

Crisis on Stage: Tragedy and Comedy in Late Fifth-Century Athens. De Gruyter, Inc., 2011.

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36

Wilson, Peter, and Eric Csapo. Social and Economic History of the Theatre to 300 BC : Volume 2, Theatre Beyond Athens: Documents with Translation and Commentary. University of Cambridge ESOL Examinations, 2020.

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37

Wiles, David. Tragedy in Athens: Performance Space and Theatrical Meaning. Cambridge University Press, 2011.

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38

Wiles, David. Tragedy in Athens: Performance Space and Theatrical Meaning. Cambridge University Press, 1999.

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39

Wiles, David. Tragedy in Athens: Performance Space and Theatrical Meaning. Cambridge University Press, 1997.

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40

Peter, Wilson, and Eric Csapo. Social and Economic History of the Theatre to 300 BC : Volume 2, Theatre Beyond Athens: Documents with Translation and Commentary. University of Cambridge ESOL Examinations, 2021.

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41

Haigh, Arthur Elam. The Attic Theatre: A Description Of The Stage And Theatre Of The Athenians And Of The Dramatic Performances At Athens. Kessinger Publishing, LLC, 2007.

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42

Haigh, Arthur Elam. The Attic Theatre: A Description Of The Stage And Theatre Of The Athenians And Of The Dramatic Performances At Athens. Kessinger Publishing, LLC, 2007.

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43

Wiles, David. The Masks of Menander: Sign and Meaning in Greek and Roman Performance. Cambridge University Press, 2004.

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44

Midsummer Night's Dream, William Shakespeare. Pearson Education, Limited, 2000.

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45

Shakespeare, William. Midsummer Night's Dream. Harcourt Canada, Limited, 2000.

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46

A midsummer night's dream. New York: Washington Square Press, 1993.

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47

Shakespeare, William. El sueño de una noche de verano. Gradfico, 2007.

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48

Shakespeare, William. Midsummer Night's Dream. Addison-Wesley Longman, Incorporated, 1990.

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49

Shakespeare, William. Le Songe d'une nuit d'été. FLAMMARION, 2018.

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50

Shakespeare, William. Midsummer Night's Dream. Penguin Publishing Group, 2016.

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