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Books on the topic 'Assyrian reliefs'

Author: Grafiati
Published: 30 June 2021
Last updated: 11 February 2022

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1

Porter, Barbara N. Assyrian bas-reliefs at the Bowdoin College Museum of Art. [Brunswick, Me.]: The Museum, 1989.

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2

Russell, John Malcolm. From Nineveh to New York: The strange story of the Assyrian reliefs in the Metropolitan Museum and the hidden masterpiece at Canford School. New Haven, CT: Yale University Press in association with the Metropolitan Museum of Art, New York, 1997.

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3

Museum, British. Assyrian sculpture. Cambridge, Mass: Harvard University Press, 1999.

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4

British Museum. Assyrian sculpture. 2nd ed. London: British Museum Press, 1998.

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5

Lisa, Baylis, and Marshall Sandra, eds. Assyrian palace sculptures. Austin: University of Texas Press, 2009.

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6

Albenda, Pauline. Monumental art of the Assyrian Empire: Dynamics of composition styles. Malibu: Undena Publications, 1998.

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7

The mythology of kingship in Neo-Assyrian art. Cambridge: Cambridge University Press, 2010.

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8

Ataç, Mehmet-Ali. The mythology of kingship in Neo-Assyrian art. Cambridge: Cambridge University Press, 2010.

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9

Albenda, Pauline. The palace of Sargon, King of Assyria: Monumental wall reliefs at Dur-Sharrukin, from original drawings made at the time of their discovery in 1843-1844 by Botta and Flandin. Paris: Editions Recherche sur les civilisations, 1986.

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10

Harrelson, Sam. Asia Has Claims Upon New England: Assyrian Reliefs at Yale. Yale University Art Gallery, 2006.

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11

Ada, Cohen, and Kangas Steven E, eds. Assyrian reliefs from the palace of Ashurnasirpal II: A cultural biography. Hanover, N.H: Hood Museum of Art, Dartmouth College, 2010.

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12

Franck, Dorothea Seelye, Vaughn Emerson Crawford, Prudence O. Harper, and Holly Pittman. Assyrian Reliefs and Ivories in the Metropolitan Museum of Art: Palace Reliefs of Assurnasirpal II and Ivory Carvings from Nimrud. Yale University Press, 2012.

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13

Reade, Julian. Assyrian Sculpture: Second Edition. 2nd ed. Harvard University Press, 1999.

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14

Rollinger, Robert. Herodotus and the Transformation of Ancient Near Eastern Motifs. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198803614.003.0006.

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A revealing and intriguing example of how Ancient Near Eastern story-patterns have been reshaped and reworked is Herodotus’ report about the enthronement of Darius as new King of the Persian Empire (Hdt. 3.84–9). In a fanciful and ironic way Herodotus explains the success of Darius in being chosen as the new King, with the assistance of his groom and an omen of a neighing horse. Herodotus also introduces a fictitious monument as a means of authentication allegedly celebrating Darius’ enthronement with the help of his smart groom. This monument reveals striking similarities with an Urartian royal relief which is described in detail in two inscriptions of the Assyrian king Sargon II (721–705 BC). Together with other Ancient Near Eastern elements referring to horse oracles and their specific setting as well as a parallel tradition testified by Ctesias of Cnidos an Ancient Near Eastern story-pattern comes to the fore that was, however, transferred by Herodotus into a completely new narrative.
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15

Chapman, Cynthia R. The Gendered Language Of Warfare In The Israelite-assyrian Encounter (Harvard Semitic Monographs, No. 62). Eisenbrauns, 2004.

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