Academic literature on the topic 'Assouline Pierre'

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Journal articles on the topic "Assouline Pierre"

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Champagne, Roland A. "Sigmaringen par Pierre Assouline." French Review 88, no. 4 (2015): 205–6. http://dx.doi.org/10.1353/tfr.2015.0253.

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Harzoune, Mustapha. "Pierre Assouline, Les Invités." Hommes & migrations, no. 1281 (September 1, 2009): 216–17. http://dx.doi.org/10.4000/hommesmigrations.426.

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Champagne, Roland A. "Vies de Job by Pierre Assouline." French Review 85, no. 5 (2012): 975–76. http://dx.doi.org/10.1353/tfr.2012.0254.

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Dainese, Francesca. "Les francophonies au Salon du livre de Paris (21-24 mars 2014)." Voix Plurielles 12, no. 1 (May 6, 2015): 372–87. http://dx.doi.org/10.26522/vp.v12i1.1198.

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Gibert, Pierre. "Pierre Assouline , Sigmaringen , Gallimard, 2014, 361 pages, 21 €." Études mai, no. 5 (April 11, 2014): I. http://dx.doi.org/10.3917/etu.4205.0121a.

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de Charentenay, Pierre. "Pierre Assouline , Brèves de Blog , Le nouvel âge de la conversation . Les Arènes, 2008, 415 pages, 21 €." Études Tome 410, no. 2 (February 1, 2009): IX. http://dx.doi.org/10.3917/etu.102.0263i.

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Laloum, Jean. "Cécile Desprairies, Ville Lumière, années noires. Les lieux de Paris de la Collaboration , préface de Pierre Assouline, Paris, Éditions Denoël, 2008, 348 p., 30 euros." Archives Juives Vol. 45, no. 1 (May 22, 2012): II. http://dx.doi.org/10.3917/aj.451.0144b.

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Gibert, Pierre. "Fondation Hartung-Bergman, Beau geste, Hans Hartung, peintre et légionnaire . Sous la direction de Fabrice Hergott, avec Pierre Assouline, Laurence Bertrand Dorléac, Alexis Neviaski et Pierre Wat. Gallimard, « Livres d’art », 2016, 168 pages, 120 illustrations, 29 €." Études Juin, no. 6 (May 24, 2016): XIII. http://dx.doi.org/10.3917/etu.4228.0121m.

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Duffy, Helena. "“Les Années noires avaient été grises:” A Meta-Ethical Examination of Pierre Assouline’s Appropriation of Primo Levi’s Concept of the “Grey Zone”." French Forum 44, no. 1 (2019): 29–44. http://dx.doi.org/10.1353/frf.2019.0002.

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Assouline, Pierre, and Malika Temmar. "Pierre Assouline et Malika Temmar1 : Entretien." Semen, no. 26 (November 30, 2008). http://dx.doi.org/10.4000/semen.8427.

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Dissertations / Theses on the topic "Assouline Pierre"

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Giró, Gianfranca. "Après les camps entre autobiographie et fiction : les récits de la survie dans la littérature française contemporaine." Lille 3, 2007. http://www.theses.fr/2007LIL30049.

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Book chapters on the topic "Assouline Pierre"

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Golsan, Richard J. "Vers une définition du « roman occupé » depuis 1990 : Dora Bruder de Patrick Modiano, La Compagnie des spectres de Lydie Salvayre, et La Cliente de Pierre Assouline." In Le roman français au tournant du XXIe siècle, 125–32. Presses Sorbonne Nouvelle, 2004. http://dx.doi.org/10.4000/books.psn.1642.

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Carey, John. "Hergé: The Man Who Created Tintin." In Sunday Best, 200–203. Yale University Press, 2022. http://dx.doi.org/10.12987/yale/9780300266689.003.0055.

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This chapter assesses how Pierre Assouline's biography shows that Tintin's creator was an emotionally retarded workaholic who cared for nothing but his art, disliked children, and collaborated with the Nazis. Georges Remi (his pen name Hergé was his reversed initials, RG, as pronounced in French) was born in 1907 in a Brussels suburb. On leaving school, Remi got a job on an ultra-Catholic paper that advocated authoritarian government as a bulwark against democracy. Serialised in Father Norbert Wallez's paper, The Adventures of Tintin in the Land of the Soviets gave a cautionary account of the famine, terror, and repression rife under the atheist Bolsheviks. He was a perfectionist in his art, and seemingly did not stop to think that, by luring young readers to Wallez's paper with Tintin stories, he was also exposing them to editorials that justified Hitler's persecution of the Jews.
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