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Books on the topic 'ASIAN PAINTS'

Author: Grafiati
Published: 11 September 2023

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1

Culpeper, Roy. Systemic instability or global growing pains?: Implications of the asian financial crisis. Ottawa: North-South Institute, 1998.

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2

Wong, Tyrus. Water to paper, paint to sky: The art of Tyrus Wong. San Francisco: The Walt Disney Family Foundation Press, LLC, 2013.

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3

Tribal Research Institute (Mizoram, India), ed. Paite in Mizoram. [Aizawl]: The Institute, 1990.

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4

Moll, Eduardo. Carlos Quízpez Asín, 1900-1983: De lo mágico real a la presencia eterna. Lima: [s.n.], 1988.

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5

Garrity, Jack. A passion to paint: The colorful world of Pacita Abad. Singapore: "Fundacíon Pacita", The Pacita Abad Foundation, 2005.

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6

Social, cultural, economic & religious life of a transformed community: A study of the Paite tribe. New Delhi: Mittal Publications, 1994.

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7

Tongyanghwa: Maŭm ŭro Tongyanghwa ilki. Kyŏnggi-do P'aju-si: Idam Books, 2011.

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8

Chuhan, Jagjit. Parampara: Portraits by J. Chuhan : new perceptions of the British/South Asian experience. Manchester: Shisha, 2004.

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9

Kamkhenthang, H. The Paite, a transborder tribe of India and Burma. Delhi, India: Mittal Publications, 1988.

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10

Kshetri, Rajendra. Polity formation among the tribes of Manipur: A preliminary survey of the Moyon and Paite polity. Imphal: Centre for Tribal Studies, Manipur University, 1990.

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11

Marriage, family, and kinship among the Paite tribe of Manipur. New Delhi: Concept Pub. Co., 2008.

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12

Pleasures and pains: Opium and the Orient in nineteenth-century British culture. Charlottesville: University Press of Virginia, 1995.

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13

Soul, spirit, and mountain: Preoccupations of contemporary Indonesian painters. Kuala Lumpur: Oxford University Press, 1994.

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14

Elite, identity, and politics in Manipur. New Delhi: Mittal Publications, 2013.

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15

Hirayama, Ikuo. Nishi kara higashi ni kakete: Hirayama Ikuo gabunshū. Tōkyō: Nihon Keizai Shinbunsha, 1988.

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16

Kyoko, Kinoshita, Ike Taiga 1723-1776, Ike Gyokuran 1728-1784, and Philadelphia Museum of Art, eds. Ike Taiga and Tokuyama Gyokuran: Japanese masters of the brush. Philadelphia: Philadelphia Museum of Art, 2007.

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17

Ike Taiga and Tokuyama Gyokuran: Japanese masters of the brush. New Haven, CT: Yale University Press, 2007.

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18

The last Tosa: Iwasa Katsumochi Matabei, bridge to Ukiyo-e. Honolulu: University of Hawaiʻi Press, 1999.

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19

Indigenous medicine and health care among Paite tribe of Manipur. New Delhi: Concept Pub. Co., 2011.

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20

L.K.: Colourful modernist. Singapore: National Art Gallery, 2011.

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21

1952-, Zhou Shan Zuo, Zhou Da Huang 1957-, Shen Kuiyi 1954-, Elmhurst Art Museum, and Chicago Cultural Center, eds. The Zhou Brothers: 30 years of collaboration. Ostfildern: Hatje Cantz, 2004.

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22

Marceau, Lawrence Edward. Takebe Ayatari: A Bunjin Bohemian in early modern Japan. Ann Arbor, MI: Center for Japanese Studies, University of Michigan, 2005.

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23

Marceau, Lawrence Edward. Takebe Ayatari: A Bunjin Bohemian in early modern Japan. Ann Arbor: Center for Japanese Studies, University of Michigan, 2004.

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24

ill, Hogan Jamie, ed. Rickshaw girl. Watertown, MA: Charlesbridge, 2007.

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25

Geertz, Hildred. Tales from a charmed life: A Balinese painter reminisces. Honolulu: University of Hawai'i Press, 2005.

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26

Tales from a charmed life: A Balinese painter reminisces. Honolulu: University of Hawai'i Press, 2005.

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27

Ltd, ICON Group. ASIAN PAINTS (INDIA) LTD.: International Competitive Benchmarks and Financial Gap Analysis. 2nd ed. Icon Group International, 2000.

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28

Ltd, ICON Group. ASIAN PAINTS (INDIA) LTD.: Labor Productivity Benchmarks and International Gap Analysis. 2nd ed. Icon Group International, 2000.

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29

Forty Masterpieces of 20th Century Drawing & Paint. Mapin Publishing Gp Pty Ltd, 2006.

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30

Lung, Grace, Hanna Hyun, Grace Ji-Sun Kim, and Graham Joseph Hill. Sunburnt Country, Sweeping Pains: The Experiences of Asian Australian Women in Ministry and Mission. Wipf & Stock Publishers, 2022.

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31

Lung, Grace, Hanna Hyun, Grace Ji-Sun Kim, and Graham Joseph Hill. Sunburnt Country, Sweeping Pains: The Experiences of Asian Australian Women in Ministry and Mission. Wipf & Stock Publishers, 2022.

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32

Nyoman Masriadi Reconfiguring The Body. Artpostasia, 2011.

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33

Kwan, SanSan. Love Dances. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197514559.001.0001.

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Our current geopolitical moment is characterized by shockingly aggressive forms of xenophobia and racism. This alarming, though not new, predicament compels us to seek creative modes for resisting hatred and encouraging care across difference. Love Dances: Loss and Mourning in Intercultural Collaboration explores the possibilities for global interrelationality in the realm of dance. The book contends that performances of interculturalism in dance offer opportunities for practicing intersubjective connection. Body-to-body engagement in the studio and on the stage carries the potential to shape everyday encounters with difference in the world. Looking specifically at duets, Love Dances examines how pairs of dance artists from unique cultural and aesthetic backgrounds—from Asia, the Asian diaspora, and the West; trained in contemporary dance, hip-hop, flamenco, Thai classical dance, kabuki, and butoh—find ways to co-create, in spite of contention, histories of power, misunderstanding, and mistranslation. Love Dances explores the ethics and politics of intercultural collaboration, acknowledging the forces of dissension, prejudice, and violence present in any contact zone, but ultimately arguing that choreographic invention across difference can be an act of love in the face of loss and serve as a model for difficult, imaginative, compassionate global affiliation.
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34

The Art of Chua Mia Tee: A Portrait of a Life's Work. Marshall Cavendish International (Asia) Pte Ltd, 2019.

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35

Kedhar, Anusha. Flexible Bodies. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190840136.001.0001.

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Flexible Bodies charts the emergence of British South Asian dance as a distinctive dance genre. Analyzing dance works, dance films, rehearsals, workshops, and touring alongside immigration policy, arts funding initiatives, citizenship discourse, and global economic conditions, author Anusha Kedhar traces shifts in British South Asian dance from 1990s Cool Britannia multiculturalism to fractious race relations in the wake of the July 7, 2005, terrorist attacks to economic fallout from the 2008 global financial crisis, and, finally, to anti-immigrant rhetoric leading up to the Brexit referendum in 2016. Drawing on more than a decade of ethnographic fieldwork and interviews with dancers, in-depth choreographic analysis of major dance works, and the author’s own lived experiences as a professional dancer in London, Flexible Bodies tells the story of British South Asian dancers and the creative ways in which they negotiate the demands of neoliberal, multicultural dance markets through an array of flexible bodily practices, including agility, versatility, mobility, speed, and risk-taking. Attending to pain, injury, and other restrictions on movement, it also reveals the bodily limits of flexibility. Theorizing flexibility as material and metaphor, the book argues that flexibility is both a tool of labor exploitation and a bodily tactic that British South Asian dancers exploit to navigate volatile economic and political conditions. With its unique focus on the everyday aspects of dancing and dance-making Flexible Bodies honors the lives and labor of dancers and their contributions to a distinct and dynamic sector of British dance.
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36

Marshall, McLuhan. Comprender Los Medios De Comunicacion/ Understanding Media: Las Extensiones Del Ser Humano/ the Extensions of Man (Paidos Comunicacion / Communication Paidos). Ediciones Paidos Iberica, 1996.

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37

MacGregor, Alex, Ana Valdes, and Frances M. K. Williams. Genetics of osteoarthritis. Oxford University Press, 2013. http://dx.doi.org/10.1093/med/9780199642489.003.0044.

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In this chapter we outline the approaches which have been adopted to identify genetic variants predisposing to osteoarthritis (OA), a condition long recognized as having a heritable component. Such routes to their identification include examining mendelian traits in which OA is a feature, candidate gene studies based on knowledge of OA pathobiology, linkage analysis in related individuals, and, more recently, genome-wide association studies in large samples of unrelated individuals. It is increasingly evident that the main symptom deriving from OA—notably joint pain—also has a genetic basis but this is differs from that underlying OA. Variants convincingly shown to predispose to OA lie in the GDF5 and MCF2L genes and in the chr7 cluster mapping to the COG5 gene, in addition to the ASPN gene in Asian populations. Those associated with pain in OA include TRPV1 and PACE4. Epigenetic influences are also being explored in both the pathogenesis of OA and the variation of pain processing.
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38

Messerschmidt, Don, and Dina Bangdel. Against the Current: The Life of Lain Singh Bangdel; Writer, Painter And Art Historian Of Nepal (Asian Portraits). Orchid Press, 2006.

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39

Pickett, James. Polymaths of Islam. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501750243.001.0001.

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This book analyzes the social and intellectual power of religious leaders who created a shared culture that integrated Central Asia, Iran, and India from the mid-eighteenth century through to the early twentieth century. The book demonstrates that Islamic scholars were simultaneously mystics and administrators, judges and occultists, physicians and poets. This integrated understanding of the world of Islamic scholarship unlocks a different way of thinking about transregional exchange networks. The book reveals a Persian-language cultural sphere that transcended state boundaries and integrated a spectacularly vibrant Eurasia that is invisible from published sources alone. Through a high-cultural complex that the book terms the “Persian cosmopolis” or “Persianate sphere,” it argues, an intersection of diverse disciplines shaped geographical trajectories across and between political states. The book paints a comprehensive, colorful, and often contradictory portrait of mosque and state in the age of empire.
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40

Nomura, Gail Mieko. Kenjiro Nomura, American Modernist: An Issei Artist's Journey. University of Washington Press, 2021.

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41

Chaves, Jonathan, Sadako Ohki, Felice Fischer, Kyoko Kinoshita, and Shimatani Hiroyuki. Ike Taiga and Tokuyama Gyokuran: Japanese Masters of the Brush. Philadelphia Museum of Art, 2007.

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42

Fischer, Felice. Ike Taiga and Tokuyama Gyokuran: Japanese Masters of the Brush (Philadelphia Museum of Art). Yale University Press, 2007.

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43

Mokhberi, Susan. The Persian Mirror. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190884796.001.0001.

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The Persian Mirror explores France’s preoccupation with Persia in the seventeenth century. Long before Montesquieu’s Persian Letters, French intellectuals, diplomats, and even ordinary Parisians were fascinated by Persia and eagerly consumed travel accounts, fairy tales, and the spectacle of the Persian ambassador’s visit to Paris and Versailles in 1715. Using diplomatic sources, fiction, and printed and painted images, The Persian Mirror describes how the French came to see themselves in Safavid Persia. In doing so, it revises our notions of Orientalism and the exotic and suggests that early modern Europeans had more nuanced responses to Asia than previously imagined.
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44

Milligan, Barry. Pleasures and Pains: Opium and the Orient in 19th-Century British Culture (Victorian Literature & Culture (Univ Va Paperback)). University Press of Virginia, 2003.

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45

Nolan, T. J. Trichostrongylidosis. Oxford University Press, 2011. http://dx.doi.org/10.1093/med/9780198570028.003.0072.

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Trichostrongylidosis is an infection involving nematodes of the superfamily Trichostrongyloidea, mainly those of the genus Trichostrongylus. Infections are usually asymptomatic, but when heavy, a variety of gastrointestinal symptoms, including abdominal pain and diarrhea, can be present. Infections are initiated by the ingestion of third-stage larvae. There is no parenteral migration and the adults are usually found in the mucosa of the duodenum. Eggs pass out with the faeces, hatch in about one day and the larvae develop to the infective stage in 4 to 6 days. Human infections with Trichostrongylus spp. have been reported worldwide, and are particularly common in southern Asia. Infections respond well to anthelmintics and periodic dosing of livestock is the chief method of control.
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46

Shaner, Katherine. Enslaved Leadership in Early Christianity. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190275068.001.0001.

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Slaves were ubiquitous in the first- and second-century CE Roman Empire, and early Christian texts reflect this fact. This book argues that enslaved persons engaged in leadership roles in civic and religious activities. Such roles created tension within religious groups, including second-century communities connected with Paul’s legacy. Archaeological materials, epigraphy, and literature from Ephesos and environs illustrate these power struggles with clarity. Enslaved persons were religious specialists, priests, and leaders in cultic groups, including early Christian groups. Thus, the book paints a complex picture of enslaved life in Asia Minor to illustrate how enslaved persons enacted roles of religious and civic significance that potentially upended social hierarchies which privileged wealthy, slaveholding men. Yet even as the enslaved engaged in such authoritative roles, Roman slavery was not a benign institution nor were early Christians kinder and more egalitarian toward slaves. Both early Christian texts (such as Philemon, 1 Timothy, and Ignatius’s letters) and archaeological finds from Ephesos defend, construct, and clarify the hierarchies that kept enslaved persons under the control of their masters. This book brings together archaeological materials and literary texts using feminist rhetorical criticism. In doing so, it shows how archaeological materials attempt to persuade viewers, readers, and inhabitants of the city. Early Christian texts similarly attempt to persuade readers that slaves should not hold leadership positions. Thus the book illustrates a historical world in which control of slaves must continually be asserted. It demonstrates that master-slave hierarchies were unclear, disjointed, and even subverted in everyday religious activities.
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47

Ty, Eleanor. Haunted Memories, Spaces, and Trauma: The Unsuccessful Immigrant. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040887.003.0004.

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This chapter examines two novels that portray the unsuccessful immigrant. Lê thi diem thúy's The Gangster We Are All Looking For and Madeleine Thien's Certainty feature protagonists from war-torn countries in Southeast Asia -- Vietnam and Borneo (later Malaysia) -- who start new lives in North America but who carry with them painful and traumatic memories that intrude upon their lives and threaten to overwhelm them. Both novels illustrate the precarity of everyday existence by revealing the ways in which war, death, and violence can lie just beneath a veneer of the ordinary and unremarkable. In Lê's novel, space and place are used to suggest a refugee family's state of contingency, both geographically and psychically. In Thien's book, memories and dreams are shown to be mediated by various kinds of technology that enable healing and global connections, even as they reawaken pain and reinforce alienation.
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48

Takebe Ayatari. Center for Japanese Studies University of Mic, 2002.

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49

Ruiz, Pedro. Ethnicity and Psychopharmacology (Review of Psychiatry, Volume 19, No. 4). American Psychiatric Press, 2000.

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50

Perkins, Mitali. Rickshaw Girl. Charlesbridge Publishing, 2007.

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