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Books on the topic 'Asian mode of production'

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Author: Grafiati

Published: 30 May 2022

Last updated: 31 May 2022

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1

Bekkering, Henco, Adèle Esposito, and Charles Goldblum, eds. Ideas of the City in Asian Settings. NL Amsterdam: Amsterdam University Press, 2019. http://dx.doi.org/10.5117/9789462985612.

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At a time when intense dynamics of urban development of Asian cities puzzle and disorient, Ideas of the City in Asian Settings offers knowledge about the concepts, representations, and ideas that lie beneath the historical and contemporary production of cities in Asia, in order to deepen our understanding of the processes and meanings of urban development in the continent. The book sheds more light on the vast array of rules and innovations and aspirations that make cities into complex objects that are continuously ‘in the making’. Because Asian cities have experienced unprecedented dynamics of urban development during the last fifty years, they are considered as crucial places to question the perspectives that multiple actors project onto changing urban environments, as well as the evolution of the role of cities in globalisation.

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2

System, structure, and contradiction: The evolution of "Asiatic" social formations. 2nd ed. Walnut Creek, CA: AltaMira Press, 1998.

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3

Chattopadhyay, Paresh. Marx's Associated Mode of Production. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-57535-7.

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4

Singh, P. C. Mode of production in Indian agriculture. Jaipur: Rawat Publications, 1992.

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5

Pre-colonial mode of production in India. Kolkata: Granthamitra, 2013.

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6

Haldon, John F. The state and the tributary mode of production. London: Verso, 1993.

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7

Pathak, M. D. Rice production trends in selected Asian countries. Manila, Philippines: IRRI, 1991.

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8

Ravasani, Schapour. Which mode of production is prevailing in the colonized societies?: Colonial mode of production, compradore class, pauperism in the colonies. Oldenburg, Germany: Universität Oldenburg, 1998.

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9

Bhadra, Bipul Kumar. The mode of production, social classes, and the state. Jaipur, India: Rawat Publications, 1989.

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10

The traditional mode of production of the Australian Aborigines. North Ryde, NSW, Australia: Angus & Robertson Publishers, 1987.

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11

Carayannis, Elias G., and David F. J. Campbell. Mode 3 Knowledge Production in Quadruple Helix Innovation Systems. New York, NY: Springer New York, 2012. http://dx.doi.org/10.1007/978-1-4614-2062-0.

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12

Resource-constrained project scheduling: Exact methods for the multi-mode case. Berlin: Springer-Verlag, 1994.

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13

Dunn, Stephen Porter. The fall and rise of the Asiatic mode of production. London: Routledge, 2012.

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14

Nordic Institute of Asian Studies., ed. Towards a feudal mode of production: West Java, 1680-1800. Singapore: Institute of Southeast Asian Studies, 1994.

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15

Bratkiewicz, Jarosław. Teoria przedkapitalistycznej formacji społecznej w kulturach orientalnych: Interpretacja badań i polemik. Wrocław: Zakład Narodowy im. Ossolińskich, 1989.

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16

Thipphayapraphai, Phakkhaphat. Nǣokhit withī kānphalit bǣp ʻĒchīa kap kānʻathibāi mūbān Thai. Krung Thēp: Samnakngān Kō̜ngthun Sanapsanun Kānwičhai, 1997.

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17

Bimpikou-Antōniadē, Helenē. To Vyzantio kai ho Asiatikos tropos paragōgēs. Athēna: Synchronē Epochē, 1988.

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18

Bordwell, David. The classical Hollywood cinema: Film style & mode of production to 1960. London: Routledge & Kegan Paul, 1985.

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19

Janet, Staiger, and Thompson Kristin 1950-, eds. The classical Hollywood cinema: Film style & mode of production to 1960. New York: Columbia University Press, 1985.

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20

Janet, Staiger, and Thompson Kristin 1950-, eds. The classical Hollywood cinema: Film style & mode of production to 1960. London: Routledge, 1988.

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21

Janet, Staiger, and Thompson Kristin 1950-, eds. The classical Hollywood cinema: Film style & mode of production to 1960. London: Routledge & Kegan Paul, 1985.

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22

O'Leary, Brendan. The Asiatic mode of production: Oriental despotism, historical materialism, and Indian history. Oxford, UK: B. Blackwell, 1989.

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23

Howe, Jovan E. The peasant mode of production as exemplified by the Russian "obschina-mir". Tampere: University of Tampere, Dept. of Folk Tradition, 1991.

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24

Bagulaya, Jose Duke S. Writing literary history: Mode of economic production and twentieth century Waray poetry. Diliman, Quezon City: University of the Philippines Press, 2006.

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25

Nureev, R. M. Ėkonomicheskiĭ stroĭ dokapitalisticheskikh format͡s︡iĭ: Dialektika proizvoditelʹnykh sil i proizvodstvennykh otnosheniĭ. Dushanbe: Izd-vo "Donish", 1989.

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26

Divitçioğlu, Sencer. Asya üretim tarzı ve Osmanlı toplumu (1967): Marksist üretim tarzı kavramı (1970). İstanbul: Yapı Kredi, 2003.

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27

Cortés, Eliseo López. La formación del Estado en la sociedad civil. México, D.F: Universidad Autónoma Metropolitana, Unidad Iztapalapa, 1989.

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28

Miomir, Jaksić, ed. Iskušenja marksizma: Azijski način proizvodnje i vanevropska društva. Beograd: Ekonomika, 1985.

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29

Wayand, Gerhard. Marx und Engels zu archaischen Gesellschaften: Im Lichte der neueren Theorie-Diskussionen. Koblenz: D. Fölbach, 1991.

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30

S, Subramanian. Production risks and the choice of mode of tenancy: A theoritical [sic] note. Madras: Madras Institute of Development Studies, 1985.

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31

Choe, Jae-Hyeon. "Asiatic" or "feudal": How to define the precapitalist mode of production in Korea? Bielefeld, Federal Republic of Germany: University of Bielefeld, Faculty of Sociology, Sociology of Development Research Centre, 1985.

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32

Thomas, Carol. Domestic labour and the capitalist mode of production: A theoretical and historical analysis. [s.l.]: typescript, 1987.

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33

Yildizoglu, Ergin. A theoretical and historical study of crisis in the capitalist mode of production. Norwich: University of East Anglia, 1989.

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34

Henn, Jeanne Koopman. The material basis of sexism: A mode of production analysis with African examples. Boston, MA (270 Bay State Rd., Boston 02215): African Studies Center, Boston University, 1986.

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35

Anthropology and political economy: Theoretical and Asian perspectives. New York: St. Martin's Press, 1985.

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36

Anthropology and political economy: Theoretical and Asian perspectives. Houndmills, Basingstoke, Hampshire: Macmillan, 1985.

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37

Busch, Otto von. The Dale sko hack: [a project exploring modes of production and re-form tactics]. Malmo: Self Passage, 2006.

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38

Zingarelli, Andrea Paula, and Laura da Graca. Studies on pre-capitalist modes of production. Leiden: Brill, 2015.

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39

Jin, Huiming. Chao yue yu qu tong: Makesi di dong fang she hui li lun ji qi dang dai si kao (She hui zhu yi chu ji jie duan li lun cong shu). Xin hua shu dian jing xiao, 1988.

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40

Ahlgren, Angela K. Drumming Asian America. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199374014.001.0001.

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With its dynamic choreographies and booming drumbeats, taiko has gained worldwide popularity since its emergence in 1950s Japan. Harnessed by Japanese Americans in the late 1960s, taiko’s sonic largesse and buoyant energy challenged stereotypical images of Asians in America as either model minorities or sinister foreigners. While the majority of North American taiko players are Asian American, more than four hundred groups now exist across the United States and Canada, and these groups are comprised of people from a variety of racial and ethnic identities. Using ethnographic and historical approaches combined with performance description and analysis, this book explores the connections between taiko and Asian American cultural politics at the intersections of race, gender, and sexuality. Based on original and archival interviews, as well as the author’s extensive experience as a taiko player, this book highlights not only the West Coast but also the Midwest as a site for Asian American cultural production and makes embodied experience central to inquiries about identity. The book builds on insights from the fields of dance studies, ethnomusicology, performance studies, and Asian American studies to argue that taiko players from a variety of identity positions “perform Asian America” on stage, as well as in rehearsals, festivals, and schools and through interactions with audiences. While many taiko drummers play simply for the love of the form’s dynamism and physicality, this book demonstrates that politics is built into even the most mundane aspects of rehearsing and performing.

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41

Lee, Josephine, ed. The Oxford Encyclopedia of Asian American Literature and Culture. Oxford University Press, 2020. http://dx.doi.org/10.1093/acref/9780190699628.001.0001.

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In the past four decades the field of Asian American literary and cultural studies has grown enormously, expanding its areas of inquiry beyond the reflections on national identity and citizenship to encompass such issues as transnational and diasporic identities and communities; the workings of imperialism; the intersectionality of race, gender, and sexuality; and social justice/human rights in a global context. This project is the largest and most comprehensive collection of scholarship on Asian American literature and culture to date. From Asian American literary classics to experimental theater, from K-pop to online gaming, the Oxford Encyclopedia of Asian American Literature and Culture guides both established scholars and readers new to this study through the extensive landscape of Asian American writing and cultural production. More than one hundred essays on varied historical periods, geographical locales, and artistic modes offer an extensive examination of racial representation and activism, interdisciplinary and comparative approaches to literary work, ethnic communities, space and place, transnational and transpacific flows, and genres such as speculative fiction, the detective novel, and melodrama. Along with literary works from the late-19th century to the 21st century, the Oxford Encyclopedia of Asian American Literature and Culture covers a wide-ranging selection of Asian American theatre, dance, music, visual arts, film, television, and media. With its illuminating and profound commentary on Asian American writing and artistic practice, the volumes survey the historical foundations of this rich field, showing the exciting and profound new directions that currently drive the study of Asian American literary and cultural traditions.

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42

Llobera, Josep R., and Anne M. Bailey. Asiatic Mode of Production. Taylor & Francis Group, 2020.

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43

Rana, Pradumna B., and Wai-Mun Chia. Jumpstarting South Asia. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199479283.001.0001.

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As is well-known, the seminal work of the late Angus Maddison has established that 2,000 years ago the Indian subcontinent (modern day, South Asia) and China were by far the richest regions of the world. Since the Industrial Revolution of the nineteenth century, the share of world GDP of the Indian subcontinent had started to decline. This trend reversed somewhat after the economic reforms of the 1980s and 1990s. More recently, however, economic growth in South Asia has softened yet once again for several reasons. This book focuses on the slowing pace of economic reforms and outlines a two-pronged strategy to jumpstart South Asian economies. First, South Asian countries should complete the economic reform process that they had begun in the 1980s and 1990s and implement the more microeconomic reforms, namely, the sectoral, and governance and institutional reforms to enhance competition and improve the operation of markets. Second, they should implement the second round of ‘Look East’ policies or LEP2 to (i) link themselves to production networks in East Asia, their fastest-growing markets, and (ii) develop production networks in manufacturing and services within their region. The book argues that the proposed strategy will lead to a win-win situation for all countries in South Asia and East Asia and reinvigorate economic integration within South Asia, one of the least integrated regions of the world. The book also identifies the unfinished policy reform agenda for each South Asian country and the components of the LEP2 that they should implement.

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44

Bailey, Anne M., and Josep R. Llobera, eds. The Asiatic Mode of Production. Routledge, 2018. http://dx.doi.org/10.4324/9780429457647.

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45

Hubert, Michel. Vos bois mode d'emploi production : Production - Loisirs - Nature. Institut pour le développement forestier, 2003.

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46

Inoue, Mayumo, and Steve Choe, eds. Beyond Imperial Aesthetics. Hong Kong University Press, 2019. http://dx.doi.org/10.5790/hongkong/9789888455874.001.0001.

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Observing that the division between theory and empiricism remains inextricably linked to imperial modernity, manifest at the most basic level in the binary between "the West" and "Asia," the authors of this volume reexamine art and aesthetics to challenge these oppositions in order to reconceptualize politics and knowledge production in East Asia. Current understandings of fundamental ideas like race, nation, colonizer and the colonized, and the concept of Asia in the region are seeped with imperial aesthetics that originated from competing imperialisms operating in the twentieth and twenty-first centuries. Such aesthetics has sustained both colonial and local modes of perception in the formation of nation-states and expanded the reach of regulatory powers in East Asia since 1945. The twelve thought-provoking essays in thiscollectiontackle the problematics that arise at the nexus of aesthetics and politics in four areas: theoretical issues of aesthetics and politics in East Asia, aesthetics of affect and sexuality, the productive tension between critical aesthetics and political movements, and aesthetic critiques of sovereignty and neoliberalism in East Asia today. If the seemingly universal operation of capital and militarism in East Asia requires locally specific definitions of biopolitical concepts to function smoothly, this book critiques the circuit of power between the universalism of capital and particularism of nation and culture. Treating aesthetic experiences in art at large as the bases for going beyond imperial categories, the contributors present new modes of sensing, thinking, and living that have been unimaginable within the mainstream modality of Asian studies, a discipline that has reproduced the colonial regime of knowledge production.

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47

Brook, Timothy. Asiatic Mode of Production in China. Taylor & Francis Group, 2018.

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48

Brook, Timothy. Asiatic Mode of Production in China. Taylor & Francis Group, 2018.

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49

Brook, Timothy. Asiatic Mode of Production in China. Taylor & Francis Group, 2018.

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50

Brook, Timothy. Asiatic Mode of Production in China. Taylor & Francis Group, 2018.

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