Dissertations / Theses on the topic 'Asian feminity'
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Hubbard, Joshua Adam. "Troubling the "New Woman:” Femininity and Feminism in The Ladies' Journal (Funü zazhi) ¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿, 1915-1931." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1338060809.
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Savas, Minae Yamamoto. "Feminine Madness In The Japanese Noh Theatre." The Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=osu1222076003.
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Dougherty, Devyn T. "Exotic Femininity: Prostitution Reviews and the Sexual Stereotyping of Asian Women." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc700002/.
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Studies on prostitution have typically focused on the experiences, problems, and histories of prostitutes, rather than examining men who seek to purchase sex. Race has also been overlooked as a central factor in shaping the sex industry and the motivations of men who seek to purchase sex. This study utilizes online reviews of prostitutes to examine the way men who purchase sex discuss Asian prostitutes in comparison to White prostitutes. This paper traces the history of colonialism and ideas of the exotic Orient to modern stereotypes of Asian women. These stereotypes are then used to frame a quantitative and qualitative analysis of online reviews of prostitutes and compare the ways in which Asian prostitutes and white prostitutes are discussed. Further, the reviews are used to examine more broadly what services, traits, and behaviors are considered desirable by men who use prostitutes. The study finds that there are significant quantitative and qualitative differences in how men discuss Asian and White prostitutes within their reviews, and that these differences appear to be shaped by racially fetishizing stereotypes of Asian women. Prostitution also appears to reinforce male dominance and patriarchy in the form of masculine control and the feminine servicing of male sexual and emotional needs.
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Arteaga, Loarte Carmen del Pilar. "El uso del lenguaje cinematográfico para representar la feminidad en el cine asiático." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2020. http://hdl.handle.net/10757/653167.
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El cine asiático, puede tomarse como un tipo de paradigma que se ha tratado de alejar del establecido por la casi monopólica industria del cine hollywoodense. Este cine se ha etiquetado eurocéntricamente como “cine periférico”, todo esto a causa de la simplificación a la que a veces se somete a estas cinematografías, desdibujando su rica diversidad. A veces un cine cargado de sensualidad cinematográfica pero no explícita necesariamente, sino más bien sutil. Desarrollan tramas no tan complejas, o en ocasiones si, pero que emplean un ritmo cinematográfico lánguido con elementos visuales y auditivos que atraen al público a comprometerse con el encuentro en la sala de cine. Expresando la figura de la mujer alejada de la idea falocentrista y del constructo estereotipado de: la buena (la virgen y la madre) y la mala (la prostituta y la femme fatal), la virtuosa (la acompañante fiel) y la viciosa (quien aparece como presa fácil de cualquier hombre). Todo lo que en occidente ha sido tratado desde la perspectiva del hombre, en su papel de guionista, director de cine, productor o crítico.Asian cinema can be taken as a type of paradigm that has tried to move away from the one established by the almost monopolistic Hollywood film industry. This cinema has been labeled Eurocentrically as "peripheral cinema", because of the simplification that these cinematography’s are sometimes subjected to, deleting their rich diversity. Sometimes this type of cinema is loaded with cinematographic sensuality not necessarily explicit, but rather subtle. They develop plots that are not so complex, or sometimes they are, but totally inversed in a languid cinematographic rhythm that uses visuals and sounds elements that try to make the public committed with the experience of their movies. This cinema also, show us the figure of a woman far away from the phallocentric idea and the stereotypical construct of: the good woman (the virgin and the mother) and the bad woman (the prostitute and the femme fatal), the virtuous (the faithful partner) and the vicious (who appears as easy prey to any man). Everything that in the West has been telled from the perspective of man, in his role as screenwriter, film director, producer or critic.
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Naidu, Sam. "Towards a transnational feminist aesthetic: an analysis of selected prose writing by women of the South Asian diaspora." Thesis, Rhodes University, 2007. http://hdl.handle.net/10962/d1012941.
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This thesis argues that women writers of the South Asian diaspora are inscribing a literary aesthetic which is recognisably feminist. In recent decades women of the South Asian diaspora have risen to the forefront of the global literary and publishing arena, winning acclaim for their endeavours. The scope of this literature is wide, in terms of themes, styles, genres, and geographic location. Prose works range from grave novelistic explorations of female subjectivity to short story collections intent on capturing historical injustices and the experiences of migration. The thesis demonstrates, through close readings and comparative frameworks, that an overarching pattern of common aesthetic elements is deployed in this literature. This deployment is regarded as a transnational feminist practice.
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Turner-Rahman, Israt. "Consciousness blossoming Islamic feminism and Qur'anic exegesis in South Asian muslim diaspora communities /." Pullman, Wash. : Washington State University, 2009. http://www.dissertations.wsu.edu/Dissertations/Spring2009/I_Turner-Rahman_050109.pdf.
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Lau, Allison Sui Me. "The effects of media and social comparison on Asian/Asian American women's body image and acculturation /." view abstract or download file of text, 2007. http://proquest.umi.com/pqdweb?did=1417808681&sid=1&Fmt=2&clientId=11238&RQT=309&VName=PQD.
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Thesis (Ph. D.)--University of Oregon, 2007.Typescript. Includes vita and abstract. Includes bibliographical references (leaves 163-170). Also available for download via the World Wide Web; free to University of Oregon users.
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Tan, Eliza. "Yoshiko Shimada : art, feminism and memory in Japan after 1989." Thesis, Kingston University, 2016. http://eprints.kingston.ac.uk/37319/.
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This thesis investigates the intersection of art, feminism and postwar memory in Japan through lens of artist Yoshiko Shimada. Coinciding with unprecedented geopolitical shifts occurring in the final thaw of the Cold War, the year 1989 marks a fraught moment in Japan when spectres of the nation's imperialist past and its historical entanglements acquired renewed potency in the wake of Emperor Hirohito's death. Born in 159, Shimada gained international prominence in the 1990s for her critique of the national body, in particular, the relationship between women and the imperial wartime state. Her work, which unapologetically confronts Japan's WWII aggressions in Asia, its wider histories of occupation, and issues such as the fiercely contested legacies of former 'comfort women' vitally reflects on the social role and agency of art and artist in a climate of political unease emergent at Showa's close. Based on extensive interviews with the artist and research into her primary archive, this is the first comprehensive survey chronicling Shimad;s twenty-five year oeuvre. It situates her practice between two vectors: feminism in Japan and its engagement with Western scholarship, and traces the 1990s 'feminist turn' led by art historians such as Chino Kaori, who began to champion the application of gender perspectives in the study of Japanese art. Within the wider Asian region, the concurrent development of transnational women's art' networks, exhibitions and publications dovetailed with the burgeoning of performance art was protest. As one of the most outspoken feminist art activists of her generation, Shimada has borne key witness to the changing cultural conditions informing women artists' organised activities and the writing of their social histories. This interdisciplinary study incorporates a range of perspectives drawn from art history and gender studies, film and performance theory, memory and trauma studies, Japanese studies and cross-cultural scholarship. It highlights the formal and conceptual interactions between printmaking, performance, installation and lens-based media in Shimada's practice, and demonstrates the plural ways in which her reflexive aesthetics and visual strategies express the tensions and complexities characterising processes of remembering, forgetting and representing the past. By interweaving arguments about the crucial role of feminism in challenging dominant narratives of nation, race, sex and ethnicity, with critical perspectives central to discourse on postmodern Japan, questions are raised concerning the implications of gender, tradition and popular culture for art produced in this age of anxiety. The recent proliferation of problem-oriented, politically engaged practices following the 2011 Great East Japan earthquake and tsunami marks an ostensible 'return to the social' and departure from privileged tropes of 'Japaneseness' in artistic experimentation. Taking this into account, this thesis proposes that revisiting the recent history of feminist art interventions reveals valuable insights into the role of art in understanding and addressing trauma, and engaging marginalised histories and communities. This is exemplified by Shimada's work, which offers a powerful vantage point from which to contemplate art's political inflections, its social potential and the urgency of memory work both in Japan, and in our contemporary societies today.
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Choudhury, Athia. "Story lines moving through the multiple imagined communities of an asian-/american-/feminist body." Honors in the Major Thesis, University of Central Florida, 2012. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/669.
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We all have stories to share, to build, to pass around, to inherit, and to create. This story - the one I piece together now - is about a Thai-/Bengali-/Muslim-/American-/Feminist looking for home, looking to manage the tension and conflict of wanting to belong to her family and to her feminist community. This thesis focuses on the seemingly conflicting obligations to kinship on the one hand and to feminist practice on the other, a conflict where being a good scholar or activist is directly in opposition to being a good Asian daughter. In order to understand how and why these communities appear at odds with one another, I examine how the material spaces and psychological realities inhabited by specific hyphenated, fragmented subjects are represented (and misrepresented) in both popular culture and practical politics, arguing against images of the hybrid body that bracket its lived tensions. I argue that fantasies of home as an unconditional site of belonging and comfort distract us from the multiple communities to which hyphenated subjects must move between. Hyphenated Asian-/American bodies often find ourselves torn between nativism and assimilationism - having to neutralize, forsake, or discard parts of our identities. Thus, I reduce complicated, difficult ideas of being to the size of a thimble, to a question of loyalty between my Asian-/American history and my American-/feminist future, between my familial background and the issues that have become foregrounded for me during college, between the home from which I originate and the new home to which I wish to belong. To move with fluidity, I must - in collaboration with others - invent new stories of identity and belonging.B.A. and B.S.
Bachelors
Office of Undergraduate Studies
Interdisciplinary Studies; Philosophy
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Powell, Sara. "Women Writers in Revolution: Feminism in Germaine de Staël and Ding Ling." TopSCHOLAR®, 1994. http://digitalcommons.wku.edu/theses/948.
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In this essay, the concern is feminism in the writings of the two revolutionary women, Germaine de Stael, who lived and wrote during the French revolutionary era, and Ding Ling, who lived and wrote during the Chinese Communist revolutionary era. The main theme of the essay is to determine whether the feminism in their work is of a similar nature despite the vast differences in the times and places in which they each lived. Concomitantly, the theme is also an attempt to discover through such similarities if feminism is of a universal nature. Through biographical sketches and analysis of selected works, the two women are compared within their historical context. The conclusion is, despite many differences in their lives and works, there are significant similarities which seem to indicate that many aspects of feminism do indeed cross lines of time and space.
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Prostak, Michaela Leah. "Monstrous Maternity: Folkloric Expressions of the Feminine in Images of the Ubume." FIU Digital Commons, 2018. https://digitalcommons.fiu.edu/etd/3714.
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The ubume is a ghost of Japanese folklore, once a living woman, who died during either pregnancy or childbirth. This thesis explores how the religious and secular developments of the ubume and related figures create a dichotomy of ideologies that both condemn and liberate women in their roles as mothers. Examples of literary and visual narratives of the ubume as well as the religious practices that were employed for maternity-related concerns are explored within their historical contexts in order to best understand what meaning they held for people at a given time and if that meaning has changed. These meanings and the actions taken to avoid becoming an ubume and to avoid interacting with one create a metanarrative that contributes to our understanding of the historical experience of women.
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Barton, Mukti. "Scripture as empowerment for liberation and justice : the experience of Christian and Muslim women in Bangladesh." Thesis, University of Bristol, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.389125.
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Gami, Sagarika. "Seeking Justice: Mobilizing the South Asian Community in the Face of Sexual Assault." Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/pomona_theses/187.
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This thesis looks at how the rule of law fails to achieve justice for Indian-American survivors of domestic violence in a multitude of ways, corresponding to class and religious positionality, as well as documentation status, and how the Indian community mobilizes in response to these failures by creating alternative modes of justice for survivors. Historically, these alternatives have taken form as direct service organizations, providing culturally and linguistically accessible services to survivors. I contend that these are helpful on an individual level, working to interrupt cycles of violence, but not at the collective level – stopping these cycles altogether. Given the systemic nature of sexual violence, working from transformative justice principles is an ideal modality of organizing, but not feasible given the structure of Indian-American communities today. In the interim between present post-violence work and future integration of transformative justice, I argue that pre-violence educational models are the most effective way to see tangible, generational, systemic change. Modes of resistance through educational initiatives aimed towards Indian youth ages ten to eighteen against rape culture will more effectively deter the cycles of intra-community violence from occurring, specifically when oriented from sites of religious worship and/or cultural centers – spaces that create a sense of Indian identity. These educational spaces currently do not exist as an intra-community effort, so I analyze various feminist pedagogies as well as an example of this work being done within other communities to extend these praxes back to the Indian community.
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Qualls, Barbara. "The Poetry of Li-Young Lee: Identity, Androgyny & Feminism." TopSCHOLAR®, 1993. https://digitalcommons.wku.edu/theses/2737.
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In my investigation of Li-Young Lee's poetry, my concerns were two-fold: first, to find evidence of an androgynous quality or ideal; secondly, to demonstrate that ideal as authentically feminist. In the introduction, I investigate the feminist debate about the traditional definition and concept of androgyny, demonstrating the difference between the patriarchal traditional androgyny and the androgynous elements in Lee's poetry.
In Chapter Two, the rose as image and as symbol in Lee's poetry is examined and found to be strikingly androgynous as a symbol. As an image, however, it is more often than not used as a vehicle to describe the destructive nature of social tyrannies such as the patriarchal symbolic order.
In Chapter Three, Lee's heavy implications of an existing "other" is examined. This examination is particularly pertinent when considering the feminist debate, since one of the major problems with the idea of androgyny is that it often necessitates a binary thought system in which the male is usually the "one" and the female is usually the "other." In Lea's poetry, I found no significant evidence of that kind of phallocentricism; rather, I found substantial evidence that Lee's poetry demonstrates the destructiveness of insisting on any being's otherness. Lee's search for identity, and for the meaning of personal identity, involves the acceptance of the mutability of identity.
In conclusion, although I don't find androgyny to be authentically feminist, I find Lee's poetry--and its particular use of an androgynous ideal--to be authentically feminist.
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Bong, Sharon A. "Partial visions : knowing through doing rights, cultures and religions from an Asian-Malaysian feminist standpoint epistomology." Thesis, Lancaster University, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.404233.
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Schmid, Jessica Catherine. "NONGOVERNMENTAL ORGANIZATIONS AND SEX WORK IN CAMBODIA: DEVELOPMENT PERSPECTIVES AND FEMINIST AGENDAS." UKnowledge, 2011. http://uknowledge.uky.edu/gradschool_theses/142.
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This project focuses on nongovernmental organizations (NGOs) in Cambodia that deal, either directly or indirectly, with sex work and sex workers. The NGOs outlined in this study have goals ranging from preventing Cambodian women from entering the commercial sex industry to empowering Cambodian sex workers through the formation of sex worker unions. Through the textual analysis of documents and web materials disseminated by these NGOs and from interviews with representatives from the NGOs, I seek to analyze how underlying assumptions about development and about the commercial sex industry shape the ways in which the personnel leading these NGOs think and act. Examining seven Phnom Penh-based organizations, I seek to answer the following research questions: What are the self-stated aims of NGOs in Cambodia that either directly or indirectly deal with the commercial sex industry in the country? What assumptions about development are embedded in the various programs being carried out by these NGOs? What assumptions about the nature of sex work are embedded in the various programs being carried out by NGOs working in Cambodia? What effect does the work of these organizations have on the lived realities of sex workers in Cambodia?
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Bal, Surinder Kaur. "The Lived Experiences of South Asian Same-Sex Attracted Women Residing in the United States." ScholarWorks, 2016. https://scholarworks.waldenu.edu/dissertations/2953.
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South Asian same-sex attracted women in the United States experience discrimination and marginalization that puts them at an increased risk for mental health issues. Research shows their rates of counseling and psychotherapy use are low due to perceptions of stigma, lack of knowledge, and concerns about culturally insensitive treatment plans. Mental health providers lack the literature needed to inform culturally sensitive treatment plans to address these concerning gaps in services, and an extensive literature review found no studies on the lived experiences of this population. Guided by feminist theory, this research study examined how discrimination, oppression, and marginalization mold women's lived experiences; this knowledge aims to serve as a means to advocate for social and political change for this population. The purpose of this phenomenological study was to understand the lived experiences of this population. An emergent hand coding analysis, using experiential anecdotes, of data collected from interviews of 10 participants generated 10 major themes and 25 subthemes of experiences. Themes included importance of cultural values; familial relationships; marital life plan; intersectionality; and discrimination from gender disparity, patriarchal hierarchy, and sexual modesty. The study contributes to social change initiatives by providing culturally and contextually practical information to mental health professionals, counselor educators, and educational institutions that provide services to this population.
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Ludhra, Geeta. "A black feminist exploration of the cultural experiences and identities of academically 'successful' British South-Asian girls." Thesis, Brunel University, 2015. http://bura.brunel.ac.uk/handle/2438/11651.
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This study draws on a black feminist theoretical perspective, to develop an understanding of the cultural identities and experiences of twelve, academically 'successful', British South-Asian girls. The girls are aged between 16-18 years, and from Hindu, Sikh and Muslim religious backgrounds, selected across two West London secondary schools. A narrative interview approach is used to explore how these girls configure and invest in 'culture' and their cultural identities, during a critical stage in their academic lives before entering university. A series of unstructured interviews have been held with each girl, and these were complemented with reflective journals. The girls' narratives reveal how 'culture' (a contested term) is discussed with high weighting in relation to the importance of education, which they all narrated as an important key to unlocking 'success' in their future lives. The girls' identities move beyond media discourses that stereotype them as ‘passive’ and lacking a voice. These girls demonstrate agency and high aspirations for 'having it all', narrated through discourses of hard work, meritocracy and aspiration. This study reveals the complex interaction of experiences that influence South-Asian girls' cultural identities, and the interplay of structure and agency in their journeys towards becoming 'successful', irrespective of their largely working-class backgrounds. Whilst I recognise that all adolescents will face challenges of some kind, being a South-Asian girl embodies its own particularities, linked to markers of difference in 'culture', religion, gender, ethnicity, 'race', class, language, dress, amongst other historical influences. These differences are not necessarily embodied as negative forces by these girls, but rather, used as a catalyst for personal growth, where they draw on their psychological strength, aspirations and desires, to become 'successful' young women. This thesis makes a unique contribution to black feminist theory, girlhood studies, as well as narrative and educational literature. It acknowledges the uniqueness of South-Asian girls' cultural experiences and backgrounds, and challenges some of the cultural discourses in the media that pathologise them. It is written in a critically reflexive style, from the perspective of a second-generation, British-born, South-Asian academic, who, at the time of writing this thesis, was also raising two academically 'successful' daughters of her own. The inspiration for this research is rooted in the researcher's narratives of girlhood and early womanhood.
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Kang, Hyun Mi. "Suggesting an eco-feminist 'God of Land' model from Feng Shui cosmology : a hermeneutic reinterpretation of the Trinity in an Asian and eco-feminist perspective." Thesis, University of Exeter, 2016. http://hdl.handle.net/10871/27325.
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The aim of this dissertation is to propose an eco-feminist model of the Divine for the contemporary Korean Protestant Church, where sexism and eco-antipathy are problematic. For this purpose, the dissertation explores native Korean spiritual traditions with respect to their inherent eco-feminist sensitivity, with a view to making points of contact with traditional Christian conceptions of the Trinity. The dissertation proposes a model called ‘God of Land’ that brings eco-feminist Christian theology together with Feng Shui perspectives on finding an alternative divine model in a Korean context. The model is grounded deeply in both Christian confession of the Trinity and East Asian IChing cosmology. More specifically, the ‘God of Land’ model reinterprets Christian theological language of the Divine using non-Trinitarian symbols derived from Feng Shui in Asian cosmology, which is a symbolic thinking process fundamental to Koreans. This reinterpretation of the doctrine of the Trinity in an Asian context represents a new hermeneutical approach to Christian theology that calls for a contextualizing method of reflection, praxis, and cultural mediation. From an eco-feministic standpoint, the proposed ‘God of Land’ model identifies women and nature as victims of a male-centered mindset that is well blended with native traditional patriarchy. The realities of women’s multi-layered oppressions that are rampant in the contemporary Korean Protestant Church follow from this patriarchy. This dissertation criticizes how the Korean Protestant Church has for many years institutionalized the patriarchy that has led to the current ecological crisis, and women’s oppression. Mindful of this patriarchy, this dissertation offers a new model of the Divine, presented as ‘God of Land’, that combines an eco-feminist theological perspective and an Asian perspective in the hope that this way of thinking with Christian tradition and native Korean spirituality can be healing and restorative to both women and nature in Korea. Furthermore, the proposed model attempts to reveal rich images of a Triune God, which have been veiled behind institutionalized Christianity but that can be rekindled in dialogue with yin and yang symbolic thinking taken from Feng Shui cosmology. The claim is that the proposed interaction between Christian theology and Feng Shui cosmology, inspired by yin and yang, Chi, and the ChunJiIn idea in Asian cosmology, will contribute to a more explicitly cosmological understanding of the Trinity, as informed by the traditional doctrine of perichoresis. Christian Trinitarian thinking about perichoresis will be brought into dialogue with Feng Shui cosmology around the concepts of balance and equilibrium — again with a view towards restoring the current reality of subjugated positions of women and nature in the contemporary Korean Protestant Church. In this way, the ‘God of Land’ model - informed by Christian Trinitarian theology and reinterpreted from an Asian perspective - is emancipatory, eco-feminist sensitive, and perichoretic; this bespeaks equal, respectful, and nurturing relationship among the persons of the Trinity, which is rich and embracive.
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LUPINSKI, KIRSTEN G. "CULTURAL DIFFERENCES IN BODY IMAGE: THE PERSPECTIVES OF EUROPEAN AMERICAN, AFRICAN AMERICAN AND ASIAN AMERICAN COLLEGE WOMEN." University of Cincinnati / OhioLINK, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1060197875.
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Cully, Eavan. "Nationalism, feminism, and martial valor: rewriting biographies of women in «Nüzi shijie» (1904-1907)." Thesis, McGill University, 2009. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=32363.
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This thesis examines images of martial women as they were produced in the biography column of the late Qing journal Nüzi shijie (NZSJ; 1904-1907). By examining the historiographic implications of revised women's biographies, I will show the extent to which martial women were written as ideal citizens at the dawn of the twentieth-century. In the first chapter I place NZSJ in its historical context by examining the journal's goals as seen in two editorials from the inaugural issue. The second and third chapters focus on biographies of individual women warriors which will be read against their original stories in verse and prose. Through these comparisons, I aim to demonstrate how these "transgressive women" were written as normative ideals of martial citizens that would appeal to men and women alike.Cette thèse examine les images de femmes martiales reproduites dans la rubrique biographique du journal Nüzi shijie (NZSJ; 1904-1907) publiée à la fin de la dynastie Qing. En examinant les implications historiographiques des biographies révisées des femmes, j'essai de démontrer l'importance de la façon dont les femmes martiales étaient décrites come citoyennes idéales à l'aube du vingtième siècle. A travers une exploration des objectifs posés par le journal et mis en évidence dans deux éditoriaux extraits du premier numéro du journal, mon premier chapitre essaie de placer le NZSJ dans sa propre contexte historique. Le deuxième et le troisième chapitres se concentrent sur les biographies individuelles des femmes guerrières, lesquelles sont juxtaposés aux histories originales écrites sous forme de vers et prose. A travers ces juxtapositions, mon projet démontre la façon dont ces "femmes transgressives" illustraient l'idéal normatif du citoyen martiale, lequel attirait les hommes ainsi que les femmes.
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David, Elise J. "Making Visible Feminine Modernities: The Traditionalist Paintings and Modern Methods of Wu Shujuan." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1338316520.
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Singh, Anneliese Amanda. "Resilience Strategies of South Asian Women Who have Survived Child Sexual Abuse." Digital Archive @ GSU, 2006. http://digitalarchive.gsu.edu/cps_diss/4.
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The purpose of this qualitative study was to describe the resilience strategies of 13 South Asian female survivors of child sexual abuse. Two research questions guided this study: (a) How does a small sample of South Asian adult women in the United States (U.S.) describe their experiences of child sexual abuse? and (b) What resilience strategies do these South Asian female survivors of child sexual abuse report using to cope with child sexual abuse? The phenomenological research design was grounded in feminist theory to capture the lived experiences of resilience related to child sexual abuse (Patton, 1990). Data were collected during semi-structured interviews with five informants and one 90-minute focus group of eight informants who did not participate in the individual interviews. Bracketing of researcher assumptions was used to demonstrate dependability, credibility, and coherence of the data reduction and analysis (Creswell, 1998). Open coding generated a list of broad domains to create a codebook (Wertz, 2005). Using a recursive method of data collection and analysis, the codebook guided independent coding of each transcribed interview. Constant comparison identified new codes that did not fit under previously identified domains (Lincoln & Guba, 1985). Two overarching themes emerged from the data. The first theme, South Asian context, included four subthemes (gender, family, ethnic identity, acculturation), and the second theme, resilience, included five subthemes (use of silence, hope social support, social advocacy, self-care). A model based on these finding suggests the informants in this study made meaning of child sexual abuse within a South Asian context before utilizing effective resilience strategies. Practice and research implications for South Asian women who have survived child sexual abuse are discussed.
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Nwokocha, Sandra Chinyeaka. "Feminism in twenty-first-century Nigerian novels by women." Thesis, University of Birmingham, 2017. http://etheses.bham.ac.uk//id/eprint/7310/.
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Scholarship on twenty-first century Nigerian female-authored novels has long been dominated by womanist readings, regardless of the fact that these modern narratives represent feminism in strong terms. The readings often subsume subversive femininity within non-aggressive liberation, resulting in an insufficient narrative of the intricacies of the novels of the period. This thesis challenges such representations by proposing subversion as the hallmark of twenty- first century Nigerian female-authored novels through a textual analysis of Chimamanda Ngozi Adichie’s Purple Hibiscus and Half of a Yellow Sun, Sefi Atta’s Everything Good Will Come and Kaine Agary’s Yellow Yellow. Through a gynocentric approach, the analysis of the novels foregrounds a feminist view of domination, resistance and solidarity, espousing the premise that the contemporary heroines are understandably rebellious in asserting female agency. The thesis draws three fundamental conclusions: that the feminist paradigm is useful to the comprehension of the nuances of twenty-first century Nigerian female-authored novels, that dissidence is a remarkable feature of contemporary texts, and that this revolutionary tendency contrasts with the conservative attitudes of the previous epoch.
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Grisanaputi, Wipawee. "Gender Inequality in Thai Academia." Diss., Virginia Tech, 2005. http://hdl.handle.net/10919/28348.
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This exploratory research is a case study of a public university in Thailand. The research examines whether gender inequality exists in the pay raise process at Khon Kaen University over a two-fiscal year period (FY2002 and 2003). It also considers what factors might account for differences between male and female faculty in pay raises at this university, looking at factors such as productivity and family responsibilities. The research develops and tests measures of the Southeast Asian concepts of kinship, patronage, turn-taking and seniority systems. Three data sources are used, university personnel records, self-administered surveys and the annual evaluation report.
Results show that raises tend to be equitable and faculty are equally productive, regardless of gender, discipline, academic rank, or position cluster. When significant differences are identified in this study, female faculty frequently reported that they received higher pay raises than their male colleagues. The well-established rules and regulations regarding pay raises (minimum requirements for productivity and pay raise steps) at this university prohibit any kind of systematic bias in pay raises. One of the other goals of this research was to test the Southeast Asian concepts of kinship, patronage, turn taking and seniority, and the extent to which each may be a factor in performance and pay raises. The research indicates these four may play a role, but their actual influence is not entirely clear and will require additional study.
To address some of these issues, future research would explore the same public university with a longer time frame and then compare the result at KKU with other universities in Thailand and other universities in Southeast Asia. Interviewing both male and female faculty members in terms of their actual workloads, productivity, assigned tasks, and their perceptions of the impact of age and administrative position is recommended. Interviewing only female faculty members in different disciplines (female-dominated, male-dominated and balanced disciplines) concerning their experiences of inequality and how they deal with family responsibilities that affect productivity is also important for future research.Ph. D.
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Khuankaew, Sasinee. "Femininity and masculinity in three selected twentieth-century Thai romance fictions." Thesis, Cardiff University, 2015. http://orca.cf.ac.uk/76730/.
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The main purpose of this study is to examine a popular Thai genre of the novel, romance fiction, with a focus on the modes of subjectivity and discourses of femininity and masculinity to be found in Thai romance novels between the 1940s and 1990s. The thesis also seeks to locate the various socio-cultural contexts of Thai society, which influence the constitution of Thai gender relations and the transformation of gender norms. Additionally, it attempts to address the issue of the usefulness of Western theories of gender and romance, which are widely regarded in Thailand as tools of Westernization and new forms of colonialism. This study suggests that Thai gender relations are complicated, since there are several disparate aspects that influence the constitution of male and female subjectivity. Western influence is one of these aspects that help define femininity and masculinity, while domestic beliefs also play a salient role as palimpsests that are not easily erased. Thus, the representation of various modes of gendered subjectivity in romance fiction concurrently indicates both changes in and the reproduction of discourses that define an „essence‟ of gender identity that accords with traditional Thai cultural beliefs including the deep-rooted idea that the primary purpose of writing is didactic.
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Taylor, Reed W. "A Postcolonial Inquiry of Women's Political Agency in Aceh, Indonesia: Towards a Muslim Feminist Approach?" Diss., Virginia Tech, 2012. http://hdl.handle.net/10919/39190.
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In this dissertation, I develop a postcolonial theoretical approach to localized Muslim feminism(s) in Aceh, Indonesia, based on interviews with women in Aceh in 2009 and 2010. One of the central aims of this study is to challenge the dominant exclusivist discourse of â Islamicâ feminism by providing a viable alternative for â Muslimâ feminism(s), derived from collaborative, indigenous, and post-secular politics. I address the need for a religious feminist model of subjectivity that incorporates both the political and ethical dimensions of agency in potentially non-patriarchal and non-state-centric formations. I suggest a communal understanding of religious law as an alternative to conceptualizing religious law (syariah) in terms of a personal ethical code or a system of laws emanating from a state. I propose an alternative discourse of feminist agency and religious identity, one that reaches beyond a secular-liberal epistemology and challenges the hegemonic discourse of state-centrism within a privatized religious identity.Ph. D.
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Chigateri, Shraddha. "Uncovering injustice : towards a Dalit feminist politics in Bangalore." Thesis, University of Warwick, 2004. http://wrap.warwick.ac.uk/2625/.
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This research is interested in unpacking the injustice that dalit groups, men and women, identify as structuring their lives, as well as the strategies deployed to resist, disrupt and subvert the violence. It is also interested in elucidating the tensions in accounting for caste relations, as well as a gendered conception of dalit relations in Bangalore. The dalit women question has received increasing scholarly as well as political attention in the last couple of decades. However, there is very little literature that seeks to locate the conditions of dalit women’s lives in the context of urban spaces. Understanding gendered caste relations in the space of the city has been no easy process. This is not only because of the conceptual and historical disjunction between caste and class, but also because of the disjunction between caste and conceptions of the space of the city. The over-determination of the centrality of ‘the village’ in the literature on caste does not easily allow for a conception of caste relations in the city. Moreover, the space of the city as a space of freedom in the dalit imagination makes it difficult to locate a critical conception of urban spaces for a dalit politics. In relation to a gendered dalit politics, the need for an internal critique of the patriarchy of dalit politics whilst over-determined, has not produced a robust critique of intra-caste relations. This is also because in demarcating the specific conditions of dalit women’s lives, a gendered dalit politics tends to get caught up in a ‘politics of difference’. Based on primary research with three dalit groups in the city of Bangalore and secondary material, this thesis locates the politics around the naming of identity and the ways in which ‘dalit’ identity has been avowed, disavowed, contested and sometimes not confronted at all, by the groups, and what this means for a dalit politics as well as a dalit feminist politics in Bangalore. It also analyses the politics of naming the injustice of untouchability and the strategies deployed by the respondents to contend with the violence. It provides a gendered account of untouchability and an analysis of untouchability in relation to the city.
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Mehdid, Malika. "Tradition and subversion : gender and post-colonial feminism : the case of the Arab region (with particular reference to Algeria)." Thesis, University of Warwick, 1993. http://wrap.warwick.ac.uk/34641/.
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This study critically examines the position of women in post-colonial societies across the Arab region and the structuring of female experience and gender by patriarchy, class, literacy, religion and historical conditions such as colonization, neo-imperialism and the rise of capitalism. The male writing of the female body and the perception of the latter as a field of power within the Arabo-Muslim culture constitutes the framework of the thesis. This critical approach also informs the growing feminist scholarship on the subject of the so-called Arab woman in the area under study. The notion of the feminine delivered by male dogmatic discourses, whether old or new, traditional or modern, orthodox or profane, is briefly presented in the first part of the dissertation while the deconstruction of such a referential setting by feminist academic work is undertaken in Part two as an attempt to integrate notions of womanhood, sexuality, identity, culture, religious belief, statehood, and material factors into a discursive order. Sexual difference becomes problematized within the critical assessment of the fictional voices developed by women, their exploration of concepts of sexual behaviour and their analysis of how gender ideology permeates the modernist endeavours of the post-colonial state in its efforts at development. A significant predicament is highlighted by the thesis: the cultural discourse on women, enduringly linked to their functions within the private realm, copulation and reproduction, as indicated by both the fictional and the scholarly literature, clashes with the developmentalist endeavours which require active roles within the public sphere. The conflict and indeterminacies generated by such a discrepancy are projected as an essential framework for understanding the construction of women as the 'subordinate sex' at various levels. It is also read as a fundamental dilemma that post-colonial societies across the Mediterranean have yet to address in order to resolve, at least partly, their present socio-economic crisis. The notion of woman is further essentialized within concepts of difference drawn by other dominant discourses examined in Part three. Perspectives of neo-colonialism emanating from the post-industrial First World become a framework in which to insert the work of feminist academics from North Africa and the Middle East as well as definitions of women, whether in the world at large or in more academic terms. The furthest concern of the debate on the 'women question' is to underline however the significance of feminism to operate as a major socio-political force within the post-colonial world. The findings of this research already indicate that the various movements for female emancipation taking place in the region open up new possibilities of struggle for economic growth, equality and secular democracy.
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Ni, Yuan. "The Modern Erhu: Perspectives on Education, Gender, and Society in the Development of Erhu Performance." Kent State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=kent1623253987334659.
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Riwoe, Mirandi J. "A nemesis in crinoline: The Eurasian courtesan as sleuth." Thesis, Queensland University of Technology, 2016. https://eprints.qut.edu.au/101160/6/Mirandi_Riwoe_Thesis.pdf.
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This thesis contextualises and extends representations of the nineteenth-century fictional female detective, by way of creative practice and critical analysis. The practice led research incorporates textual analysis and reflective practice in order to triangulate neo-Victorian studies, crime fiction and the figure of Eurasian courtesan. The research findings not only disrupt depictions of the 'sinister Oriental', but also reveal that it was possible for certain working class women, sex-workers included, to have the necessary agency to detect in the Victorian period. In re-imagining the nineteenth-century Eurasian courtesan in Playing Devil's Delight the project adopts a creative writing approach to neo-Victorian studies.
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Mitchell, Jasmine N. "The History of Afro-Asian Solidarity and the New Era of Political Activism." Oberlin College Honors Theses / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin16256964160838.
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Colbeck, Craig. "From the Brothel, to the Body: The Relocation of Male Sexuality in Japan's Prostitution Debate, 1870-1920." Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10583.
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This dissertation argues that the Japanese debate over prostitution regulation between the 1870s and the 1910s saw a fundamental shift in the construction of male sexuality as a political tool. Before the turn of the century the Protestant Christian “abolitionists” and the brothelkeeping “regulationists” who debated Japan’s system of licensed prostitution did not describe erotic desire as an inherent property of male bodies; rather, both camps asserted that men did not experience erotic desire unless they visited brothels. On that shared understanding, the two sides debated whether desire itself was desirable: while abolitionists argued that desire harmed society by training men to use women as tools for pleasure, their opponents argued that the experience of desire stabilized male psyches. After the turn of the century both camps reformulated their arguments based on the assumption that all male bodies harbored an instinctual desire for sex. Regulationists adopted the notion with gusto. And abolitionists proved no less willing, as they came to describe male sexual desire as the impetus for the romantic love that created stable families, and argued that commercial sex disrupted the natural courtship process. In the 1910s, secular feminists deployed the male sex drive to advocate for legislation to empower women within marriages. The political use of the sexual instinct put male sexuality at the heart of several forms of social policy and critique. Therefore the debate over prostitution regulation is emblematic of the larger discourse on male sexuality as a subject of government intervention and social-policy activism.East Asian Languages and Civilizations
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Bropleh, Minger. "Incongruent Premodern and Modern Beauty Ideals: A Case Study of South Korea and India's Reconciliation of Current Beauty Trends With Foundational Religious Ideals." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/cmc_theses/810.
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This thesis is an in-depth analysis of beauty ideals in South Korea and India. These two countries have recently turned to skin lightening and cosmetic surgery in order to achieve their new beauty standards. Not only do these two countries share a propensity for those two trends, but they also have an overwhelming majority of the population that identifies with a specific religion; Hinduism in the case of India and Confucianism in the case of South Korea. However, it is not clear that the current beauty ideal in each country aligns with the beauty ideal set out in the respective foundational religion.
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Nunes, Jennifer Marie. "“Afternoon, a Fall”: Relationality, Accountability, and Failure as a Queer-Feminist Approach to Translating the Poetry of Yu Xiuhua." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1494231761761609.
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Yousofi, Zehra Ahmed. "No Country for Diasporic Men: The Psychological Development of South Asian Masculinities in The Buddha of Suburbia and The Mimic Man." TopSCHOLAR®, 2016. http://digitalcommons.wku.edu/theses/1612.
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The purpose of this thesis is to examine the psychological development of South Asian masculinity in a diaspora that is depicted in Hanif Kureishi’s The Buddha of Suburbia and V.S. Naipaul’s The Mimic Men. Together, Kureishi and Naipaul construct a complete understanding of masculinity through childhood, adolescent, young adult, and adulthood. Chapter 1 explores the need to displace their father’s masculinity and seek better masculine models that align with the social norms of the diaspora. Chapter 2 establishes the motivation behind seeking peers to define the meaning of masculinity in a diaspora and the disadvantage of this pathway. Chapter 3 demonstrates two possible outcomes for South Asian men attempting to construct a secure masculinity. The difficulties these characters encounter when developing their identity is both a product of their diasporic environment and the lingering effect of colonization through the presence of hegemonic masculinity. They attempt to rectify the inadequacies in their masculinity by refuting a portion of their identity tied to being South Asian in order to better assimilate to the ideals of their diaspora. Ultimately, there are two possible consequences for South Asian men in a diaspora: one is to attempt to negotiate their position as a mixture of both the ideals of the diaspora and South Asian culture and the second is to continue to live a fragmented life of denying aspects of their identity tied to either the diaspora or South Asian culture.
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Johannesen, Kjersti. "Men vi er alle feminister : om samhold og splittelse blant kvinneaktivister i Nepal /." Oslo : Institutt for kulturstudier og orientalske språk, Universitetet i Oslo, 2008. http://www.duo.uio.no/publ/IKOS/2008/69631/Johannessen_master.pdf.
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Yip, Sheenie. "Sinofuturism." Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/scripps_theses/1174.
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Mizue, Yuko. "Tainted Gender: Sexual Impurity and Women in Kankyo no Tomo." Amherst, Mass. : University of Massachusetts Amherst, 2009. http://scholarworks.umass.edu/theses/335/.
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Puthuran, Anna V. "The constructed identities of women in unconventional relationships and the domestic violence law in India : towards a more feminist legal framework." Thesis, University of Warwick, 2012. http://wrap.warwick.ac.uk/50408/.
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The Indian legal system has been dealing with the problem of domestic violence in the recent years especially since the advent of the new legislation the Protection of Women from Domestic Violence Act, which was brought into effect from the 26th of August, 2006. The original contribution that this thesis makes to knowledge is that it identifies a potential category of users of this law- Women in Unconventional Relationships (WUR), and tests the support systems and the ease of access available to this category of women within two different domestic violence frameworks in India. This thesis locates the constructions of transgressive WUR identities in history, society and theoretical discourse and investigates whether these constructions adversely affect their legal subjectivity under the domestic violence law in India. It locates WUR within the domestic violence framework in Delhi, named the Victim Model for the purposes of this research, and within the Survivor Model in Mumbai. It privileges the voices of ten WUR who articulate their experiences of survival, domestic violence and the law. The research uses a combination of inter-subjective reflexive research and a feminist analysis of the domestic violence framework. The constructions of identities and the levels of transgression that take place and its effects on survivor/victim legal agency are investigated. The thesis identifies the best domestic violence framework suited for WUR which encourages their rights-bearing capacity as full-fledged citizens of the Indian state.
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Björkegren, Ylva. "Sida ur ett lilberalfeministiskt perspektiv : finns jämställdhetsidéer av liberalfeministiskt slag i Sidas bistånds - och utvecklingspolitik? /." Karlstad : Karlstad University. Faculty of Social and Life Sciences, 2008. http://www.diva-portal.org/smash/get/diva2:5684/FULLTEXT01.
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Narain, Natasha. "Mapping a liminal: Nurturing of kantha into contemporary art." Thesis, Queensland University of Technology, 2017. https://eprints.qut.edu.au/111574/1/Natasha%20Narain%20Thesis.pdf.
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This project is a creative practice-led exploration of the Bengali textile embroidery tradition of kantha and its potential influence on contemporary art practice. It discusses the gendered history of kantha and its relevance to the contemporary lives of women. The project's key findings are twofold: firstly, that kantha practice is inadequately understood from the perspective of the maker, and secondly, that an artist does not have to replicate the literal craft processes of kantha in order to evoke its emotional significance, but that by applying its conceptual narrative strategies and its approach to mark making, these techniques are applicable in cross-media and interdisciplinary contemporary art forms.
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Brooks, Stephanie. "US Media Representations of Transnational Indian Surrogacy: Pre 2016 Surrogacy Conditions and Connections with Global Inequality." Wright State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=wright1610386281440116.
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Ramos, Isabella. "Walking in The City: Koji Nakano’s Reimagining and Re-Sounding of The Tale Of Genji." Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/scripps_theses/1037.
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Imagined Sceneries is a work written by composer Dr. Koji Nakano of Burapha University, Thailand for two sopranos, koto, light percussion, narrations, soundscapes recorded in Kyoto, Japan in December 2015, and digital projections of Ebina Masao’s 1953 print series Tale of Genji. Imagined Sceneries’ reimagining and “re-sounding” of Heian Kyoto relies on a balance between what is imagined and what is experienced in performance. Its many elements collectively explore multiple layers of Japanese histories, soundscapes, environments, and sensibilities. Using Michel de Certeau’s concepts of the city, this thesis journeys through Nakano’s imagined spaces.
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Edström, Josefine. "The Feminized People and the Patriarchal State: Studying the Portrayal of Gender in North Korean Films." Thesis, Uppsala universitet, Statsvetenskapliga institutionen, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-338720.
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Elizarni, FNU. "Gender, Conflict, Peace: The Roles of Feminist Popular Education During and After the Conflict in Aceh, Indonesia." Ohio University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1605018870170842.
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Norkey, Alec. "Intersectional Androgyny in Cyberspace: Gender, Commercialization, and Vocality in Female Ryouseiruis' Music Videos." Bowling Green State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1462552660.
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d'Elena, Grisel. "The Gender Problem of Buddhist Nationalism in Myanmar: The 969 Movement and Theravada Nuns." FIU Digital Commons, 2016. http://digitalcommons.fiu.edu/etd/2463.
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This thesis uses transnational and Black feminist frameworks to analyze Buddhist nationalist discourses of gender and violence against religious and ethnic minorities in Myanmar. Burmese Buddhist nationalists’ marginalization of the Muslim Rohingya ethnic minority is inextricably linked to their attempts to control Buddhist women. Research includes interviews with U Ashin Wirathu, the leader of the monastic-led nationalist group, the 969 Movement, and with other monks of the organization, as well as with non-nationalist monks, nuns and laywomen. I also analyze Theravada textual discourse as read by my subjects in light of the history of Myanmar to understand the ways the local Theravada tradition has marginalized women and non-Buddhists. By connecting the lack of bhikkhuni ordination and laws hindering Buddhist women from marrying non-Buddhist men with the portrayal of the Rohingya as a threat to the nation, I show how Buddhist nationalists attempt to consolidate power and forestall the democratization process.
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Shagufta, Iqra. "Postmodernity and Pakistani Postmodern Literature." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1707404/.
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Though scholars have discussed postmodernism in Islam and South Asia before, they tend to (i) assume Muslims as a monolithic group, bypassing the diversity of different cultures and the interaction of these cultures with indigenous practices of Islam; (ii) study postmodernity synchronically, thereby eliding histor(ies) and the possibility of multiple temporalities; and (iii) compare postmodernity in non-Western countries with Western standards, and when these countries fail this test, declare them not-yet-postmodern, or even modern. Negligible and scant discussions of postmodernity that do take place inside Pakistan, most of which are published in newspaper articles, tend to focus on Western postmodernity and its evolution and contemporary position. There is no book-length discussion of postmodernity and postmodernist literary texts from Pakistan and its curious sociopolitical blend of Indo-Muslim and Anglo-Indian influences and interaction with the Islamic political foundations of the country. This project discusses postmodernity and postmodern literature in Pakistan. I argue that, because of a different political, cultural, and literary climate, postmodernity and postmodern literature in Pakistan are distinct from their Western counterparts. Because of technological advancement and neoliberal globalization, Pakistan experiences a different kind of postmodernity resulting in the production of a different kind of postmodern literature. I trace the historical employment of postmodern literary tropes from Indo-Islamic genres, i.e. dastan, to contextualize this conversation. Then I discuss experimental works of fiction like Sultana's Dream (1908), Bina Shah's Before She Sleeps (2018), and Soniah Kamal's Unmarriageable (2019). The last chapter explores the relationship of postmodernity, postmodern politics, and Pakistani and Muslim historiographic metafictional literary texts: The Satanic Verses (1988) and A Case of Exploding Mangoes (2008). Hence, the work is regional and national, as well as comparative and transnational.
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Gorman, Caitlin Marie. "Yasumasa Morimura: Appropriator of Images, Cultures, and Identities." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363520942.
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