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Author: Grafiati

Published: 9 March 2023

Last updated: 10 March 2023

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1

Goodman, Teresa M. Report on the development of a tungsten halogen lamp for use as a secondary standard. Luxembourg: Commission of the European Communities, 1988.

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2

He, Minggao. High pressure sodium discharge lamp characterization for use as standards of geometrically total luminous flux. Gaithersburg, MD: U.S. Dept. of Commerce, National Bureau of Standards, 1988.

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3

Lanka, South Asia Partnership-Sri, ed. Micro-enterprise as a means of empowerment: Report of LAMP 1 workshop, Colombo, Sri Lanka, February 1995. [Colombo: South Asia Partnership, 1995.

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4

The ceramic oil lamp as an indicator of cultural change within Nabataean society in Petra and its environs circa ce 106. Piscataway, NJ: Gorgias Press, 2008.

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5

Barrett, Deirdre Grace. The ceramic oil lamp as an indicator of cultural change within Nabataean society in Petra and its environs circa CE 106. Piscataway, NJ: Gorgias Press, 2008.

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6

Barrett, Deirdre Grace. The ceramic oil lamp as an indicator of cultural change within Nabataean society in Petra and its environs circa CE 106. Piscataway, NJ: Gorgias Press, 2008.

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7

Conan, Doyle Arthur. Around the Red Lamp: Medical Life as it Used to Be. Fireship Press, 2007.

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8

Goodman, Teresa M., and J. R. Moore. Development of a Tungsten Halogen Lamp for Use as a Secondary Standard. Research and Development : Commission of the European Communities. Directorate-General of Science, 1988.

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9

Briffault, Robert. Psyche's Lamp: A Revaluation of Pyschological Principles As Foundation of All Thought. Taylor & Francis Group, 2019.

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10

Briffault, Robert. Psyche's Lamp; a Revaluation of Psychological Principles As Foundation of All Thought. Creative Media Partners, LLC, 2022.

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11

Briffault, Robert. Psyche's Lamp; a Revaluation of Psychological Principles As Foundation of All Thought. Creative Media Partners, LLC, 2022.

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12

Briffault, Robert. Psyche's Lamp: A Revaluation of Pyschological Principles As Foundation of All Thought. Taylor & Francis Group, 2019.

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13

Conan, Doyle A. Around the Red Lamp: Stories of Medical Life As It Used to Be. Fireship Press, 2007.

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14

Henry, O. Trimmed Lamp: Perhaps There Is No Happiness in Life So Perfect As the Martyr's. Independently Published, 2019.

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15

Barrett, Deirdre Grace. Ceramic Oil Lamp As an Indicator of Cultural Change Within Nabataean Society in Petra and Its Environs Circa CE 106. Gorgias Press, LLC, 2008.

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16

Al-Awwalu, W`al Aakhiru W`al Dhaahiru W`al Baatin called Al-Mutawakkil ﷺ Illuminating Lamp Siraaj Muneer ﷺ: I am pleased with Allaah as My Lord, Islam as my Religion and Muhammad ﷺ as my Messenger. SurvivorsAreUs, 2020.

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17

Al-Awwalu, W`al Aakhiru W`al Dhaahiru W`al Baatin Called Al-Mutawakkil ﷺ Illuminating Lamp Siraaj Muneer ﷺ: I Am Pleased with Allaah As My Lord, Islam As My Religion and Muhammad ﷺ As My Messenger. Independently Published, 2020.

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18

Life's Golden Lamp for Daily Devotional Use: A Treasury of Texts from the Very Words of Christ, with Comments Thereon by As Many Ministers of the Gospel As There Are Days in the Year. Creative Media Partners, LLC, 2022.

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19

Life's Golden Lamp for Daily Devotional Use: A Treasury of Texts from the Very Words of Christ, with Comments Thereon by As Many Ministers of the Gospel As There Are Days in the Year. Creative Media Partners, LLC, 2022.

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20

Offord, Robert Marshall. Life's Golden Lamp for Daily Devotional Use. a Treasury of Texts from the Very Words of Christ, with Comments Thereon by As Many Ministers of the Gospel As There Are Days in the Year; Autograph of Each Contributor; Suggestive Scripture Heading and Appropr. Creative Media Partners, LLC, 2018.

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21

Godfrey, Donald G. Early Film Experiments. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038280.003.0003.

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This chapter focuses on C. Francis Jenkins' early film experiments. The large-screen projector and the concept of intermittent motion remain Jenkins' most lasting contributions to the industries of film and motion pictures in television. His projector was the first to freeze a frame of film for a fraction of a second, as it flowed past the lamp and lens of the projector. The late 1870s into the early 1900s was a time of growing industrial opportunity. Still photography was becoming a popular hobby, while inventors such as Louis and Auguste Lumiere, Emile Reynaud, Thomas A. Edison, George Eastman, and Thomas J. Armat were working on ways to add motion. This chapter discusses Jenkins' early demonstrations of his inventions, including the Phantoscope camera-projector, as well as his growing popularity as an inventor.

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22

Duoji, Nyingcha. Gha rung pa Lha'i rgyal mtshan as a Scholar and Defender of the Jo nang Tradition: A Study of His Lamp That Illuminates The Expanse of Reality with an Annotated Translation and Critical Edition of the Text. 2014.

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23

Knight, David. Coleridge and Chemical Philosophy. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198799511.003.0007.

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Chapter 6 begins the section on Coleridge’s contemplative worldviews, and chronologically follows Coleridge’s lifetime fascination with medicine as its focus shifted from anatomy, the analysis of structures, towards physiology, elucidating the processes of life. He believed that all sciences should progress from a static to a dynamic worldview, making them worthy of contemplation, feeding Reason rather than just understanding. Coleridge met Humphry Davy, whose dynamical researches on laughing gas and electrochemistry delighted him. Coleridge became a critic of science as well as literature, rejoicing as Davy isolated new metals, cast light on acidity, and invented the miners’ safety lamp. But after 1820 Davy turned haughty, and Coleridge deplored chemists’ empire-building as science became a professional career; while in medicine French materialism threatened the dynamic vitalism of John Hunter that Coleridge and his host James Gillman favoured. Sadly science, once so promising, looked decreasingly suitable for his kind of philosophical contemplation.

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24

Pruss, Alexander R. Supertasks and Deterministic Paradoxes. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198810339.003.0003.

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As a warm-up, a careful analysis of Thomson’s Lamp is given. It gives some, but not all thatmuch, support to causal finitism.Then the GrimReaper paradox is examined, and it is argued that although a number of other solutions could be attempted, causal finitism is the best solution. Other deterministic paradoxes are considered, and are argued to support causal finitism. Newtonian gravity seems to be metaphysically possible, but given causal infinitism it should be possible to have a body be pulled gravitationally by infinitely many bodies—which would result in the absurdity of infinite acceleration. Smullyan’s rod involves an infinite rod that hangs in the air by one end, though it shouldn’t. Finally, an analogy with the rejection of causal circles is considered.

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25

Roche, Anthony. Brian Friel and Tom Murphy. Edited by Nicholas Grene and Chris Morash. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780198706137.013.21.

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Irish theatre since 1960 has been dominated by the work of major playwrights, above all Brian Friel and Tom Murphy. The changing social context of Ireland in the early 1960s out of which both writers emerged within a few years of one another is evident in their breakthrough plays, Murphy’sA Whistle in the Dark(1961) and Friel’sPhiladelphia, Here I Come!(1964). In these plays, as inThe Loves of Cass Maguire(1966) andA Crucial Week in the Life of a Grocer’s Assistant(1969), Murphy and Friel devised new dramatic forms to explore the mentality of exile generated by the phenomenon of mass emigration. Exile is then transposed into a spiritual or metaphysical condition in two later plays,The Sanctuary Lamp(1975) andFaith Healer(1979).

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26

Wade, Stephen. Jess Morris. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036880.003.0012.

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This chapter describes the recordings of Jess Morris, a classically trained violinist and former cowboy living in Dalhart, Texas, who played at ranch dances throughout the Panhandle. Jess lived many of the realities that Gene Autry portrayed on the movie screen. Like the wide open spaces Autry traversed by projectionist's lamp, Jess knew firsthand the unbroken range of the Texas Panhandle, the last of the long-distance cattle drives, and the all-night ranch dances reachable only by horse-drawn wagon. He also embodied a cultural breadth that exceeds cinematic stereotype. His community remembered him especially for “Goodbye, Old Paint,” a song he learned in childhood. It became his signature number, one that he copyrighted and published. His contribution to the piece mattered to him to the end of his life as he waited anxiously for its release on a Library of Congress album of cattle calls and cowboy songs.

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27

Pruss, Alexander R. Infinity, Causation, and Paradox. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198810339.001.0001.

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Infinity is paradoxical in many ways. A particular large family of paradoxes is examined that on its face iswidely varied. Some involve deterministic supertasks, such as Thomson’s Lamp where a switch is toggled an infinite number of times over a finite period of time, or the Grim Reaper, where it seems that infinitely many reapers can produce a result without doing anything. Others involve infinite lotteries. Yet others involve paradoxical results in decision theory, such as the surprising observation that if you perform a sequence of fair coin-flips that goes infinitely far back into the past but only finitely into the future, you can leverage information about past coin-flips to predict future ones with only finitely many mistakes. It turns out that these, and a number of other paradoxes have a common structure: their most natural embodiment involves an infinite number of items causally impinging on a single output. These paradoxes can all be solved with a single move: embrace causal finitism, the view that it is impossible for a single output to have an infinite causal history. The book exposits such paradoxes, defends causal finitism at length, and ends up considering connections with the philosophy of physics, where causal finitism favors, but does not require, discretist theories of space and time, and the philosophy of religion, where we get a cosmological argument reminiscent of the Kalām argument for the existence of God.

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28

Bashkin, Orit. The Lamp, Qasim Amin, Jewish Women and Baghdadi Men: A Reading in the Jewish Iraqi Journal al-Misbah. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474430616.003.0012.

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This chapter provides a detailed reading of al-Misbah, a Jewish Iraqi publication which appeared in Baghdad between the years 1924 and 1929 and has been characterised both as a Zionist mouthpiece and a testimony to the success of Arab nationalism. In addressing this apparent contradiction, the chapter examines the issues which dominated its pages in order to highlight the identity of the paper and to enrich our understanding of the Iraqi press under the British Mandate. The chapter addresses two discursive circles – the Iraqi and the Jewish – and proposes that al-Misbah conveyed an unmistakable Iraqi and Arab identity. Despite the editor’s Zionist inclinations, the conversations between readers and writers acquired a life of their own and the paper, in fact, promoted a new Arab Jewish identity and illustrated how Jews sought to use state institutions as venues for the cultivation of non-sectarian and democratic citizenship.

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