Relevant bibliographies by topics / Artur Philosophy

Academic literature on the topic 'Artur Philosophy'

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Published: 10 December 2022
Last updated: 28 January 2023

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Journal articles on the topic "Artur Philosophy"

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Halwa, Adrianna. "Obecność mitu tristanowskiego w nowoczesnej literaturze, filozofii i muzyce." Tematy i Konteksty 12, no. 17 (2022): 417–24. http://dx.doi.org/10.15584/tik.2022.28.

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Adrianna Halwa presents a review of the book by Artur Żywiołek “Tristitia moderna – pasja mitu tristanowskiego w nowoczesnej literaturze, filozofii i muzyce” [Tristitia moderna – the passion of the Tristan myth in modern literature, philosophy and music]. Artur Żywiołek in his monograph shows the presence and changes of the Tristan myth in European culture. The author analyzes the turning point of the Modernist era, when there were revolutionary changes in literature, music and philosophy. Żywiołek examines this phenomenon in relation to the Tristan myth, its new interpretations, as well as symbols and cultural codes that it has developed since the Middle Ages.
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Chojnowski, Zbigniew. "Mit tristanowski." Bibliotekarz Podlaski Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne 51, no. 2 (August 16, 2021): 301–5. http://dx.doi.org/10.36770/bp.614.

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The article attempts to discuss and evaluate the book The Passion of the Tristan Myth in Modern Literature, Philosophy, and Music by Artur Żywiołek, which was published in Cracow in 2021. The reviewer starts with the legend of Tristan and Isolde, which the book explores through modernity. According to the author of the article, the book about Tristan myth combines methodologies of such fields as literary studies, musicology, history, cultural studies and philosophy in a great way. In the conclusions, the reviewer evaluates the book in a favourable light, and states that it constitutes an original analysis which will have a considerable influence on the comparative studies.
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Mańko, Rafał. "Artur Kozak’s Juriscentrist Concept of Law: a Central European Innovation in Legal Theory." Review of Central and East European Law 45, no. 2-3 (June 23, 2020): 334–75. http://dx.doi.org/10.1163/15730352-bja04502003.

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Artur Kozak (1960–2009) was one of the most original and innovative philosophers of law to emerge from the so-called ‘middle generation’ of Polish post-War jurisprudence. Kozak’s principal achievement was to break away from the analytical paradigm of legal theory, dominant in the in Poland at the time, and engage legal theory in a fruitful dialogue with contemporary sociology and philosophy, including such currents as social constructionism or postmodernism. To name his original theoretical project, Kozak coined a new term – ‘juriscentrism’ (juryscentryzm), consciously evoking Richard Rorty’s concept of ethnocentrism. Juriscentrist legal theory was mainly focused on providing legitimacy for the newly gained power of the legal community in a post-socialist society, but its theoretical resonance is universal. Kozak’s premature death made it impossible to complete the theoretical project of juriscentrism, nonetheless he managed to elaborate its main tenets, including the concept of juristic discretional power and a juriscentrist concept of law. Kozak’s legacy in contemporary Polish legal theory is particularly visible in Wrocław, where not only the post-analytical paradigm in Poland is the strongest, but also the first Polish school of critical legal theory has recently emerged.
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Winchester, James. "Against the Received Wisdom, Wagner and Nietzsche Together Again: A Response to Claus-Artur Scheier." Southern Journal of Philosophy 37, S1 (March 1999): 87–92. http://dx.doi.org/10.1111/j.2041-6962.1999.tb01796.x.

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Nunes, Maria de Fátima. "Ciência e cultura, coleções e museus: olhares sobre um «Portugal e a cultura europeia», no século XX…" Revista de História das Ideias 34 (November 18, 2016): 267–86. http://dx.doi.org/10.14195/2183-8925_34_11.

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Sob o signo de «Portugal e a cultura europeia», no século XX, faz-se uma incursão pela história da cultura científica que agrega Congressos científicos, Museus de História Natural e Coleções como cultura material. Artur Ricardo Jorge (1886-1972), naturalista e diretor do Museu Bocage em Lisboa, assume neste estudo o papel de protagonista para seguir o debate sobre o papel dos Museus de História Natural na política científica, na investigação e na educação científica. Um estudo de caso que permite confirmar uma agenda de história das práticas científicas e culturais sobre a participação de Portugal nas redes internacionais de troca de conhecimentos e de circulação científica, neste caso de Naturalistas/ Zoologia, no período do Estado Novo.
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Nunes, Maria de Fátima, and Elisabete Pereira. "Materialidades e cultura científica transnacional dos objetos: o 12º Congresso Internacional de Zoologia, Lisboa, 1935." História, Ciências, Saúde-Manguinhos 29, no. 3 (September 2022): 853–61. http://dx.doi.org/10.1590/s0104-59702022000300015.

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Resumo O 12º Congresso Internacional de Zoologia realizou-se em Lisboa, em 1935. Da sua memória concreta constam insígnias – estrela-do-mar – e caricaturas de zoólogos. A partir de investigação no Arquivo do Museu Nacional de História Natural e da Ciência/Universidade de Lisboa, pretendemos interrogar a cenografia material, pensada pelo zoólogo Artur Ricardo Jorge pela aproximação epistémica às potencialidades da biografia de objetos científicos. Esta nota de pesquisa pretende deixar a marca de um discurso científico traduzido em materialidades de circulação em espaço público, na Europa globalizante dos anos 1930, com referências de poder científico, no contexto do Estado Novo português, inaugurado, constitucionalmente, em 1933.
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Moreira, Virlene Cardoso. "Ações pioneiras do ensino de pediatria no Brasil: Carlos Artur Moncorvo de Figueiredo (Moncorvo pai) e a Policlínica Geral do Rio de Janeiro, 1882-1901." História, Ciências, Saúde-Manguinhos 27, no. 2 (June 2020): 467–84. http://dx.doi.org/10.1590/s0104-59702020000200009.

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Resumo O artigo analisa as atividades científicas de Carlos Artur Moncorvo de Figueiredo desenvolvidas na Policlínica Geral do Rio de Janeiro, fundada por ele. As ações profissionais e políticas desse médico foram fundamentais à implementação da pediatria, tanto no campo do estabelecimento de um espaço técnico de cura como na formação de uma cátedra especial de ensino da pediatria nas faculdades de medicina do Império, à época sediadas na Corte e em Salvador. O que se encontrará aqui é uma defesa de que a pediatria surgiu como desdobramento de um movimento pela implementação da medicina experimental, e não como uma questão social em torno do combate à mortalidade infantil, como comumente se encontra implícito na historiografia.
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Tokarska-Bakir, Joanna. "Dwugłos o budowniczym. O Izabeli Wagner i Artura Domosławskiego biografiach Zygmunta Baumana." Zoon Politikon 12 (February 16, 2022): 188–213. http://dx.doi.org/10.4467/2543408xzop.21.007.15376.

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Artykuł zestawia ze sobą i problematyzuje dwie godne odnotowania biografie wybitnego socjologa i filozofa społecznego, Zygmunta Baumana, autorstwa Izabeli Wagner i Artura Domosławskiego, dokonując analizy zawartego w nich przekazu na tle powojennej polskiej historii politycznej i kulturowej. TWO VOICES ON THE BUILDER. IZABELA WAGNER AND ARTUR DOMOSŁAWSKI ON ZYGMUNT BAUMAN This paper crisscrosses and binds two remarkable biographies of renowned sociologist and social philosopher Zygmunt Bauman: that by Izabela Wagner and Artur Domosławski, juxtaposing their messages against the background of Polish postwar political and cultural history.
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Waligóra, Agnieszka. "Konwersje autotematyzmu albo autotematyzm jako szansa zwrotu." Wielogłos, no. 2 (48) (December 31, 2021): 139–60. http://dx.doi.org/10.4467/2084395xwi.21.016.14344.

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Conversions of “Autothematicism,” or Autothematicismas a Possibility of a Turn The article is an attempt to describe autothematicism [autotematyzm] – a term coined in Poland by Artur Sandauer in the mid-20th century, referring to the quality of radically meta-reflexive works – from seven complementary perspectives. The Sandauerian understanding of the concept of metareflection was slightly different from the Western visions of mise-en-abyme or metafiction; it was described in the context of German idealistic philosophy and aesthetics. Sandauer defined the artistic “theme” as an objectivization of content (an author’s perceptions and experiences); therefore “autothematicism” is not synonymous with the other terms mentioned above, which can provide interesting interpretations of self-referential works. The present paper shows that the Sandauerian concept of self-referentiality can be seen as an end product of various transformations (conversions): literature’s (or the subject’s) retreat from all kinds of transcendence and reality, self-reflection of the creative “I,” or the text’s orientation to its own ontology. However, this understanding can be reversed. Autothematicism (as an operative concept) can also be seen as a mechanism that enables the autonomous positioning of art in relation to the “reality” it co-constructs, which enables literature to take active participation in the rebuilding of the world.
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Maehle, Andreas-Holger. "Ambiguous cells: the emergence of the stem cell concept in the nineteenth and twentieth centuries." Notes and Records of the Royal Society 65, no. 4 (July 27, 2011): 359–78. http://dx.doi.org/10.1098/rsnr.2011.0023.

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This paper elucidates the origins of scientific work on stem cells. From the late nineteenth century onwards, the notion of stem cells became customary in scientific communities of Imperial Germany. Adopting the term Stammzelle from Ernst Haeckel, Theodor Boveri was influential in introducing the concept in embryological studies and early genetics around 1900, describing a capacity of stem cells for self-renewal as well as differentiation. At the same time, blood stem cells were conceptualized by histologists such as Ernst Neumann and Artur Pappenheim in studies of physiological haematopoiesis and various forms of leukaemia. Furthermore, building on Julius Cohnheim's theory that tumours arise from ‘embryonic remnants’ in the adult body, pathologists aimed at identifying the cells of origin, particularly in the embryo-like teratomas. Embryonic stem cells thus assumed an ambiguous status, partly representing common heritage and normal development, and partly being seen as potential causes of cancer if they had been left behind or displaced during ontogeny. In the 1950s and 1960s experimental research on teratocarcinomas by Leroy Stevens and Barry Pierce in the USA brought together the strands of embryological and pathological work. Alongside the work of Ernest McCulloch and James Till at the Ontario Cancer Institute from the early 1960s on stem cells in haematopoiesis, this led into the beginnings of modern stem cell research.
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Dissertations / Theses on the topic "Artur Philosophy"

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Lafferty, Michael Gerald. "Arthur Danto's philosophy of art." Thesis, University of Warwick, 2006. http://wrap.warwick.ac.uk/42211/.

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The thesis is a critical examination of Danto's philosophy of art. It begins with his article 'The Artworld' where he proposes a special is of artistic identification to distinguish artworks. Danto's idea of the artworld is discussed, a historical and contextual theory of art, which arose from his attempt to explain the difference between Warhol's Brillo Boxes sculpture and an indiscernible stack of everyday Brillo boxes. It is argued that Danto unsuccessfully attempts to shore up his artworld concept with the special is. The technique of comparing indiscernible counterparts, from Danto's book The Transfiguration of the Commonplace, is examined. It is argued that the technique is philosophically redundant, but it is a redundant premise which has been added to a valid inference (Danto's historical and contextual view of art: his artworld theory) therefore, this does not make the original inference invalid. Danto's treatment of metaphor, expression, and style is shown to result in four claims. First, artworks embody rhetorical ellipsis. Second, artworks share features of metaphor: they are intensional (with an s) in structure and cannot be paraphrased. Third, a work of art expresses what it is a metaphor for by the way it depicts its subject. Fourth, artworks embody style. The conclusion, has two parts. The first part gives a summary of the criticism of Danto's theory of art: (1) there are logical inconsistencies in his concept of the is of artistic identification and in his use of indiscernible counterparts, (2) his theory suffers by being over-inclusive and (3) he uses circular arguments. The second part is based on a response to the criticism: it provides a definition of art. This has three elements. First, an argument is proposed for a spectrum of artistic presence in which all human activity and artefacts can be placed. Second, there is an acceptance of Danto's view of art (or artistic presence) being both intentional (with a t) and intensional (with an s); however, by applying these concepts to a spectrum, the problem of over-inclusiveness is avoided. Finally, it is argued there can he no wholly non-circular account of art.
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Gonzalo, Ferreyra Luis. "Philosophie et politique chez Arturo Andrés Roig." Paris 8, 2012. http://www.theses.fr/2012PA083474.

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Nous avons tenté dans cette thèse, à partir de la mise en relation du discours philosophique avec « le politique », rendre compte des allers-retours d’une pensée. Cette problématique nous a mené à parler de sa radicalisation philosophico-politico-pédagogique d’une part, et du curriculum occultum d’une autre. La première souligne le tournant principal dans sa réflexion qui se concrétise autour de la Philosophie de la Libération des années 70 donnant ainsi naissance à sa période latino-américaniste. Le deuxième concept veut mettre en valeur, malgré les tournants et ruptures opérés dans sa pensée contemporaine, sa fidélité à la période que la précède, à savoir, à la philosophie classique et principalement, dans celle-ci, au platonisme. Le grand enjeu de cette thèse est de rompre avec le commentaire académique de son œuvre. Nous avons voulu mettre en scène un philosophe et son combat au milieu des circonstances institutionnelles et politiques où se produit le discours philosophique. A partir de la confrontation du discours philosophique et universitaire de Roig avec son engagement des années 70, nous voulons donner une nouvelle perspective à sa singularité philosophique : du penseur engagé et philo-marxiste, vers le méconnu ou oublié, spiritualiste, platoniste, pédagogue et « réformiste »
Stemming from the juxtaposition of philosophical discourse and “the political”, this thesis analyses the allers-retours of Arturo Andrés Roig’s philosophical reflection. This problematic has led us to examine its philosophic-political-pedagogical radicalisation on the one hand, and the curriculum occultum, on the other. The first underlines the turning point in his thinking, which would materialize over the course of the 1970s philosophy of liberation and lead to the emergence of his Latin-American period. The second concept will highlight, despite these shifts and ruptures produced in his contemporary thought, Roig’s loyalty to the preceding period, that is to say, to Classical philosophy and notably, to Platonism. A large contribution of this thesis is to break from established academic commentary of Roig’s work. Instead, we sought to depict and examine a philosopher and his struggle in the context of the institutional and political circumstances in which his philosophical discourse is produced. The confrontation of Roig’s philosophical and academic discourse, which separates him from his political engagement during the 1970s, allows us to establish a new perspective that emphasises his philosophic uniqueness : we will consider him not only as an engaged thinker and Marxist philosopher, but also one concerned with the neglected or forgotten, spiritualist, Platonist, pedagogue and “reformist”
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Rhode, Wolfgang. "Schopenhauer heute : seine Philosophie aus der Sicht naturwissenschaftlicher Forschung /." Rheinfelden ; Berlin : Schäuble, 1994. http://catalogue.bnf.fr/ark:/12148/cb374450184.

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Klaus, Hans-Heinrich [Verfasser], and Claus Artur [Akademischer Betreuer] Scheier. "Die schaffende Seele, Nietzsches Nähe zu Horaz / Hans-Heinrich Klaus ; Betreuer: Claus Artur Scheier." Braunschweig : Technische Universität Braunschweig, 2009. http://d-nb.info/1175825573/34.

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O'Brien, Marianne. "Aesthetics and ethics at the intersection: Contemporary reflections on the philosophy of Arthur Schopenhauer." Thesis, University of Liverpool, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.494273.

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In the last hundred years of commentarial literature on Schopenhauer, the breadth and profundity of the relationships that exist between aesthetics and ethics in his philosophy have been overlooked and overshadowed by studies of Schopenhauer as a metaphysician. This exploration of the status of the metaphysical connection between aesthetics and ethics in his philosophy. In order to establish the significance of this connection for contemporary debates on aesthetics and ethics, I elucidate Schopenhauer's philosophy in a manner that addresses its inconsistencies and inadequacies whilst being conducive to the clear articulation and development of its key themes and central insights.
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McGeachie, James Alistair. "'Mr Balfour's apologetics' : excoriation and accommodation in the intellectual formation of Arthur Balfour." Thesis, University of Cambridge, 1995. https://www.repository.cam.ac.uk/handle/1810/273031.

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Kienzle, Ulrike. "Das Weltüberwindungswerk : Wagners Parsifal, ein szenisch-musikalisches Gleichnis der Philosophie Arthur Schopenhauers /." Laaber : Laaber-Verlag, 1992. http://catalogue.bnf.fr/ark:/12148/cb35530536x.

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Goodin, David. "Albert Schweitzer's reverence for life ethic in relation to Arthur Schopenhauer and Friedrich Nietzsche." Thesis, McGill University, 2011. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=103600.

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The present work examines the Reverence for Life ethic of Albert Schweitzer in terms of its philosophical grounding through the works of Arthur Schopenhauer and Friedrich Nietzsche. The role of these thinkers has not been well understood in prior scholarship on Schweitzer, and it had been presumed that his reliance on these figures created serious flaws with his ethical system by making it excessively metaphysical. This investigation proceeds through an analysis of the historical sources used by Schweitzer for the development of his ethic. It is argued that Schweitzer drew upon the will-to-live concept from Schopenhauer and the naturalistic Will to Power theory of Nietzsche to create an elemental nature philosophy compatible with empirical science. These elements were used by Schweitzer to support a new ontological understanding of the human person, a project termed by him as the New Rationalism. This naturalistic ethical foundation placed people in the world as moral agents. After demonstrating the coherence of Schweitzer's Reverence for Life ethic, his system is then examined in relation to its applicability in contemporary environmental ethics through Schweitzer's commentary on economic life and ethical personhood.
L'ouvrage présent se penche sur l'éthique du « Respect de la vie » d'Albert Schweitzer, en termes de ses fondements philosophiques puisés aux œuvres d'Arthur Schopenhauer et de Friedrich Nietzsche. Le rôle de ces penseurs n'a pas bien été compris dans les travaux académiques existants sur Schweitzer. Il a été présumé que les emprunts à ces deux philosophes créaient de sérieuses failles dans le système éthique développé par Schweitzer en le rendant excessivement métaphysique. Cette enquête procède à l'analyse des sources historiques employées par Schweitzer pour développer son éthique. Il est proposé que Schweitzer se soit servi du concept de la « Volonté de vivre » de Schopenhauer et de la théorie naturaliste de la « Volonté de puissance » de Nietzsche pour créer une philosophie élémentaire de la nature, elle-même compatible avec la science empirique. Ces éléments ont été utilisés par Schweitzer pour appuyer une nouvelle compréhension ontologique de la personne humaine, projet qu'il a nommé « Nouveau rationalisme ». Ce fondement éthique naturaliste situe les gens à l'intérieur du monde en tant qu'agents moraux. Après avoir démontré la cohérence de l'éthique du « Respect pour la vie » de Schweitzer, son système sera examiné en relation à son applicabilité dans l'éthique environnementale contemporaine, à travers les observations de Schweitzer sur la vie économique et sur son éthique en tant qu'individu.
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Eisenbach, Gerhard K. "Physische und moralische Weltansicht Schopenhauer als Kritiker der Aufklärung." Heidelberg Winter, 1999. http://deposit.ddb.de/cgi-bin/dokserv?id=2712887&prov=M&dok_var=1&dok_ext=htm.

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Korfmacher, Wolfgang. "Ideen und Ideenerkenntnis in der ästhetischen Theorie Arthur Schopenhauers /." Pfaffenweiler : Centaurus-Verlagsgesellschaft, 1992. http://catalogue.bnf.fr/ark:/12148/cb356021612.

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Books on the topic "Artur Philosophy"

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1882-1951, Schnabel Artur, ed. My life and music. New York: Dover Publications, 1988.

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Barua, Arati. The philosophy of Arthur Schopenhauer. New Delhi: Intellectual Pub. House, 1992.

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Magee, Bryan. The philosophy of Schopenhauer. Oxford: Clarendon Press, 1997.

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Magee, Bryan. The philosophy of Schopenhauer. Oxford: Clarendon, 1987.

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The philosophy of Schopenhauer. Oxford: Clarendon Press, 1989.

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Historical dictionary of Schopenhauer's philosophy. Lanham, Md: Scarecrow Press, 2005.

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Dab̨ek, Dariusz. Kosmologia Edwarda Artura Milne'a i jej filozoficzne implikacje: Edward Arthur Milne's cosmology and its philosophical implications. Lublin: Wydawnictwo KUL, 2011.

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The philosophy of Schopenhauer. London: Acumen, 2005.

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Jacquette, Dale. The philosophy of Schopenhauer. Chesham [England]: Acumen, 2005.

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Schopenhauer, Arthur. Arthur Schopenhauer: Philosophie in Briefen. Frankfurt am Main: Insel Verlag, 1989.

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Book chapters on the topic "Artur Philosophy"

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Hühn, Lore. "Schopenhauer, Arthur." In Philosophen, 229–35. Stuttgart: J.B. Metzler, 2004. http://dx.doi.org/10.1007/978-3-476-02949-2_52.

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Vanden Auweele, Dennis. "Schopenhauer, Arthur." In Encyclopedia of the Philosophy of Law and Social Philosophy, 1–4. Dordrecht: Springer Netherlands, 2019. http://dx.doi.org/10.1007/978-94-007-6730-0_646-1.

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Hühn, Lore. "Schopenhauer, Arthur." In Metzler Philosophen Lexikon, 807–13. Stuttgart: J.B. Metzler, 1995. http://dx.doi.org/10.1007/978-3-476-03642-1_258.

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Teichman, Jenny. "Arthur Schopenhauer." In An Introduction to Modern European Philosophy, 38–48. London: Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1007/978-1-349-26651-7_4.

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Carroll, Noël. "Arthur Schopenhauer." In The Blackwell Guide to Continental Philosophy, 30–42. Oxford, UK: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470997093.ch3.

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Teichman, Jenny. "Arthur Schopenhauer." In An Introduction to Modern European Philosophy, 38–48. London: Palgrave Macmillan UK, 1995. http://dx.doi.org/10.1007/978-1-349-24232-0_4.

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Malter, Rudolf. "Arthur Schopenhauer." In Kindler kompakt Philosophie 19. Jahrhundert, 79–88. Stuttgart: J.B. Metzler, 2016. http://dx.doi.org/10.1007/978-3-476-05536-1_7.

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Howard, Alex. "Arthur Schopenhauer (1788–1860)." In Philosophy for Counselling and Psychotherapy, 225–37. London: Macmillan Education UK, 2000. http://dx.doi.org/10.1007/978-1-137-04644-4_23.

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Rosenkrantz, R. D. "Arthur Burks on the Presuppositions of Induction." In The Philosophy of Logical Mechanism, 233–50. Dordrecht: Springer Netherlands, 1990. http://dx.doi.org/10.1007/978-94-009-0987-8_13.

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Sturm, Holger. "Russell, Bertrand Arthur William Earl: The Problems of Philosophy." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_20267-1.

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Conference papers on the topic "Artur Philosophy"

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Zhang, Pengju, and Hai Liang. "Analytical Philosophy to Philosophical Analysis: Arthur C. Danto’s Analytical Approach to the Formation of Aesthetic Thought." In 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200907.039.

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Bebrišs, Rūdis. "Kas objektu padara par mākslas darbu, skaņu – par mūziku? Artūra Danto mākslas pasaules idejas kritika." In LU Studentu zinātniskā konference "Mundus et". LU Akadēmiskais apgāds, 2021. http://dx.doi.org/10.22364/lu.szk.2.rk.03.

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he article focuses on the critique of the definition of art by the American art philosopher Arthur Coleman Danto (1924–2013). This definition could be called the “missing link” in the understanding of art for people who do not understand why modern art is art, or openly criticize and abnegate it on the basis of such incomprehension. In Danto’s theory, one can point to three criteria that any object must meet in order to become an artwork – aboutness, embodiment and inclusion in the artworld, in other words, being in a social and historical relationship with all the art that exists to date.However, since any definition should adequately describe every subject to which it applies, the definition of art must be able to explain all expressions of art. Although Danto’s idea has proven its competence in defining visual art, is it as successful in embracing other forms of art, for example, music? The aim of the current study is to find an answer to this question. To achieve this goal, firstly, Arthur Danto’s theory is outlined, and secondly, it is weighed against music. By problematizing the cornerstone of Danto’s theory or the question of indiscernible counterparts, it is ultimately argued that Arthur Danto’s definition of art does not have a capacity to adequately define music, and a solution to this problem is proposed.
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