Dissertations / Theses on the topic 'Arts – Northern Ireland – Belfast'
To see the other types of publications on this topic, follow the link: Arts – Northern Ireland – Belfast.
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 44 dissertations / theses for your research on the topic 'Arts – Northern Ireland – Belfast.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.
1
Cuny, Lara. "Between the State and the Arts ˸ Council for the Encouragement of Music and the Arts/Arts Council of Northern Ireland (1943-2016)." Thesis, Paris 3, 2019. http://www.theses.fr/2019PA030041.
Full textAbstract:
En 1939, le Council for the Encouragement of Music and the Arts (CEMA) est créé en Grande-Bretagne afin de financer la production artistique. Quatre ans plus tard, sous les pressions du gouvernement de Londres, la même institution est constituée en Irlande du Nord. N’étant pas le fruit d’une volonté politique locale, le CEMA (NI) mettra de longues années à faire accepter le principe d’un soutien public aux arts. Ce travail étudie cette institution, renommée Arts Council of Northern Ireland (ACNI) en 1963, dans toutes ses dimensions : politique, économique, sociale, identitaire, culturelle et, bien sûr, artistique. En effet, si les fonctions et le budget du CEMA sont extrêmement restreints en 1943, le Conseil acquiert de nombreuses responsabilités et s’affirme progressivement, même si sa ligne directrice reste très influencée, voire contrôlée, par le gouvernement unioniste. A partir des année 1970, le conflit opposant républicains et loyalistes l’oblige néanmoins à se replier sur lui-même et à se murer dans une politique souvent critiquée comme élitiste, afin de maintenir une neutralité qu’il juge irréprochable. Par la suite, le processus de paix lui confère un réel rôle en termes de promotion de la réconciliation entre les communautés. La création d’un ministère de la Culture en 1998 augmente son intégration dans une politique culturelle menée par un gouvernement local de coalition. La culture, en tant que révélatrice des identités régionales, demeure cependant un point controversé et clivant, certains universitaires allant jusqu’à dire qu’il s’agit maintenant d’une guerre non plus armée, mais culturelleIn 1939, as war had just broken out, the Council for the Encouragement of Music and the Arts (CEMA) was created in Great Britain to finance the arts. Four years later, the same organisation was established in Northern Irelad because of the pressure coming from the London government. As it was not born out of regional political conviction, CEMA (NI) struggled for years to get the principle of public support for the arts accepted.The present work studies this organisation, which was renamed Arts Council of Northern Ireland (ACNI) in 1963, under various angles: political, economic, social, cultural and, of course, artistic. It will also question the arm’s length principle and the separation between the realm of politics and that of the arts that the Council was supposed to guarantee. Indeed, even though the role and the budget of CEMA were extremely limited in 1943, the Council progressively acquired numerous responsibilities. This did not go unnoticed by the unionist government, which sought to control CEMA/ACNI and how it distributed grants. With the outbreak of the Troubles in the late 1960s, the Council increasingly isolated itself in order to be recognised as neutral in the conflict. However, this also pushed it to put in place a policy that was perceived as elitist and cut out from the population. In the 1990s, the Peace Process gave ACNI a new role in the promotion of reconciliation between the communities. With the creation of the Department of Culture, Arts and Leisure in 1998, the Council was further integrated into the cultural policy framework of the regional and power-sharing government. Nevertheless, culture remained a sore point and a divisive issue in Northern Ireland, with academics going as far as to say that the conflict has now become a cultural war
2
Hamayon-Alfaro, Hélène. "Les arts communautaires à Belfast de 1979 à 2006 : de la marge au consensus ?" Thesis, Paris 3, 2009. http://www.theses.fr/2009PA030143.
Full textAbstract:
Ce travail de recherche explore les raisons et les enjeux de l’essor des arts communautaires à Belfast de 1979 à 2006. Il a pour objectif de mettre en relief une interdépendance entre les stratégies déployées pour résoudre le conflit nord-irlandais et le développement des arts communautaires. Nous avons, dans un premier temps, analysé le contexte dans lequel les arts communautaires ont émergé à Belfast. Nous avons, ensuite, étudié en parallèle le développement des stratégies mises en œuvre tant sur le plan national qu’européen et l’essor des arts communautaires. Principalement présents dans les quartiers catholiques, les arts communautaires ont d’abord été l’expression d’une résistance aussi bien artistique que politique. Au cours des années 90, le regard que les milieux décisionnels portent sur les arts communautaires évolue, notamment sous l’impulsion de l’Europe dont les Programmes pour la Paix et la Réconciliation encouragent la participation des habitants à des projets variés. Identifiés comme moteur de changement, les arts communautaires apparaissent en mesure de répondre aux attentes gouvernementales et européennes en termes de construction de la paix, de cohésion sociale, de relations communautaires et de développement économique. Dans un contexte de sortie de conflit, la municipalité de Belfast, désireuse de transformer l’image de la ville et de s’ouvrir sur l’extérieur, place les arts et la culture au cœur d’une stratégie de reconversion urbaineThis dissertation looks into the factors that have caused the Belfast community arts sector to grow over a period of time that was marked by major political changes. Indeed, in the 80s community arts, which developed primarily in Catholic working-class areas against a backdrop of communal violence and community activism, were marginalised, undervalued and underfunded. In the 90s, this situation gradually changed as the British government and Europe came to realise the contribution community arts could make to peace building, social cohesion, community relations and economic development by enhancing community confidence. The impact this shift in approach has had, has been particularly impressive in the field of arts and culture where cultural trends promoting greater participation and wider access to the arts have gained momentum. In practice, the gradual move from arts policy to cultural policy has meant that community arts have been placed! at the heart of Belfast’s regeneration process and increasingly used as a tool to further public policies
3
Nelson, Andrew J. "Belfast: Perspectives of a City." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc500003/.
Full textAbstract:
This thesis film is an examination of my evolving perspectives and understanding of my Irish heritage as I travel to the city of Belfast, Northern Ireland. Through the course of a year and a half, I traveled to Belfast to explore the modern state of the sectarian conflicts between the Catholic and Protestant communities. Through the use of personal reflection, historical research, interviews with local residents, and on-location experiential learning, I began to learn not only about the modern state of Belfast and its economic and social climate, but also about the complexities of personal cultural identification and the concept of “truth” and “mutual guilt” when associated with acts of violence. With the use of the short documentary as the medium of choice, I am able to relay to audiences not only my own personal reflection of identity and history, but then allow them to reflect on their own perspectives as well, helping to create sincere moments of personal thought and reflections.
4
Harrison, Jessica. "Dissolving boundaries a catalytic approach to ameliorate Belfast, Northern Ireland /." This title; PDF viewer required. Home page for entire collection, 2009. http://archives.udmercy.edu:8080/dspace/handle/10429/9.
Full text
5
Benedetti, Alexa Leigh. "Civil Religion Iconography : A New Theoretical Perspective Regarding Public Art." Thesis, Uppsala universitet, Teologiska institutionen, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-445889.
Full textAbstract:
Based on the idea that public art reflects cultural values and is meant, not as many have argued as a means of teaching history, but rather as a means of promoting cultural ideals, public art serves a role in lauding people and behaviors and reflects an important facet in the creation of a national identity and ethos. Further, that in this function of promoting societal norms, public art serves as an iconography of a “civil religion” which tells a story to the citizenry about what a given country admires, reveres and aspires to and promotes a specific moral narrative regarding a country and its people. Thus, public art forms an iconography reflecting the norms of the “civil religion” and its related mores, morals and ethical values.
6
Moran, Jade. "Informal justice in West Belfast : the local governance of anti-social behaviour in Republican communities." Thesis, University of Cambridge, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609000.
Full text
7
Rowlett, S. E. "Heroes and villains : the life and times of the west Belfast joyriders : a study of contemporary youth lifestyles in the sectarian communities of nationalist and loyalist west Belfast." Thesis, Queen's University Belfast, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.273362.
Full text
8
Lane, Karen. "Not-the-Troubles : an anthropological analysis of stories of quotidian life in Belfast." Thesis, University of St Andrews, 2018. http://hdl.handle.net/10023/15591.
Full textAbstract:
To understand the complexity of life in a city one needs to consider a spectrum of experience. Belfast has a history of conflict and division, particularly in relation to the Troubles, reflected in comprehensive academic studies of how this has affected, and continues to affect, the citizens. But this is a particular mode of representation, a vision of life echoed in fictional literature. People's quotidian lives can and do transcend the grand narratives of the Troubles that have come to dominate these discourses. Anthropology has traditionally accorded less epistemological weight to fleeting and superficial encounters with strangers, but this mode of sociality is a central feature of life in the city. The modern stranger navigates these relationships with relative ease. Communicating with others through narrative – personal stories about our lives – is fundamental to what it is to be human, putting storytelling at the heart of anthropological study. Engagements with strangers may be brief encounters or build into acquaintanceship, but these superficial relationships are not trivial. How we interact with strangers – our public presentation of the self to others through the personal stories we share – can give glimpses into the private lives of individuals. Listening to stories of quotidian life in Belfast demonstrates a range of people's existential dilemmas and joys that challenges Troubled representations of life in the city. The complexity, size and anonymity of the city means the anthropologist needs different ways of reaching people; this thesis is as much about exploring certain anthropological methodologies as it is about people and a place. Through methods of walking, performance, human-animal interactions, my body as a research subject, and using fictional literature as ethnographic data, I interrogate the close relationship between method, data and analysis, and of knowledge-production and knowledge-dissemination. I present quotidian narratives of Belfast's citizens that are Not-the-Troubles.
9
Weiant, Lydia. "When Law Falls Short: Informal Justice Initiatives in West Belfast, Northern Ireland." Ohio University Honors Tutorial College / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1461266200.
Full text
10
Williams, Jennifer L. "ADVICE, INFLUENCE, AND INDEPENDENCE: ADOLESCENT NUTRITIONAL PRACTICES AND OUTCOMES IN BELFAST, NORTHERN IRELAND." UKnowledge, 2013. http://uknowledge.uky.edu/anthro_etds/9.
Full textAbstract:
The goal of this dissertation is to discuss relationships between the sociocultural environment and nutritional status outcomes in an urban industrialized city with high rates of poverty. The purpose is to highlight the complex web of factors shaping nutritional status outcomes and move beyond cause and effect approaches to nutrition in an environment where obesity is a central nutritional concern. To accomplish this goal, I examine a range of factors that relate to adolescent nutritional practices and nutritional status outcomes in a sample population of adolescents living in Belfast, Northern Ireland. I discuss connections between social locations such as age, gender, geographic area, and socioeconomic status. I also highlight the range of nutritional status outcomes observed in the sample population, while examining broader social, political, and economic aspects of the lives of adolescents that differentially shape nutrition-related experiences in the city. Finally, I demonstrate that adolescents occupy a complex social location in which autonomy, advice, and influence from sociocultural and political-economic factors shape their diet and exercise practices and nutritional status outcomes in multi-faceted, and at times unexpected, ways. In doing so, I emphasize the benefits of a localized, rather than a globalized approach to nutritional concerns such as obesity.
11
Manson, Christopher John Matthew. "The commemoration of the Great War in Belfast, Ulster and Northern Ireland, 1918-1939." Thesis, University of Ulster, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.425232.
Full text
12
Schmideder, Veronika. "Living Belfast." Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät II, 2012. http://dx.doi.org/10.18452/16625.
Full textAbstract:
Der nordirische Autor Glenn Patterson (geboren 1961) hat sich als Städteschrifsteller und zeitgenössischer Chronist seiner Heimatstadt Belfast einen Namen gemacht. In seinen Texten arbeitet er immer wieder die kaum greifbare Komplexität und unendliche Vielfalt Belfasts heraus. Die Arbeit zeigt auf, wie Patterson in den Romanen „Fat Lad“, „The International“, „Number 5“ und „That Which Was“ die Stadt dreidimensional konstruiert: auf einer räumlichen einer sozialen und einer geschichtlichen Ebene. Diese dreiteilige Ordnung strukturiert auch die Arbeit selbst und bezieht sich auf ein Raumverständnis, das innerhalb des „spatial turn“ theoretisiert wurde. Vornehmlich zitiert werden Edward W. Soja und Doreen Massey. Die beiden Geographen sehen Räumlichkeit, Geschichtlichkeit und Sozialität als eng miteinander verzahnt und gleichberechtigt und plädieren für eine Dekonstruktion binärer Gegensätze. Dieses interdependente Raumverständnis eignet sich sehr gut für eine Analyse von Pattersons Romanen. In ihnen stellt er Belfast in seiner facettenreichen Komplexität dar und betont die Wandelbarkeit der Stadt als ihr wichtigstes Charakteristikum. Dies erreicht er, indem er räumliche, geschichtliche und soziale Ebenen miteinander kombiniert und immer wieder binäre Gegensätze unterwandert. Damit nimmt der Schriftsteller eine besondere Rolle in der nordirischen Literatur ein, in der die sogenannten „Troubles“ immer noch sehr viel Aufmerksamkeit erhalten, und in der Belfast, als einer der Hauptschauplätze der „Troubles“, allzu oft als stagnierend, eindimensional und von zwei exklusiven Gemeinschaften dominiert beschrieben wird. Um Patterson in die literarische Tradition Nordirlands einzuordnen, gibt die Arbeit auch einen Überblick über die Geschichte des nordirischen Städteromans. Ferner analysiert sie drei Romane, die exemplarisch stehen für einige maßgebliche Entwicklungen in der Literatur des Landes und vergleicht ihre Darstellungen Belfasts mit denen in Pattersons Romanen.The Northern Irish novelist Glenn Patterson (born 1961) has become known as an urban writer and contemporary chronicler of his hometown Belfast. In his texts he illustrates the intangible complexity and indefinite multiplicity of Belfast. The thesis shows how Patterson in his novels “Fat Lad”, “The International”, “Number 5” and “That Which Was” constructs the city threefold: spatially, socially and historically. This three-dimensional order also structures the thesis itself and refers to an understanding of space as theorized during the so called “spatial turn”. The thesis explicitly utilises concepts of Edward W. Soja and Doreen Massey. The two social geographers see the spatial, the temporal and the social as closely interdependent and argue for the deconstruction of binary oppositions. In the thesis this interdependent understanding of space forms the basis of an analysis of Patterson’s novels, showing how the writer represents Belfast in all its heterogeneous complexity and emphasises the city’s potential for change as its most important characteristic. He achieves this by combining spatial, temporal and social dimensions and by challenging existing binarisms. In doing so Patterson plays an important role in Northern Irish literature, which has been dominated by the “Troubles” and in which Belfast is often portrayed as stagnating, one-dimensional and inhabited by two exclusive communities. Placing Patterson within a literary tradition in Northern Ireland, the thesis gives an overview of the history of the Northern Irish urban novel. Furthermore, it analyses three novels that represent important developments in the literature of the country, and it compares the representations of Belfast in these novels with those in Patterson’s texts.
13
Albert, Cornelia. "The peacebuilding elements of the Belfast agreement and the transformation of the Northern Ireland conflict." Frankfurt, M. Berlin Bern Bruxelles New York, NY Oxford Wien Lang, 2008. http://d-nb.info/994941781/04.
Full text
14
Keating, Alexander M. (Alexander Matthew). "Redeveloping division : the legacy of conflict and contested space in post-peace treaty Belfast, Northern Ireland." Thesis, Massachusetts Institute of Technology, 2010. http://hdl.handle.net/1721.1/59752.
Full textAbstract:
Thesis (M.C.P.)--Massachusetts Institute of Technology, Dept. of Urban Studies and Planning, 2010.Cataloged from PDF version of thesis.
Includes bibliographical references (p. 100-104).
This thesis examines the ways in which the phenomena of walling, ethnic segregation, sectarian violence, and imbalanced urban development have continued to reproduce themselves and reinforce one another in the present day, post-Good Friday city of Belfast. Situated within an understanding of the historic patterns of urban development and sectarian conflict in Belfast, as well as the city's emerging socio-spatial divergence, three case studies of present-day management and development at key 'interface' areas in North, West, and East Belfast are presented. These case studies highlight the continued legacy of violent conflict on present-day development outcomes, as well as help to frame the impact that these outcomes have on the emergence of divergent visions of desired post-conflict urban development. Ultimately, this thesis underlines why interface management, urban development, and the mitigation or escalation of violent conflict must not be addressed as separate functions within the context of chronic violence by examining how the Belfast's legacy of urban violence has conditioned the restructuring of physical space at various scales, and has itself subsequently been conditioned by those outcomes.
by Alexander M. Keating.
M.C.P.
15
Sepe, Czar Alexei. "From Beirut to Belfast: How Power-Sharing Arrangements Affect Ethnic Tensions in Post-Conflict Societies." Thesis, Boston College, 2021. http://hdl.handle.net/2345/bc-ir:109162.
Full textAbstract:
Thesis advisor: Peter KrauseTo what extent do power-sharing arrangements increase or decrease ethnic tensions? This thesis sets to explore this question using Lebanon and Northern Ireland as comparative case studies. I use Pierre Nora’s lieux de mémoire scheme of historical memory to craft a theory of sites of social interaction (SSI). In addition, I outline three main strategies of social cohesion in power-sharing institutions. SSIs and cohesion strategies that increase tensions will cause power-sharing failure in the long run, and vice versa. I conclude that there is a causal link between power-sharing arrangements and ethnic tensions in divided societies, through the mechanisms of SSIs and cohesion strategies. Lebanon and Northern Ireland encode power-sharing with different sites of social interaction, as a reflection of a society’s composition, and different cohesion strategies, as a reflection of power-sharing design. Power-sharing implementation provides us with the missing link in our knowledge of power-sharing and ethnic tensions
Thesis (BA) — Boston College, 2021
Submitted to: Boston College. College of Arts and Sciences
Discipline: Departmental Honors
Discipline: Political Science
16
Tuck, Sarah. "After the Agreement : contemporary photography in Northern Ireland." Thesis, University of Brighton, 2015. https://research.brighton.ac.uk/en/studentTheses/d667ce41-4fca-4da2-91b8-fa5784cdb48d.
Full textAbstract:
This thesis utilises Ariella Azoulay’s proposition of the ‘event of photography’ as a critical research method and curatorial framework to explore the affective meanings of photographs in the context of the aftermath of the Troubles signalled by the Good Friday Agreement. It examines the implications of staging the ‘event of photography’ as a curated research process and dramaturgical methodology in order to explore the political temporality of post Agreement through a discussion of the affective meanings of the work of six photographers - John Duncan, Kai Olaf Hesse, Mary McIntyre, David Farrell, Paul Seawright and Malcolm Craig Gilbert.
17
London, William H. "Politics and Paint: Murals, Memory, and Archives in Northern Ireland, 1968-1998." Miami University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=miami1469988055.
Full text
18
Sharkey, Helen. "Towards a twentieth century participatory arts archive of Northern Ireland." Thesis, University of Ulster, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.486958.
Full textAbstract:
This thesis re-creates the memory of participatory arts practice in Northern Ireland over a one hundred year period. Participatory arts here refers to nonprofessional arts practice and production, outside of the established professional arts arena or marketplace, incorporating the voluntary art sector and the community art sector. Volume one of this research highlights the various funding trends through the decades that created many innovative arts programmes, and the origin and growth of the organisational stakeholders who directly affected the field of participatory art in the province through their ongoing sponsorship and/or facilitation of participatory projects. Volume two is a chronological archive of 1,442 participatory art groups or projects. This database shows the non-professional arts production funded by agencies and NGOs, and the archive is divided Into twenty-four timelines with five arts disciplines or categories including music, drama, visual arts, literary arts and dance. Each arts group or project entry in the database states the geographical location (either county or city) and the type of art facilitated to the local community-of-interest. It cites the original date when they started, the name of the group or organisation and reference source. Agencies attempted to extend local perceived 'heritage of identity' within the region during its thirty plus years of civil conflict. They paid artists and arts groups to facilitate arts projects to polarised urban and rural communities as an active policy of 'Informal education' and 'life-long learning' for many with participation in art projects leading to enhanced personal and social skills.
19
Alldred, Sarah Ruth. "Community arts as a tool for reconciliation in Northern Ireland." Thesis, Coventry University, 2003. http://curve.coventry.ac.uk/open/items/28d74c6a-fdde-81bb-dd05-04db2fade381/1.
Full textAbstract:
The thirty years of sectarian violence between the Catholic and Protestant communities (known as the Troubles), left the Northern Ireland society deeply suspicious of the 'other'. Since the sighing of the Good Friday Agreement in 1998, Northern Ireland has moved through a tentative peace process. At the time of writing the issues that hold the peace process in stasis include the decommissioning of paramilitary weapons and policing. Similarly the release of political prisoners as part of the Good Friday Agreement has been a difficult reality to face foa significant number of victims of sectarian violence. During the Troubles two approaches prevailed in attempting to reconcile tohe two main communities iand bring an end to the conflict. These were the structural approach and the cultural approach. The structural approach saw the roots of the Northern Ireland conflict as lying within its institutional frameworksand looked for ways to address this. Alternately, the cultural approach saw hat thte conflict was sustained through the belief systems of the two main communities, with the perpetuation of thnegative myths about the 'other'. Resolution of the conflict was seen to be possible by challenging these belief systems through either cross-community work, which brought together Cathoics and Protestants in face to face meetings, or community developemtn work, which focussed on single identity work, empowering the identites of each community so that the two main communities could come together as equals,. It was generally acknowledged that the structural and cultural approaches nneded to be used in tandem, in the effort to reconcile the two main communities. The thesis focuses particularly on the cultural approach, by examining what role, if any, community arts played in reconsiling the two main communities in Norther Ireland between 2001 and 2002, four years af the signing of the Good Friday Agreement. The assumptions that informed this research were: i) reconciliation, the restoration of relationships, can be facilitated through the creation of a safe environment wherein people can express their stories of living through a period of violent conflict, to and with one another, in a non-threatening space; ii) community arts can assist in the creation of these safe spaces by producing opportunities for people to create and express these stories in different and less threatening ways. In examining the role of community arts, the thesis highlights three approaches community arts organisations adopted in their work: an arts for arts sake approach, a cross-community approach and a community development approach. By using these approaches, the thesis shows that whilst community arts has helped in a significant number of ways, a large number of people in Northern Ireland have not been ready to talk about reconciliation, and significant sections of the Protestnant community have been reluctant to engage in community arts activities, both within their own community and with members of the Catholic community.
20
Stewart, Heather Angela. "Young people's victimisation from crime in Belfast, Northern Ireland : a study of individual and community level risk factors." Thesis, University of Cambridge, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.270961.
Full text
21
Arvidsson, Rasmus. "Ett ständigt pausat krig? : En studie om attityder i Nordirland av den första generationen efter ”the Troubles”." Thesis, Linnéuniversitetet, Institutionen för samhällsvetenskaper, SV, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-19791.
Full textAbstract:
Ireland had, by the year of 1998, been an island of war and conflict to some extent for almost 1000 years. The northeast part of the island, called Northern Ireland, had been under British domination for over 25 years when “the Troubles” ended by the year of 1998. This essay aims towards explaining how the first generation after “the Troubles” has been shaped in terms of political and religious beliefs and attitudes in the society of Belfast. Furthermore, this study seeks to understand the complex nature of the peace agreement and the political consociational power-sharing system that permeates Belfast and it’s people. By conduct interviews with six, picked young persons from Belfast, this essay will, in a qualitative and theoretical way, explain what, and even more so, why the prevailing attitudes exists, and which influences they are derived from. By a socialisation and Marxist theory, these articulated attitudes will be explained, compared and analysed on a deep level.
22
McClean, E. "Voices from the margins : a study of social exclusion and urban regeneration in Belfast, Northern Ireland and Halifax, Nova Scotia." Thesis, Queen's University Belfast, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.273094.
Full text
23
Hunter, Pauline. "An investigation into the lifestyle, risk behaviours and health care needs of street-based female prostitutes in Belfast, Northern Ireland." Thesis, University of Ulster, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.412150.
Full text
24
Robinson, Timothy J. T. "An Increased Emphasis on the Critical Elements of the Spiritual Life and Spiritual Formation within Preaching in Belfast, Northern Ireland." Thesis, Biola University, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=13863803.
Full textAbstract:
This study proposes that within preaching, preachers should increase their emphasis on the critical elements of the spiritual life and spiritual formation so that moral formation is avoided, spiritual formation is embraced, and hearts are formed into Christlikeness, with a growth in spiritual fruit.
It is believed that many Christians within Northern Ireland do not know the difference between moral formation and spiritual formation. Generally, there seems to be a limited understanding of the spiritual life and spiritual formation, with many sermons lacking any significant emphasis on these elements.
Therefore, this study researches the difference increasing one’s emphasis on the critical elements of the spiritual life and spiritual formation makes within preaching. A full biblical, theological, and literary foundation is laid for the proposal that increasing one’s emphasis on these elements within preaching will lead to moral formation being avoided, spiritual formation being embraced and hearts being formed into the likeness of Christ, with a growth in spiritual fruit. Teaching, training and testing is conducted among local believers in Belfast, Northern Ireland, with the findings of this research seeking to prove the original proposal. It is hoped that the results of this study will benefit the Northern Irish church and lead to hearts being spiritually formed for many years to come.
25
Kennedy, C. "'A desert for the arts'? Orchestral provision in Northern Ireland, 1945-1981." Thesis, Queen's University Belfast, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.678704.
Full textAbstract:
This thesis is the first analysis of orchestral music in Northern Ireland, and the first academic project that has focused on any aspect of musical life in Northern Ireland in the post-Second World War era. CEMA/ACNI's music subsidy and BBC music policy are examined in tandem, as these two organisations were the primary sponsors of orchestral music in the region during this period. In 1945, there was no professional orchestral ensemble in Northern Ireland, though over the ensuing years a number of developments took place in the sphere of orchestral provision. The first of these was the establishment of the part-time BBC Northern Ireland Light Orchestra in 1949, a studio-based ensemble of fifteen players. The formation of the City of Belfast Orchestra followed in 1950, a semi-professional orchestra that was heavily reliant on the participation of BBC Northern Ireland players. In 1965 the BBC extended the contracts for its BBC Northern Ireland Light Orchestra from part-time to full -time, leading to the situation whereby the City of Belfast Orchestra was no longer sustainable. The City of Belfast Orchestra was subsequently disbanded, and in 1966 ACNI formed the Ulster Orchestra, a full-time orchestra of37 players that was dedicated to concert-giving and education work throughout Northern Ireland. Despite some initial successes, it soon became apparent that the Ulster Orchestra was living well beyond its means, and in 1969 a reappraisal of the orchestra's position was undertaken. Under the auspices of the Northern Ireland government's Operations and Methods department, a report was issued which recommended the amalgamation of the Ulster and BBC Northern Ireland orchestras. Both ACNI and the BBC were amenable to this, though in 1974 the Musicians' Union rejected the proposed merger. ACNI reacted to this rejection by commissioning a Working Party to assess the Ulster Orchestra's situation. In 1976 this Working Party presented its findings, and once again recommended a merger with the BBC Northern Ireland Orchestra. Proposals for this second amalgamation attempt were met with resistance from the players of both orchestras, though in 1981 the BBC NI musicians were recruited into an enlarged Ulster Orchestra of 55 players.
26
Earles, Jennifer. "Gender Trouble In Northern Ireland: An Examination Of Gender And Bodies Within The 1970s And 1980s Provisional Irish Republican Army In Northern Ireland." [Tampa, Fla] : University of South Florida, 2009. http://purl.fcla.edu/usf/dc/et/SFE0002849.
Full text
27
Balboni, Elisa. "No(i)rthern Ireland: Crime fiction and the northern-irish scene. Proposed translation into italian of two short stories from "belfast noir"." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2015. http://amslaurea.unibo.it/8176/.
Full textAbstract:
The present thesis aims at proving the importance of cultural and literary contexts in the practice of translation: I shall show that, in the case of Northern Irish crime fiction, knowledge of both Northern Irish history and culture as well as of the genre of crime fiction are essential prerequisites for the production of a “responsible” translation. I will therefore offer a brief overview of the history of crime and detective fiction and its main subgenres; some of the most important authors and works will be presented as well, in an analysis that goes from the early years of the genre to the second half of the 20th century. I will then move the focus to Northern Ireland, its culture and its history, and particular attention will be paid to fiction writing in Ireland and Northern Ireland, with a focus on the peculiar phenomenon of “Troubles Trash”. I will tackle the topic of Northern Irish literature and present the contemporary scene of Northern Irish crime fiction; the volume from which the texts for the translation have been taken will be presented, namely Belfast Noir. Subsequently the focus will move on the theoretical framework within which the translations were produced: I will present a literary review of the most significative developments in Translation Studies, with particular attention to the “cultural turn” that has characterised this subject since the 1960s. I will then highlight the phenomenon of “realia” in translation and analyse the approaches of different scholars to the translation of culture-bound references. The final part represents the culmination and practical application of all that was presented in the previous sections: I will discuss the translation of culture-bound references according to the strategies presented in Chapter 4, referring to the proposed translations of two stories. Such analysis aims to show that not only expert linguistic knowledge, but also cultural awareness and a wide literary background are needed in order to make conscious choices in translation.
28
Mimoso, João Nuno Maximino. "Assessment of eutrophication status of two Northern Irish Loughs." Master's thesis, Faculdade de Ciências e Tecnologia, 2008. http://hdl.handle.net/10362/3927.
Full textAbstract:
Dissertação apresentada na Faculdade de Ciências e Tecnologia da Universidade Nova de Lisboa para obtenção do grau de Mestre em
Engenharia do Ambiente, perfil Engenharia SanitáriaCoastal eutrophication is a global problem which affects many natural systems and human activities throughout the world. The phenomenon of eutrophication has increased substantially due to human activities. It is caused by excess nutrients and is identified by the emergence of some symptoms. The proposed assessment will address this problem in a more specific way. The Assessment of Estuarine Trophic Status (ASSETS)methodology is going to be performed to two Northern Irish Loughs in order to rank their eutrophication status and allow a comparison with other existing methods. The data available for these systems allowed the implementation of this innovative methodology, which can provide a classification based on pressure, state and response. Thus, by considering the influences of anthropogenic activities over the coastal areas, examination of specific symptoms of the water systems and analyzing the indicators for future response, it is possible to achieve consistent results regarding the quality of the water in the “loughs” and, consequently, identify the most adequate tools to enable their proper management. By controlling the nutrient enrichment of coastal areas it is possible to avoid problems, such as, fish kills, interdiction of shellfish aquaculture, loss or degradation of sea grass beds and smothering of bivalves and other benthic organisms. As a result, many social and economical costs can be reduced. ASSETS was successfully applied to both Strangford Lough and Belfast Lough, classifying them as “Moderate”. This classification will not change their water quality status under the Water Framework Directive, Urban Wastewater Treatment Directive or Nitrates Directive, however, it is a tool to guide policy makers into better decisions in terms of future management.
29
Lepp, Eric. "Side-by-side in the Land of Giants : a study of space, contact and civility in Belfast." Thesis, University of Manchester, 2018. https://www.research.manchester.ac.uk/portal/en/theses/sidebyside-in-the-land-of-giants-a-study-of-space-contact-and-civility-in-belfast(8ad5f2f7-9241-49f3-8f89-9d837ccb7ee9).html.
Full textAbstract:
In Northern Ireland, the Good Friday Agreement brought with it a great deal of attention and initiatives to construct and increase intergroup contact and shared spaces in an effort to reconcile divided nationalist/Catholic and unionist/Protestant communities. In the time following this peace agreement, the Belfast Giants ice hockey team was established, and in their 16 years as a team they have become one of the most attended spectator activities in Belfast, trending away from the tribalism, single-space, single-class, and single-gender dynamics of modern sport in Northern Ireland. This thesis research followed the supporters of the Belfast Giants throughout the 2015-2016 ice hockey season to better understand the encounters across historical divisions that are occurring in the Scottish and Southern Energy (SSE) Arena. The research of this PhD thesis is directed by the concepts of social capital, intergroup contact, and civility. These concepts, when placed within the context of divided society, contribute to the thesis' guiding analytical framework, which offers thematic guideposts in areas of prejudice and anxiety, tolerance and trust, space and identity. Influenced by in-depth qualitative research that seeks to access local voices, this research takes the conceptual and analytical guidance into the stands of the SSE Arena. In this way, the unique 'side-by-side' methodology, which involved conducting interviews with the person in the seat to my left or right at Belfast Giants ice hockey games while immersing myself in the supporter community, emerged as not only a contribution to unearthing new voices in this oft-studied region, but also as an innovative contribution to qualitative methodological literatures. Beyond the methodological contribution, this thesis makes two further contributions to existing academic literatures on post-peace agreement relationships. The first of these is through the clear relationship between identity and space that are evident in its findings. Between the poles of conflict and reconciliation are the complex and simple interactions, which when placed in the SSE Arena at a Belfast Giants game illustrate the multi-layered and fluid nature of identity. The thesis finds the hockey arena is a space where a shared identity, 'the hockey family', materialises and includes nationalist and unionist populations. This shared identity is deeply connected to a physical place and activity that are situated outside the all-encompassing nature of division in present-day Belfast. However, within the unusual setting of an ice hockey arena in Northern Ireland there emerges ordinariness in encounter across historical cleavage, and from these mundane interactions comes the final contribution 'side-by-sidedness'. Influenced by supporters' willingness to sit side-by-side those on the opposite side of a historical division who they may not be willing to live beside, this theme is framed as a lightened encounter that challenges assumptions inherent in post-peace agreement settings. The research findings frame the SSE Arena as a site of sanctuary from polarised sectarian identities and activities, as well as a site of resistance from overarching peace agendas that push shared space and seek reconciliation. Side-by-sidedness exists in the everyday between these two poles. In highlighting this space between, this theme challenges the assumptions of 'face-to-faceness' that are inherent across the three concepts informing this thesis and through utilising notions of everyday peace and everyday division to include the relational, the spatial and the metaphorical, this thesis' meta-theme frames a new way of 'getting on with it' in the shadows of conflict.
30
Marotte, Guilhem. "« The war is not over » : Analyse géopolitique d'une stratégie violente de contrôle du territoire communautaire républicain dans un Belfast post-conflit." Thesis, Paris 8, 2017. http://www.theses.fr/2017PA080071/document.
Full textAbstract:
Grâce au Good Friday Agreement (GFA) signé en 1998, l’Irlande du Nord connait une période de pacification sans précédent depuis les Troubles (1969-1998). Dans cette situation de post conflit, la violence liée aux affrontements entre groupes paramilitaires et forces de sécurité britannique a très largement diminué. Cependant, de petits groupes paramilitaires républicains s’opposent toujours au traité de paix. Cette thèse a pour objectif comprendre pourquoi les paramilitaires républicains anti-GFA continuent d’utiliser la violence alors qu’ils reconnaissent que, dans le contexte actuel, la lutte armée a peu de chance de conduire à la réunification de l’Irlande. A Belfast, l’analyse spatiale des violences intracommunautaires (perpétuées dans le cadre d’un système de justice alternatif) et des attaques contre les forces de police montre que la stratégie des organisations paramilitaires anti-GFA repose sur la création d’un cycle d’agitation. Il s’agit d’une stratégie de développement locale qui vise à maintenir des territoires d’exception. Ce terme désigne ici des territoires où la normalisation voulue par le processus de paix est limitée par les actions des républicains anti-GFA et où le monopole de la violence légitime est disputé. Cependant, cette stratégie de contrôle du territoire communautaire se heurte à toute une série de problèmes. En effet, les organisations paramilitaires anti-GFA sont de petits groupes fragmentés qui tendent à se diviser dans le temps. Enfin, l’influence des paramilitaires anti-GFA est limitée par un contexte social extrêmement défavorable à la lutte armée, par les actions des forces de sécurité, et par la présence et la stratégie du Sinn FéinThanks to the Good Friday Agreement (GFA) signed in 1998, Northern Ireland knows a period of pacification unknown since the Troubles (1969-1998). In this post-conflict situation, violence in the form of confrontation between paramilitary groups and British security forces has greatly decreased. Nevertheless, small republican paramilitary groups are still opposing the peace treaty. The goal of this dissertation is to understand why republican paramilitaries opposed to the GFA continue to rely on violence while recognizing that, in the current context, armed struggle has little chances of leading to the reunification of Ireland. In Belfast, spatial analysis of intracommunal violence (carried out within an alternative justice system) and attacks against the police indicate that the strategy of the paramilitary organizations opposed to the GFA relies on creating a cycle of unrest. This is a strategy of local development aiming at maintaining territories of exception. This concept here means territories where the normalization sought by the peace process is limited by anti-GFA republicans’ actions and where the monopole of legitimate violence is disputed. This strategy of communal territory control is however facing a series of problems. Anti-GFA paramilitary organisations are indeed small fragmented groups which often splinter overtime. Finally, anti-GFA paramilitary organizations’ influence is limited by a social context extremely unfavourable to armed struggle, by security forces, and by the presence and strategy of the Sinn Féin
31
Hladíková, Lucie. "Postkonfliktní rekonstrukce: případová studie Severního Irska." Master's thesis, Vysoká škola ekonomická v Praze, 2011. http://www.nusl.cz/ntk/nusl-85153.
Full textAbstract:
Although Northern Ireland is a part of United Kingdom and so Europe, it belongs to regions which are characterized as unstable. Lately, there has been a significant improvement in implementing desired measures, however, one can still encounter street rioting stemming from the history of Northern Irish conflict. The Master thesis conducts a survey of the situation after the crucial signing of Belfast Peace Accord. It aims to evaluate the rate of success of introduced post-conflict reconstruction and holds the opinion that the progress in social sphere is especially significant, meaning cross-community relations and mutual respect. Gradually, in three chapters, the thesis unveils the theoretical concept of post-conflict reconstruction with a special attention to social sphere and culture. Moreover, it refers to the milestones of history and comes to the conclusion where it evaluates the current situation in society in disputed areas. Main idea of the thesis is to assess the hypothesis if the adopted measures do have an effect on current development and if a change in society could influence the perception of the roots of the conflict mainly in the question of interpersonal relations.
32
Nadeau, Selina. "In Defense of Propaganda: The Republican Response to State-created Narratives Which Silenced Political speech During the Northern Irish Conflict, 1968-1998." Ohio University Honors Tutorial College / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1493395475794123.
Full text
33
Kerr, Michael Robert. "Comparative power sharing agreements in Northern Ireland and Lebanon : an evaluation of consociational government from Sunningdale to Belfast (1973-98), from the National Pact to Ta'if (1943-89)." Thesis, London School of Economics and Political Science (University of London), 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.409534.
Full text
34
Watson, John. "Science and arts subject choice : a study of the factors influencing sixth form pupils' options in Northern Ireland grammar schools." Thesis, Queen's University Belfast, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.336012.
Full text
35
Wyss, Rebecca. "Troubling Northern Irish Herstories: The Drama of Anne Devlin and Christina Reid." Ohio University Honors Tutorial College / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1429992523.
Full text
36
Sand, Anne. "Rain from the Dublin Bus." Ohio University Honors Tutorial College / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1398273904.
Full text
37
Wade-Woolley, Lesly A. (Lesly Ann). "For-to complements in Appalachian English." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59236.
Full textAbstract:
This thesis investigates the phenomenon of for-to complements in several dialects, focusing primarily on Appalachian English, though Belfast English and Ottawa Valley English are also examined. Following Chomsky's Government and Binding theory, we develop an analysis of for-to that predicts the distribution of for-to complements based on the requirements of Case, and the varieties of licit movement of features allowed by each dialect. To do this, we propose a Revised Case Filter which requires functional categories bearing Case features to discharge Case. We also show that the features of functional categories can move either by head movement (allowing movement of to into for) or by feature transmission (allowing for to move into to).Each of these mechanisms generates a specific range of well-formed for-to complements; the distribution of these complements can be predicted by the ways in which the dialects allow features to move. Appalachian English and Ottawa Valley English allow head movement of features only, while Belfast English allows features to move via head movement and feature transmission. Thus for-to complements are more wide-spread in Belfast English than in the other for-to dialects. Standard English, which does not allow features to move unless they are accompanied by lexical material, does not exhibit for-to complements at all.
38
Azar, Hannah Brooke. ""Defensive Flippancy": Play, Disorientation, and Moral Action in Brian Friel's The Freedom of the City." BYU ScholarsArchive, 2020. https://scholarsarchive.byu.edu/etd/8440.
Full textAbstract:
When Brian Friel’s play The Freedom of the City premiered in 1973, just a year after the events of Bloody Sunday, it was met with harsh criticism and called a work of propaganda. In the play, three peaceful protestors flee a civil rights demonstration turned violent and end up trapped inside the Guildhall in Derry, Northern Ireland. By the end of the play, they are shot dead. These three protestors, disoriented by violence as well as the aftereffects of life-long poverty, on the surface are not emblems of morality. However, this thesis employs Ami Harbin’s theorization of disorientation and moral action to challenge traditional virtue ethics and showcase that even in the midst of all-encompassing disorientation, moral action can easily emerge, even from the most unexpected person. Specifically, I look at the character Skinner, a flippant hooligan who leads the other trapped protestors through a series of games ultimately meant to encourage them to embrace their disorientation as he has. Within Friel’s drama, accepting and embracing disorientation as opposed to fighting it, I conclude, is what frees one from the bounds of disorientation, and in this case, allows a person to more fully perpetuate moral action.
39
Ratte, Kelly. "Representations of gothic children in contemporary irish literature: a search for identity in Patrick McCabe's The Butcher Boy, Seamus Deane's Reading in the Dark, and Anna Burns' No Bones." Honors in the Major Thesis, University of Central Florida, 2013. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/937.
Full textAbstract:
Ireland is not a country unfamiliar with trauma. It is an island widely known for its history with Vikings, famine, and as a colony of the English empire. Inevitably, then, these traumas surface in the literature from the nation. Much of the literature that was produced, especially after the decline in the Irish language after the Great Famine of the 1840s, focused on national identity. In the nineteenth century, there was a growing movement for Irish cultural identity, illustrated by authors John Millington Synge and William Butler Yeats; this movement was identified as the Gaelic Revival. Another movement in literature began in the nineteenth century and it reflected the social and political anxieties of the Anglo-Irish middle class in Ireland. This movement is the beginning of the Gothic genre in Irish literature. Dominated by authors such as Sheridan Le Fanu and Bram Stoker, Gothic novels used aspects of the sublime and the uncanny to express the fears and apprehensions that existed in Anglo-Irish identity in the nineteenth century. My goal in writing this thesis is to examine Gothic aspects of contemporary Irish fiction in order to address the anxieties of Irish identity after the Irish War of Independence that began in 1919 and the resulting division of Ireland into two countries. I will be examining Patrick McCabe's The Butcher Boy, Seamus Deane's Reading in the Dark, and Anna Burns' No Bones in order to evaluate their use of children amidst the trouble surrounding the formation of identity, both personal and national, in Northern Ireland. All three novels use gothic elements in order to produce an atmosphere of the uncanny (Freud); this effect is used to enlighten the theme of arrested development in national identity through the children protagonists, who are inescapably haunted by Ireland's repressed traumatic history.; Specifically, I will be focusing on the use of ghosts, violence, and hauntings to illuminate the social anxieties felt by Northern Ireland after the Irish War of Independence.B.A.
Bachelors
Arts and Humanities
English
40
Ludwikoski, Robert Thomas. "Reducing anger reliably in the Forgiveness for Peace Initiative in Belfast, Northern Ireland." 2005. http://catalog.hathitrust.org/api/volumes/oclc/62157678.html.
Full textAbstract:
Thesis (M.S.)--University of Wisconsin--Madison, 2005.Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 40-44).
41
Owicki, Eleanor Anne. "Staging a shared future : performance and the search for inclusive narratives in the "new” Belfast." 2013. http://hdl.handle.net/2152/21509.
Full textAbstract:
Staging a Shared Future argues that theatre provides vital insight into the construction and use of narratives in the Northern Ireland since the 1998 Good Friday Agreement (GFA). This document signaled the end of thirty years of violent conflict between Protestants and Catholics, but could not heal the distrust that remained. Thus, one of the goals of the ongoing peace process has been to replace old sectarian narratives emphasizing differences and grievances between the communities with newer narratives emphasizing similarity and shared purpose. I examine nine plays staged in Belfast since the GFA that have endorsed and interrogated these new narratives of progress and argue that theatre, as an inherently communal event, provides an excellent opportunity for residents of the state to collectively imagine what a "shared society" actually means. I conduct close readings of complete productions including script, direction, acting choices, venue, and marketing. I also compare these performances to other forms of public discourse including television, government policy documents, radio, and fiction. Chapter one provides an overview of Northern Irish theatre and public discourse; each subsequent chapter explores the ways theatre has tackled one particular issue facing the construction of a "shared future" narrative. Chapter two focuses on productions that staged meetings between Catholics and Protestants. The Wedding Community Play Project (1999), Two Roads West (2009), and National Anthem (2010) offered different visions of what it would take for these historical enemies to consider themselves equal partners in the state. Chapter three looks at the state's general discomfort with public discussions of Troubles-related traumas. Convictions (2000), The Chronicles of Long Kesh (2009), and The Sign of the Whale (2010) all advocated for ways of addressing trauma that did not depend on competitive grief or hierarchies of victims. Chapter four concentrates on representations of those who have been marginalized within Northern Ireland. To Be Sure (2007), This is What We Sang (2009), and God's Country (2010) all pointed to the need for Northern Ireland to think broadly about ideas of "belonging" and to create a more inclusive "shared future." Throughout, I argue that theatre will play an essential role in negotiating the continuing tensions within Northern Ireland.text
42
McNamara, Eamonn Peter. ""A Peace of Sorts": A Cultural History of the Belfast Agreement, 1998 to 2007." Master's thesis, 2017. http://hdl.handle.net/1885/131774.
Full textAbstract:
The 1998 Belfast or Good Friday Agreement (GFA), a
political agreement in Northern Ireland which offered the chance
to end the thirty years of conflict known as ‘the Troubles,’
has attracted substantial interest from many scholars interested
in political processes. Few, however, have focused on what the
Agreement meant to non-political actors, especially ‘victims’
of the Troubles. The GFA not only attempted to confine violence
to the past. It shaped the ways in which victims, journalists and
the ‘public’ could reflect on the fresh start the Agreement
promised. This thesis examines the extent to which the GFA
facilitated a shift in Northern Ireland’s public discourse away
from established loyalties and paramilitary divisions to focus
instead on the experience and rights of victims and the
navigation of concepts of peace, justice and reconciliation.
Three case studies of responses to post-GFA violence serve to
chart the ways in which the frameworks of public debate shaped
new identities which both marked a clear point of departure from
past trauma, while also revealing the ambivalent and unequal ways
in which still divided communities found a voice. The
consequences of this shift were multifaceted, rearranging
silences surrounding paramilitary violence rather than displacing
them entirely. I argue that attention to this public discourse is
a vital complement to any assessment of the political and social
outcomes of the GFA.
43
George, Christine Anne. ""Whatever you say, you say nothing" : archives and the Belfast Project." 2012. http://hdl.handle.net/2152/22482.
Full textAbstract:
With a subpoena in one hand and a donor agreement in the other, what choice should an ethical archivist make? Since the legal battle over the Belfast Project—a collection of oral histories from Northern Irish paramilitaries about their involvement in the Troubles—at Boston College erupted in 2011, such a scenario has become a reality. With U.S. attorneys demanding access in the name of truth and justice, and historians advocating denial for the sake of scholarship and honor, the archival profession is facing some troubling legal and ethical issues. Regardless of the ultimate fate of the Belfast Project, the archival field will have to adapt to a new reality. This reality will have to consider the effects of the law and oral history practices on archives. Should archives be granted privilege recognized within the legal system? Should there be oversight for oral histories? Should archives offer privacy protections for third parties? How can the archival community address these issues? This thesis will use the Belfast Project to analyze legal and ethical issues facing archivists and explore what this means for the future of the profession.text
44
Razím, Tomáš. "Gaelská atletická asociace a Irská fotbalová asociace v kulturní paměti občanů Severního Irska." Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-340201.
Full textAbstract:
The Gaelic Athletic Association (GAA) and the Irish Football Association (IFA) were founded in the 1880s and throughout the history have become more than mere sport organizations. Mainly because of the violent history of Northern Ireland during the Troubles, both associations became entrenched in the respective cultural memories of the two competing identities of Northern Ireland. The large-scale violence ended in 1998 with the signing of the Belfast Agreement that was meant to bring peace and inter-communal cooperation to the region. This paper analyses the development of the two associations after 1998 in the context of the theory of cultural memory created by Jan Assmann. It concludes that the IFA has changed profoundly since the end of the Troubles. It left its post in the unionist-protestant cultural identity and now represents part of the new Northern Irish identity which transcends the social division and is still in an early stage of development. The GAA, on the other hand, went the other way and decided to strengthen its position among nationalists and Catholics in spite of its anti-sectarian and anti-racist ethos and gestures. This difference stems mainly from different history and structure of both associations and the fear of the GAA of becoming marginalized by the British sports if it...