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Books on the topic 'Artists Malaysia'

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Author: Grafiati

Published: 10 December 2022

Last updated: 29 January 2023

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Consult the top 29 books for your research on the topic 'Artists Malaysia.'

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1

Yeoh, Jin Leng. Persoalan seni rupa sezaman?: Cetusan rasa seniman Malaysia = Contemporary visual arts discourse : vignettes by Malaysian artists. Ipoh, Perak Darul Ridzuan, Malaysia: Yayasan Kesenian Perak, 2003.

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2

Khuan, Tan Chee. Penang artists, 1920 to 1990. Penang: Art Gallery, 1990.

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3

Ali, Zakaria. Northern vantage: 11 Malaysian artists. Pulau Pinang, Malaysia: ArtGrup Penang, 2004.

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4

Tahir, Badrolhisham Mohamad. Young Malaysian artists: New object(ion). Kuala Lumpur: Galeri Petronas, 2010.

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5

The journey of IWS, Indonesian Watercolour Society: Mutual support among Asian artists : China, Hong Kong China, Indonesia, Japan, Korea, Malaysia, Myanmar, Philippines, Singapore, Taiwan, Thailand. Jakarta, Indonesia: Indonesian Watercolour Society, 2012.

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6

Tan, Chee Khuan. Lukisan pelukis-pelukis perintis daripada koleksi persendirian =: Paintings of pioneer artists from private collections. Leboh Farquhar, Pulau Pinang, Malaysia: Lembaga Muzium Negeri, 1992.

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7

Aliya and Farouk Khan Collection (Publisher). Malaysian contemporary art. Kuala Lumpur?: Aliya and Farouk Khan Collection, 2010.

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8

Tan, Chee Khuan. Eight pioneers of Malaysian art. [Singapore]: Marshall Cavendish Editions, 2014.

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9

Ch'ng, Huck Theng. Top 50 Malaysian artists in auctions heading into 2014/2015. Penang, Malaysia: One East Museum & Art Sdn. Bhd., 2014.

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10

Ooi, Adeline. Today and tomorrow: Emerging practices in Malaysian art. Kuala Lumpur: Adaptus Design System Sdn Bhd, 2013.

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11

Eight pioneers of Malaysian art: With a supplement on Peter Harris. Penang, Malaysia: Lembaga Muzium Negeri Pulau Pinang, 2013.

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12

Jilongpo ji Xuelan'e Zhonghua da hui tang. Dang dai Malaixiya Hua yi hua jia xuan ji: A collection of the contemporary Chinese Malaysia artist. Kuala Lumpur, Malaysia: Jilongpo ji Xuelan'e Zhonghua da hui tang, 2014.

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13

Natarajan, Sivarajah. Winds of desire: An art exhibition by Malaysian artists of Indian & Sri Lankan origin : 30 June-11 July 2010, the annexe Gallery, Central Market. Kuala Lumpur, Malaysia: Sutra Foundation, 2010.

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14

Balai Seni Lukis Negara (Malaysia), ed. Contemporary paintings of Malaysia. Kuala Lumpur: National Art Gallery, 1988.

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15

Othman, Dato' Haji Sulaiman. The Crafts of Malaysia. Butterworth-Heinemann, 1997.

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16

Haji, Sulaiman Othman Dato', ed. The Crafts of Malaysia. Singapore: Editions Didier Millet, 1994.

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17

Balai Seni Lukis Negara (Malaysia), ed. Menemui modeniti: 40 tahun Angkatan Pelukis Se-Malaysia = Meeting modernity : forty years of the APS Malaysian artists movement, 1956-1996. [Kuala Lumpur, Malaysia]: Balai Seni Lukis Negara, 1998.

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18

Writing the Modern: Selected Texts on Art and Art History in Singapore, Malaysia and Southeast Asia, 1973-2015. Singapore Art Museum, 2018.

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19

Tan, Sooi Beng. Community Musical Theatre and Interethnic Peace-Building in Malaysia. Edited by Brydie-Leigh Bartleet and Lee Higgins. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190219505.013.33.

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Community musical theatre projects have played important roles in engaging young people of diverse ethnicities in multicultural and religious Malaysia to cross borders, deconstruct stereotypes, appreciate differences, and build interethnic peace. This essay provides insights into the strategies and dialogic approaches employed in two such community musical theatre projects that promote peace-building in Penang. The emphasis is on the making of musical theatre through participatory research, collaboration, ensemble work, and group discussions about alternative history, social relationships and cultural change. The projects also stress partnerships with the multiethnic stakeholders, communities, traditional artists, university students, and school teachers who are involved in the projects. Equally important is the creation of a safe space for intercultural dialogue, skill training, research, and assessments to take place; this a working space that allows for free and open participation, communication, play, and creative expressions for all participants.

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20

(Pinang), Art Gallery, ed. 200 Malaysian artists. Pulau Tikus, Penang: Art Gallery, 2002.

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21

Art Show: International Chung Ling Artists Invitation Show : in conjunction with Chung Ling's 85th anniversary celebrations = Hua zhan : Guo ji Zhong Ling Hua Jia Yao Qing Zhan : pei he Zhong Ling chuang xiao ba shi wu zhou nian ji nian. Kampung Baru, Penang, Malaysia: Board of Directors, Chung Ling High School, 2002.

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22

Wilkinson, Graeme, and Bo Li. Colours of Malaysia. Sunway University Press, 2022. http://dx.doi.org/10.55846/9789675492679.

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Colours of Malaysia: The Art of Amirudin Ariffin features the works of Malaysian artist Amirudin Ariffin whose oil paintings and watercolours capture the true spirit of Malaysia and the lives and emotions of ordinary citizens. For the first time, some of Ariffin's most distinctive and remarkable works, including city scenes, landscapes, portraits, and abstracts, are brought together in a single volume that demonstrates the quality and breadth of his art and the narratives underlying the works.

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23

Lembaga Muzium Negeri, Pulau Pinang., ed. Artist's favourite: Directory of Penang artist = Karya pilihan pelukis : panduan pelukis Pulau Pinang. [George Town], Pulau Pinang: Lembaga Muzium Negeri, 2007.

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24

Lembaga Muzium Negeri, Pulau Pinang., ed. Artist's favourite: Directory of Penang artist = Karya pilihan pelukis : panduan pelukis Pulau Pinang. [George Town], Pulau Pinang: Lembaga Muzium Negeri, 2007.

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25

Stair, Nancy L. Michelle Yeoh (Martial Arts Masters). Rosen Publishing Group, 2001.

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26

Art Gallery (George Town, Pinang), ed. Portfolio of 3 Malaysian artists: Mohd. Hoessein Enas, Foo Hong Tat, Ho Hee Khim. 5th ed. Penang, Malaysia: Art Gallery, 1998.

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27

Balai Seni Lukis Negara (Malaysia), ed. Compendium of 30 Malaysian artists: In conjunction with visit Penang year, 1999 & 10th anniversary celebration of the Art Gallery. [Penang, Malaysia: The Gallery, 1999.

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28

Malaixiya jian guo san shi wu nian hua yi mei shu shi liao =: Compendium of Chinese artist in Malaysia since 1957. [Kuala Lumpur: Xuelan'e Zhong Hua da hui tang, 1994.

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29

Kartomi, Margaret. The Island of Bangka. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036712.003.0009.

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This chapter focuses on the performing arts of four main musico-lingual groups in Bangka, South Sumatra: the Malays, the Suku Lom forest-dwellers, the Suku Sekak sea-boat-dwellers, and the Chinese Indonesians. According to some performing artists and community elders, today's Malay people are descendants of former Bangka Malay chiefdoms, while the Suku Mapur or Suku Lom people are animists who prefer to live in relative isolation in the forests. The Suku Sekak people are also animists who prefer to live in boats at sea when the weather permits. The Bangka Malays, the Suku Lom, and the Suku Sekak speak varieties of Malay, while the Chinese Indonesians normally speak varieties of Hakka or Hokkien in addition to Malay. To understand how Bangka's four musico-lingual subgroups came into being as well as their musical arts, the chapter examines the history of foreign exploitation of their tin and cash crops by the sultans of Palembang (seventeenth–eighteenth centuries), Britain (1812–1816), Holland (ca. 1817–World War II), and Indonesia (1949 to present).

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