Academic literature on the topic 'Artists Malaysia'
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Journal articles on the topic "Artists Malaysia"
Iwan Shahrom Shah, Muhamad Yusri Shah, Muhamad Khairi Shamsudin, Rahman Amin, and Mohd Farif Ab Jalil. "Influence of Intermedia in Development of Malaysian Art Scene." Environment-Behaviour Proceedings Journal 7, SI9 (October 10, 2022): 63–68. http://dx.doi.org/10.21834/ebpj.v7isi9.3940.
Full textZakaria, Salehuddin, Rafeah Legino, and Mohammad Kamal Abdul Aziz. "The Concept of National Identity in the Artwork of Female Artists in Malaysia." Environment-Behaviour Proceedings Journal 7, SI8 (October 7, 2022): 81–85. http://dx.doi.org/10.21834/ebpj.v7isi8.3918.
Full textZanuar, Seri Nurul Syuhada, and Khairunnisa Diyana Md Noor. "Social Media's Effectiveness for Malaysia's Independent Artists." Environment-Behaviour Proceedings Journal 7, SI9 (October 9, 2022): 9–14. http://dx.doi.org/10.21834/ebpj.v7isi9.3928.
Full textAnak Michael, Valerie, Khairul Aidil Azlin Abd Rahman, Shureen Faris Abdul Shukor, and Noor Azizi Mohd Ali. "Artistic Knowledge and Practices of Hybrid Art based on the Analysis of Malaysian Artists’ Artworks." Environment-Behaviour Proceedings Journal 5, SI1 (June 1, 2020): 111–17. http://dx.doi.org/10.21834/ebpj.v5isi1.2305.
Full textSyed Ahmed Jalaluddin, Syed Zamzur Akasah, Mohd Suhaimi Tohid, Mohd Khairi Shamsudin, and Mohd Fazli Othman. "#CeritaKita: The splendour of Malaysia through mural painting on petronas gas station." Environment-Behaviour Proceedings Journal 7, SI8 (October 7, 2022): 105–9. http://dx.doi.org/10.21834/ebpj.v7isi8.3921.
Full textAnak Michael, Valerie, Khairul Aidil Azlin Abd Rahman, Shureen Faris Abdul Shukor, and Noor Azizi Mohd Ali. "An Analysis of Artistic Diversity in Hybrid Art Practice among Malaysian Artists." Environment-Behaviour Proceedings Journal 5, SI1 (June 1, 2020): 99–105. http://dx.doi.org/10.21834/ebpj.v5isi1.2307.
Full textWAHED, WAN JULIANA EMEIH Juliana. "The MOTIVATIONAL IMPACT OF VISUAL ARTS EDUCATION THROUGH THE 'ARTISTS IN SCHOOLS' (AIS) COLLABORATION PROGRAM AMONG SECONDARY SCHOOL STUDENTS IN MALAYSIA." Asia Proceedings of Social Sciences 4, no. 1 (April 18, 2019): 94–97. http://dx.doi.org/10.31580/apss.v4i1.606.
Full textWahida, Adam, and Muhammad Hendra Himawan. "Batik in Malaysia and Indonesia: A collaboration for reconciling issues of cultural heritage." International Journal of Education Through Art 18, no. 1 (March 1, 2022): 89–103. http://dx.doi.org/10.1386/eta_00084_1.
Full textAbdullah, Muhammad, Mohd Firdaus NAif Omran Zailuddin, Ahmad Khairul Azizi Ahmad, Mohd Nasiruddin Abdul Aziz, and Ashraf Abdul Rahman. "Characteristic and Categorization of Monoprint’s Among Local Artists in Malaysia." Idealogy Journal 5, no. 1 (April 9, 2020): 42–54. http://dx.doi.org/10.24191/idealogy.v5i1.188.
Full textSyed Alwi Syed Abu Bakar, Mohd Fawazie Arshad, Azian Tahir, Aznan Omar, and Noor Enfendi Desa. "SENIMAN VISUAL MALAYSIA: KEPUASAN KERJA, KOMITMEN DAN PRODUKTIVITI DALAM PROSES PENGHASILAN KARYA." Jurnal Gendang Alam (GA) 11, no. 2 (December 15, 2021): 33–48. http://dx.doi.org/10.51200/ga.v11i2.3574.
Full textDissertations / Theses on the topic "Artists Malaysia"
Erl, Hon Sher, and 潘雪兒. "The Phenomenon of Mandopop Lyrics Localization in Taiwan among Singaporean and Malaysian Chinese Artists (1981-2013) ---A Study of Music Lyrics Written by Artist Tanya Chua, Penny Tai and Yu Heng." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/k5c866.
Full textLow, Audrey. "Social fabric: Circulating pua kumbu textiles of the Indigenous Dayak Iban people in Sarawak, Malaysia." 2008. http://hdl.handle.net/2100/637.
Full textWithin Borneo, the indigenous Iban pua kumbu cloth, historically associated with headhunting, is steeped in spirituality and mythology. The cloth, the female counterpart of headhunting, was known as women’s war (Linggi, 1999). The process of mordanting yarns in preparation for tying and dyeing was seen as a way of managing the spiritual realm (Heppell, Melak, & Usen, 2006). It required of the ‘women warriors’ psychological courage equivalent to the men when decapitating enemies. Headhunting is no longer a relevant cultural practice. However, the cloth that incited headhunting continues to be invested with significance in the modern world, albeit in the absence of its association with headhunting. This thesis uses the pua kumbu as a lens through which to explore the changing dynamics of social and economic life with regard to men’s and women’s roles in society, issues of identity and nationalism, people’s relationship to their environment and the changing meanings and roles of the textiles themselves with global market forces. By addressing these issues I aim to capture the fluid expressions of new social dynamics using a pua kumbu in a very different way from previous studies. Using the scholarship grounded in art and material culture studies, and with particular reference to theories of ‘articulation’ (Clifford, 2001), ‘circulation’ (Graburn & Glass, 2004) and ‘art and agency’ (Gell, 1998; MacClancy, 1997a), I analyse how the Dayak Iban use the pua kumbu textile to renegotiate their periphery position within the nation of Malaysia (and within the bumiputera indigenous group) and to access more enabling social and economic opportunities. I also draw on the theoretical framework of ‘friction’ and ‘contact zones’ as outlined by Tsing (2005), Karp (2006) and Clifford (1997) to contextualize my discussion of the of the exhibition and representation of pua kumbu in museums. Each of these theoretical frameworks is applied to my data to situate and illustrate my arguments. Whereas in the past, it was the culture that required the object be made, now the object is made to do cultural work. The cloth, instead of revealing hidden symbols and meanings in its motifs, is now made to carry the culture, having itself become a symbol or marker for Iban people. Using an exploration of material culture to understand the complex, dynamic and flowing nature of the relationship between objects and the identities of the producers and consumer is the key contribution of this thesis.
Low, A. "Social fabric : circulating Pua Kumbu textiles of the Indigenous Dayak Iban people in Sarawak, Malaysia." Thesis, 2008. http://hdl.handle.net/10453/20221.
Full textWithin Borneo, the indigenous Iban pua kumbu cloth, historically associated with headhunting, is steeped in spirituality and mythology. The cloth, the female counterpart of headhunting, was known as women’s war (Linggi, 1999). The process of mordanting yarns in preparation for tying and dyeing was seen as a way of managing the spiritual realm (Heppell, Melak, & Usen, 2006). It required of the ‘women warriors’ psychological courage equivalent to the men when decapitating enemies. Headhunting is no longer a relevant cultural practice. However, the cloth that incited headhunting continues to be invested with significance in the modern world, albeit in the absence of its association with headhunting. This thesis uses the pua kumbu as a lens through which to explore the changing dynamics of social and economic life with regard to men’s and women’s roles in society, issues of identity and nationalism, people’s relationship to their environment and the changing meanings and roles of the textiles themselves with global market forces. By addressing these issues I aim to capture the fluid expressions of new social dynamics using a pua kumbu in a very different way from previous studies. Using the scholarship grounded in art and material culture studies, and with particular reference to theories of ‘articulation’ (Clifford, 2001), ‘circulation’ (Graburn & Glass, 2004) and ‘art and agency’ (Gell, 1998; MacClancy, 1997a), I analyse how the Dayak Iban use the pua kumbu textile to renegotiate their periphery position within the nation of Malaysia (and within the bumiputera indigenous group) and to access more enabling social and economic opportunities. I also draw on the theoretical framework of ‘friction’ and ‘contact zones’ as outlined by Tsing (2005), Karp (2006) and Clifford (1997) to contextualize my discussion of the of the exhibition and representation of pua kumbu in museums. Each of these theoretical frameworks is applied to my data to situate and illustrate my arguments. Whereas in the past, it was the culture that required the object be made, now the object is made to do cultural work. The cloth, instead of revealing hidden symbols and meanings in its motifs, is now made to carry the culture, having itself become a symbol or marker for Iban people. Using an exploration of material culture to understand the complex, dynamic and flowing nature of the relationship between objects and the identities of the producers and consumer is the key contribution of this thesis.
Books on the topic "Artists Malaysia"
Yeoh, Jin Leng. Persoalan seni rupa sezaman?: Cetusan rasa seniman Malaysia = Contemporary visual arts discourse : vignettes by Malaysian artists. Ipoh, Perak Darul Ridzuan, Malaysia: Yayasan Kesenian Perak, 2003.
Find full textKhuan, Tan Chee. Penang artists, 1920 to 1990. Penang: Art Gallery, 1990.
Find full textAli, Zakaria. Northern vantage: 11 Malaysian artists. Pulau Pinang, Malaysia: ArtGrup Penang, 2004.
Find full textTahir, Badrolhisham Mohamad. Young Malaysian artists: New object(ion). Kuala Lumpur: Galeri Petronas, 2010.
Find full textThe journey of IWS, Indonesian Watercolour Society: Mutual support among Asian artists : China, Hong Kong China, Indonesia, Japan, Korea, Malaysia, Myanmar, Philippines, Singapore, Taiwan, Thailand. Jakarta, Indonesia: Indonesian Watercolour Society, 2012.
Find full textTan, Chee Khuan. Lukisan pelukis-pelukis perintis daripada koleksi persendirian =: Paintings of pioneer artists from private collections. Leboh Farquhar, Pulau Pinang, Malaysia: Lembaga Muzium Negeri, 1992.
Find full textAliya and Farouk Khan Collection (Publisher). Malaysian contemporary art. Kuala Lumpur?: Aliya and Farouk Khan Collection, 2010.
Find full textTan, Chee Khuan. Eight pioneers of Malaysian art. [Singapore]: Marshall Cavendish Editions, 2014.
Find full textCh'ng, Huck Theng. Top 50 Malaysian artists in auctions heading into 2014/2015. Penang, Malaysia: One East Museum & Art Sdn. Bhd., 2014.
Find full textOoi, Adeline. Today and tomorrow: Emerging practices in Malaysian art. Kuala Lumpur: Adaptus Design System Sdn Bhd, 2013.
Find full textBook chapters on the topic "Artists Malaysia"
Bongsu, Muhammad Aiman Che, and Rafeah Legino. "Culture and Identity: A Comparison Study of Malaysian Artists." In Proceedings of the Art and Design International Conference (AnDIC 2016), 475–78. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-13-0487-3_52.
Full textMokhtar, Umairah Arina, Juliana Manan, and Rafeah Legino. "Women Artist in Malaysian Visual Art History and Development." In Proceedings of the 2nd International Colloquium of Art and Design Education Research (i-CADER 2015), 421–28. Singapore: Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-10-0237-3_42.
Full textNoor, Rosiah Md, Mohd Azhar Abd Manan, and Mohd Zahuri Khairani. "A Conceptual Framework Study on Fringe Printmaking Among Malaysian Contemporary Visual Artists." In Proceedings of the Art and Design International Conference (AnDIC 2016), 237–45. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-13-0487-3_26.
Full textLee, Kai-Sean. "Contemporary Malaysian Pâtisserie: Tales of Asian Creativity Confined by Western Traditions." In Contemporary Asian Artistic Expressions and Tourism, 249–69. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-4335-7_12.
Full textBlankenship, Sherry Fresia, and Keith Kay Hin Tan. "The Survival of Cultural Patterns in Malaysia’s Contemporary Visual Landscape." In Contemporary Asian Artistic Expressions and Tourism, 147–67. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-4335-7_7.
Full textNoor, Rosiah Md, and Mohd Azhar Abd Manan. "The Application of Printmaking Medium in Producing Artwork Among Malaysian Visual Artist." In Regional Conference on Science, Technology and Social Sciences (RCSTSS 2014), 101–8. Singapore: Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-10-1458-1_10.
Full textZeng, Qilin. "Becoming a Nanyang-Style Artist in Postwar Singapore and Malaya: Georgette Chen’s Drawing and Her Construction of Asian Themes." In Contesting Chineseness, 201–19. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-33-6096-9_11.
Full textSullivan, Michael. "Chinese Artists in Singapore and Malaysia." In Intersections, Innovations, Institutions, 194–99. WORLD SCIENTIFIC, 2022. http://dx.doi.org/10.1142/9789811261206_0011.
Full textBarendregt, Bart. "Princess Siti and the Particularities of Post-Islamist Pop." In Vamping the Stage. University of Hawai'i Press, 2017. http://dx.doi.org/10.21313/hawaii/9780824869861.003.0010.
Full textPhillips, Victoria. "“The New Home of Men”." In Martha Graham's Cold War, 77–102. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190610364.003.0004.
Full textConference papers on the topic "Artists Malaysia"
Bakar, Syed Alwi Syed Abu, Mohd Fawazie Arshad, Azian Tahir, Aznan Omar, and Ameruddin Ahmad. "Art Making Process: Job Satisfaction, Commitment and Visual Artists’ Productivity in Malaysia." In International Conference of Innovation in Media and Visual Design (IMDES 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201202.074.
Full textMuhammad, Syafril Amir, Mumtaz Mokhtar, Mohd Jamil Mat Isa, and Nurul Huda Mohd Din. "Artistic Style Collection and Distribution of Urban Artworks in Malaysia." In Proceedings of the 2nd International Conference on Design Industries & Creative Culture, DESIGN DECODED 2021, 24-25 August 2021, Kedah, Malaysia. EAI, 2022. http://dx.doi.org/10.4108/eai.24-8-2021.2315172.
Full textAnak Michael, Valerie, and Khairul Aidil Azlin Abd Rahman. "The Hybrid Knowledge Between Artist and Curator in Developing the Hybrid Art Practices." In Proceedings of the 2nd International Conference on Design Industries & Creative Culture, DESIGN DECODED 2021, 24-25 August 2021, Kedah, Malaysia. EAI, 2022. http://dx.doi.org/10.4108/eai.24-8-2021.2315232.
Full textTahir, Azian, Zarlina Mohd Zamari, Nur Adibah Nadiah Mohd Aripin, Noor Enfendi Desa, Syed Alwi Syed Abu Bakar, Faridah Hanim Abdul Wahab, and Arba’iyah Mohd Noor. "Contribution of Artists Through Printing as Visual Communication Medium Among Colonies During the British Era in Malaya." In International Conference of Innovation in Media and Visual Design (IMDES 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201202.078.
Full textBerahim, Hawari, Arif Datoem, and Nasirin Abdillah. "The Collective Artistic Identity Of Sebiji Padi Art Group Through Its Artworks." In Proceedings of the 2nd International Conference on Design Industries & Creative Culture, DESIGN DECODED 2021, 24-25 August 2021, Kedah, Malaysia. EAI, 2022. http://dx.doi.org/10.4108/eai.24-8-2021.2315176.
Full text"The Assessment of Young Generation Understanding and Awareness toward Artistic Ornamental of Taoist Chinese temple from 1800-1900AD in Klang Valley, Malaysia." In International Social Science, Humanity and Education Research Congress. Eminent Association of Pioneers, 2016. http://dx.doi.org/10.17758/eap.eph716006.
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