Books on the topic 'Artists and patrons – Fiction'

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1

Bradu, Fabienne. Damas de corazón. México, D.F: Fondo de Cultura Económica, 1994.

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2

Nimrod's shadow. London: Portobello Books, 2010.

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3

Santlofer, Jonathan. The Death Artist. New York: HarperCollins, 2005.

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4

Paling, Chris. Nimrod's shadow. London: Portobello, 2011.

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5

Cary, Joyce. The horse's mouth. New York: New York Review Books, 1999.

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6

Santlofer, Jonathan. Zhivopiset Łs smerti: Roman. Moskva: Izd-vo "AST", 2004.

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7

Huxley, Aldous. Those barren leaves. London: Flamingo, 1994.

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8

Huxley, Aldous. Those barren leaves: A novel. Normal, IL: Dalkey Archive Press, 1998.

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9

Gleeson, Janet. The serpent in the garden: A novel. New York: Simon & Schuster, 2005.

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10

Margaret, Garlake, ed. Artists and Patrons in Post-war Britain. London: Taylor and Francis, 2017.

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11

Lord, Barry. Artists, patrons, and the public: Why culture changes. Lanham, Md: AltaMira Press, 2010.

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12

Lord, Barry. Artists, patrons, and the public: Why culture changes. Lanham, Md: AltaMira Press, 2010.

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13

Good, Umberger Emily, and Cummins Tom, eds. Native artists and patrons in colonial Latin America. [Tempe, Ariz.]: Arizona State University, 1995.

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14

Lord, Barry. Artists, patrons, and the public: Why cultural changes. Lanham, Md: AltaMira Press, 2010.

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15

William, Caferro, ed. Gli Spinelli di Firenze: Mercadanti e mecenati nel Rinascimento. Firenze: Edifir, 2013.

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16

Andrea del Castagno and his patrons. Durham: Duke University Press, 1991.

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17

Lord, Barry. Dynamics of cultural change: Artists, patrons, and the public. Lanham, Md: AltaMira Press, 2010.

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18

Archives et bibliothèques de Belgique, ed. Kunstenaars, opdrachtgevers en kunstverzamelingen te Brussel in de zestiende eeuw. Brussel: Archief- en Bibliotheekwezen in België, Koninklijke Bibliotheek van België, 2010.

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19

Archives et bibliothèques de Belgique, ed. Kunstenaars, opdrachtgevers en kunstverzamelingen te Brussel in de zestiende eeuw. Brussel: Archief- en Bibliotheekwezen in België, Koninklijke Bibliotheek van België, 2010.

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20

Gombrich, E. H. Künstler, Kenner, Kunden. Wien: Picus, 1993.

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21

Lord, James. A gift for admiration: Further memoirs. New York: Farrar Straus & Giroux, 1998.

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22

Roettgen, Steffi. Anton Raphael Mengs, 1728-1779, and his British patrons. London: Zwemmer, 1993.

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23

Bowness, Alan. The conditions of success: How the modern artist rises to fame. (London): Thames and Hudson, 1989.

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24

Bowness, Alan. The conditions of success: How the modern artist rises to fame. New York, N.Y: Thames and Hudson, 1990.

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25

Groom, Gloria Lynn. Edouard Vuillard: Painter-decorator : patrons and projects, 1892-1912. New Haven: Yale University Press, 1993.

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26

1943-, Ames-Lewis Francis, and Birkbeck College. Dept. of History of Art., eds. The early Medici and their artists. London: Birkbeck College, University of London, Dept. of History of Art, 1995.

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27

Lord, James. A gift for admiration: Further memoirs. New York: Farrar Straus & Giroux, 1998.

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28

"Baron Satsuma" to yobareta otoko: Satsuma Jirōhachi to sono jidai. Tōkyō: Fujiwara Shoten, 2009.

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29

Boublil, Alain. Le pouvoir de l'art. Paris: P. Belfond, 1991.

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30

William, Caferro, ed. The Spinelli of Florence: Fortunes of a Renaissance merchant family. University Park, Pa: Penn State University Press, 2001.

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31

Sazonov, Gennadiĭ. LEM: Dokumentalʹnai͡a︡ povestʹ. Vologda: Intelinform, 2003.

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32

Kling, Jean L. Alice Pike Barney: Her life and art. Washington, D.C: National Museum of American Art in association with Smithsonian Institution Press, 1994.

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33

De kunstenaar: Stille drijfkracht in de samenleving. Amsterdam: Bataafsche Leeuw, 1992.

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34

Chatterjee, Ratnabali. From the karkhana to the studio: A study in the changing social roles of patron and artist in Bengal. New Delhi: Books & Books, 1990.

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35

Guillén, Roberto. Francisco Guzmán del Bosque: Pasión por el arte. Monterrey, Nuevo León, México: Universidad Autónoma de Nuevo León, 2008.

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36

Anita, Hopmans, and Slagter Erik, eds. Het ritmus van de kunst: Brieven van Bram van Velde aan zijn mecenas, 1922-1935. Bussum: Thoth, 2006.

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37

Unger, Daniel M. Guercino's paintings and his patrons' politics in early modern Italy. Farnham, England: Ashgate, 2010.

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38

Bowler, Gail Hellund. Artists and writers colonies: Retreats, residencies, and respites for the creative mind. Hillsboro, Ore: Blue Heron Pub., 1995.

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39

Halsey, William. William Halsey: Mastery of the modern. Charleston, S.C: Charleston Renaissance Gallery, 2006.

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40

Fabiani, Bożena. Gawędy o sztuce: Dzieła, twórcy, mecenasi. Warszawa: Wydawnictwo Naukowe PWN, 2012.

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41

Fernández, Javier Ibáñez, ed. Del mecenazgo a las nuevas formas de promoción artística: Actas del XIV Coloquio de Arte Aragonés. España: Prensas de la Universidad de Zaragoza, 2017.

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42

Kok, Erna. Culturele ondernemers in de Gouden Eeuw: De artistieke en sociaal-economische strategieën van Jacob Backer, Govert Flinck, Ferdinand Bol en Joachim van Sandrart. Amsterdam: Erna Kok, 2013.

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43

Henrike, Junge-Gent, ed. Avantgarde und Publikum: Zur Rezeption avantgardistischer Kunst in Deutschland 1905-1933. Köln: Böhlau, 1992.

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44

Lang, Gladys Engel. Etched in memory: The building and survival of artistic reputation. Chapel Hill: University of North Carolina Press, 1990.

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45

Kurt, Lang, ed. Etched in memory: The building and survival of artistic reputation. Urbana: University of Illinois Press, 2001.

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46

Gallery, Henry Art, ed. Breaking down the boundaries: Artists and museums. Seattle: Henry Art Gallery, University of Washington, 1989.

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47

Picasso: Un été 1918. Biarritz: Atlantica, 2018.

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48

1877-1955, Reinhart Georg, Joelson-Strohbach Harry, and Schwarz Dieter 1953-, eds. Das ungewohnte Neue: Briefwechsel Ernst Ludwig Kirchner und Georg Reinhart. Winterthur: Kunstmuseum, 2002.

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49

Workshops and patrons of St. Theobald in Thann. Münster: Waxmann, 2006.

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50

Ács, Anna. Veszprémi művészek és mecénások a századelőn. [Veszprém]: Veszprém Megyei Múzeumi Igazgatóság, 1994.

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