Books on the topic 'Artistic dyes'

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1

Strobl, Rudolf. Dye. Salzburg: Fotohof edition, 2018.

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2

Barrada, Yto. Yto Barrada: The dye garden. Purchase, New York: Neuberger Museum of Art, 2019.

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3

E, Moyer Dale, ed. Silk painting: The artist's guide to gutta and wax resist techniques. New York: Watson-Guptill Publications, 1991.

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4

Dyer, Geoff. A Tasmanian perspective: The art of Geoff Dyer. Edited by Stafford Victor, Grimmer Sam, and Pierce Peter 1950-. Southbank, Vic: Lygate Press Australia, 2008.

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5

Popovic, Visnja. The textile artist's studio handbook: Traditional and contemporary techniques for working with fiber, including dyeing, painting, and more. Beverly: Quarry Books, 2012.

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6

1948-, Lerner Loren R., and Leonard and Bina Ellen Art Gallery., eds. Memories and testimonies =: Memoires et témoignages : Liliana Berezowsky, Marcel Braitstein, Eva Brandl, Caroline Dukes, Georges Dyens, Werner David Feist, Angela Grossmann, Sadko Hadzihasanović, Natalka Husar, Gershon Iskowitz, Graham Metson. Montreal: Leonard & Bina Ellen Art Gallery, 2002.

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7

Biblioteca, Università di Bologna, and Università di Bologna Biblioteca, eds. Un trattato universale dei colori: Il ms. 2861 della Biblioteca universitaria di Bologna. Firenze: Leo S. Olschki editore, 2012.

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8

Teinturières à Bamako: Quand la couleur sort de sa réserve. Paris: Ibis press, 2008.

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9

Philip, Ball. Bright earth: The invention of colour. London: Viking, 2001.

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10

Philip, Ball. Bright earth: Art and the invention of color. Chicago: University of Chicago Press, 2003.

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11

Dyer, Chris. Positive Creations: The Visionary Art of Chris Dyer. Schiffer Publishing, Ltd., 2011.

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12

Steinvall, Anders, and Sarah Street, eds. A Cultural History of Color in the Modern Age. Bloomsbury Publishing Plc, 2021. http://dx.doi.org/10.5040/9781474206235.

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Volume 6 A Cultural History of Color in the Modern Age covers the period 1920 to the present, a time of extraordinary developments in colour science, philosophy, art, design and technologies. The expansion of products produced with synthetic dyes was accelerated by mass consumerism as artists, designers, architects, writers, theater and filmmakers made us a ‘color conscious’ society. This influenced what we wore, how we chose to furnish and decorate our homes, and how we responded to the vibrancy and chromatic eclecticism of contemporary visual cultures.The volume brings together research on how philosophers, scientists, linguists and artists debated color’s polyvalence, its meaning to different cultures, and how it could be measured, manufactured, manipulated and enjoyed. Color shapes an individual’s experience of the world and also how society gives particular spaces, objects, and moments meaning. The 6 volume set of the Cultural History of Color examines how color has been created, traded, used, and interpreted over the last 5000 years. The themes covered in each volume are color philosophy and science; color technology and trade; power and identity; religion and ritual; body and clothing; language and psychology; literature and the performing arts; art; architecture and interiors; and artefacts. Volume 6 in the Cultural History of Color set. General Editors: Carole P. Biggam and Kirsten Wolf
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13

Ruck, Owyn, and Visnja Popovic. Textile Artist's Studio Handbook: Learn Traditional and Contemporary Techniques for Working with Fiber, Including Weaving, Knitting, D. Quayside, 2012.

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14

The Black Coat: Blackest Dye GN. Ape Entertainment, 2014.

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15

Dead Style: A Long Strange Trip into the Magical World of Tie-Dye. Abrams, Inc., 2020.

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16

Benjamin, Betsy Sterling. The World of Rozome: Wax-Resist Textiles of Japan. Kodansha International (JPN), 1996.

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17

Benjamin, Betsy Sterling. The World of Rozome: Wax-Resist Textiles of Japan. Kodansha International (JPN), 2002.

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18

Utell, Janine, ed. The Comics of Alison Bechdel. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496825773.001.0001.

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The Comics of Alison Bechdel is the first full-length volume dedicated to the comics art of Alison Bechdel, beginning with her early work on the long-running serial comic strip Dykes to Watch Out For and including original scholarship on her acclaimed memoirs Fun Home and Are You My Mother?. The volume is organized into three sections. The first looks at Bechdel’s place in lesbian comics and considers her work in the context of gay and lesbian studies and queer theory. The second looks at kinship, affect, and trauma in Bechdel’s work, with a focus on interiority and the artist’s experiments with comics form. The third looks at place, space, and community, considering the significance of rural queer life, topography and mapping, and forms of LGBTQ community. Archival research and theories of the archive provide new insight into Bechdel’s art, including the composition of Fun Home and the development of the lesser-known Servants to the Cause, which appeared in The Advocate in the late 1980s. An introductory essay orients readers to Bechdel’s career—her childhood in Beech Creek, her involvement in LGBTQ activism and lesbian comix, her move inward towards life writing, and the mainstream cultural recognition prompted by the adaptation of Fun Home into a Tony Award-winning Broadway musical—as well as to current trends in Bechdel scholarship.
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19

Bright Earth: Art and the Invention of Color. Farrar, Straus and Giroux, 2002.

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20

Ball, Philip. Bright Earth: The Invention of Colour. Penguin Random House, 2012.

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21

Bright Earth: The Invention of Colour. Penguin Random House, 2008.

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22

Integrability, Quantization, and Geometry. American Mathematical Society, 2021.

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