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Books on the topic 'Artistic behavior'

Author: Grafiati

Published: 4 June 2021

Last updated: 19 February 2022

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1

Allen, Brooke. Artistic license: Three centuries of good writing and bad behavior. Chicago, IL: Ivan R. Dee, 2005.

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2

Allen, Brooke. Artistic license: Three centuries of good writing and bad behavior. Chicago: Ivan R. Dee, 2004.

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3

Heather, Busch, and Museum of Non-Primate Art, eds. Test your cat's creative intelligence: Eighteen easy-to-use test cards to verify your cat's artistic ability. Berkeley, Calif: Ten Speed Press, 1996.

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4

Erwitt, Elliott. Museum watching. London: Phaidon, 1999.

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5

S, Weinberg Mark. Challenging the hierarchy: Collective theatre in the United States. New York: Greenwood Press, 1992.

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6

Louden, Jennifer. The woman's comfort book: A self-nurturing guide for restoring balance in your life. San Francisco: HarperSanFranciso, 1992.

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7

The woman's comfort book: A self-nurturing guide for restoring balance in your life. San Francisco, Calif: HarperSanFrancisco, 1992.

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8

Shu jie ya li hao dian zi. Taibei Shi: Pei gen wen hua shi yeh gu fen yu xian gong si, 1994.

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9

Kelly, Alison Jane. Pathogenic weight loss behaviours in female artistic gymnastics. Cardiff: University of Wales Institute Cardiff, 1998.

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10

The creative matrix: Anxiety and the origin of creativity. New York: Peter Lang, 2000.

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11

Cameron, Julia. How to Avoid Making Art (or Anything Else You Enjoy). New York: Penguin Group USA, Inc., 2009.

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12

Cameron, Julia. How to avoid making art (or anything else you enjoy). New York: Jeremy P. Tarcher/Penguin, 2005.

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13

Mangum, Erynn. Sketchy behavior. Grand Rapids, Mich: Zondervan, 2011.

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14

Kwiatkowski, Paul. And every day was overcast. New York: Black Ballon Pub, 2013.

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15

Neil, Marcus, and Steichmann Lisa, eds. Cripple poetics: A love story. Ypsilanti, Mich: Homofactus Press, 2008.

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16

1926-, FOWLES JOHN. Mantissa. Moskva: "Makhaon", 2000.

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17

1926-, FOWLES JOHN. Mantissa. London: Picador in association with Jonathan Cape, 1993.

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18

Maneglier, Hervé. Les artistes au bordel. [Paris]: Flammarion, 1997.

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19

Cawthorne, Nigel. Las vidas sexuales de los grandes artistas. México, D.F: Diana, 2005.

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20

Richard, Scase, ed. Managing creativity: The dynamics of work and organization. Buckingham: Open University Press, 2000.

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21

Mogli, garzoni e amanti: Amore ed erotismo nella vita e nelle opere degli artisti del Cinquecento. Firenze: M. Pagliai, 2011.

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22

Cawthorne, Nigel. Sex lives of the great artists. London: Prion, 1998.

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23

Lenain, Thierry. La peinture des singes: Histoire et esthétique. [Paris]: Syros/Alternatives, 1990.

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24

Chen, B. S. Art of dog: The art of Sumo, Lucy, Io, Apollo, Athena, Guinevere, and Cowabunga = Art de chien. New York: Royal Museum of Art, 2006.

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25

Portrait of the dog as a young artist. Seattle, WA: Sasquatch Books, 2006.

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26

Cancelli, Mino. La cultura del caos: Estetica del riciclaggio tra ecologia e apocalisse. Bertiolo: AAA, 1996.

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27

Digs. New York: Penguin Books, 1985.

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28

Heather, Busch, ed. Why cats paint: A theory of feline aesthetics. Berkeley, Calif: Ten Speed Press, 2006.

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29

Burton, Silver, ed. Why cats paint: A theory of feline aesthetics. London: Weidenfeld & Nicolson, 1994.

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30

Burton, Silver, ed. Why Cats Paint: A Theory of Feline Aesthetics. Berkeley, CA, USA: Ten Speed Press, 1994.

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31

Arnold, Katya. Elephants can paint, too! New York: Atheneum Books for Young Readers, 2005.

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32

Gucwa, David. To whom it may concern: An investigation of the art of elephants. New York: Norton, 1985.

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33

Michael, Brehm, ed. Inside the whale: A novel in verse. River Forest, Ill: Wicker Park Press, 2012.

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34

Gucwa, David. To whom it may concern: An investigation of the art of elephants. New York: Norton, 1985.

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35

Elephants can paint, too! New York: Atheneum Books for Young Readers, 2005.

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36

Essig, Rolf-Bernhard. Schlimme Finger: Eine Kriminalgeschichte der Künste von Villon bis Beltracchi. München: C.H. Beck, 2015.

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37

Broomhall, Susan, ed. Women and Power at the French Court, 1483-1563. NL Amsterdam: Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462983427.

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Women and Power at the French Court, 1483—1563 explores the ways in which a range of women “ as consorts, regents, mistresses, factional power players, attendants at court, or as objects of courtly patronage “ wielded power in order to advance individual, familial, and factional agendas at the early sixteenth-century French court. Spring-boarding from the burgeoning scholarship of gender, the political, and power in early modern Europe, the collection provides a perspective from the French court, from the reigns of Charles VIII to Henri II, a time when the French court was a renowned center of culture and at which women played important roles. Crossdisciplinary in its perspectives, these essays by historians, art and literary scholars investigate the dynamic operations of gendered power in political acts, recognized status as queens and regents, ritualized behaviors such as gift-giving, educational coteries, and through social networking, literary and artistic patronage, female authorship, and epistolary strategies.

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38

Live through this: On creativity and self-destruction. 2nd ed. New York, NY: Seven Stories Press, 2012.

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39

Scharfstein, Ben-Ami. Tsiporim, pilim ṿe-omanim aḥerim: Hirhurim ʻal omanut baʻale-ḥayim ṿi-yeladim. Tel Aviv: Ḥargol, 2007.

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40

Allen, Brooke. Artistic License: Three Centuries of Good Writing and Bad Behavior. Ivan R. Dee, Publisher, 2005.

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41

Abril, Laia, and Baptiste Lignel. Pop Pills: The Use of Behavior Medication by Kids in the USA. Lewis Publishing, Dewi, 2016.

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42

Simpson, G. Elliot. Transformation. Bruno Gmunder Verlag GmbH, 2016.

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43

Varella, Marco A. C., Jaroslava Varella Valentova, and Ana María Fernández. Evolution of Artistic and Aesthetic Propensities through Female Competitive Ornamentation. Edited by Maryanne L. Fisher. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199376377.013.46.

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This chapter highlights and discusses the role of women’s competitive ornamentation as one of the relevant, and so far overlooked, ancestral selective pressures in the evolution of artistic propensities. The authors critically discuss how and why sex differences and sexual selection processes acting on women have been disregarded for more than a decade. The authors review available convergent evidence about sex differences in aesthetics and artistic propensities showing that, overall, women outnumber men. Then the authors propose and show evidence that higher women’s inclination toward artistic domains, including ornamentation of body, behavior, and objects/places, can serve as a social arena for attracting/maintaining mates and dealing with rivals, primarily through self-promotion via competitive ornamentation. The chapter concludes by developing connections with related theories that broaden the scope of the field and highlight predictions for future research.

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44

illustrator, Falcao Davina, ed. The great Grisby: Two thousand years of literary, royal, philosophical, and artistic dog lovers and their exceptional animals. 2014.

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45

Shelton, Anthony, and David Mellor. The Chameleon Body: Photographs of Contemporary Fetishism. Lund Humphries Publishers, 1996.

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46

Jaworski, Adam. Language Ideologies in the Text-Based Art of Xu Bing. Edited by James W. Tollefson and Miguel Pérez-Milans. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190458898.013.34.

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Contemporary art has been a site of intense linguistic production for several decades. Visual artists experiment with new ways of displaying or enframing language that contest or subvert dominant language ideologies. Thus artists produce new regimes of language that regulate or unsettle moral or political visions, shaping attitudes and behaviour. The works of the contemporary artist Xu Bing, as well as interpretations of his work by the artist and commentators, demonstrate how artistic production and criticism contribute to language ideological debates about Chinese—in particular, about Chinese writing—and the nature of language more broadly. This chapter discusses aspects of Xu Bing’s biography and artistic practice related to his use of language. It discusses the language ideological positions underpinning four of his major works. It concludes with reflections on what language policy and planning scholars might learn from extending the scope of their interest to text-based art.

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47

Insect Theatre. Black Dog Publishing Limited, 2013.

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48

D'après une histoire vraie: Roman. 2015.

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49

author, Eagleman David, ed. The runaway species: How human creativity remakes the world. Catapult, 2017.

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50

Nature's Chaos. New York: Grand Central Publishing, 2001.

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