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Dissertations / Theses on the topic 'Artha'
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Basu, Monidipa. "Artha as a purusartha : a critical study." Thesis, University of North Bengal, 2005. http://hdl.handle.net/123456789/74.
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Roy, Pradhan Tapan. "Uttarbanger rajbanshi prabad-prabachan : ekti artha-samajik samikshan উত্তরবঙ্গের রাজবংশী প্রবাদ-প্রবচন : একটি অর্থ-সামাজিক সমীক্ষণ." Thesis, University of North Bengal, 2014. http://ir.nbu.ac.in/hdl.handle.net/123456789/1682.
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Barman, বর্মন Kalipada কালিপদ. "Sadhan Chattopadhyayer uponys (1970-2016) : bishoy-bhabna o aangikgoto abhinabottyo সাধন চট্টোপাধ্যায়ের উপন্যাস (১৯৭০- ): বিষয় ভাবনা ও আঙ্গিকগত অভিনবত্ব." Thesis, University of North Bengal, 2021. http://ir.nbu.ac.in/handle/123456789/4340.
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Bína, Vojtěch. "Hotel Artia." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2016. http://www.nusl.cz/ntk/nusl-239948.
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The final thesis „Hotel Artia” is processed in the form design documentation for building construction. The building of hotel is located on plot no. 443/1 in Červená Řečice. The building has four-storey part of hotel and single-storey part of restaurant. Structural system is RC frame. The building has warm flat roof and contact thermal insulation.
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Corzo, Callirgos Marco Antonio, Olaza Favio Alfredo Flores, Chavez Vda de Tardillo Fiorella Rita Herencia, Herencia Gloria Giovanna Tardillo, and Aquino Chanthall Fiorella Vargas. "Artea Infusiones - Frutos nativos andinos y de la amazonia." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2021. http://hdl.handle.net/10757/655514.
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Artea, es una empresa productora de infusiones de Té, hechos por frutos secos oriundos de la costa, sierra y selva peruana para su comercialización en la ciudad de Lima.
En el modelo de negocio presentado por el equipo de trabajo, brindamos la información del estudio realizado el cual muestra un nicho de mercado en desarrollo y a su vez potencial por el nuevo comportamiento del consumidor en adquirir bebidas saludables y naturales.
Los productos actualmente ofertados en el mercado tienen como característica principal su sabor y aroma. Además, son productos importados con esencias oriundas de diversos países. Por ello, Artea marca un valor agregado diferenciado añadiendo esencias con valores nutritivos que solo se encuentran en el Perú.
El Camú Camú, es uno de los productos exclusivos de este País, de la zona de la selva. Es reconocida por ser el fruto de mayor concentración de Vitamina “C”, superando incluso en 5 veces al Limón. Otros productos que se suman en esta exclusividad por las características mencionadas son el arándano y la muña. Por ello, Artea los tendrá como principales esencias a comercializar diferenciándonos en el mercado.Artea is a company that produces tea infusions, made with dried fruits from the Peruvian coast, mountains and jungle for commercialization in the city of Lima. In the business model presented by the work team, we provide the information from the study carried out which shows a developing market niche and in turn potential due to the new consumer behavior in purchasing healthy and natural beverages. The products currently offered on the market have as their main characteristic their flavor and aroma. In addition, they are imported products with essences from various countries. For this reason, Artea marks a differentiated added value by adding essences with nutritional values that are only found in Peru. The Camú Camú is one of the exclusive products of this Country, from the jungle area. It is recognized for being the fruit with the highest concentration of Vitamin "C", even exceeding Lemon 5 times. Other products that are added in this exclusivity due to the characteristics mentioned are blueberry and muña. For this reason, Artea will have them as the main essences to commercialize, differentiating ourselves in the market.
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Kimoto, Yukinori. "A Grammar of Arta: A Philippine Negrito Langage." Kyoto University, 2017. http://hdl.handle.net/2433/226793.
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Kulasinghe, Arutha Jeevana. "Circulating tumour cells in head and neck cancers." Thesis, Queensland University of Technology, 2017. https://eprints.qut.edu.au/110534/1/Arutha%20Jeevana_Kulasinghe_Thesis.pdf.
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Metastasis in head and neck cancer patients is responsible for over 50% of deaths. There are currently no tools to identify patients at risk of developing metastasis. Circulating tumour cells (CTC) represent a transient cancer cell population in the blood. In this study, the researcher has developed CTC isolation methodologies and used novel culture formulations to expand patient derived CTCs for therapy testing. Furthermore, the researcher identified biomarkers present on CTCs which could select patients for immunotherapies, a current unmet need. This work sets the foundation for a personalized medicine approach to treating head and neck cancer patients.
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Theis, Lioba. "Die Architektur der Kirche der Panagia Parēgorētissa in Arta, Epirus /." Amsterdam : A. M. Hakkert, 1991. http://catalogue.bnf.fr/ark:/12148/cb35706823k.
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Mendiola, Casey Alexandra. "He koha aroha ki te whanau: deliberate self harm and Maori whanau." Thesis, University of Auckland, 2011. http://hdl.handle.net/2292/13627.
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Deliberate self-harm (DSH) is a significant social problem facing young Māori (the indigenous people of New Zealand) today. Whānau, a concept meaning family and including extended family, is an essential factor in the well-being of Māori. Little is known about family members‟ reactions to a child‟s DSH or their needs following DSH, especially with Māori. Some research with non-Māori suggests that both the impact of DSH and consequent needs of family members may be considerable, yet often neglected. This study examined the impact of their children‟s DSH on Māori whānau, beliefs about the motives for the young person‟s DSH, and needs following the event. The whānau of ten young people, aged 10-18 years, presenting to a Child and Adolescent Mental Health Service following DSH were interviewed about the impact of the DSH, perceived motives for DSH and their needs. Five Māori clinicians were also interviewed about these topics. Interviews were recorded, transcribed, and subsequently analyzed using thematic analysis. Seven themes were identified from whānau ideas regarding motives for DSH: to communicate distress and seek help, to punish someone, to get relief from a distressing emotional state, due to the influence of others, as a response to feeling overwhelmed by difficult circumstances, to die, and the cultural influence of matakite. Clinicians presented similar motives; however, they did not mention matakite and included DSH being precipitated by social isolation. When discussing impacts of DSH, whānau reported that DSH had affected the entire whānau as well as having an effect on parents; including an emotional impact, an impact on parenting, and the concept of mental health was described as being difficult for parents to come to terms with. On the other hand, participants reported improvement in relationships within their whānau following DSH. Whānau also reported that DSH had resulted in practical difficulties. Themes derived from clinicians were similar; however, they did not discuss the effect of DSH on relationships. Whānau and clinicians both reported the need for greater levels of support and information. Implications are presented for the delivery of mental health services for young Māori and their families.
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Arth, Alexander [Verfasser], and Harald [Akademischer Betreuer] Lesch. "Simulating magnetic fields in galaxy clusters / Alexander Arth ; Betreuer: Harald Lesch." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2018. http://d-nb.info/115950685X/34.
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Luffman, Margie. "Late yellow rust (Pucciniastrum americanum (Farl.) Arth.) of Red raspberry (Rubus idaeus L.)." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61841.
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Ramirez, Philippe. "Patrons et clients : étude des relations politiques sur le site d'un ancien royaume indo-népalais, Argha (Népal central)." Paris 10, 1994. http://www.theses.fr/1994PA100072.
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Argha, une ancienne principauté du bassin de la gandaki annexée au Népal à la fin du XVIIIe siècle, est peuplée en majorité d'indo-népalais, de religion hindoue et divises en une hiérarchie de groupes de statut. Autorité et solidarité reposent essentiellement sur des liens interpersonnels et hiérarchiques, notamment de type clientelaire. Les structures politiques locales s'articulent autour de lignages de haut statut soutenus par des réseaux de clientèle et dont la confrontation prend la forme de luttes factionnelles. On a montré que la nature personnelle de et hiérarchique des relations d'autorité était déjà a l'œuvre au sein des groupes domestiques et agnatiques, dont on a précisé les limites et les mécanismes de développement. Par une approche mettant en perspective matériaux historiques, rituels et confrontations électorales, on a pu reconstituer partiellement la genèse de l'organisation politique actuelle. Jusqu'en 1951, le dispositif administratif national était fonde sur la délégation de l'autorité au long d'une myriade de contrats liant des détenteurs a des exploitants et confondant fonctions fiduciaires administratives et judiciaires. Dans le nouveau régime, les charges ne sont plus conférées par l'état mais émanent de la représentation électorale. Cette évolution a eu un impact décisif sur les mécanismes d'affiliation et, partant, sur les structures politiques locales. Les vieux lignages dominants, dont la légitimité remontait au temps des principautés, perdent rapidement de leur influence, dans le cadre d'une atomisation générale des espaces politiquesArgha is a former principality of the gandaki basin, annexed by Nepal in late xviiith century. The population is mainly indo-Nepalese, being Hindu by religion and divided into a hierarchy of status-groups. Authority and solidarity are based on inter-individual and hierarchical ties, linking, among others, patrons and clients. Local political structures tie up from high-status lineages backed by their clients and taking the form of factions involved in permanent competition. The personal and hierarchical nature of authority prevails right from the domestic and agnatic spheres. The exact limits of the descent units and the process of their development have been scrutinized. An attempt has been made to reconstruct the emergence of today's political organization through simultaneous analyses of historical data, rituals and local elections. Up to 1951, government, particularly at the local level, was based on the delegation of authority along a pyramid of contracts between owners of rights and brokers. Functions pertaining to administration, taxes and justice were not made distinct. Under the new regime, charges are nor granted anymore by the sovereign but allotted through the electoral process. This development had a decisive impact on affiliation mechanisms and, as a consequence, on the political structure of the locality. Old dominant lineages, which legitimacy dated back to the principalities, loose their influence in the context of a global breaking up of former political territories
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Liveri, Angeliki. "Die Bauplastiken des 13. und 14. Jahrhunderts in Arta Beitrag zur Kulturgeschichte des "Despotats" von Epiros /." Online version, 1986. http://bibpurl.oclc.org/web/31122.
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Ikkurthy, Praveen Chiranjeevi. "Software Testing Testbed for MPEG-4 Video Traffic Over IEEE 802.11b Wireless LANs." Scholar Commons, 2003. https://scholarcommons.usf.edu/etd/1397.
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Several traffic characterization studies have been performed on wireless LANs with the main objective of realizing good and accurate models of the errors in the wireless channel. These models have been extended to model the effect of errors on higher layer protocols, mainly at the data link layer. However, no prior work has been done to study the application level characteristics of MPEG-4 video traffic over 802.11b wireless networks. In this thesis a traffic characterization study of MPEG-4 video traffic over IEEE 802.11b wireless LANs with the main goal of building a tool for software testing is performed.
Using two freely available tools to send and receive real-time streams and collect and analyze traces, MPEG-4 encoded video frames are sent over a 11 Mbps, 802.11b wireless LAN to characterize the errors in the channel and the effect of those errors on the quality of the movie. The results of this traffic characterization were modeled using ARTA (Auto Regressive-To-Anything) software. These modeled characteristics were then used to build a tool that generates synthetic traffic emulating real wireless network scenario. The tool emulates the error length and error free length characteristics of the wireless network for the MPEG-4 video traffic using the corresponding modeled characteristics generated by ARTA. The tool can be used by software developers to test their MPEG-4 streaming media applications without the need of the real infrastructure. The tool can also be trained and extended to support testing of any streaming media applications.
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Hardarson, Gunnar. "Littérature et spiritualité en Scandinavie médiévale : la traduction norroise du "De arrha animae" de Hugues de Saint-Victor : étude historique et édition critique /." Paris ; Turnhout (Belgique) : Brepols, 1995. http://catalogue.bnf.fr/ark:/12148/cb37620577r.
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Texte remanié de: Th. 3e cycle--Histoire de la philosophie médiévale--Paris--Université de Paris I-Panthéon-Sorbonne, 1984.Bibliogr. p. 247-260. Index. Contient le texte norrois et latin en parallèle du "De arrha animae"
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Andreazza, Cícero Jonatas, Marcelo Diniz Vitorino, and Universidade Regional de Blumenau Programa de Pós-Graduação em Engenharia Ambiental. "Perspectivas de utilização de Propodium appendiculatum (Wint.) Arth. (Uredinales: Pucciniaceae) no controle biológico de Tecoma stans (L.) Juss. ex Kunth (Bignoniaceae) /." reponame:Biblioteca Digital de Teses e Dissertações FURB, 2004. http://www.bc.furb.br/docs/TE//296151_1_1.pdf.
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Ricciardi, Francesco. "Automatic search of missing people in avalanches." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2018. http://amslaurea.unibo.it/15282/.
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One of the main source of danger for people practising activities in mountain environments is avalanches. In the early 70s has been commercialized the first model of avalanche beacon transceiver: a device, composed by a transmitter and a receiver, specialized to the purpose of finding people buried under the snow. Since 2013, project SHERPA is working to develop ground and aerial robots to support human in the search of missing people in avalanches.
The aim of this dissertation is to provide a way to interface an avalanche beacon receiver (ARTVA) with the autopilot module mounted on a quad-copter drone, and to study and realize a software implementation of two automatic search algorithms, with the intention of speeding up search operations with drones.
First we will focus on interfacing the ARTVA system with a quad-copter autopilot module, named Pixhawk. This module embed a software, named PX4, which runs on a real-time operating system (RTOS), and have several connection ports, among which there is the serial one that we will use for our purpose. Then we will analyse how to use the data coming from the ARTVA receiver to construct and implement the two search algorithms. The idea is to generate set-points, based on the information coming from the avalanche beacon receiver, and use them to feed the position controller which is implemented in the PX4 firmware. Finally, we will execute simulations, provide results, and investigate if a practical implementation is possible and what are the relative issues.
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Jennings, Rosalind Maria. "Disappearance in deceptive landscapes : borderlines of identity in the Canadian wilderness with particular reference to selected works by Margaret Atwood, Robert Kroetsch, Michael Ondaatje and Aritha Van Herk." Thesis, University of York, 1996. http://etheses.whiterose.ac.uk/10902/.
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Michaud, Catherine. "Histoire des pratiques et de l'exploitation des espaces dans les collines préhimalayennes du Népal districts de Gulmi et de Argha-Kanchi : stratégies actuelles et anciennes d'alimentation des troupeaux." Université Joseph Fourier (Grenoble), 1993. http://www.theses.fr/1993GRE19064.
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Les strategies actuelles d alimentation des troupeaux sont le resultat d une evolution tres rapide ayant eu lieu depuis 50 a 60 ans. L elevage etait important et extensif (troupeaux paturant) aussi bien pour les hautes castes que pour les magar. Il reposait sur l exploitation de vastes domaines forestiers collectifs l elevage etait source de revenus par la vente d animaux et de beurre. Une forte crossance demographique a entraine la destruction des forets, l emigration en inde et une modification des systemes d elevage. Les hameaux d altitude ont conserve quelques traits du systeme ancien grace a la proximite des forets. A basse altitude ou les forets et paturages sont reduits et degrades, l affouragement se fai a l etable a partir de la production des espaces privatifs. L amelioration de la production fourragere est necessaire pour nourrir plus d animaux et de meilleure qualite pour subvenir aux besoins d une population toujours croissantAT LOW ALTITUDE WHERE GRAZING LANDS AND FORESTS ARE VERY FEW, ANIMALS ARE FED IN STALLING with THE PRODUCT OF PRIVATE FIELDS. THE INCREASE IN FOOD PRODUCTION IS NECESSARY IN ORDER TO HAVE MORE ANIMALS OF A BETTER QUALITY. THE PRESENT ANIMAL FEEDING STRATEGY HAS EVOLUTED VERY QUICKLY SINCE 50 OR 60 YEARS. ANIMAL HUSBANDRY USED TO BE VERY IMPORTANT AND ON AN EXTENSIVE BASIS, BOTH FOR HIGH CASTS AND FOR MAGAR. IT WAS BASED ON A HUGE COMMON FOREST LAND AFFORDING FOOD FOR THE CATTLE. INCOME WAS PROVIDED BY SELLING BUTTER OR LIVING ANIMALS. AN HUGE DEMOGRAPHIC GROWTH WAS AT THE ORIGIN OF FOREST CLEARING, MIGRATION TO INDIA AND EVOLUTION OF AGRARIAN SYSTEMS. THE HIGH ALTITUDE HAMLET HAVE SOME CHARACTERISTICS OF THE PREVIOUS SYSTEM, DUE TO THE REMAINING FORESTS ON THE TOP OF THE HILLS. AT LOW ALTITUDE WHERE GRAZING LANDS AND FORESTS ARE VERY FEW, ANIMALS ARE FED IN STALLING with THE PRODUCT OF PRIVATE FIELDS. THE INCREASE IN FOOD PRODUCTION IS NECESSARY IN ORDER TO HAVE MORE ANIMALS OF A BETTER QUALITY FOR AN ALWAYS GROWING POPULATION
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Black, Taiarahia. "Kāore te aroha-- : te hua o te wānanga : a thesis presented for the degree of Doctor of Philosophy in Māori Studies at Massey University, Palmerston North, Aotearoa, New Zealand." Massey University, 2000. http://hdl.handle.net/10179/1117.
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Te Ora Ē noho anā nō i te koko ko Ōhiwa, kia whakarongo rua, Aku taringa ki te Tai o tuarā e o Kanawa, E āki ana mai ki uta r o Ōhakana. Ki te whānau a Tairongo, Kai Tāuwhare rā ko te kopua-o-te ururoa, Ko te kai rāria noa mai te raweketia e te ringaringa, Me whakarangi-pūkohu e au ki Tītītangi ao ki te Te Aitanga-ā-Wheturoa, Kia whītikiria taku hope ki te maurea whiritoi, Kia noho au ki Puhi-nui tonu ki Te Maungarongo a Te Rangiāniwaniwa, Ka mawhiti tonu rā taku haere ki ngā tihi tapu ki Maungapōhatu kia Taiturakina; Kia titiro iho au ki Ruatāhuna ki Manawarū ē ko Te Aitanga-ā-Tūhoe.... Ko te hua o te wānanga o a Tūhoe kōrero tuku iho hāngai ki ana waiata tawhito te pūtake o tēnei tuhinga roa kia auhi noa mai te wairua o ngā tūtakinga kōrero kia riro ko ēnei kōrero tuku iho hei matua hikihiki, whakataratara i te hinengaro, i te wairua, e mau ai tēnei o ngā whare whakairo kōrero o te hua o te wānanga a Tūhoe. Kia kaiaohia aua kōrero ki te ura mai o te motu ki runga i ngā pae maunga o Huiarau tau iho ki a tātau e pōkai kaha nei, e tau awhi nei ki runga i te mata o tēnei whenua ātaahua. Ka paenga rā ngā tau ka kitea, ka rangona tēnā pu kōrero, tēnā whare whakairo kōrero, whakairo waiata. Mea rawa ake kua whakangaro atu ki te tira e tauwhare mai rā. Hika rawa ake, kua mawhiti kē te haere ki te mākau nui o te iwi e tīraha mai rā, tē whakaaratia! Kia rangona, kia kitea noa e tātau te mata kōrero kia eke rā ki runga, taihoa rawa ēnei taonga e ngaro, taihoa rawa nei taonga e haukotia. Ka huri whakauta ki te hua o te wānanga, ko te waiata tawhito tēnā, ko te momo rerenga kōrero i hua mai ai i roto i ngā noho tahitanga a te tangata. He kupu ēnei hei whakaata i te hinengaro, wairua, te taiao, ngā rākau, te wai, te moana, ngā whetu, te whenua, ngā pakanga, te kawa o te marae, te noho tahitanga a ngā tūākana\tāina\tuāhine. Te reo o mātua, o kuia, koroua, ngā kaipupuri i te ahi kā roa o te wā kāinga. Inā hoki ko nga āhuatanga o te tangata tēnā tōna hanga, tōna whakatipu, ōna whakaaro, tōna ngākau, tōna wairua, me ngā momo hāhi i tipu ake ai te pono, ka titiro iho te tika i te rangi ka oti nei he waiata e tipuria ai te hua o te wānanga ki roto i a tātau katoa. Waihoki ko aua waiata nei te ahi whakakā roa o te ngākau,kei kona ōna timatatanga, engari kāore nei ōna whakamutunga. Ka pikitia ake te toi huarewa kia kite noa atu i te kaha o te whakaaro. Ko te wāhanga nui ia kia hapaina tēnei tuhinga roa, hei whakaoho, hei tuku, hei tātari i ngā whiriwhiringa kōrero ā-tuhi, ā-wāha kei roto i te whare kōrero o te whānau, hapū, iwi e timata ai, e mau ai te hua o te wānanga o te whaitua whenua. Tae atu ki ngā takahanga whakaewa ka oti nei he waiata tawhito hei kaiarataki ki ngā tihi maunga o te whakaaro. Ko te kapunga whakaaro ko te whātoro, i te tātari i te kupu, ki te whakamārama i te hua o te wānanga hei tumu whakarae kōhikohi mōhiotanga ki runga, ki raro ki ngā tai timu o te hua o te wānanga. I roto i tēnei tuhinga roa ka takea mai te wānanga i te kore, i te pō, i te ao mārama e tohea ai ngā kete e toru o te wānanga hei anga tohutohu, piki tūranga whakaakoranga ki hea mai nei! Mai i roto i aua kete ka nanahu te hinengaro kōkoi o tātau tīpuna mai anō i te ao Māori. Ko te ao mārama tēnā, ko te ao whenua tēnā, ko ngā pakanga tēnā, ko ngā tinihanga ēnā, ko te apakura, ko te hakamomori ka hua nei te wānanga. Nō reira he mahi, he kaupapa nui tā tēnei tuhinga roa ki te whakakao mai i ngā waiata e mohio ana tātau hei papa kōrero, hei wānanga mā te hunga kei te piki ake i ngā takutai moana o te whakaaro, o tēnei ao e wehi mai nei ki a tātau. Kāre e mihi kei te hopo te iwi, te hunga mau i ēnei waiata ki runga i o tātau marae kei ngaro memeha noa ēnei taonga a tātau. Ae! Kei te tika tā rātau hopo. Inā hoki kua riro kē te reo whakaarorangi i te oro o te waiata i ngā tai nenehawa, whakapōrearea e hukahuka mai nei. Ahakoa tēnei kei te whakaara ake ēnei waiata i runga tonu i te kaha o tēna, o tēna ki te whakaara. Kei te tahuri nui mai te hunga rangatahi, taiohi ki ēnei waiata koia tēnei te tūmatanui o tēnei tuhinga roa, hei tāhu whakaea mo te hinengaro, mo te ngākau o aua whakatipuranga e hiahia nei rātau ki ēnei taonga. Mā te karakia hei waere te whenua, mā te taki i ngā kōrero mo ngā atuā te whakataukī, te whakapepeha ka pupuke mai te hihiri o te mahara i ō tātau tipuna kōkoi e whakakitea nei tātau i ēnei rā ki aua tohu. Ka huia rnai aua pitopito kōrero katoa hei kākahu maeneene ki roto i te kupu o te waiata tawhito, kā mau. He whakaatu tēnei tuhinga roa kei te ora tēnei o ngā momo whare pupuri kōrero i te pū; i te more, te weu me ngā pātaka iringa kōrero o te ao ō Tūhoe ō neherā, tae noa mai ki ēnei rā. Kāti he wā anō i roto i taua ora ka tōia te whakaaro ō Tūhoe, ō te Māori e tauiwi hei tinihanga māna. Engari e kitea ai i roto i tēnei tuhinga roa, ko te toki hei kaupare atu i taua tinihanga ko te kōrero i tuarātia rā: 'Hokia ki o maunga kia purea koe e ngā hau o Tāwhirimātea' Koia tēnā te kaupapa o tēnei tuhinga roa he tātari i te hānuitanga, te taiwhakatū o taua kōrero: Hokia ki o maunga... Ma taua kōrero Hokia ki o maunga ... ka rangona te mātaotao o te hua o te wānanga o te pakanga o te whenua, o ngā pikikōtuku i tukitukia, kātahi ka kōrero ai ki roto i tā Tūhoe whakatau i ana whakaaro, e taea ai te ruruku ka puea ake. Koia tēnei ko te mana i roto i ngā whakatakotoranga kōrero e mau ai te kurataininihi, te kurataiwawana o te whakaaro. He hua wānanga tēnei e whakaatungia ai e te hinengaro ngā takahanga motuhake, me te hāngai o ā rātau kupu mo ngā whakaaro e tau nei ki tēnei Ao Hurihuri. Nā ngā mahi a ō tātau tīpuna, te para i te huarahi kia takahuritia ai ngā mahi kikino o te riri Pākehā i tū ake ai ngā poropiti o aua tau kikino i rnurua ai ngā whenua, i tukua ai te iwi ki raro. I tū ake ai rātau te hunga poropiti ki te rapu i te ora i te kaupapa tōrangapū mo ngā whenua i hahanitia. Mai i ēnei kaupapa ka hau te rongo o te waiata tawhito hei tūāpapa whakaohooho, whakanekeneke i a tātau katoa, ahakoa ko wai. Whā tekau katoa ngā waiata o tēnei tuhinga roa rnai i tēnā kokona o Tūhoe, rnai i tēnā kokona o Tūhoe e kawe ana i te hua wānanga hei whakaata, hei kōwhiri i te hunga i kaha i rnau tonu te ngangahau i ngā totohe kōrero, totohe tangata, totohe whenua. I kona ka hua te wānanga ka tohea te riri ka mau, i ea ai tētahi wāhi o te mamae. Koia tēnei ko te whakaatu i te kaha o te tohe i te pō, i te awatea. Ko te kawa o te marae te ātamira whakatāhu, tuku i aua hua wānanga i nei rā e rangona ai te kōrero ā-iwi, te hī o te mita o te reo waiata hei hokinga atu ki te nohoanga o te kupu. Ko tētahi anō kaupapa o tēnei tuhinga roa he whakahoki mai anō i te rnatapihi o Matariki, kia meinga ai ki te kairangi o te kawa o te marae, ka tau ki te whenua i maringi ai te toto. Ko ēnei hua wānanga te oro o te ngākau o Te Ūrewera, te whītiki o te kī mo te tuakiri mo tēnā whakatipuranga, rno tēnā whakatipuranga. Ae! Mā te hua wānanga a Tūhoe e whakaea te mamae e puta ai te pātai. Ko wai rā au? I ahu mai taku wānanga i whea? E ahu ana au ki whea? No te rā nei kua riro mā tēnei tuhinga roa e whakaatu ētahi o ngā hau kikino i whakawhiua kirunga i te iwi e te kāwanatanga i a ia e āki mai ana mo ngā rawa a te iwi, hei tuku he tangatakē. Nō reira i tikina ai te tauparapara a Te Kapo o te Rangi hei whakatauira i te takenga mai ongā kōrero mai i te koko ki Ōhiwa ki te pō, ki te pouri, ki te ao mārama. 'Hokia ki maunga' ko te tangata, ko te iwi, ko te hapū, ko te whānau te tīmatanga o te hua o te wānanga. Koia tēnei tētahi anō kaupapa o tēnei tuhinga roa, he āhuru i aua pukenga tautōhito kōrero kia mau te rangi, kia mau te hā, kia rangona te hua wānanga, oho ake ki te ao ka oti nei he waiata tawhito hei hoa haere whakamua. Ko te kōpae o te whare tēnā e tautokona ana hoki te ahu whakamuatanga o ngā mōrehu kōrero e arohatia nei e tātau. He huarahi atu tēnei hei āwhina, hei tohu i te kei o te waka ki ngā ngaru kokoti e pukepuke rnai nei. Ko te whakapae o tēnei tuhinga roa e titikaha ai ki te hinengaro o Tūhoe me mau ana momo kōrero ki ngā momo hangarau o tēnei ao hurihuri kā tika. Kua roa ēnei taonga e ārikarika ana hei whakarei i te kupu kōrero ki te hunga mate, ki te tira e tatari rnai rā i te waharoa o te marae ki te whakaeke. Kei roto i te wairua o tēnei mahi ka tukua āianei ēnei taonga kia kore ai tātau e taka ki roto i te korekore o te hinengaro, hei whakamahi mā te tamaiti o Tūhoe e hiki ake nei i ngā pae tata, i ngā pae tawhiti. Ko tēnei tuhinga roa te kura kimihia o te ura rnai o te motu i tua atu o Huiarau. Kia hau ai te rongo o a tāitau kōrero ki mua i a tātau hei homai i te aroha kia au ai te matatū tonu, ka maranga kei runga. Kia taria te roanga o te kōrero. Ae! Me hoki rā kā tika: Kā hoki nei au ki te mauri o taku waka a Mātaatua Ko Pūtauaki ki a Ngāti Awa Ko Tāwhiuau, ko Tangiharuru Ko te rae rā o Kohi ki a Awatope Ko Mānuka tūtahi ki Whakatāne, kia Apanui Ko te mauri haria mai nei hei whakaoho i taku moe Ē kō kō ia e ara ē!
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Jakupi, Arta [Verfasser], Guerra Max [Akademischer Betreuer] Welch, Frank [Akademischer Betreuer] Eckardt, Naser [Akademischer Betreuer] Kabashi, Meier Hans [Gutachter] Rudolf, and Jens [Gutachter] Geelhaar. "The Effect of the International Community Presence in the Urban Development of Post Conflict City Case Study: Kosova / Arta Jakupi ; Gutachter: Hans Rudolf Meier, Jens Geelhaar ; Max Welch Guerra, Frank Eckardt, Naser Kabashi." Weimar : Institut für Europäische Urbanistik, 2013. http://d-nb.info/1115807315/34.
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Jakupi, Arta Verfasser], Guerra Max [Akademischer Betreuer] [Welch, Frank [Akademischer Betreuer] Eckardt, Naser [Akademischer Betreuer] Kabashi, Meier Hans [Gutachter] Rudolf, and Jens [Gutachter] Geelhaar. "The Effect of the International Community Presence in the Urban Development of Post Conflict City Case Study: Kosova / Arta Jakupi ; Gutachter: Hans Rudolf Meier, Jens Geelhaar ; Max Welch Guerra, Frank Eckardt, Naser Kabashi." Weimar : Institut für Europäische Urbanistik, 2013. http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20130130-18314.
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Sicard, Patrice. "Images et spiritualité au XIIe siècle : le "Libellus de formatione arche" de Hugues de Saint-Victor : étude d'histoire littéraire et doctrinale." Paris 4, 1989. http://www.theses.fr/1989PA040085.
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Hugues de Saint-Victor (mort en 1141) a tenu au cloître de l'abbaye parisienne de Saint-Victor des entretiens spirituels dont le contenu a fourni la matière du traité De archa Noe,d'abord rédigé à l'attention de ses auditeurs. Nous avons essayé de montrer qu'une représentation figurée a accompagné les propos du maître,et qu'un ouvrage,joint par Hugues à titre d'appendice au 'De archa Noe',le 'Libellus de formatione arche',devait guider le lecteur dans la réalisation de ce dessin. Le témoignage des manuscrits et la critique textuelle permettent de conclure que Hugues lui-même a remanié le 'Libellus',vers 1135. Le dessin décrit par le 'Libellius' relève d'une méthode de pédagogie spirituelle à laquelle on peut donner le nom d'"exégèse visuelle". Celle-ci doit mener le lecteur à la "meditatio" et à la "contemplatio",en lui faisant parcourir les trois sens scripturaires. Le diagramme est la voie de cet itinéraire spirituel et il met en oeuvre une pédagogie appuyée sur une anthropologie et une théorie de l'expérience spirituelleHugh of Saint-Victor gave several lectures at the cloister of the parisian abbey of St Victor : the subject furnished the matter of the treatise 'De Archa Noe'. .
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Čepeláková, Hana. "Křivoklátská archa." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-305622.
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The Diploma thesis "Křivoklát Altarpiece" tries to process the monographical issues of a late gothic altarpiece retable. The altar has survived as a part of stylistically uniform area of Křivoklát's chapel. Author primarily studies this work of an outstanding quality in the context of the second half of the 15th century of the Central European artistic product. The work is compared with the artistic works of the same type. In addition to that the author tries to clarify iconographic issues of the altarpiece which are often mentioned in specialized literature. The Diploma thesis mainly focuses on the altar's sculpture decoration with the goal to clarify its stylistic origins and the time of its creation. Křivoklát Altarpiece represents one of the most important works coming out of Prague's Jagellonian court.
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Kidd, Jacqueline Dianne. "Aroha mai: nurses, nursing and mental illness." 2008. http://hdl.handle.net/2292/2414.
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This research takes an autoethnographical approach to exploring the connections between being a nurse, doing nursing work, and experiencing a mental illness. Data is comprised of autoethnographical stories from 18 nurses. Drawing on Lyotard’s (1988) postmodern philosophy of ‘regimes of phrases’ and ‘genres of discourse,’ the nurses’ stories yielded three motifs: Nursing, Tangata Whaiora (people seeking wellness) and Bullying. Motifs are recurring topical, emotional and contextual patterns which have been created in this research by means of the formation of collective stories from the content of the nurses’ stories, artwork, fictional vignettes and poetry. Interpretation of the motifs was undertaken by identifying and exploring connected or dissenting aspects within and between the motifs. Using Fine’s (1994) notion of hyphenated lives, the spaces between these aspects were conceptualised as hyphens. The Nursing motif revealed a hyphen between the notion of the nurses as selfless and tireless carers, and the mastery requirements of professionalism. The nurses’ hope for caring, belonging, expertise and ‘goodness’ were also features of the nursing motif. The Tangata Whaiora motif revealed the hyphen between being a compliant patient and a self-determined person seeking wellness, and also foreshadowed the notion that the nursing identity does not ‘permit’ the dual identities of nurse and tangata whaiora. This research has found that nurses who have experienced, or are vulnerable to, mental illness negotiate a nexus of hyphens between societal, professional and personal expectations of the nurse. Ongoing unsuccessful negotiation of their identities is exhausting and leads to enduring distress. At times, negotiation is not possible and the nurse is immobilised in a differend of silence and injustice. At such times, the only resolution possible for the nurse is to leave the nursing profession. Bullying surfaced as a feature of the hyphen between the nursing and tangata whaiora identities, as well as being a part of each identity as colonising, silencing and/or discriminatory acts. Successful negotiation between and among the nursing and tangata whaiora hyphens requires a radical restructuring of the nursing image and culture across the education, workplace and personal/clinical areas. Three strategies are proposed for the discipline of nursing to achieve this change: transformatory education, a conscientisation programme, and mandatory emancipatory clinical supervision.
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Yahi, Alexandre. "Simulating drug responses in laboratory test time series with deep generative modeling." Thesis, 2019. https://doi.org/10.7916/d8-arta-jt32.
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Drug effects can be unpredictable and vary widely among patients with environmental, genetic, and clinical factors. Randomized control trials (RCTs) are not sufficient to identify adverse drug reactions (ADRs), and the electronic health record (EHR) along with medical claims have become an important resource for pharmacovigilance. Among all the data collected in hospitals, laboratory tests represent the most documented and reliable data type in the EHR. Laboratory tests are at the core of the clinical decision process and are used for diagnosis, monitoring, screening, and research by physicians. They can be linked to drug effects either directly, with therapeutic drug monitoring (TDM), or indirectly using drug laboratory effects (DLEs) that affect surrogate tests. Unfortunately, very few automated methods use laboratory tests to inform clinical decision making and predict drug effects, partly due to the complexity of these time series that are irregularly sampled, highly dependent on other clinical covariates, and non-stationary.
Deep learning, the branch of machine learning that relies on high-capacity artificial neural networks, has known a renewed popularity this past decade and has transformed fields such as computer vision and natural language processing. Deep learning holds the promise of better performances compared to established machine learning models, although with the necessity for larger training datasets due to their higher degrees of freedom. These models are more flexible with multi-modal inputs and can make sense of large amounts of features without extensive engineering. Both qualities make deep learning models ideal candidate for complex, multi-modal, noisy healthcare datasets.
With the development of novel deep learning methods such as generative adversarial networks (GANs), there is an unprecedented opportunity to learn how to augment existing clinical dataset with realistic synthetic data and increase predictive performances. Moreover, GANs have the potential to simulate effects of individual covariates such as drug exposures by leveraging the properties of implicit generative models.
In this dissertation, I present a body of work that aims at paving the way for next generation laboratory test-based clinical decision support systems powered by deep learning. To this end, I organized my experiments around three building blocks: (1) the evaluation of various deep learning architectures with laboratory test time series and their covariates with a forecasting task; (2) the development of implicit generative models of laboratory test time series using the Wasserstein GAN framework; (3) the inference properties of these models for the simulation of drug effects in laboratory test time series, and their application for data augmentation. Each component has its own evaluation: The forecasting task enabled me to explore the properties and performances of different learning architectures; the Wasserstein GAN models are evaluated with both intrinsic metrics and extrinsic tasks, and I always set baselines to avoid providing results in a "neural-network only" referential. Applied machine learning, and more so with deep learning, is an empirical science. While the datasets used in this dissertation are not publicly available due to patient privacy regulation, I described pre-processing steps, hyper-parameters selection and training processes with reproducibility and transparency in mind.
In the specific context of these studies involving laboratory test time series and their clinical covariates, I found that for supervised tasks, machine learning holds up well against deep learning methods. Complex recurrent architectures like long short-term memory (LSTM) do not perform well on these short time series, while convolutional neural networks (CNNs) and multi-layer perceptrons (MLPs) provide the best performances, at the cost of extensive hyper-parameter tuning. Generative adversarial networks, enabled by deep learning models, were able to generate high-fidelity laboratory test time series, and the quality of the generated samples was increased with conditional models using drug exposures as auxiliary information. Interestingly, forecasting models trained on synthetic data exclusively still retain good performances, confirming the potential of GANs in privacy-oriented applications.
Finally, conditional GANs demonstrated an ability to interpolate samples from drug exposure combinations not seen during training, opening the way for laboratory test simulation with larger auxiliary information spaces. In specific cases, augmenting real training sets with synthetic data improved performances in the forecasting tasks, and could be extended to other applications where rare cases present a high prediction error.
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SU, ZHUO-JIN, and 蘇灼謹. "Arth pressure computations by self generating failure planes." Thesis, 1992. http://ndltd.ncl.edu.tw/handle/93344989561985219601.
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Wen, Chia-Min, and 溫佳敏. "Where Is Home? Aritha van Herk's Restlessness and Its Translation." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/27195540381392964122.
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碩士佛光大學
外國語文學系
104
This thesis focuses on the sense of restlessness and the search for identity and a sense of belonging in Aritha van Herk’s Restlessness. The narrator and protagonist, Dorcas, is a Dutch Canadian emigrating at a very young age from the Netherlands to Canada with her parents and her aunt. She works as an international courier and therefore has to travel all over the world. Weariness and restlessness arise in her mind. However, when Dorcas returns to her place at Calgary, she feels more homesick and restless and has to leave again. Paradoxically, Dorcas also carries out the search for peace of mind and a sense of belonging through traveling, but traveling does not bring her what she desires. In order to resolve this dilemma, she makes several attempts at suicide but never succeeds. Then she starts hiring assassins. In fact, Dorcas hires many assassins in different cities to kill her, but no one makes it. It is also because she has been trying for many years to find a place where she can terminate her life. Finally, she goes back to Calgary, where she grows up, and hires a professional assassin, Derrick Atman, to end her life at the Palliser Hotel. Dorcas arranges her own death and wants to become a ghost haunting the Palliser Hotel. In this way, it seems that she tries to turn Calgary as her home. The whole plot of Restlessness develops during the evening when Dorcas meets Derrick Atman in the hotel in order to complete their deal. Within the few hours she spends with Atman, Dorcas recalls important people and events in her past life. Through the mix of a large number of dialogues and interior monologues, we readers can discover Dorcas’s restlessness in her search for home and self-identity.
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Ciciola-Izzo, Rosanna. "Mother/Art:A Search Into Selfhood, Motherhood and Art Education through Personal Works." Thesis, 2014. http://spectrum.library.concordia.ca/978600/1/Ciciola%2DIzzo_MA_S2014.
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This study begins with a look at creative blocks in the lives of creative women, and how these contribute to contemporary feminist discourses on maternal art. These discourses consider how real mothers deal with the ambivalence and contradictions of lived motherhood.
Consequently, I considered from a feminist perspective, how women have traditionally been and are still predisposed to care for others, and how this responsibility both feeds and obstructs one’s creative self.
Personal issues of identity and social roles within the context of marriage, motherhood and “daughterhood” were explored through studio-based research in the form of personal visual memoirs. Visual memoirs were inspired by photo elicitation and reflective journaling.
This study concluded with the idea that “peak experiences” during the creative process functioned not only as a form of escapism, but also served to reconnect with one’s selfhood. This study also looked at how emotional bonds are intertwined with one’s lived experience, and how all these combined contribute to personal growth and creativity.
These findings extend beyond the personal by attesting that reflecting on lived experience through memory work, photo elicitation and visual memoirs can be used as a motivational tool in art education to unblock creativity. This journey also determined that no subject is too personal or too small to not be consideredon a more global scale.
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Liu, Fang-Gui, and 劉芳桂. "Ecocriticism from Art：A Study of Ecological Art of Helen Mayer and Newton Harrison." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/fymwr5.
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碩士國立臺北藝術大學
美術史研究所
99
As environmental concern become one of the most important issues in recent years, this thesis, on the basis of the Harrisons’ project, develops the study of the relations between the sociality, ecological awareness and the landscape presented by contemporary art when faced with ecological themes. From the exploration of such linage, this thesis returns and further examines and criticizes the artistic works of the Harrisons. Three separate angles of research are then revealed: the linage of art history, ecological awareness of Ecocriticism and the creative link between art and society. Helen Mayer and Newton Harrison first cooperated in the 1970s, the blooming age of ecology. Different from that of other “landscape artists”, who incorporated nature into their works but neglected the development of ecology, their work, through collaborative conversations with experts of other disciplines, discussed and interpreted professional environmental issues and ecological awareness, and attempted the restoration of ecology system and the solution of its problems. Such works were evident in their critical texts, for instance Suzanne Lacy’s “Mapping the Terrain: New Genre Public Art” and Grant Kester’s “Conversation Pieces: Community and Communication in Modern Art” are both important references to the Harrisons’ works. With these texts, as the foundation in the exploration of the relations between art and social practices, the publicity and sociality of the Harrisons’ works are further discussed. Through the discussion of awareness, it is deduced that the social orientation of contemporary art is the descendant of the awareness and reflection constructed by the overall criticism to the development of modern society. The works addressing ecological issues in contemporary art are the precise reflection of this linage, as they aim to restore the lost links of man to nature, and people to society. With the exploration of this linage, works of the Harrisons are of pioneering value in both ecological art and ecocriticism, as well as in the social connections of contemporary art.
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HUANG, SHIH-YUN, and 黃士芸. "Using “Zen” for the Design of Campus Installation Art:A Case Study of NYUST." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/38323k.
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碩士國立雲林科技大學
設計學研究所
104
This research focuses on application of “Zenism” in Designing Installation Art of Campus. Through the concept of “Art Corner” to campus environment, then to make Installation Art blend into the environment of campus, not only Humanities and Art but also effect of landscaping is reached. The research subjects include the faculty and students of National Yunlin University of Science & Technology and the community public. The research methodology adopts “Focus group” and “Questionnaire survey” by observation and descriptive analysis to get the following results: (1) In relation to the combination of “Zen” to the Installation Art, 91.2% of respondents are satisfied with the design works of Installation Art, which is called “Yo-Yun Avenue” in this research. (2) 49.3% respondents of 1,037 people (55.4 % of the subjects), who have walked on this Installation Art road in recent half the year, feel pleased with the whole decoration. (3) The four view topics related to the satisfaction toward the Installation Art are in the sequence of “Windmill”、”Bicycle”、”Windmill House” and the last one “Wood frame”. (4) Three factors which attract people in the landscaping of “Yo-Yun Avenue” contain “self-factor of psycho-spiritual aspects”, “outside-factor of installation aspects” and “sitting-factor of environment aspects”. The conclusion of this research consists of: (1) The campus of National Yunlin University of Science & Technology is suitable to be an installation art area because it has peaceful and leisurely unique features of campus. And the public support colorful feeling and make the campus more vigorous. (2) The use of “Zen” thought is involved in the installation art. Most of the public love this kind of campus environment which is full of creation space and art landscaping. (3) Installation art landscaping of “Yo-Yun Avenue” makes not only relaxing but also comforting people physically and mentally to reach self-healing and to accommodate physio-psycho-spirits. The public are completely and fully satisfied.
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Huan-Tang, Lin. "The Statistical Design of the Xbar Control Chart for ARTA processes." 2006. http://www.cetd.com.tw/ec/thesisdetail.aspx?etdun=U0017-1901200710300638.
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Lin, Huan-Tang, and 林煥唐. "The Statistical Design of the Xbar Control Chart for ARTA processes." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/51369073638804575308.
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碩士中原大學
工業工程研究所
94
This thesis is to explore the control chart design for application to the corre-lated data. We assume that the quality characteristic X follows an ARTA(p) process, which is a covariance stationary process with an arbitrary marginal distribution. A considerable number of previous works have been dealing with the control chart de-sign for correlated normality data, little has been endeavored to the effect of the cor-related non-normality data. In this thesis, we assume that each item is inspected and its quality characteristic is measured at the moment it is produced. Hence, we consider only two parameters: sample size m and control-limit factor k for the design chart. We develop an op-timization model for the control chart design with correlated non-normality data. The rationale for the model is to look for the optimal design parameters so as to maximize the out-of-control performance with specific mean shift, under a fixed performance of in-control process. We propose a procedure of simulation, incorporated with retro-spective approximation, to find the optimal design of control chart. In addition, we also examine the effects of correlated non-normality data on the design parameters. From the results of simulation experiments, our findings reveal that the control chart design requires larger sample size as the data get higher positively correlated. For stronger negative correlation, the sample size does not change monotonically with the magnitude of correlation. Additionally, a larger sample is required for non-normal marginal distributions, such as exponential, lognormal, and t distributions, than for the normal marginal distribution with same lag-p autocorrelations. (Our empirical results only show p=1.) In addition, we compare the chart to the ARMAST chart in different corre-lated data. The data processes we selected are AR(1) process and ARTA(1) with U(0,1) marginal distribution. The results indicate that the application of chart is more robust than ARMAST chart with non-normality marginal distribution.
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Fiřt, Jan. "Archa velmistra Puchnera a vlivy nizozemského realismu na pozdně gotickou deskovou malbu v Čechách." Master's thesis, 2008. http://www.nusl.cz/ntk/nusl-293978.
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The thesis deals with the influences of Flemish realism on late Gothic panel painting in Bohemia; more specifically, it focuses mainly on the well-known altarpiece of Grand Master Puchner. The altarpiece is considered one of the earliest and also purest examples of the influence of Flemish realism in Bohemia. Experts agree there was no direct contact, the influence was mediated through neighboring areas. As to through which areas, experts differ in their opinions. However, the question of where the style of the altarpiece comes from gets the most attention in the thesis. Based on the comparison of styles the thesis claims that the main inspiration for the painter of the Prague altarpiece came from Cologne, from the workshop of the Master of the Lyversberg Passion in particular.
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FANG, CHEN YU, and 陳玉芳. "Life Education through Campus Public Art:A Case Study of Beisin Elementary School, Taipei County." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/55761887645293658992.
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碩士國立臺北教育大學
藝術學系碩士班
97
The campus public art is taking on an increasingly important role in future development of school environment and of the integrated planning of the community. It affects students’ learning motivation, habit and behavior by being public, artistic, and interactive. In the spirit of incorporating art into life and life into art, campus public art can be extensively integrated as part of the larger curriculum without special financing. In a survey conducted by the current study exploring elementary school students’ and teachers’ preferred forms of getting involved in campus public art, it was found that campus public art forms most to least preferred are artistic creation, artistic performance, and artistic appreciation. The current study was mainly a qualitative one in which surveys, observations of and participation in activities and interviews were analyzed, generalized, and calculated. The results were quantified and resented simple percentages. The research sample is students from Beisin Elementary School, who helped complete surveys. Among the returned surveys, some were chosen at random and the informants, who would fill out a different version of survey and had an interview. In this doing, we get to understand students’ thinking about how campus public art meant to teach about life should be conducted. It turned out that life education supplemented with campus public art to address the topics such as individual and him/herself, individual and others, individual and society and individual and nature enabled teachers and students to know and like themselves and respect others more. The implementation of it also made the school environment greener and more beautiful, reinforced teachers’ and students’ attachment for the school, and further connected the school and the community. As the model worked effectively, it may be an example for schools to follow in life education campaign at the beginners’ level, campus landscape designing, and implementation of public art.
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Su, Fu-lung, and 蘇福隆. "The Virtual Image of Digital Art：A Study of Art Creation from Traditional Plastic Art to Digital Art." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/28241015198341488792.
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碩士國立嘉義大學
視覺藝術研究所
92
The ‘computer art’ came into being by the computer technology developed since World War Ⅱ. By the ingenious ways of usage of artists, the computer technology, originally, used as tools of trajectory distance computing and information decoding, becomes the material of artistic creation. Up to present time, the steady progress in computer technology has had immense influence over daily life, entertainment, industry, commerce, and even national defense in different areas. For the artistic creation perspectively speaking, the emergence of computer technology, hence traditional painting and design develop new artistic areas and artists use it as creative materials to have an unpredictable brilliant future. After entering the era of digital, the ‘spatial’ presentation of artistic creation is not only entering into 4D, but also the new presentations of so-call ‘virtual reality’ and ‘interactive space.’ For art creators, it is worth studying and discussing this new trend. Facing the new coming era, the artistic materials and presentation should have forms and characteristics of contemporaneity. The core of contemporary arts lies in looking for a new set of ‘visual languages’, and inventing new content and a new means of presentation. The information technology is providing a whole new creative form, and thought. For instance, artists can meet the demands of faster images or make the presentation of imaginative image easier, copy, print and store images in a digital environment, and diffuse artworks widely without the boundaries of Internet. For the author, this study of artistic creation of myself focuses on cognition of digital creation materials and it’s revolutionary influence on the presentation of space and on understanding of it’s distinctive characteristics from traditional materials by the experiments on digital materials. Chapter One gives a description of motives & purposes, methods & steps, and limitation of restriction and boundary. Chapter Two, mainly, discusses the issue of ‘space’: first, from cognition to presentation of painting ‘space’; second, influence of digital technology on creating ‘space’. Chapter Three, it chiefly concerns with the transitional progress of the creation materials of creator from traditional to digital. It starts from the discussion of oeuvres review and period division to digital material experiments, and further analysis and comparison of ‘spatial simulacrum’ presentation of material. Chapter Four, applying the what creator learned from the experiments on digital material in creation of ‘digital spatial virtual image’, and interpreting the connotation of works and analyzing the forms of works. Chapter Five, according to what the creator got from artistic creation, coming to conclusion and offering suggestions, and providing the developmental direction of digital artistic creation and research in the future.
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Lin, Huei-yu, and 林慧瑜. "Samurai Spirit Being Practiced in Art：A Study on Huo Sung, Chiou''s Clay Sculpture Creation." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/57540138429484406048.
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碩士國立臺南大學
台灣文化研究所碩士班
100
By means of field research, interview, and analysis of images, this paper will develop a systematical argument about a clay sculpture artist, Huo sung, Chiou, by his background, the process of studying independently, and concept and essence of his creations. Besides, Chiou’s sophisticated clay sculpture skill and his core of samurai spirit are pointed out here to be an effective method to understand the culture inside Chiou’s artistic works, and realize his motivation that he performs by his artistic creations and the vitality that he gives to his works in addition. First, the rough sketch of Taiwanese sculptures history which time is from Japanese colonial period to postwar and today to comprehend Chiou’s background will be mentioned in the research. Additionally, a glance into Chiou’s life and experiences will be helpful to understand how his sculpture skill proceeds steadily. Chiou courageously exhibited at official exhibitions when he is unknown to the public. His artistic works won prizes in many exhibitions so he gradually became popular and owned his own studio for creating space. Furthermore, Chiou enthusiastically embarked on social and religious affair so Chiou was offered many excellent chances to publicly display his art works. Chiou was born in Japanese colonial period. By means of training of Kendo, Chiou aimed at revising his moral conduct to cultivate its mature mental attitude. His lift attitude and creation concept were affected by samurai spirits a lot, such as industrious manner, austere style life, self-restrain, acquired manners, and incorruptible attitude towards job and so forth. These self-cultivations for decades have him becoming an unrestricted creative artist. Memorial statue is Chiou’s representative work of realistic style. He finds a balance between Realism and Idealism by means of professional clay sculpture skills, acute observation of people, and documentary textual research. Consequently, Chiou enables to embody the abstract idea in his works to present its essence. Heroic totem that Chiou made symbolizes samurai spirit. He empowers such moralities as loyalty, justice, benevolence, and brave, to heroes. Heroic totem is not a decoration only, but an art work which is provided with dignity and thousands of ideas that Chiou would like to express. His statues of gods are not only splendid decorated, but also solemn imposing. Every statue of god is full of vigor with pithy style. Moreover, every statue is the only one work which is not reproduction by machinery. His works are close connection with his own religious belief, which is identification of religion and a heritage of spirit. Public artistic works of Chiou are contributed by non-governmental organizations. Therefore, the status of Chiou’s creations is able to have a place to be one of important landmarks in Tainan. In the conclusion, the paper will deeply discuss how famous Tainan clay sculpture artist Huo sung, Chiou insists his strong life force and willpower of creation concept without being drowned in mainstream. His human integrity and expression of artistic idea reveal the essence of culture and the value of society; reflect culture identity and elevated life attitude as well. The rarity, Chiou who is almost forgotten by people, completely put the spirit of Taiwanese into practice in his whole life.
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FANG, YEN-TING, and 方彥婷. "Research on Awards in National Student Competition of Creative Drama Art：A Case Study of Jiangcui Junior High School." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/bxd8x5.
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碩士國立臺灣藝術大學
戲劇學系
106
“National Student Competition of Creative Drama Art” has come to 14th year. The competition is divided into three major categories: Modern Puppetry, Traditional Puppetry, and Drama.“Jiangcui Puppet Theatre Group” was founded in 2012 by New Taipei Municipal Jiangcui Junior High School in Taiwan. However, it was renamed as “Jiangcui Drama Club” in 2015 because of competition system. Until the end of 2016 academic year, Jiangcui Drama Club has participated in the national competition, four works has produced and fallen into two categories called Modern Puppetry and mixed-style Puppetry as well as Drama. The study focuses on the two award winning submissions from Jiangcui Drama Club, “Three Monsters” in 2012, and “Sweet Quarresome” from 2015, the analysis of this study was based on Aristotle´s Six Elements of Drama. In Aristotle´s “Poetics”, the drama consists of plot, character, thought, language, music, and spectacle. The study is divided into five chapters, the first describes research background and motivation, previous studies, research scope, methodology, and expected outcome. The second chapter discusses the details regarding National Student Competition of Creative Drama Art and Jiangcui Drama club, explaining their respective rise and structure. The third chapter analyzes the two award winning dramas respectively, the fourth focuses on the analysis of script, space utilization, and rehearsal. The last chapter will offer research conclusion and suggestions for future research. In the research, the researcher will participate as an observer to record the effects of club’s journey from conception of drama to participation in the contest. The students learned the beauty of theatrical and stage performance in it’s execution through participation, further enhancing the creativity and value of the submission during contest. And from the instructor’s perspective, how to best lead students to explore their inner selves to maximize their performance and increase their interest in order to further promote drama education. Using the analysis and discussion above, the research strives to provide a comprehensive outlook on the current status of drama education and provide future directions for enhancing what and how to teach and lead in order to help institutes intent on providing drama educations in the future.
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Arth, Inko [Verfasser]. "Nitrifikation und Denitrifikation in der Rhizosphäre von Reis : kleinräumige Lokalisation der mikrobiellen Prozesse / vorgelegt von Inko Arth." 2000. http://d-nb.info/959520953/34.
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周湘玲. "A study of installation art teaching in the field of primary school visual art:a case study of seniro grades in primary school." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/62595254991324615852.
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碩士國立新竹教育大學
人資處美勞教學碩士班
94
The objective of the present study was to discuss the development and trend of contemporary installation art in Taiwan, and to analyze the contents and value of theart; it was expected that by summarizing the meaning of practicing installation art in the field of visual art in primary senior grades through literature reviews, an integrated art curriculum using” installation art” as the core would be established. The researcher adopted the method of action research for conducting an one-semester teaching research on students of a fifth grade class of Action Primary School (Anonym) in Taoyuan County. During the course of research, the author repeatedly reflected on shortcomings and identified problems, and lastly discussed the appropriateness and teaching strategies basing on the research outcomes, on top of that, the researcher also provided recommendations for practicing installation art in the field of art and cultural teaching in primary schools in the. The following is the summary of the research outcome and conclusion: (1) The developmental trend of the contemporary installation art in Taiwan: The development of installation art in Taiwan took place through the treacherous social transformation. The causes of the development are summarized into the following points: 1) the stimulation of new artistic concepts brought by the return of Peoples studying abroad;2) the construction of three major contemporary fine art Museums (Taipei Fine Arts Museum, National Taiwan Museum of Fine Arts, and Kaohsiung Museum of Fine Arts);3) the establishment of national colleges of fine Arts in the Northern and Southern Taiwan;4)the rise of the using replacing spaces And spare spaces;5) the rise of localism and cultural self-awareness;6) the Participation and hosting of international bi-annual exhibition; 7) the establishments And spare spaces;5) the rise of localism and cultural self-awareness;6) the Participation and hosting of international bi-annual exhibition; 7) the establishments of public and private fine art foundations;8) the establishment of art subsidizing acts; 9) the establishment of public arts; 10) the trend of strategic exhibition; 11) the trend of internationalization and the surging wave of globalization; 12) the establishment of fine art villages; 13) the plan of overseas village stationing of artists; 14) the encouragement of awards for art; 15) the promotion of relevant artistic magazines. （2） The value of content quality of contemporary installation art in the art and cultural curriculum in senior grades of primary high schools: The characteristics of installation art stress the reflection of self and the environment , and the spirit of fully displaying the care for the culture through in-depth understanding of the society. Furthermore, the techniques for creating are often trans-fields. Therefore, the use of installation art as the theme for teaching art and cultural curriculum corresponds to the spirit and philosophy. (3) The results for the teaching research of establishing an integrated art curriculum with installation art as its core are as following: The highly diverse teaching contents stimulated the interest for learning; the Reflection and care for the environment elevated the understanding’ the students had Developed the abilities of actively exploring and independent thinking; the students Gradually learned the way of expressing to and sharing with others; integrated Knowledge was obtained; the students developed the ability of examining works of Themselves and of others; the students experienced the basic art educating concept that art originates from life and merges with life: the sense of self-concept, self-respect, and self-discipline were enhanced in students. （4）Recommendations regarding the integrated curriculum of installation art: The times needed should be estimated before designing the curriculum and the Teaching hours should be designed flexibly. School activities or extramural resources should be used for a more multi-faceted and comprehensive assessment; the teachers should appropriately guide the students, increase their sense of confidence and independence, and help them to actively involve in the curriculum of installation art. In the future, the practice of horizontally and vertically linked installation curriculum in the primary school art and cultural field could be developed.
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Yen, Chih-Yun, and 顏芝芸. "The Interactive Play and Sharing of Creative Behaviours among Children in the Kaohsiung Children’s Museum of Art:A Case Study of the “ Pattern, Really Wonderful !” Exhibition." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/5f3m82.
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碩士國立臺北藝術大學
博物館研究所碩士班
101
The children''s art museum as a cultural and educational institution provides a learning choice different from other venues. Through the display design and educational activities, the museum promotes children''s appreciation of artworks and creates diverse interactions and learning experiences. What are the influences of the exhibition design to children’s play and appreciation of artwork behaviours? How do the family members interact in the museum? Furthermore, how do children of different ages interact with artworks? These are the research questions that this thesis is going to explore. The “Pattern, Really Wonderful!” exhibition is applied as case study in the Kaohsiung Children''s Museum of Art. By observation and video recording, the researcher recorded the interaction among children and their family members at four artworks. Analysis shows that different designs of artworks and the exhibition design influenced the interactive play and sharing of creation among children. For example, corner space and overall display environmental influenced the space of play and interaction experience. The dynamic projection on the floor promotes bodily play and teaching aids which can be touched and played benefits children’s role play. The area set for children to display their own works facilitates sharing and discussion. The location and height of setting the artists’ works influences children’s imitation and discussion. Besides, interactive teaching aids can facilitate family members’ interaction, and children also invited adults to join their play. In addition to cooperative play, sometimes adult’s guidance might interfere children’s play. Children of different ages interact with artworks differently. Infants use their body to touch and play most, preschoolers are more devoted themselves into the role play, and school-age children will develop rules of game with their peers. In addition, there are occasional conflicts between children, especially when the resources are unevenly distributed or their own works were destroyed by other children. The children’s art museum can enrich children’s museum experiences and family’s interaction, if the museum staff and artists can make good use of the nature of children''s fond of playing, designing artworks and interactive display that the family loves, and creating an interactive environment suitable for children of different ages, in addition to games and activities to enhance the reading rate of exhibition edition text, and the exhibition requires attention needed to increasing the closed, and considering the height suitable for children to appreciate the artworks as well as providing adequate resources and teaching aids.
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吳仁潔. "A research on the realationship between the creators' concept and the society apprehension of public art:a case study on public art work in Hsin-Chu area." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/31315613227145372961.
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碩士國立新竹教育大學
美勞教育研究所
94
in the case of public art work,the creation of art is not strictly a release of personal emotion and presentation of style, but also includes more profound thoughts. Besides the art worker’s personal style and professional background, public art needs to express and face complicated and direct problems of its society. The public art which can’t establish a communicational relationship with its society, which ignores the society’s perspective, would lose its purpose and meaning. Therefore, it is a thoughtful topic that a public artist in his works should maintain a balance, expressing both artistic and public aspects. The main purpose of this survey is to understand the public art workers’ thoughts and to investigate the relationship between their works and the surrounding societal environment. For the purposes of this research, I tried to determine the main topics and ideas relevant to public art. The tools I intend to use to answer the aforementioned questions are; literature analysis of many artist’s works and their biographies in order to build the basic concepts of public art creation, personal interviews trying to determine public art workers’ creative concepts and their original notions, and questionnaire-based research in order to acquire information concerning the public’s apprehension of public art works related to my main research topics. The conclusions of this survey are extracted from the results of the interviews and questionnaires. The following presents a summary of the findings: 1. There are three aspects that the public art workers should consider when creating their works. From an artistic aspect, public artists take major consideration of the place where their works are to be exhibited. From a spatial aspect, drawing from the “tangible environment” and “intangible environment” that physically surrounds the work of art, the workers also intent to shape their works in such a way so as to craft public art works that suit these surroundings. Moreover, from a public aspect, they aim to call attention to the viewers’ aesthetic visual receptiveness and provoke in an emotional and sentimental manner. 2. The public art workers faced some difficulties in the public aspect. Firstly, excessive bureaucracy and red-tape. Secondly, the public art works and the buildings or other surroundings couldn’t keep in harmony. Thirdly, the government tended to misinterpret public art works as engineering. Fourthly, the art workers and the executive administrations had different perceptions about the works. Fifthly, seeking materials and factories sometimes was not easy to find because of the great quantities needed. In that case, the solutions were joining public art work teams, looking for enthusiastic administration, developing the art workers’ patience and communicative abilities and altering the art workers’ mindset. 3. The differences of perception of the public art works between the workers and the viewers focuses on their understanding of the titles and contents of art works, as well as their perception concerning the locations and the space of the public art works. For balance to be maintained, the workers should take the viewers’ consciousness into consideration, and then create detailed explanation boards for their works. Furthermore, the art workers should investigate the public’s perception concerning the surrounding environment before starting the work. According to these results, I propose some suggestions concerning the public art workers, the administrations as well as future researches.
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SU, YU-WEN, and 蘇郁雯. "The Museum Exhibition and Appreciation Education of Ink Art：A Case Study of “A Passionate Journey：Huang Kuang-nan’s Literati Art” Exhibition in the Kaohsiung Museum of Fine Arts." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/9pg5eg.
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碩士國立臺北藝術大學
博物館研究所
106
The development of Ink-art in Taiwan is influenced by its society, way of living, school’s art education, and ideology. Comparing with western art, Ink-art’s aesthetic-value is relatively unrecognized by the people of this country. How can a museum express the aesthetic value of Ink-art with it’s own limited resource while still being dedicated to the community’s education, and being a cultural institution? With this in mind, the purpose of this research is to investigate Ink-art’s exhibitions in museums, and the practice of education of appreciation. In response to the following questions, this study will focus on an exhibition held by Kaohsiung Museum of Fine Arts (KMFA, Kaohsiung), “A passionate journey: Huang Kuang-nan’s Literati Art” as a research target: How is Ink-art’s aesthetic value reproduced and demonstrated through this exhibition? How does a museum express its content in order to facilitate the education of appreciation? How is Huang Kuang-nan’s personal experiences reflected through his Ink-art creations and his concept of art education? As a response for those questions mentioned above, through thorough analysis of related articles, this research will first clarify the effectiveness of the museum’s ability to educate through exhibitions, and the theory on Ink-art’s education of appreciation. Furthermore, this research aims to understand how Ink-art’s education of appreciation is practiced in a museum through these points of view. Secondly, via the analysis of Huang Kuang-nan’s experience in art education and his concept of it, this research will further investigate his idea of Ink-art creation and his views on art. Lastly, this research will focus on its purpose, the space arrangement, and the guide lines on this particular event, “A Passionate journey: Huang Kuang-nan’s Literati Art” to further analyze and discuss the questions above as feedback. Affected by his environment, learning and working experience, Huang Kuang-nan used intellectual vision of Ink-art to represent his heart and soul in attempt to turn it into a modern symbol. The exhibition “A Passionate journey: Huang Kuang-nan’s Literati Art” makes its own interpretation through a “intellectual’s vision” with the intention to present Huang Kuang-nan’s complete experience in art. The construction of this exhibition was presented in alignment with its style properties to effectively highlight the feature of Huang Kuang-nan's Ink-art, and has successfully matched it with the exhibition’s scheme. During the exhibition tour, the speaker provides a sequence and pathway to judgement on Ink-art, as well as encourages viewers to link their personal life experiences to guide them on how to appreciate Ink-art.
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Leaver, Jonathan David. "Identification and Interpretation of Characteristic Periodic Variations of Near Surface Fluids in the Te Aroha, Rotorua, and Orakeikorako Geothermal Fields of New Zealand using Wavelet and Fourier Analysis." 2006. http://hdl.handle.net/2292/346.
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This thesis presents the analysis of a series of experimental measurements from a selection of springs, geysers and wells at Te Aroha, Rotorua and Orakeikorako in New Zealand aimed at the identification of the frequencies of any characteristic variations with a period of 25 hours or less. The measurements taken from these sources collectively recorded water level, conductivity, temperature, rainfall and barometric pressure. The measurements involve the collection of data with high accuracy instrumentation and high sampling rates of 5 minutes to 1 hour over periods exceeding 1400 hours in both exploited and unexploited hydrothermal systems. The measurements are filtered using both an adaptive wavelet based filter and Fourier analysis to extract the influence of gravity tides, rainfall, and barometric pressure with the residual dominant frequencies being attributed to sub-surface thermodynamic processes. A review of the development of techniques for the determination of the pressure response of geothermal reservoirs to barometric pressure, gravity tides, and rainfall is presented. The fundamentals for the mathematical development of Fourier and wavelet analysis are discussed along with sources of error for both Fourier and wavelet analysis. A sensitivity study of wavelet and Fourier analysis is presented based on the analysis of a series of artificial signals. A system dynamics model of a spring at Orakeikorako is formulated to demonstrate fundamental heat and mass transfer processes and the effect of periodic forcing functions on spring response. This study is of importance in that it provides an understanding of periodic forcing functions derived from high accuracy measurements on geothermal features at high sampling rates over periods exceeding 1400 hours. Once identified, the amplitude and frequency of the forcing functions can be monitored to assist in identifying and quantifying any changes in reservoir characteristics.
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Matějka, Miroslav Pacifik. "Analýza biblické důvěry ve světě Pentateuchu." Doctoral thesis, 2011. http://www.nusl.cz/ntk/nusl-311419.
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This Study elaborates the topic of Biblical Trust in the World of Pentateuch. This trust is understood as to rely in a purely subjective way on a word or instruction of some person. In case of God it frequently means a conviction that some humanly unrealizable promises are to be fulfilled. Such attitude secures to the trusting person merits before God. Rely on God is often understood in a confrontational way as opposite to the life of unbelievers. Trust requires courage to make leap in the dark. Meanwhile it is always right to trust in God, trust in a human person is in Pentateuch interpreted as fool. But if the respective man is the spokesman of God, the eventual mistrust is seen as an attack against God himself. In case of God's revelation trust becomes duty. If there is any doubt people can ask some sign of authenticity for the presented God's will. But if the will is known, eventual mistrust is interpreted as disobedience and follows a severe punishment. The same trust which belongs to God is required also for his prophet and for the Law proclaimed in the God's name. If somebody relies on himself in sense of exaggerated self-confidence which does not count on God, it is understood as a crime. In the same manner is valuated the trust directed towards the pagan divinities.
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Fiřt, Jan. "Recepce nizozemského realismu v pozdně gotické deskové malbě v Čechách." Doctoral thesis, 2016. http://www.nusl.cz/ntk/nusl-353532.
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The dissertation deals with the reception of Dutch realism in the late Gothic panel painting in Bohemia. Its aim is to examine the principles of reception of new artistic forms and ideas that originated in the Dutch art centers in the 15th century. The Czech painting of the 15th century was adopting these innovative trends exclusively from the neighbouring countries. Therefore, the work addresses mainly issues related to artistic exchanges between Bohemia and the surrounding - mostly German-speaking - regions. It looks into the specific ways in which artistic exchange took place - the mobility of artists, art imports, the importance of graphic and other models. The dissertation focuses on the most important examples that show the reception of Dutch realism: The Ark of Grand Master Puchner, The Křivoklát Altarpiece, and works associated with it. These matters are addressed mainly through a formal stylistic analysis and formal comparison. In the case of the Puchner Ark, via these methods, it has been possible to point out a possible artistic basis of the author in Swabia - within a circle of the followers of the Master of the Sterzing Altarpiece. The dissertation has tried to prove the artistic origin of the Master of the Litoměřice Altarpiece within the circle of the Ulm painter B. Zeitblom. These...