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Books on the topic 'Arte mochica'

Author: Grafiati
Published: 4 June 2021
Last updated: 2 February 2022

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1

Museo Arqueológico Rafael Larco Herrera. La ceremonia del sacrificio: Batallas y muerte en el arte mochica. [Lima, Perú]: Museo Arqueológico Rafael Larco Herrera, 2000.

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2

Jaime, Castillo Luis, Institut français d'études andines, and Pontificia Universidad Católica del Perú. Fondo Editorial., eds. Arqueología mochica: Nuevos enfoques : actas del primer Congreso Internacional de Jóvenes Investigadores de la Cultura Mochica, Lima 4 y 5 de agosto de 2004. Lima, Perú: Fondo Editorial, Pontificia Universidad Católica del Perú, 2008.

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3

Arte del Perù precolombiano: Ceramiche Moche e Nasca della collezione Baronetto. Torino: Blu edizioni, 2009.

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4

Montero, Enrique Vergara. Mitografía mochica. [Trujillo, La Libertad, Perú]: Universidad Nacional de Trujillo, Facultad de Ciencias Sociales, Museo de Arqueología, Antropología e Historia, 1996.

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5

Hocquenghem, Anne-Marie. Iconografía mochica. 2nd ed. Lima, Perú: Pontificia Universidad Católica del Perú, Fondo Editorial, 1987.

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6

Hoyle, Rafael Larco. Los mochicas. Pueblo Libre, Lima: Museo Arqueológico Rafael Larco Herrera, 2001.

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7

D, Cristóbal Campana. Historia de una deidad mochica. Lima, Perú: A & B, 1997.

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8

Mochica: Los secretos de Huaca Cao Viejo. Lima, Perú: Fundación Wiese, 2009.

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9

Lieske, Bärbel. Mythische Bilderzählungen in den Gefässmalereien der altperuanischen Moche-Kultur: Versuch einer ikonographischen Rekonstruktion. Bonn: Holos, 1992.

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10

Die Mochica an der Nordküste Perus: Religion und Kunst einer vorinkaischen andinen Hochkultur. Hamburg: Diplomica, 2008.

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11

Dibujo peruano precolombino: Los mochicas. [Buenos Aires]: Nobuko, 2009.

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12

Shimada, Izumi. Pampa Grande and the Mochica culture. Austin: University of Texas Press, 1994.

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13

Moche, cosmología y sociedad: Una interpretación iconográfica. Lima: IEP, Instituto de Estudios Peruanos, 2009.

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14

Golte, Jürgen. Moche, cosmología y sociedad: Una interpretación iconográfica. Lima: IEP, Instituto de Estudios Peruanos, 2009.

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15

Golte, Jürgen. Iconos y narraciones: La reconstrucción de una secuencia de imágenes moche. Lima: IEP, 1994.

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16

Moche portraits from ancient Peru. Austin: University of Texas Press, 2004.

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17

Castillo, Luis Jaime. Personajes míticos, escenas y narraciones en la iconografía mochica. Lima, Perú: Pontificia Universidad Católica del Perú, Fondo Editorial, 1989.

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18

Sacrificios humanos para el orden cósmico y la regeneración estructura y significado en la iconografía Moche. Trujillo, Perú: Ediciones SIAN, 2012.

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19

Pintura facial y signos moche. Trujillo, Peru?]: [publisher not identified], 2012.

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20

Makowski, Krzysztof. Imágenes y mitos: Ensayos sobre las artes figurativas en los Andes prehispánicos. Lima, Perú: Australis, 1996.

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21

Musée d'ethnographie de la ville de Genève, ed. Les rois mochica: Divinité et pouvoir dans le Pérou ancien. Paris: Somogy éditions d'art, 2014.

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22

Moche art and visual culture in ancient Peru. Albuquerque: University of New Mexico Press, 2008.

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23

Luis, Cornejo B., and Museo Chileno de Arte Precolombino., eds. Morir para gobernar: Sexo y poder en la sociedad Moche. Santiago de Chile: Museo Chileno de Arte Precolombino, 2007.

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24

Miho, Mabuchi, ed. E o mochii, e o tsukuru: Nihon kaiga ni okeru senkō zuyō no riyō. Tōkyō-to Kunitachi-shi: Buryukke, 2011.

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25

McClelland, Donna. Moche fineline painting from San José de Moro. Los Angeles, CA: Cotsen Institute of Archaeology at UCLA, 2008.

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26

Donald, McClelland, Donnan Christopher B, and Cotsen Institute of Archaeology at UCLA., eds. Moche fineline painting from San José de Moro. Los Angeles, Calif: Cotsen Institute of Archaeology at UCLA, 2007.

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27

Hoyle, Rafael Larco. Los mochicas. Fundacion Telefonica, 2001.

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28

Banco de Crédito del Perú., ed. Culturas precolombinas. Lima, Perú: Banco de Crédito del Perú, 1985.

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29

Museo Chileno de Arte Precolombino., ed. Moche: Señores de la muerte : exposición, 19 de octubre de 1990 al 31 de mayo de 1991. Santiago de Chile: Museo Chileno de Arte Precolombino, 1990.

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30

Shimada, Izumi. Pampa Grande and the Mochica Culture. University of Texas Press, 1994.

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31

Human Sacrifices for Cosmic Order and Regeneration: Structure and Meaning in Moche Iconography, Peru, Ad 100-800. Not Avail, 2005.

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32

Joanne, Pillsbury, and National Gallery of Art (U.S.), eds. Moche art and archaeology in ancient Peru. Washington, D.C: National Gallery of Art, 2001.

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33

Joanne, Pillsbury, and National Gallery of Art (U.S.), eds. Moche art and archaeology in ancient Peru. Washington: National Gallery of Art, 2005.

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34

McClelland, Donna, and Christopher B. Donnan. Moche Fineline Painting: Its Evolution and Its Artists. University of Washington Press, 2001.

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35

Moche Fineline Painting: Its Evolution and Its Artists. University of California Los Angeles, Fowler, 1999.

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36

1956-, Bourget Steve, and Jones Kimberly L. 1979-, eds. The art and archaeology of the Moche: An ancient Andean society of the Peruvian north coast. Austin: University of Texas Press, 2008.

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37

Augenblicke: Keramik der Moche und Shipibo, Peru. Frankfurt am Main: Museum der Weltkulturen, 2005.

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38

B, Suhrbier Mona, Kroeber-Wolf Gerda, Clados Christiane 1957-, and Museum der Weltkulturen (Frankfurt am Main, Germany), eds. Augenblicke: Keramik der Moche und Shipibo, Peru. Frankfurt am Main: Museum der Weltkulturen, 2005.

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39

Sex, Death, and Sacrifice in Moche Religion and Visual Culture. University of Texas Press, 2006.

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40

Berrin, Kathleen (editor). The Spirit Of Ancient Peru. Fine Arts Museums of San Francisco, 1997.

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41

Talbot, Ian, and Tahir Kamran. Poets, Wrestlers and Cricketers. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190642938.003.0005.

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Chapter four discusses the impact of colonial rule on traditional cultural and sporting pastimes and the new activities that emerged, most notably cricket. There are three case studies of mushairas (poetic contests), wrestling and cricket. The chapter reveals how their key participants in Lahore were able to perform on a wider stage because of the communications revolution. Nonetheless, they remained rooted in the mohallas and local institutions of the city. Lahore’s mushairas of the 1870s which received contributions from Muhammad Hussain Azad and Altaf Hussain Hali are seen as possessing an important impact on the evolution of Urdu poetry in North India. Competitions took Lahore’s most famous wrestler Gama from his akhara (wrestling arena) in the city to England. Many of Lahore’s most famous colonial era cricketers lived in the Bhati Gate and Mochi Gate area. The fierce rivalry in the 1920s and 1930s between Islamia College and Government College drew talent from across the Punjab. Cricket was not divided on communal lines, Lala Amarnath the future Indian test captain who toured England in the 1930s played for the Crescent Club based at Minto Park which was patronized by the middle class Rana family of the Mochi Gate locality.
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42

McClelland, Donna, and Christopher B. Donnan. Moche Fineline Painting from San Jose De Moro (Monograph). Cotsen Institute of Archaeology, 2007.

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43

McClelland, Donna, and Christopher B. Donnan. Moche Fineline Painting from San Jose De Moro (Cotsen Monograph) (Cotsen Monograph). Cotsen Institute of Archaeology, 2007.

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44

Alessandra, Cannistrà, and Chiesa di Sant'Agostino (Orvieto, Italy), eds. Le stanze delle meraviglie: Da Simone Martini a Francesco Mochi : verso il nuovo museo dell'Opera del Duomo di Orvieto. Cinisello Balsamo, Milano: Silvana, 2006.

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